Author: Nikolaus Reber
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 206
Book Description
Adequate participation of artists in the profits of film exploitation has become increasingly important in recent years. Whereas before film and television studios/producers only had the choice of presenting their products in theaters or on television, the latest technical and economical developments - such as digitalisation of film, online services or merchandising-provide a much wider field of exploitation. This book will closely examine American artists2 protection by way of copyright law, collective bargaining agreements and individual contracts. Special focus will be placed on the various ways of calculating profit participation and residual payments. This work is an indispensable tool for the entertainment and media industry, especially lawyers, practitioners and scholars in this field.
Film Copyright, Contracts and Profit Participation
Author: Nikolaus Reber
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 206
Book Description
Adequate participation of artists in the profits of film exploitation has become increasingly important in recent years. Whereas before film and television studios/producers only had the choice of presenting their products in theaters or on television, the latest technical and economical developments - such as digitalisation of film, online services or merchandising-provide a much wider field of exploitation. This book will closely examine American artists2 protection by way of copyright law, collective bargaining agreements and individual contracts. Special focus will be placed on the various ways of calculating profit participation and residual payments. This work is an indispensable tool for the entertainment and media industry, especially lawyers, practitioners and scholars in this field.
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 206
Book Description
Adequate participation of artists in the profits of film exploitation has become increasingly important in recent years. Whereas before film and television studios/producers only had the choice of presenting their products in theaters or on television, the latest technical and economical developments - such as digitalisation of film, online services or merchandising-provide a much wider field of exploitation. This book will closely examine American artists2 protection by way of copyright law, collective bargaining agreements and individual contracts. Special focus will be placed on the various ways of calculating profit participation and residual payments. This work is an indispensable tool for the entertainment and media industry, especially lawyers, practitioners and scholars in this field.
Individualism and Collectiveness in Intellectual Property Law
Author: Jan Rosén
Publisher: Edward Elgar Publishing
ISBN: 0857939610
Category : Law
Languages : en
Pages : 393
Book Description
This title embraces fundamental, eternal and yet very contemporary elements in IP law dealt with in all parts of the world.
Publisher: Edward Elgar Publishing
ISBN: 0857939610
Category : Law
Languages : en
Pages : 393
Book Description
This title embraces fundamental, eternal and yet very contemporary elements in IP law dealt with in all parts of the world.
Copyright Infringements (audio and Video Recorders)
Author: United States. Congress. Senate. Committee on the Judiciary
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1468
Book Description
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1468
Book Description
Intellectual Property Rights
Author: David Vaver
Publisher: Taylor & Francis
ISBN: 9780415384599
Category : Copyright
Languages : en
Pages : 440
Book Description
Publisher: Taylor & Francis
ISBN: 9780415384599
Category : Copyright
Languages : en
Pages : 440
Book Description
The WIPO Treaties on Copyright
Author: Jörg Reinbothe
Publisher: Oxford University Press
ISBN: 0191512613
Category : Law
Languages : en
Pages : 1121
Book Description
This work is the leading guide to the WIPO Copyright Treaty (WCT), the WIPO Performances and Phonograms Treaty (WPPT), and the Beijing Treaty on Audiovisual Performances and includes a chapter on the Marrakesh Treaty of 2013. More than ten years have passed since the entry into force of the WCT and the WPPT. This revised commentary on the treaties reflects on the impact of their implementation and illustrates how they have come to be applied in different ways in particular through national legislation. It gives a detailed analysis of the development and meaning of all articles of these treaties and integrates current debates on copyright and neighbouring rights protection in the digital age. Written by two leading experts in copyright law, both closely involved in the evolution of the treaties and their implementation into national and EU law, this work is the definitive guide to the recently adopted international copyright treaties.
Publisher: Oxford University Press
ISBN: 0191512613
Category : Law
Languages : en
Pages : 1121
Book Description
This work is the leading guide to the WIPO Copyright Treaty (WCT), the WIPO Performances and Phonograms Treaty (WPPT), and the Beijing Treaty on Audiovisual Performances and includes a chapter on the Marrakesh Treaty of 2013. More than ten years have passed since the entry into force of the WCT and the WPPT. This revised commentary on the treaties reflects on the impact of their implementation and illustrates how they have come to be applied in different ways in particular through national legislation. It gives a detailed analysis of the development and meaning of all articles of these treaties and integrates current debates on copyright and neighbouring rights protection in the digital age. Written by two leading experts in copyright law, both closely involved in the evolution of the treaties and their implementation into national and EU law, this work is the definitive guide to the recently adopted international copyright treaties.
