Fifth International Congress of Turkish Art PDF Download

Author: International Congress of Turkish Art
Publisher:
ISBN:
Category :
Languages : de
Pages : 942

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Author: Géza Fehér
Publisher:
ISBN:
Category : Art
Languages : de
Pages : 954

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Author: Gulru Necipogulu
Publisher: BRILL
ISBN: 9789004116696
Category : History
Languages : en
Pages : 222

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Author: Susan Sinclair
Publisher: BRILL
ISBN: 9004170588
Category : Architecture
Languages : en
Pages : 1510

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Book Description
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.

Author: Charles Melville
Publisher: BRILL
ISBN: 9004211276
Category : Literary Criticism
Languages : en
Pages : 365

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This volume explores different aspects of the reception of Firdausi’s Shahnama or ‘Book of Kings’, both within Iran and in neighbouring lands.

Author: Kate Fleet
Publisher: Cambridge University Press
ISBN: 9780521620956
Category : History
Languages : en
Pages : 652

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Book Description
Volume 3 of The Cambridge History of Turkey covers the period from 1603 to 1839.

Author: Emine Fetvaci
Publisher: Indiana University Press
ISBN: 0253051010
Category : Art
Languages : en
Pages : 530

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“A comprehensive study of Ottoman illuminated histories and their readers, makers, intended meanings and political uses.” —Bulletin of the School of Oriental and African Studies The Ottoman court of the late sixteenth century produced an unprecedented number of sumptuously illustrated chronicles. While usually dismissed as imperial eulogies, Emine Fetvaci demonstrates that these books commented on contemporary events, promoted the political agendas of courtiers as well as the sultan, and presented their patrons and creators in ways that helped shape the perspectives of their elite audience. Picturing History at the Ottoman Court traces the simultaneous crafting of political power, the codification of a historical record, and the unfolding of cultural change. “An absolutely original work, full of good ideas and important points. Fascinating.” —Pamela Brummett, University of Tennessee “One of the most profound examples of new directions in scholarship dealing with “the book” and “the text” of the past few decades. It shows an exceptional breadth of vision.” —Walter G. Andrews, University of Washington “[Fetvaci’s] book, an exhaustive and richly illustrated study based on secondary literature and primary sources, among them some documents in the Topkapi Palace archive, will no doubt remain the standard study on the topic for many years to come.” —Bibliotheca Orientalis “A welcome addition to the work of scholars who are studying these manuscripts in relation to the context of their production. This is a handsome book.” —International Journal of Islamic Architecture “This is a book for the specialist as well as the intelligent undergraduate, as its exceptional clarity of organization and exposition makes complex and overlapping dynamics readily meaningful. The lavish illustration (102 colour plates) and the author’s interest in comparative imperial practices add to its depth.” —*Bulletin of the School of Oriental and African Studies

Author: Alexandra Green
Publisher: Hong Kong University Press
ISBN: 988813910X
Category : Art
Languages : en
Pages : 269

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Book Description
Rethinking Visual Narratives covers topics from the first millennium B.C.E. through the present day, testifying to the enduring significance of visual stories in shaping and affirming cultural practices in Asia. Contributors analyze how visual narratives function in different Asian cultures and reveal the multiplicity of ways that images can be narrated beyond temporal progression through a particular space. The study of local art forms advances our knowledge of regional iterations and theoretical boundaries, illustrating the enduring importance of pictorial stories to the cultural traditions of Asia. Contributors include Dominik Bonatz (Archaeologist Free University of Berlin), Sandra Cate (San Jose State University), Yonca Kösebay Erkan (Kadir Has University), Charlotte Galloway (Australian National University), Mary Beth Heston (College of Charleston), Yeewan Koon (The University of Hong Kong), Sonya S. Lee (University of Southern California), Leedom Lefferts (Drew University), Dore J. Levy (Brown University), Shane McCausland (School of Oriental and African Studies, University of London), Julia K. Murray (University of Wisconsin-Madison), Catherine Stuer (Denison University), Greg M. Thomas (The University of Hong Kong), Sarah E. Thompson (Rochester Institute of Technology), and Mary-Louise Totton (Western Michigan University).

Author: Lisa Golombek
Publisher: BRILL
ISBN: 9004662553
Category : Art
Languages : en
Pages : 216

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Book Description
The nineteen papers collected in this volume were delivered at a symposium held in Toronto, November 1989 in order to discuss the art and culture of Timurid times. The papers cover the last decades of the fourteenth century and the whole of the fifteenth, in an area of western Asia extending roughly from the Euphrates to the Hindu Kush and to the Altai. Among the subjects covered were: 'Discourses of an Imaginary Arts Council in Fifteenth-Century Iran'; 'The Persian Court between Palace and Tent: From Timur to ‘Abbas I'; 'Turkmen Princes and Religious Dignitaries: A Sketch in Group Profiles'; 'Craftsmen and Guild Life in Samarkand'; 'The Baburnama and the Tarikh-i Rashidi: Their Mutual Relationship'; 'Geometric Design in Timurid/Turkmen Architectural Practice: Thoughts on a Recently Discovered Scroll and Its Late Gothic Parallels' and 'Repetition of Compositions in Manuscripts: The Khamsa of Nizami in Leningrad.

Author: Begüm Özden Firat
Publisher: Bloomsbury Publishing
ISBN: 0857739433
Category : Art
Languages : en
Pages : 343

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Book Description
The dominant form of Ottoman pictorial art until the eighteenth century, miniatures have traditionally been studied as reflecting the socio-historical contexts, aesthetic concerns and artistic tastes of the era within which they were produced. Begum Ozden Fyrat proposes instead a radical re-reading of seventeenth- and eighteenth-century miniatures in the light of contemporary critical theory, highlighting the viewer's encounter with the image. Encounters with the Ottoman Miniature employs contemporary concepts such as the gaze, frame/framing, reading and re-reading, drawing on thinkers such as Walter Benjamin, Roland Barthes and Gilles Deleuze to establish the vibrant cultural agency of miniature paintings. With analysis that illuminates both the social and political situations in which these miniatures were painted as well as emphasising the miniature's contemporary relevance, Firat presents an important new re-imagining of this art form.