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Author: Bill van Heerden Publisher: McFarland ISBN: 1476612064 Category : Performing Arts Languages : en Pages : 319
Book Description
In Only the Lonely (1991), Ally Sheedy appeases prospective mother-in-law Maureen O'Hara by going along to see the 1939 film How Green Was My Valley--starring Maureen O'Hara. Richard LaGravenese, slighted by critic Gene Siskel over his screenplay for The Fisher King (1991) wrote an unsavory character named Siskel into The Ref (1994). Movies and television shows often feature inside jokes. Sometimes there are characters named after crew members. Directors are often featured in cameo appearances--Alfred Hitchcock's silhouette can be seen in Family Plot (1976), for example. This work catalogs such occurrences. Each entry includes the title of the film or show, year of release, and a full description of the in-joke.
Author: Bill van Heerden Publisher: McFarland ISBN: 1476612064 Category : Performing Arts Languages : en Pages : 319
Book Description
In Only the Lonely (1991), Ally Sheedy appeases prospective mother-in-law Maureen O'Hara by going along to see the 1939 film How Green Was My Valley--starring Maureen O'Hara. Richard LaGravenese, slighted by critic Gene Siskel over his screenplay for The Fisher King (1991) wrote an unsavory character named Siskel into The Ref (1994). Movies and television shows often feature inside jokes. Sometimes there are characters named after crew members. Directors are often featured in cameo appearances--Alfred Hitchcock's silhouette can be seen in Family Plot (1976), for example. This work catalogs such occurrences. Each entry includes the title of the film or show, year of release, and a full description of the in-joke.
Author: Frank Krutnik Publisher: Routledge ISBN: 1134946864 Category : Social Science Languages : en Pages : 302
Book Description
Covers a wide range of comedy with examples taken from Chaplin, Daffy Duck, Bilko, Ben Elton, Woody Allen and many others Locates comedy within the history and institutions of cinema and broadcasting
Author: Steve Kaplan Publisher: ISBN: 9781615931408 Category : Comedy Languages : en Pages : 0
Book Description
A paradigm shift in understanding the mechanics and art of comedy, providing practical tools that help writers translate that understanding into successful, commercial scripts. Kaplan deconstructs secrets and techniques in popular films and TV that work and don't work, and explains what tools were used (or should have been used ).
Author: Peter Desberg Publisher: Square One Publishers, Inc. ISBN: 0757054455 Category : Performing Arts Languages : en Pages : 311
Book Description
There is a feeling of pure delight that comes from laughing out loud while watching a hilarious movie or a TV show. Yet as funny as these lines may be, they are the work of people you will never see. The magic behind any comedy hit begins when an idea is hatched in the mind of a comedy writer and is then put down on paper. And while few of us are privy to this fascinating process, for writers Peter Desberg and Jeffrey Davis, the challenge of observing and understanding how comedy is born has culminated in a unique new book, Now That’s Funny! Desberg and Davis provide an intimate look into the minds of twenty-four of Hollywood’s funniest comedy writers, who have given us such shows as: Saturday Night Live Monk Everybody Loves Raymond The Simpsons Frasier Maude Home Improvement Valerie Modern Family Cheers There’s Something about Mary The Honeymooners Suddenly Susan Newhart Sabrina the Teenage Witch Archie Bunker’s Place The Tracey Ullman Show Wings Who’s The Boss? and more How do you get to see the creative wheels turn? The authors’ premise was simple: Using a Q and A format, they provided each writer with a story idea and let them run with it. Each of the writers was told there were no rules, no boundaries, and no limits! Because everyone started with the same concept, the authors could see how some writers jumped in and began creating, while others asked lots of questions; how some writers stuck closely to the premise, while others turned it on its head. What emerges is an entertaining look—illuminating and hilarious in turn—at the creative process behind hit TV shows and movies. If you’re one of the millions who have enjoyed watching the work of comedy writers, here is an opportunity to go behind the scenes and see the madness unfold. Now that’s funny!
Author: Delia Chiaro Publisher: Routledge ISBN: 135137995X Category : Language Arts & Disciplines Languages : en Pages : 245
Book Description
In this accessible book, Delia Chiaro provides a fresh overview of the language of jokes in a globalized and digitalized world. The book shows how, while on the one hand the lingua-cultural nuts and bolts of jokes have remained unchanged over time, on the other, the time-space compression brought about by modern technology has generated new settings and new ways of joking and playing with language. The Language of Jokes in the Digital Age covers a wide range of settings from social networks, e-mails and memes, to more traditional fields of film and TV (especially sitcoms and game shows) and advertising. Chiaro’s consideration of the increasingly virtual context of jokes delights with both up-to-date examples and frequent reference to the most central theories of comedy. This lively book will be essential reading for any student or researcher working in the area of language and humour and will be of interest to those in language and media and sociolinguistics.