Understanding the Business of Entertainment
Author: Gregory Bernstein
Publisher: CRC Press
ISBN: 1317680510
Category : Art
Languages : en
Pages : 328
Book Description
Understanding the Business of Entertainment: The Legal and Business Essentials All Filmmakers Should Know is an indispensable guide to the business aspects of the entertainment industry, providing the legal expertise you need to break in and to succeed. Written in a clear and engaging tone, this book covers the essential topics in a thorough but reader-friendly manner and includes plenty of real-world examples that bring business and legal concepts to life. Whether you want to direct, produce, write, edit, photograph or act in movies, this book covers how to find work in your chosen field and examines the key provisions in employment agreements for creative personnel. If you want to make films independently, you’ll find advice on where to look for financing, what kinds of deals might be made in the course of production, and important information on insurance, releases, and licenses. Other topics covered include: Hollywood’s growth and the current conglomerates that own most of the media How specific entertainment companies operate, including facts about particular studios and employee tasks. How studios develop projects, manage production, seek out independent films, and engage in marketing and distribution The kinds of revenues studios earn and how they account for these revenues How television networks and new media-delivery companies like Netflix operate and where the digital revolution might take those who will one day work in the film and TV business As an award- winning screenwriter and entertainment attorney, Gregory Bernstein give us an inside look at the business of entertainment. He proves that knowing what is behind filmmaking is just as important as the film itself.
Publisher: CRC Press
ISBN: 1317680510
Category : Art
Languages : en
Pages : 328
Book Description
Understanding the Business of Entertainment: The Legal and Business Essentials All Filmmakers Should Know is an indispensable guide to the business aspects of the entertainment industry, providing the legal expertise you need to break in and to succeed. Written in a clear and engaging tone, this book covers the essential topics in a thorough but reader-friendly manner and includes plenty of real-world examples that bring business and legal concepts to life. Whether you want to direct, produce, write, edit, photograph or act in movies, this book covers how to find work in your chosen field and examines the key provisions in employment agreements for creative personnel. If you want to make films independently, you’ll find advice on where to look for financing, what kinds of deals might be made in the course of production, and important information on insurance, releases, and licenses. Other topics covered include: Hollywood’s growth and the current conglomerates that own most of the media How specific entertainment companies operate, including facts about particular studios and employee tasks. How studios develop projects, manage production, seek out independent films, and engage in marketing and distribution The kinds of revenues studios earn and how they account for these revenues How television networks and new media-delivery companies like Netflix operate and where the digital revolution might take those who will one day work in the film and TV business As an award- winning screenwriter and entertainment attorney, Gregory Bernstein give us an inside look at the business of entertainment. He proves that knowing what is behind filmmaking is just as important as the film itself.
Make Your Story a Movie
Author: John Robert Marlow
Publisher: Macmillan
ISBN: 1250001838
Category : Performing Arts
Languages : en
Pages : 322
Book Description
$50 Billion of Advice in One Book* Have you ever wondered why some books and stories are adapted into movies, and others aren't? Or wished you could sit down and pick the brains of the people whose stories have been adapted--or the screenwriters, producers, and directors who adapted them? Author John Robert Marlow has done it for you. He spoke to book authors, playwrights, comic book creators and publishers, as well as Hollywood screenwriters, producers and directors responsible for adapting fictional and true stories into Emmy-winning TV shows, Oscar-winning films, billion-dollar megahits and smaller independents. Then he talked to the entertainment attorneys who made the deals. He came away with a unique understanding of adaptations--an understanding he shares in this book: which stories make good source material (and why); what Hollywood wants (and doesn't); what you can (and can't) get in a movie deal; how to write and pitch your story to maximize the chances of a Hollywood adaptation--and how much (and when) you can expect to be paid. *This book contains the distilled experience of creators, storytellers and others whose works have earned over $50 billion worldwide. Whether you're looking to sell film rights, adapt your own story (alone or with help), or option and adapt someone else's property--this book is for you.
