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Author: Bob L. Cox Publisher: Univ. of Tennessee Press ISBN: 9781572335660 Category : Biography & Autobiography Languages : en Pages : 244
Book Description
This new book tells-for the first time-the story of Charlie Bowman, a musician from East Tennessee, who was a major influence on the distinctive fiddle style definitive of country music of the 1920s and 1930s. Charlie, along with three of his brothers and two of his daughters, were part of the Columbia Records "Johnson City Sessions" of 1928 and 1929. The farmer-turned-musician was one of the pioneers who helped shape and develop a vital American musical genre. Bowman was acquainted with many musical luminaries of that colorful era, including the legendary Carter Family. But this is not simply the biography of one man. Fiddlin' Charlie Bowman is the portrayal of a large colorful family, a close-knit mountain community, a geographic area, and a specific musical variety defined as old-time traditional Appalachian music. This volume explores Bowman's musical life - his work with various bands, including the Hill Billies (the first group to use that name to characterize old-time music), his years on the road touring, and his association with other performers. Beyond that, it chronicles the experiences of Bowman's large family left behind in Gray Station, Tennessee and details the many hardships caused by his departure and prolonged absence. Written by Bowman's great nephew Bob L. Cox, this biography provides an insider's perspective on an important but often overlooked musician. For his research, Cox drew on his family's records and memories. In addition to published books and articles, his resources included the family Bible, scrapbooks, diaries, photographs, and taped interviews with family members and friends. Sure to be enjoyed by all those interested in the origins of country music and Appalachian history, Fiddlin' Charlie Bowman is a delightful account of the life and times of this musical trailblazer. Bob Cox, a retired chemical engineer, is a history columnist with the Johnson City (Tennessee) Press, producing a weekly feature entitled Yesteryear.
Author: Bob L. Cox Publisher: Univ. of Tennessee Press ISBN: 9781572335660 Category : Biography & Autobiography Languages : en Pages : 244
Book Description
This new book tells-for the first time-the story of Charlie Bowman, a musician from East Tennessee, who was a major influence on the distinctive fiddle style definitive of country music of the 1920s and 1930s. Charlie, along with three of his brothers and two of his daughters, were part of the Columbia Records "Johnson City Sessions" of 1928 and 1929. The farmer-turned-musician was one of the pioneers who helped shape and develop a vital American musical genre. Bowman was acquainted with many musical luminaries of that colorful era, including the legendary Carter Family. But this is not simply the biography of one man. Fiddlin' Charlie Bowman is the portrayal of a large colorful family, a close-knit mountain community, a geographic area, and a specific musical variety defined as old-time traditional Appalachian music. This volume explores Bowman's musical life - his work with various bands, including the Hill Billies (the first group to use that name to characterize old-time music), his years on the road touring, and his association with other performers. Beyond that, it chronicles the experiences of Bowman's large family left behind in Gray Station, Tennessee and details the many hardships caused by his departure and prolonged absence. Written by Bowman's great nephew Bob L. Cox, this biography provides an insider's perspective on an important but often overlooked musician. For his research, Cox drew on his family's records and memories. In addition to published books and articles, his resources included the family Bible, scrapbooks, diaries, photographs, and taped interviews with family members and friends. Sure to be enjoyed by all those interested in the origins of country music and Appalachian history, Fiddlin' Charlie Bowman is a delightful account of the life and times of this musical trailblazer. Bob Cox, a retired chemical engineer, is a history columnist with the Johnson City (Tennessee) Press, producing a weekly feature entitled Yesteryear.
Author: Drew Beisswenger Publisher: Mel Bay Publications ISBN: 1513459937 Category : Music Languages : en Pages : 212
Book Description
Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin’ John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.
Author: Dick Spottswood Publisher: Univ. Press of Mississippi ISBN: 1496816447 Category : Biography & Autobiography Languages : en Pages : 354
Book Description
During the 1940s, country music was rapidly evolving from traditional songs and string band styles to honky-tonk, western swing, and bluegrass, via radio, records, and film. The Blue Sky Boys, brothers Bill (1917-2008) and Earl (1919-1998) Bolick, resisted the trend, preferring to perform folk and parlor songs, southern hymns, and new compositions that enhanced their trademark intimacy and warmth. They were still in their teens when they became professional musicians to avoid laboring in Depression-era North Carolina cotton mills. Their instantly recognizable style was fully formed by 1936, when even their first records captured soulful harmonies accented with spare guitar and mandolin accompaniments. They inspired imitators, but none could duplicate the Blue Sky Boys' emotional appeal or their distinctive Catawba County accents. Even their last records in the 1970s retained their unique magical sound decades after other country brother duets had come and gone. In this absorbing account, Dick Spottswood combines excerpts from Bill Bolick's numerous spoken interviews and written accounts of his music, life, and career into a single narrative that presents much of the story in Bill's own voice. Spottswood reveals fascinating nuggets about broadcasting, recording, and surviving in the 1930s world of country music. He describes how the growing industry both aided and thwarted the Bolick brothers' career, and how World War II nearly finished it. The book features a complete, extensively annotated list of Blue Sky Boys songs, an updated discography that includes surviving unpublished records, and dozens of vintage photos and sheet music covers.