Author: Philip Scepanski Publisher: University of Texas Press ISBN: 147732254X Category : Performing Arts Languages : en Pages : 254
Book Description
Following the most solemn moments in recent American history, comedians have tested the limits of how soon is “too soon” to joke about tragedy. Comics confront the horrifying events and shocking moments that capture national attention and probe the acceptable, or “sayable,” boundaries of expression that shape our cultural memory. In Tragedy Plus Time, Philip Scepanski examines the role of humor, particularly televised comedy, in constructing and policing group identity and memory in the wake of large-scale events. Tragedy Plus Time is the first comprehensive work to investigate tragedy-driven comedy in the aftermaths of such traumas as the JFK assassination and 9/11, as well as during the administration of Donald Trump. Focusing on the mass publicization of television comedy, Scepanski considers issues of censorship and memory construction in the ways comedians negotiate emotions, politics, war, race, and Islamophobia. Amid the media frenzy and conflicting expressions of grief following a public tragedy, comedians provoke or risk controversy to grapple publicly with national traumas that all Americans are trying to understand for themselves.
Author: Roger Ebert Publisher: Andrews McMeel Publishing ISBN: 0740792482 Category : Performing Arts Languages : en Pages : 384
Book Description
The Pulitzer Prize–winning film critics offers up more reviews of horrible films. Roger Ebert awards at least two out of four stars to most of the more than 150 movies he reviews each year. But when the noted film critic does pan a movie, the result is a humorous, scathing critique far more entertaining than the movie itself. I Hated, Hated, Hated This Movie is a collection of more than 200 of Ebert’s most biting and entertaining reviews of films receiving a mere star or less from the only film critic to win the Pulitzer Prize. Ebert has no patience for these atrocious movies and minces no words in skewering the offenders. Witness: Armageddon * (1998)—The movie is an assault on the eyes, the ears, the brain, common sense, and the human desire to be entertained. No matter what they’re charging to get in, it’s worth more to get out. The Beverly Hillbillies * (1993)—Imagine the dumbest half-hour sitcom you’ve ever seen, spin it out to ninety-three minutes by making it even more thin and shallow, and you have this movie. It’s appalling. North no stars (1994)—I hated this movie. Hated hated hated hated hated this movie. Hated it. Hated every simpering stupid vacant audience-insulting moment of it. Hated the sensibility that thought anyone would like it. Hated the implied insult to the audience by its belief that anyone would be entertained by it. Police Academy no stars (1984)—It’s so bad, maybe you should pool your money and draw straws and send one of the guys off to rent it so that in the future, whenever you think you’re sitting through a bad comedy, he could shake his head, chuckle tolerantly, and explain that you don't know what bad is. Dear God * (1996)—Dear God is the kind of movie where you walk out repeating the title, but not with a smile. The movies reviewed within I Hated, Hated, Hated This Movie are motion pictures you’ll want to distance yourself from, but Roger Ebert’s creative and comical musings on those films make for a book no movie fan should miss.
Author: Jeff Burk Publisher: ISBN: 9781933929828 Category : Fiction Languages : en Pages : 83
Book Description
After a reality bomb goes off at the first ever ShatnerCon, all of the characters ever played by William Shatner are suddenly sucked into our world. Their mission: hunt down and destroy the real William Shatner. Featuring: Captain Kirk, TJ Hooker, Denny Crane, Priceline Shatner, Cartoon Kirk, Rescue 9-1-1 Shatner, singer Shatner, and many more. No costumed con-goer will be spared in their wave of destruction, no red shirt will make it out alive, and not even the Klingons will be able to stand up to a deranged Captain Kirk with a light saber. But these Shatner- clones are about to learn a hard lesson . . . that the real William Shatner doesn't take crap from anybody. Not even himself.
Author: Evan S. Smith Publisher: Penguin ISBN: 9780399525339 Category : Performing Arts Languages : en Pages : 310
Book Description
Describes the writing method called premise-driven comedy, examines how comedy affects character development and story structure, discusses guidelines on script layouts, and offers advice on establishing a career
Author: Steve Allen Publisher: Crown Archetype ISBN: 0307421694 Category : Humor Languages : en Pages : 434
Book Description
Why Did Steve Allen Cross the Road? Steve Allen is a legend among comedians and entertainers. He's been playing to audiences on stage, radio, film, and television for more than fifty years, gaining acclaim for his unique wit and energy. Now for the first time, he shares more than a thousand of his favorite one-liners, anecdotes, limericks, quotes, and other generally funny things. The entries are divided into nearly two hundred categories to make it easy for anyone to find the right laugh for any occasion. If you're faced with the prospect of having to "say a few words," Steve Allen's Private Joke File is the perfect place to look for ideas and inspiration on such topics as awards, drinking, baseball, lawyers, dentists, insurance, marriage, the stock market, and dozens of other subjects. A sampling: * My wife and I had words, but I never got to use mine! * If ignorance is bliss, he should die of joy. * "How are the acoustics here?" "Great, I can hardly hear you!" * I learned to rumba very early in life ... I had a tricycle with a loose seat. * Room for rent, by young lady, freshly plastered. Steve Allen has also included a number of his favorite essays and monologues. Steve Allen's Private Joke File is great to flip through for fun or for function, and for those of us looking for a good laugh -- to give one or to have one -- it's indispensable.
Author: Bill van Heerden
Author: Bill van Heerden
Author: Frank Krutnik
Author: Steve Kaplan
Author: Peter Desberg
Author: Delia Chiaro
Author: Philip Scepanski
Author: Roger Ebert
Author: Jeff Burk
Author: Evan S. Smith
Author: Steve Allen