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Author: David Holbrook Culbert Publisher: Greenwood ISBN: 9780313208614 Category : History Languages : en Pages : 554
Book Description
Since early in the twentieth century, it has been a common if not always acceptable practice for governments to exploit film as a means of manipulating public opinion and influencing the behavior of citizens, especially during periods of national emergency. This volume is the newest in a five-part series that documents and examines the use of the medium for propaganda purposes by the U.S. government. Focusing on official and quasi-official productions as well as the uneasy collaboration between Hollywood studios and the armed forces during the postwar period, it brings together an unequalled collection of archival materials, many of which were released solely for the publication of the present work. Volume IV presents oral history interviews and papers from the private archives of filmmakers, writers, and representatives of the military, together with several case studies of military cooperation with Hollywood in the making of war films. It also includes Defense Department memoranda, relevant documents from presidential and media libraries, and excerpts from congressional hearings. These materials provide an insider's view of propaganda efforts connected with the Cold War, the anti-Communist crusade, the Korean War, and Vietnam and offer new information on topics such as film censorship, television violence, and propaganda films about the atomic bomb. Materials are given chronologically, covering the period 1945-1980. Citations at the head of each document list the name of the author and recipient, the date sent, and the collection from which the material is taken. Documents are indexed by film title, name, and subject. Designed as a source of readings as well as a research tool, this volume will be of particular relevance for the study of filmmaking, propaganda, the Cold War, and U.S. information policy in the postwar period.
Author: David Holbrook Culbert Publisher: Greenwood ISBN: 9780313208614 Category : History Languages : en Pages : 554
Book Description
Since early in the twentieth century, it has been a common if not always acceptable practice for governments to exploit film as a means of manipulating public opinion and influencing the behavior of citizens, especially during periods of national emergency. This volume is the newest in a five-part series that documents and examines the use of the medium for propaganda purposes by the U.S. government. Focusing on official and quasi-official productions as well as the uneasy collaboration between Hollywood studios and the armed forces during the postwar period, it brings together an unequalled collection of archival materials, many of which were released solely for the publication of the present work. Volume IV presents oral history interviews and papers from the private archives of filmmakers, writers, and representatives of the military, together with several case studies of military cooperation with Hollywood in the making of war films. It also includes Defense Department memoranda, relevant documents from presidential and media libraries, and excerpts from congressional hearings. These materials provide an insider's view of propaganda efforts connected with the Cold War, the anti-Communist crusade, the Korean War, and Vietnam and offer new information on topics such as film censorship, television violence, and propaganda films about the atomic bomb. Materials are given chronologically, covering the period 1945-1980. Citations at the head of each document list the name of the author and recipient, the date sent, and the collection from which the material is taken. Documents are indexed by film title, name, and subject. Designed as a source of readings as well as a research tool, this volume will be of particular relevance for the study of filmmaking, propaganda, the Cold War, and U.S. information policy in the postwar period.
Author: James Combs Publisher: Routledge ISBN: 1317929063 Category : Performing Arts Languages : en Pages : 221
Book Description
Originally published in 1994, this important book traces the rise of film propaganda in the 20th Century, discussing specifically how film can be used to manipulate public perception and opinions. Two distinct areas are covered: war propaganda, including feature and documentary films regarding warfare; and civilian propaganda, including films that address a variety of political subjects. Although the focus is American film and American politics, this book offers insights for all those interested in the affect of film on the minds of citizens of any country or state.
Author: Clayton R. Koppes Publisher: Univ of California Press ISBN: 9780520071612 Category : History Languages : en Pages : 404
Book Description
The little-explored story of how politics, propaganda, and profits were combined to create the drama, imagery and fantasy that was American film during World War II. 32 black-and-white photographs.
Author: Robert Fyne Publisher: Scarecrow Press ISBN: 9780810833104 Category : History Languages : en Pages : 272
Book Description
During the Second World War, over 300 Hollywood motion pictures were produced that, in one way or another, bore the propaganda imprimatur. These popular movies -- and they consistently glorified the achievements of the American fighting man while vilifying all the members of the Axis pact -- and fostered morale on the Home Front and stood as tangible reminders that Old Glory, mom, apple pie, and the St. Louis Browns would emerge victorious from this global conflict. But how successful was Hollywood's effort? Citing numerous examples of flag-waving dialogue, Professor Fyne has produced an in-depth study that examines these WWII movies, analyzing many motifs, stereotypes, fiction-as-fact, distortions, and prevarications that permeate this genre. His book lists the ten best titles of the war and discusses such topics as the World War I influence, the different approaches toward the Italian, German, and Japanese military machines, the glorification of the Soviet forces, the image of the Chinese nationals, the light-hearted B-comedies, musicals, and Westerns, plus the American GI's inner frustration with his fabricated photoplay image. For historians, film watchers, or social commentators, this book, complete with elaborate filmography, offers important information about Hollywood's role in shaping the Home Front mores.
Book Description
With contributions from noted critics and film historians from both countries, this book, first published in 1994, examines some of the most innovative and disturbing propaganda ever created. It analyses the conflicting images of these films and their effectiveness in defining public perception of the enemy. It also offers pointed commentary on the power of visual imagery to enhance racial tensions and enforce both positive and negative stereotypes of the Other.
Author: David Welch Publisher: Bloomsbury Publishing ISBN: 085771595X Category : History Languages : en Pages : 329
Book Description
This is the most comprehensive analysis to date of Nazi film propaganda in its political, social, and economic contexts, from the pre-war cinema as it fell under the control of the Propaganda Minister, Joseph Goebbels, through to the end of the Second World War. David Welch studies more than one hundred films of all types, identifying those aspects of Nazi ideology that were concealed in the framework of popular entertainment.
Author: David Holbrook Culbert Publisher: Greenwood ISBN: Category : History Languages : en Pages : 512
Book Description
Annotation In this volume, the first of a five volume, 6000-page series, the editors bring together representative unpublished government documents relating to film production in the United States during World War I.
Author: David Holbrook Culbert
Author: David Holbrook Culbert
Author: David Holbrook Culbert
Author: James Combs
Author: Clayton R. Koppes
Author: Robert Fyne
Author: Abé Mark Nornes
Author: David Welch
Author: Richard E. Wood
Author: Richard E. Wood
Author: David Holbrook Culbert