Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Film and the Nuclear Age PDF full book. Access full book title Film and the Nuclear Age by Toni A. Perrine. Download full books in PDF and EPUB format.
Author: Toni A. Perrine Publisher: Routledge ISBN: 1317732197 Category : History Languages : en Pages : 306
Book Description
Just as we generally pay scant attention to the potential dangers of nuclear power and nuclear war, until quite recently, scholars have made limited critical attempts to understand the cultural manifestations of the nuclear status quo. Films that feature nuclear issues most often simplify and trivialize the subject. They also convey a sense of the ambivalence and anxiety that pervades cultural responses to our nuclear capability. The production of popular narrative films with nuclear topics largely conforms to periods of heightened nuclear awareness or fear, such as the fear of fallout from nuclear testing manifested in the atomic creatures in science fiction movies of the late 1950s. By their very numbers, and through a set of recurring stylistic and narrative conventions, nuclear films reflect a deep-seated cultural anxiety. This study includes detailed textual analysis of films that depict nuclear issues including the development and use of the first atomic bombs, nuclear testing and the fear of fallout, nuclear power, the Cold War arms race, loose nukes, and future nuclear war and its aftermath.(Includes bibliographic references, index, filmography, choronology; Illustrated)
Author: Toni A. Perrine Publisher: Routledge ISBN: 1317732197 Category : History Languages : en Pages : 306
Book Description
Just as we generally pay scant attention to the potential dangers of nuclear power and nuclear war, until quite recently, scholars have made limited critical attempts to understand the cultural manifestations of the nuclear status quo. Films that feature nuclear issues most often simplify and trivialize the subject. They also convey a sense of the ambivalence and anxiety that pervades cultural responses to our nuclear capability. The production of popular narrative films with nuclear topics largely conforms to periods of heightened nuclear awareness or fear, such as the fear of fallout from nuclear testing manifested in the atomic creatures in science fiction movies of the late 1950s. By their very numbers, and through a set of recurring stylistic and narrative conventions, nuclear films reflect a deep-seated cultural anxiety. This study includes detailed textual analysis of films that depict nuclear issues including the development and use of the first atomic bombs, nuclear testing and the fear of fallout, nuclear power, the Cold War arms race, loose nukes, and future nuclear war and its aftermath.(Includes bibliographic references, index, filmography, choronology; Illustrated)
Author: Dick van Lente Publisher: Springer ISBN: 1137086181 Category : History Languages : en Pages : 284
Book Description
The atomic age was described as one that might soon end in the destruction of human civilization, but from the beginning, utopian images were attached to it as well. This book compares representations of nuclear power in popular media from around the world to to trace divergences, convergences, and exchanges.
Author: Kevin Hamilton Publisher: Interfaces: Studies in Visual Culture ISBN: 9781512603279 Category : Cold War Languages : en Pages : 0
Book Description
"The story of the Cold War era Lookout Mountain Laboratory, or the 1352nd Photographic Group of the United States Air Force, which employed hundreds of Hollywood studio veterans. Engages with issues of the Cold War state and visual culture"--
Author: Andreas Schwarz Publisher: GRIN Verlag ISBN: 3656100772 Category : Biography & Autobiography Languages : en Pages : 33
Book Description
Seminar paper from the year 2010 in the subject American Studies - Miscellaneous, grade: 1,3, Free University of Berlin (John-F.-Kennedy-Institut), language: English, abstract: The dropping of two US nuclear bombs on Japan ended World War II in the Pacific. By then little was known about the pathological implications such an act of war would have on the Japanese civilian victims. The weapons had barely been tested before deployment and the potential consequences of the radioactive fallout were not yet fully understood. The first practical use of the bomb together with all its casualties initiated a future policy of deterrence. It was apparent what can happen if you go to war with a nuclear power. Still, no other nuclear weapon has ever since been deployed as an act of war. In this research paper I will analyze the Duck and Cover propaganda short issued by the Federal Civil Defense Administration in the early 1950s as the primary source. I will focus on the content of the episode, its structural and cinematic means, and its desired and achieved affects toward its target audience. What were the reasons and goals behind this far-fetched and committed civil defense operation? Is it seen as an outspoken domestic act out of moral obligation from the government that comes with the responsibility of being a nuclear power? Was the nuclear fallout - which the film thoroughly neglects as a danger - really not known to the government at this point in time or was this knowledge deliberately held from the public? This last question defines greatly the core meaning of the film in historical terms. Eventually it determines whether Duck and Cover was merely a naïve piece of safety education or just a good excuse for conditioning a whole generation (as well as its parents) to the ideological challenges of the forthcoming decades of the Cold War. This humble paper alone cannot answer all these questions but rather build a basis for extended research on the topic. Sources indicate th
