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Author: Penelope Reed Doob Publisher: Cornell University Press ISBN: 150173847X Category : Literary Criticism Languages : en Pages : 360
Book Description
Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective—the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process. In this handsomely illustrated book, Doob reconstructs from a variety of literary and visual sources the idea of the labyrinth from the classical period through the Middle Ages. Doob first examines several complementary traditions of the maze topos, showing how ancient historical and geographical writings generate metaphors in which the labyrinth signifies admirable complexity, while poetic texts tend to suggest that the labyrinth is a sign of moral duplicity. She then describes two common models of the labyrinth and explores their formal implications: the unicursal model, with no false turnings, found almost universally in the visual arts; and the multicursal model, with blind alleys and dead ends, characteristic of literary texts. This paradigmatic clash between the labyrinths of art and of literature becomes a key to the metaphorical potential of the maze, as Doob's examination of a vast array of materials from the classical period through the Middle Ages suggests. She concludes with linked readings of four "labyrinths of words": Virgil's Aeneid, Boethius' Consolation of Philosophy, Dante's Divine Comedy, and Chaucer's House of Fame, each of which plays with and transforms received ideas of the labyrinth as well as reflecting and responding to aspects of the texts that influenced it. Doob not only provides fresh theoretical and historical perspectives on the labyrinth tradition, but also portrays a complex medieval aesthetic that helps us to approach structurally elaborate early works. Readers in such fields as Classical literature, Medieval Studies, Renaissance Studies, comparative literature, literary theory, art history, and intellectual history will welcome this wide-ranging and illuminating book.
Author: Penelope Reed Doob Publisher: Cornell University Press ISBN: 150173847X Category : Literary Criticism Languages : en Pages : 360
Book Description
Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective—the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process. In this handsomely illustrated book, Doob reconstructs from a variety of literary and visual sources the idea of the labyrinth from the classical period through the Middle Ages. Doob first examines several complementary traditions of the maze topos, showing how ancient historical and geographical writings generate metaphors in which the labyrinth signifies admirable complexity, while poetic texts tend to suggest that the labyrinth is a sign of moral duplicity. She then describes two common models of the labyrinth and explores their formal implications: the unicursal model, with no false turnings, found almost universally in the visual arts; and the multicursal model, with blind alleys and dead ends, characteristic of literary texts. This paradigmatic clash between the labyrinths of art and of literature becomes a key to the metaphorical potential of the maze, as Doob's examination of a vast array of materials from the classical period through the Middle Ages suggests. She concludes with linked readings of four "labyrinths of words": Virgil's Aeneid, Boethius' Consolation of Philosophy, Dante's Divine Comedy, and Chaucer's House of Fame, each of which plays with and transforms received ideas of the labyrinth as well as reflecting and responding to aspects of the texts that influenced it. Doob not only provides fresh theoretical and historical perspectives on the labyrinth tradition, but also portrays a complex medieval aesthetic that helps us to approach structurally elaborate early works. Readers in such fields as Classical literature, Medieval Studies, Renaissance Studies, comparative literature, literary theory, art history, and intellectual history will welcome this wide-ranging and illuminating book.
Author: James L. Smith Publisher: punctum books ISBN: 194744736X Category : Literary Criticism Languages : en Pages : 138
Book Description
What strange transactions take place in the mobile spaces between loci? How does the flow of forces between fixed points enliven texts, suggest new connections, and map out the dizzying motion of myriad interactions? The essays in this volume were first presented at the 2014 New Chaucer Society Congress in Reykjavik, Iceland where a meeting of minds in a shared intermediate space initiated dialogue from diverse perspectives and wended its way through the invisible spaces between concrete categories, objects, and entities. The resulting volume asks a core question: what can we learn by tarrying at the nexus points and hubs through which things move in and out of texts, attempting to trace not the things themselves or their supposedly stable significations, but rather their forms of emergence and retreat, of disorder and disequilibrium? The answer is complex and intermediate, for we ourselves are emerging and retreating within our own systems of transit and experiencing our own disequilibrium. Scholarship, like transit, is never complete and yet never congeals into inertia. Through the manifold explorations of the dynamic transit, transports, scapes, and flows found within literary-and Chaucerian-thought-worlds, new vistas of motion