Author: Susan Eike Spalding Publisher: University of Illinois Press ISBN: 0252096452 Category : Performing Arts Languages : en Pages : 289
Book Description
In Appalachian Dance: Creativity and Continuity in Six Communities, Susan Eike Spalding brings to bear twenty-five years' worth of rich interviews with black and white Virginians, Tennesseeans, and Kentuckians to explore the evolution and social uses of dance in each region. Spalding analyzes how issues as disparate as industrialization around coal, plantation culture, race relations, and the 1970s folk revival influenced freestyle clogging and other dance forms like square dancing in profound ways. She reveals how African Americans and Native Americans, as well as European immigrants drawn to the timber mills and coal fields, brought movement styles that added to local dance vocabularies. Placing each community in its sociopolitical and economic context, Spalding analyzes how the formal and stylistic nuances found in Appalachian dance reflect the beliefs, shared understandings, and experiences of the community at large, paying particular attention to both regional and racial diversity. Written in clear and accessible prose, Appalachian Dance is a lively addition to the literature and a bold contribution to scholarship concerned with the meaning of movement and the ever-changing nature of tradition.
Author: Drew Beisswenger Publisher: Routledge ISBN: 1135847231 Category : Art Languages : en Pages : 561
Book Description
North American Fiddle Music: A Research and Information Guide is the first large-scale annotated bibliography and research guide on the fiddle traditions of the United States and Canada. These countries, both of which have large immigrant populations as well as Native populations, have maintained fiddle traditions that, while sometimes faithful to old-world or Native styles, often feature blended elements from various traditions. Therefore, researchers of the fiddle traditions in these two countries can not only explore elements of fiddling practices drawn from various regions of the world, but also look at how different fiddle traditions can interact and change. In addition to including short essays and listings of resources about the full range of fiddle traditions in those two countries, it also discusses selected resources about fiddle traditions in other countries that have influenced the traditions in the United States and Canada.
Author: Dan Gutstein Publisher: Univ. Press of Mississippi ISBN: 1496849361 Category : Music Languages : en Pages : 223
Book Description
Poor Gal: The Cultural History of Little Liza Jane chronicles the origins and evolution of a folk tune beloved by millions worldwide. Dan Gutstein delves into the trajectory of the “Liza Jane” family of songs, including the most popular variant “Li’l Liza Jane.” Likely originating among enslaved people on southern plantations, the songs are still performed and recorded centuries later. Evidence for these tunes as part of the repertoire of enslaved people comes from the Works Progress Administration ex-slave narratives that detail a range of lyrics and performance rituals related to “Liza Jane.” Civil War soldiers and minstrel troupes eventually adopted certain variants, including “Goodbye Liza Jane.” This version of the song prospered in the racist environment of burnt cork minstrelsy. Other familiar variants, such as “Little Liza Jane,” likely remained fixed in folk tradition until early twentieth-century sheet music popularized the melody. New genres and a slate of stellar performers broadly adopted these folk songs, bringing the tunes to far-reaching listeners. In 1960, to an audience of more than thirty million viewers, Harry Belafonte performed “Little Liza Jane” on CBS. The song was featured on such popular radio shows as Fibber McGee & Molly; films such as Coquette; and a Mickey Mouse animation. Hundreds of recognizable performers—including Fats Domino, Bing Crosby, Nina Simone, Mississippi John Hurt, and Pete Seeger—embraced the “Liza Jane” family. David Bowie even released “Liza Jane” as his first single. Gutstein documents these famous renditions, as well as lesser-known characters integral to the song’s history. Drawing upon a host of cultural insights from experts—including Eileen Southern, Carl Sandburg, Thomas Talley, LeRoi Jones/Amiri Baraka, Charles Wolfe, Langston Hughes, and Alan Lomax—Gutstein charts the cross-cultural implications of a voyage unlike any other in the history of American folk music.
Author: Patrick Huber Publisher: Univ of North Carolina Press ISBN: 0807832251 Category : Music Languages : en Pages : 442
Book Description
An exploration of the origins and development of American country music in the Piedmont's mill villages celebrates the colorful cast of musicians and considers the impact that urban living, industrial music, and mass culture had on their lives and music.
Author: John Shepherd Publisher: A&C Black ISBN: 1847144721 Category : Social Science Languages : en Pages : 713
Book Description
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.
Author: Shelby L. Phillips Publisher: Lulu.com ISBN: 0557341655 Category : Performing Arts Languages : en Pages : 130
Book Description
Does the thought of planning a party feel overwhelming, intimidating, or like one more thing you have to do? Have you ever wondered how to create a fun and memorable party? The Enlightened Party Planner: Guides to Creating Parties from the Heart is a series of books based on the notion that being of service and coming from the heart will not only make for an amazing party your guests will remember for a lifetime, but will also leave you feeling happy and fulfilled.Book two in the Enlightened Party Planner series, Decade Parties: A Blast from the Past, is dedicated solely to decade parties from the 1920s through the 1980s. Each chapter offers historical references and myriad ideas to spark your imagination to creating wonderfully authentic decade experiences.
Author: Josh Beckworth Publisher: McFarland ISBN: 1476667292 Category : Music Languages : en Pages : 235
Book Description
G.B. Grayson and Henry Whitter were two of the most influential artists in the early days of country music. Songs they popularized--"Tom Dooley," "Little Maggie," "Handsome Molly," and "Nine Pound Hammer"--are still staples of traditional music. Although the duo sold tens of thousands of records during the 1920s, the details of their lives remain largely unknown. Featuring never before published photographs and interviews with friends and relatives, this book chronicles for the first time the romantic intrigues and tragic deaths that marked their lives and explores the Southern Appalachian culture that shaped their music.
Author: Bob L. Cox
Author: Bob L. Cox
Author: Drew Beisswenger
Author: Dick Spottswood
Author: Susan Eike Spalding
Author: Drew Beisswenger
Author: Dan Gutstein
Author: Patrick Huber
Author: John Shepherd
Author: Shelby L. Phillips
Author: Josh Beckworth