Publisher: Macmillan
ISBN: 1250001838
Category : Performing Arts
Languages : en
Pages : 322
Book Description
$50 Billion of Advice in One Book* Have you ever wondered why some books and stories are adapted into movies, and others aren't? Or wished you could sit down and pick the brains of the people whose stories have been adapted--or the screenwriters, producers, and directors who adapted them? Author John Robert Marlow has done it for you. He spoke to book authors, playwrights, comic book creators and publishers, as well as Hollywood screenwriters, producers and directors responsible for adapting fictional and true stories into Emmy-winning TV shows, Oscar-winning films, billion-dollar megahits and smaller independents. Then he talked to the entertainment attorneys who made the deals. He came away with a unique understanding of adaptations--an understanding he shares in this book: which stories make good source material (and why); what Hollywood wants (and doesn't); what you can (and can't) get in a movie deal; how to write and pitch your story to maximize the chances of a Hollywood adaptation--and how much (and when) you can expect to be paid. *This book contains the distilled experience of creators, storytellers and others whose works have earned over $50 billion worldwide. Whether you're looking to sell film rights, adapt your own story (alone or with help), or option and adapt someone else's property--this book is for you.
The Creative Artist's Legal Guide
Author: William J. Seiter
Publisher: Yale University Press
ISBN: 0300161190
Category : Law
Languages : en
Pages : 258
Book Description
Demystifying the fundamental principles of intellectual property, this practical resource, essential for anyone trying to navigate today's rapidly changing media environment, provides creative artists with the legal concepts needed to deal safely with lawyers, agents, executives and others. Original.
Publisher: Yale University Press
ISBN: 0300161190
Category : Law
Languages : en
Pages : 258
Book Description
Demystifying the fundamental principles of intellectual property, this practical resource, essential for anyone trying to navigate today's rapidly changing media environment, provides creative artists with the legal concepts needed to deal safely with lawyers, agents, executives and others. Original.
Decisions of the United States Courts Involving Copyright
The Pocket Lawyer for Filmmakers
Author: Thomas A. Crowell, Esq.
Publisher: Taylor & Francis
ISBN: 1000605949
Category : Performing Arts
Languages : en
Pages : 530
Book Description
This no-nonsense reference helps independent filmmakers recognize and solve the critical legal issues they might face throughout the course of making a film. Author Thomas A. Crowell, TV producer turned entertainment lawyer, will help you to understand and negotiate crucial production contracts, handle actors and their agents, and navigate the perils of copyright infringement and other lawsuits. Updated throughout to address important changes to the law, and incorporating discussion of online distribution, crowd funding, social media marketing, and international productions, this expanded third edition will provide you with the skills to: Protect the copyright to your work. Finance your film and watch out for common financing traps. Understand how tax credits and other incentives are used in film financing. Work with other screenwriters, and protect your script ideas. Adapt a book or comic into a screenplay. Know how to spot the difference between copyright infringement and fair use. Hire crew members, actors, and post-production staff. Draft a production services agreement or a license to use someone else’s work. License music for soundtracks. Negotiate a distribution agreement or understand how to distribute your film alone. Learn how to best position your film for Netflix. Make money from YouTube. And much more! Written for accessibility and ease of reference, this book is a vital resource for any student or independent filmmaker wanting their films to be successful and free of legal disasters.
Publisher: Taylor & Francis
ISBN: 1000605949
Category : Performing Arts
Languages : en
Pages : 530
Book Description
This no-nonsense reference helps independent filmmakers recognize and solve the critical legal issues they might face throughout the course of making a film. Author Thomas A. Crowell, TV producer turned entertainment lawyer, will help you to understand and negotiate crucial production contracts, handle actors and their agents, and navigate the perils of copyright infringement and other lawsuits. Updated throughout to address important changes to the law, and incorporating discussion of online distribution, crowd funding, social media marketing, and international productions, this expanded third edition will provide you with the skills to: Protect the copyright to your work. Finance your film and watch out for common financing traps. Understand how tax credits and other incentives are used in film financing. Work with other screenwriters, and protect your script ideas. Adapt a book or comic into a screenplay. Know how to spot the difference between copyright infringement and fair use. Hire crew members, actors, and post-production staff. Draft a production services agreement or a license to use someone else’s work. License music for soundtracks. Negotiate a distribution agreement or understand how to distribute your film alone. Learn how to best position your film for Netflix. Make money from YouTube. And much more! Written for accessibility and ease of reference, this book is a vital resource for any student or independent filmmaker wanting their films to be successful and free of legal disasters.