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Author: Murray Smith Publisher: Oxford University Press ISBN: 0192507923 Category : Philosophy Languages : en Pages : 313
Book Description
In the mid-1950s C.P. Snow began his campaign against the 'two cultures' - the debilitating divide, as he saw it, between traditional 'literary intellectual' culture, and the culture of the sciences, urging in its place a 'third culture' which would draw upon and integrate the resources of disciplines spanning the natural and social sciences, the arts and the humanities. Murray Smith argues that, with the ever-increasing influence of evolutionary theory and neuroscience, and the pervasive presence of digital technologies, Snow's challenge is more relevant than ever. Working out how the 'scientific' and everyday images of the world 'hang' together is no simple matter. In Film, Art, and the Third Culture, Smith explores this question in relation to the art, technology, and science of film in particular, and to the world of the arts and aesthetic activity more generally. In the first part of his book, Smith explores the general strategies and principles necessary to build a 'third cultural' or naturalized approach to film and art - one that roots itself in an appreciation of scientific knowledge and method. Smith then goes on to focus on the role of emotion in film and the other arts, as an extended experiment in the 'third cultural' integration of ideas on emotion spanning the arts, humanities and sciences. While acknowledging that not all of the questions we ask are scientific in nature, Smith contends that we cannot disregard the insights wrought by taking a naturalized approach to the aesthetics of film and the other arts.
Author: Murray Smith Publisher: Oxford University Press ISBN: 0192507923 Category : Philosophy Languages : en Pages : 313
Book Description
In the mid-1950s C.P. Snow began his campaign against the 'two cultures' - the debilitating divide, as he saw it, between traditional 'literary intellectual' culture, and the culture of the sciences, urging in its place a 'third culture' which would draw upon and integrate the resources of disciplines spanning the natural and social sciences, the arts and the humanities. Murray Smith argues that, with the ever-increasing influence of evolutionary theory and neuroscience, and the pervasive presence of digital technologies, Snow's challenge is more relevant than ever. Working out how the 'scientific' and everyday images of the world 'hang' together is no simple matter. In Film, Art, and the Third Culture, Smith explores this question in relation to the art, technology, and science of film in particular, and to the world of the arts and aesthetic activity more generally. In the first part of his book, Smith explores the general strategies and principles necessary to build a 'third cultural' or naturalized approach to film and art - one that roots itself in an appreciation of scientific knowledge and method. Smith then goes on to focus on the role of emotion in film and the other arts, as an extended experiment in the 'third cultural' integration of ideas on emotion spanning the arts, humanities and sciences. While acknowledging that not all of the questions we ask are scientific in nature, Smith contends that we cannot disregard the insights wrought by taking a naturalized approach to the aesthetics of film and the other arts.
Author: Murray Smith Publisher: Oxford University Press ISBN: 0198790643 Category : Art Languages : en Pages : 313
Book Description
Murray Smith presents an original approach to understanding film. He brings the arts, humanities, and sciences together to illuminate artistic creation and aesthetic experience. His 'third culture' approach roots itself in an appreciation of scientific innovation and how this has shaped the moving media.
Author: Richard Grenier Publisher: ISBN: Category : Performing Arts Languages : en Pages : 456
Book Description
This volume brings together 46 critical essays of Grenier, noted movie critic and social commentator. He lambastes the leftward leanings that have become fashionable in politicized Hollywood and among elements of the artistic elite, and shows how the often false values of film culture--whose members include a select few writers, producers, and directors--have spread into American political culture, subtly corrupting the perceptions and thinking of ordinary citizens. He also includes behind-the-scenes juicy tidbits on celebrities and the making of their films. ISBN 089633-149-0: $24.95.
Author: Vera Dika Publisher: Cambridge University Press ISBN: 9780521016315 Category : Art Languages : en Pages : 258
Book Description
The reuse of images, plots and genres from film history has become prominent in contemporary culture. In this study, Vera Dika explores this phenomenon from a broad range of critical perspectives, examining works of art and film that resist the pull of the past. Dika provides an in-depth analysis of works in several media, including performance, photography, Punk film, and examples from mainstream American and European cinema. Proclaiming the renewed importance of the image and of genre, she investigates works as diverse as Cindy Sherman's Untitled Film Stills, Amos Poe's The Foreigner, Terence Malick's Badlands, and Francis Ford Coppola's One from the Heart. Her study positions avant-garde art work within the context of contemporary mainstream film practice, as well as in relationship to their historical moment.
Author: L. Enticknap Publisher: Springer ISBN: 113732872X Category : Performing Arts Languages : en Pages : 253
Book Description
This is the first monograph-length work intended to enable readers with a humanities background and the general public to understand what the processes and techniques of film restoration do and do not involve, attempting to integrate systematically a discussion about related technological and cultural issues.