Author: Andreas Schwarz Publisher: GRIN Verlag ISBN: 3656100497 Category : Literary Collections Languages : en Pages : 15
Book Description
Seminar paper from the year 2010 in the subject American Studies - Miscellaneous, grade: 1,3, Free University of Berlin (John-F.-Kennedy-Institut), language: English, abstract: The dropping of two US nuclear bombs on Japan ended World War II in the Pacific. By then little was known about the pathological implications such an act of war would have on the Japanese civilian victims. The weapons had barely been tested before deployment and the potential consequences of the radioactive fallout were not yet fully understood. The first practical use of the bomb together with all its casualties initiated a future policy of deterrence. It was apparent what can happen if you go to war with a nuclear power. Still, no other nuclear weapon has ever since been deployed as an act of war. In this research paper I will analyze the Duck and Cover propaganda short issued by the Federal Civil Defense Administration in the early 1950s as the primary source. I will focus on the content of the episode, its structural and cinematic means, and its desired and achieved affects toward its target audience. What were the reasons and goals behind this far-fetched and committed civil defense operation? Is it seen as an outspoken domestic act out of moral obligation from the government that comes with the responsibility of being a nuclear power? Was the nuclear fallout – which the film thoroughly neglects as a danger – really not known to the government at this point in time or was this knowledge deliberately held from the public? This last question defines greatly the core meaning of the film in historical terms. Eventually it determines whether Duck and Cover was merely a naïve piece of safety education or just a good excuse for conditioning a whole generation (as well as its parents) to the ideological challenges of the forthcoming decades of the Cold War. This humble paper alone cannot answer all these questions but rather build a basis for extended research on the topic. Sources indicate that in government circles the secondary dangers that emanate from a nuclear blast like radioactive fall-out were at least partially known if not already scientifically proven at the time. The question about the decision to keep such knowledge from the broad public goes beyond the primary analysis this paper can provide.
Author: Mike Bogue Publisher: McFarland ISBN: 1476668418 Category : Performing Arts Languages : en Pages : 314
Book Description
The United States, the only country to have dropped the bomb, and Japan, the only one to have suffered its devastation, understandably portray the nuclear threat differently on film. American science fiction movies of the 1950s and 1960s generally proclaim that it is possible to put the nuclear genie back in the bottle. Japanese films of the same period assert that once freed the nuclear genie can never again be imprisoned. This book examines genre films from the two countries released between 1951 and 1967--including Godzilla (1954), The Mysterians (1957), The Incredible Shrinking Man (1957), On the Beach (1959), The Last War (1961) and Dr. Strangelove (1964)--to show the view from both sides of the Pacific.
Author: Paul Bracken Publisher: Macmillan ISBN: 1429945044 Category : Political Science Languages : en Pages : 305
Book Description
A leading international security strategist offers a compelling new way to "think about the unthinkable." The cold war ended more than two decades ago, and with its end came a reduction in the threat of nuclear weapons—a luxury that we can no longer indulge. It's not just the threat of Iran getting the bomb or North Korea doing something rash; the whole complexion of global power politics is changing because of the reemergence of nuclear weapons as a vital element of statecraft and power politics. In short, we have entered the second nuclear age. In this provocative and agenda-setting book, Paul Bracken of Yale University argues that we need to pay renewed attention to nuclear weapons and how their presence will transform the way crises develop and escalate. He draws on his years of experience analyzing defense strategy to make the case that the United States needs to start thinking seriously about these issues once again, especially as new countries acquire nuclear capabilities. He walks us through war-game scenarios that are all too realistic, to show how nuclear weapons are changing the calculus of power politics, and he offers an incisive tour of the Middle East, South Asia, and East Asia to underscore how the United States must not allow itself to be unprepared for managing such crises. Frank in its tone and farsighted in its analysis, The Second Nuclear Age is the essential guide to the new rules of international politics.
Author: Toni A. Perrine
Author: Toni A. Perrine
Author: Dick van Lente
Author: Bonnie Pilar Selway
Author: Kevin Hamilton
Author: Andreas Schwarz
Author: Andreas Schwarz
Author: Mike Bogue
Author: United States. Defense Civil Preparedness Agency
Author: Paul Bracken
Author: Joyce Nelson