and motivation emerge. Following John Urry's mobile sociology, the volume advances the notion that we can no longer view either social worlds or textual worlds as uniform surfaces upon which one can trace or write a history of the horizontal movements of humans and human mentalities; rather, everything is in constant motion: objects, images, information/ideas, and mobility is thus also vertical, involving human and non-human actants. The essays in this volume consider, then, how medieval literary texts in Chaucer's period rewarp time and space by the means of sophisticated transit and transport structures, which might be traced within specific works but also across works, such as in text networks. Motive entities within literature twist and turn, interact and collide, and destabilise predictable trajectories with unpredictable vigor. TABLE OF CONTENTS // James L. Smith, "Introduction: Transport, Scape, Flow: Medieval Transit Systems" - Christopher Roman, "Bios in The Prik of Conscience: The Apophatic Body and the Sensuous Soul" - Jennie Friedrich, "Concordia discors: The Traveling Heart as Foreign Object in Chaucer's Troilus and Criseyde" - Robert Stanton, "Whan I schal passyn hens: Moving With/In The Book of Margery Kempe" - Carolynn Van Dyke, "Animal Vehicles: Mobility beyond Metaphor" - Sarah Breckenridge Wright, "Building Bridges to Canterbury" - Thomas R. Schneider, "Chaucer's Physics: Motion in The House of Fame"
Author: Malte Urban Publisher: Peter Lang ISBN: 9783039113767 Category : Foreign Language Study Languages : en Pages : 250
Book Description
This book examines the ways in which Geoffrey Chaucer and John Gower appropriated their sources, paying particular attention to the theories of history and political agendas informing these appropriations. The study offers comparative readings of Chaucer's and Gower's works, framed by a concern with twentieth-century theories that explore the limits of historicist and deconstructive readings of late medieval texts. Starting with Gower's Vox Clamantis, the chapters offer largely chronological readings of texts such as Chaucer's dream visions, Troilus and Criseyde, the Tale of Melibee and the Physician's Tale, and a selection of tales from Gower's Confessio Amantis. The querying historicism pursued in these readings offers a new way of considering late medieval literature, focusing on close-reading and a dialogue between medieval and post-medieval cultural discourses.
Author: S. Chaganti Publisher: Springer ISBN: 0230615384 Category : History Languages : en Pages : 253
Book Description
Through interdisciplinary readings of medieval literature and devotional artifacts, The Medieval Poetics of the Reliquary shows how reliquaries shaped ideas about poetry and poetics in late-medieval England.
Author: Harold Bloom Publisher: Infobase Publishing ISBN: 0791098044 Category : Labyrinths in literature Languages : en Pages : 243
Book Description
In literature, labyrinths can represent many things: complication and difficulty, interconnectedness, creativity, and even literature itself. This new title discusses the role of the labyrinth in “The Garden of Forking Paths,” Great Expectations, Ulysses, and many others. The Labyrinth unravels this theme for literature students through 19 critical essays.
Author: John Watkins Publisher: Yale University Press ISBN: 9780300058833 Category : Poetry Languages : en Pages : 230
Book Description
This book dismantles the stereotype of Spenser as one who blurs earlier epic traditions. John Watkins's examinations of Spenser's major poetry reveal a poet keenly attuned to dissonances among his classical, medieval, and early modern sources. By bringing Virgil into an intertextual dialogue with Chaucer, Ariosto, and Tasso, and several Neo-Latin commentators, Spenser transformed the most patriarchal of genres into a vehicle for praising the Virgin Queen.
Author: A. C. Spearing Publisher: CUP Archive ISBN: 9780521311335 Category : Literary Criticism Languages : en Pages : 292
Book Description
Readings in Medieval Poetry is a linked collection of essays on such poems as the Song of Roland, King Horn, Havelok, Sir Orfeo, Chaucer's Book of the Duchess, House of Fame and Troilus and Criseyde, the alliterative Morte Arthure, The Siege of Jerusalem, Purity, Pearl, Sir Gawain and the Green Knight, and Piers Plowman. The connecting purpose is to open up a variety of kinds of medieval poetry to modern readers; and, while the methods used vary with the kinds of poetry being discussed, they frequently involve, along with historical treatments in terms of medieval practices and systems of ideas, the adoption and adaptation of theoretical frameworks borrowed from outside the medieval field.
Author: Paul Strohm Publisher: Oxford University Press ISBN: 019928766X Category : Literary Criticism Languages : en Pages : 534
Book Description
This volume energizes issues of research in Middle English studies by eschewing an emphasis on what 'we know' and instead addressing the most challenging areas of unfixed opinion and unsettled debate. Although major authors such as Chaucer and Langland are richly represented, many little-known and neglected texts are considered as well.
Author: Penelope Reed Doob
Author: Penelope Reed Doob
Author: James L. Smith
Author: Malte Urban
Author: Marilynn Desmond
Author: S. Chaganti
Author: Harold Bloom
Author: John Watkins
Author: Hans Kurath
Author: A. C. Spearing
Author: Paul Strohm