Author: John Brockman Publisher: Simon and Schuster ISBN: 0684823446 Category : Science Languages : en Pages : 420
Book Description
This eye-opening look at the intellectual culture of today--in which science, not literature or philosophy, takes center stage in the debate over human nature and the nature of the universe--is certain to spark fervent intellectual debate.
Author: Lucy Fischer Publisher: Columbia University Press ISBN: 0231544227 Category : Performing Arts Languages : en Pages : 335
Book Description
Art Nouveau thrived from the late 1890s through the First World War. The international design movement reveled in curvilinear forms and both playful and macabre visions and had a deep impact on cinematic art direction, costuming, gender representation, genre, and theme. Though historians have long dismissed Art Nouveau as a decadent cultural mode, its tremendous afterlife in cinema proves otherwise. In Cinema by Design, Lucy Fischer traces Art Nouveau's long history in films from various decades and global locales, appreciating the movement's enduring avant-garde aesthetics and dynamic ideology. Fischer begins with the portrayal of women and nature in the magical "trick films" of the Spanish director Segundo de Chomón; the elite dress and décor design choices in Cecil B. DeMille's The Affairs of Anatol (1921); and the mise-en-scène of fantasy in Raoul Walsh's The Thief of Bagdad (1924). Reading Salome (1923), Fischer shows how the cinema offered an engaging frame for adapting the risqué works of Oscar Wilde and Aubrey Beardsley. Moving to the modern era, Fischer focuses on a series of dramatic films, including Michelangelo Antonioni's The Passenger (1975), that make creative use of the architecture of Antoni Gaudí; and several European works of horror—The Abominable Dr. Phibes (1971), Deep Red (1975), and The Strange Color of Your Body's Tears (2013)—in which Art Nouveau architecture and narrative supply unique resonances in scenes of terror. In later chapters, she examines films like Klimt (2006) that portray the style in relation to the art world and ends by discussing the Art Nouveau revival in 1960s cinema. Fischer's analysis brings into focus the partnership between Art Nouveau's fascination with the illogical and the unconventional and filmmakers' desire to upend viewers' perception of the world. Her work explains why an art movement embedded in modernist sensibilities can flourish in contemporary film through its visions of nature, gender, sexuality, and the exotic.
Author: Mackenzie Rachael Reed Publisher: ISBN: Category : Bending widgets (Motion picture) Languages : en Pages : 50
Book Description
In 1959, C.P Snow wrote an essay entitled 'The Two Cultures and the Scientific Revolution' in which he split the intellectual world into two cultures. The first culture is scientific culture; the second culture, on the other hand, includes literary intellectuals and artists. Snow claimed that these two cultures spoke so disparate a language that communication between the two was virtually non-existent. He believed that the self-imposed barriers between science and art played a major role in society's inability to solve the world's problems. As a result, Snow anticipated the need for a 'third culture' created by curious non-scientists that would narrow this cultural divide. I propose that this third culture can be found in a medium that clearly intersects both art and science--and that medium is film. Film looks towards a variety of disciplines for inspiration and ideas and builds upon various fields in order to communicate a message. This multidisciplinary approach is the key uniting the two seemingly incongruous cultures. More specifically, the specific film medium through which the two cultures can best come together is the genre I have dubbed the "personal science film." This genre is a hybrid of the personal essay and the science documentary. This thesis will defend Snow's demand for both a scientifically and artistically literate public, analyze the historical events in which science and art have come together, and ultimately present a way in which Snow's formerly competing cultures can coexist and find common ground. I will discuss the basics of a personal science film, highlighting the many techniques required to reach a broader audience. I will demonstrate how the personal science film can bridge the gap between the artistic and scientific worlds, forming a 'third culture', and thus narrowing the "cultural divide."
Author: Scott MacKenzie Publisher: University of California Press ISBN: 0520377478 Category : Performing Arts Languages : en Pages : 674
Book Description
Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focusing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European “waves” and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme ‘95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture.
Author: Peter Weibel Publisher: Springer Science & Business Media ISBN: 9783211245620 Category : Architecture Languages : en Pages : 620
Book Description
A new theory of culture presented with a new method achieved by comparing closely the art and science in 20th century Austria and Hungary. Major achievements that have influenced the world like psychoanalysis, abstract art, quantum physics, Gestalt psychology, formal languages, vision theories, and the game theory etc. originated from these countries, and influence the world still today as a result of exile nurtured in the US. A source book with numerous photographs, images and diagrams, it opens up a nearly infinite horizon of knowledge that helps one to understand what is going on in today’s worlds of art and science.
Author: Murray Smith
Author: Murray Smith
Author: Murray Smith
Author: Richard Grenier
Author: Vera Dika
Author: L. Enticknap
Author: John Brockman
Author: Lucy Fischer
Author: Mackenzie Rachael Reed
Author: Scott MacKenzie
Author: Peter Weibel