Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 230
Book Description
Figaro in London
Author: The Follies of a Day; a Comedy, in Three Acts. [Paginated with Garrick (David) Miss in Her Teens.]
![The Follies of a Day; a Comedy, in Three Acts. [Paginated with Garrick (David) Miss in Her Teens.] PDF](https://books.google.com/books/content/images/frontcover/bdV0kurYlJ4C?fife=w80-h100)
Author: Thomas HolcroftCatalogue of Printed Books in the Library of the British Museum
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English literature
Languages : en
Pages : 842
Book Description
Le nozze di Figaro
Author: Wolfgang Amadeus MozartPublisher: Alma Books
ISBN: 0714545333
Category : Music
Languages : en
Pages : 131
Book Description
John Wells introduces the opera with a high-spirited account of the action-packed career of the author, in many respects the prototype of Figaro himself. Basil Deane explores the score: he shows that Mozart's characters are illuminated here not so much in soliloquies but in their reactions to each other. Composer Stephen Oliver discusses how the comedy exists not just in the words but, essentially, in the music. The full Italian text is given, with a note on the order of scenes in Act Three and the alternative passages Mozart wrote for the 1789 revival. The classic translation of E.J. Dent is an excellent way to get to know the twists and turns of the plot and the stylish wit of da Ponte's innuendos.Contents: A Society Marriage, John Wells; A Musical Commentary, Basil Deane; Music and Comedy in 'The Marriage of Figaro, Stephen Oliver; Beaumarchais's Characters; Le nozze di Figaro: Libretto by Lorenzo da Ponte; The Marriage of Figaro: English version by Edward J. Dent
The Figaro Trilogy
Author: Pierre-Augustin Caron de BeaumarchaisPublisher: OUP Oxford
ISBN: 0191604569
Category : Drama
Languages : en
Pages : 369
Book Description
The Barber of Seville * The Marriage of Figaro * The Guilty Mother Eighteenth-century France produced only one truly international theatre star, Beaumarchais, and only one name, Figaro, to put with Don Quixote or D'Artagnan in the ranks of popular myth. But who was Figaro? Not the impertinent valet of the operas of Mozart or Rossini, but both the spirit of resistance to oppression and a bourgeois individualist like his creator. The three plays in which he plots and schemes chronicle the slide of the ancien régime into revolution but also chart the growth of Beaumarchais' humanitarianism. They are also exuberant theatrical entertainments, masterpieces of skill, invention, and social satire which helped shape the direction of French theatre for a hundred years. This lively new translation catches all the zest and energy of the most famous valet in French literature. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
British Museum Catalogue of printed Books
Author: Picture World
Author: Rachel TeukolskyPublisher: Oxford University Press, USA
ISBN: 0198859732
Category : Art
Languages : en
Pages : 481
Book Description
The modern media world came into being in the nineteenth century, when machines were harnessed to produce texts and images in unprecedented numbers. In the visual realm, new industrial techniques generated a deluge of affordable pictorial items, mass-printed photographs, posters, cartoons, and illustrations. These alluring objects of the Victorian parlor were miniaturized spectacles that served as portals onto phantasmagoric versions of 'the world.' Although new kinds of pictures transformed everyday life, these ephemeral items have received remarkably little scholarly attention. Picture World shines a welcome new light onto these critically neglected yet fascinating visual objects. They serve as entryways into the nineteenth century's key aesthetic concepts. Each chapter pairs a new type of picture with a foundational keyword in Victorian aesthetics, a familiar term reconceived through the lens of new media. 'Character' appears differently when considered with caricature, in the new comics and cartoons appearing in the mass press in the 1830s; likewise, the book approaches 'realism' through pictorial journalism; 'illustration' via illustrated Bibles; 'sensation' through carte-de-visite portrait photographs; 'the picturesque' by way of stereoscopic views; and 'decadence' through advertising posters. Picture World studies the aesthetic effects of the nineteenth century's media revolution: it uses the relics of a previous era's cultural life to interrogate the Victorian world's most deeply-held values, arriving at insights still relevant in our own media age.
British Museum
Author: The Rise of Victorian Caricature
Author: Ian HaywoodPublisher: Springer Nature
ISBN: 3030346595
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
This book serves as a retrieval and reevaluation of a rich haul of comic caricatures from the turbulent years between the Reform Bill crisis of the early 1830s and the rise and fall of Chartism in the 1840s. With a telling selection of illustrations, this book deploys the techniques of close reading and political contextualization to demonstrate the aesthetic and ideological clout of a neglected tranche of satirical prints and periodicals dismissed as ineffectual by historians or distasteful by contemporaries. The prime exhibits are the work of Robert Seymour and C.J. Grant giving acerbic comic edge to the case for reform against class and state oppression and the excesses of the monarchical regime under the young Queen Victoria.
Mozart's Marriage of Figaro
Author: Michael SteenPublisher: Icon Books Ltd
ISBN: 1848314590
Category : Music
Languages : en
Pages : 55
Book Description
Although the story of Figaro's success in preventing the Count of Almaviva's seduction of his fiancée Susanna was politically explosive, it was tolerated in the court of the relatively enlightened Habsburg Emperor Joseph II. Mozart's opera, Le Nozze di Figaro, uses a libretto by Lorenzo da Ponte, and was premièred in Vienna in 1786. It was based on a famous play by the Frenchman Beaumarchais, a sequel to The Barber of Seville. Characters including Figaro, the Countess, Cherubino the page, Doctor Bartolo and Barberina the gardener's daughter sing a succession of famous arias – such as Se vuol ballare, Non più andrai, Dove sono, Porgi amor and Voi, che sapete, to mention but a few – in which Mozart's musical characterisation is legendary. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, 'Short Guides to Great Operas' are concise, entertaining and easy to read books about opera. Each is an opera guide packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience. Other 'Short Guides to Great Operas' that you may enjoy include Così fan tutte, Don Giovanni and The Barber of Seville.