Author: George Feydeau
Publisher: Bloomsbury Publishing
ISBN: 1849439931
Category : Drama
Languages : en
Pages : 423
Book Description
Georges Feydeau, once considered as purveyor of slapstick farces, is now accepted as France’s best comic dramatist since Moliere. He once said that to make people laugh you have to place your cast in a dramatic situation and then observe them from a comic angle, but they must never do or say anything which is not strictly demanded, first by their character and secondly by the plot. Includes the plays Fitting for Ladies, A Close Shave and Sauce for the Goose. In Fitting for Ladies, a man on the look-out for a new romantic rendezvous is mistaken for a dressmaker... In A Close Shave, a woman's would-be lover has to assume the identity of her artist husband, who is about to be called up for military service. In Sauce for the Goose, a man discovers that the woman he is pursuing is the wife of an old friend...
Feydeau: Three Farces
Author: George Feydeau
Publisher: Bloomsbury Publishing
ISBN: 1849439931
Category : Drama
Languages : en
Pages : 423
Book Description
Georges Feydeau, once considered as purveyor of slapstick farces, is now accepted as France’s best comic dramatist since Moliere. He once said that to make people laugh you have to place your cast in a dramatic situation and then observe them from a comic angle, but they must never do or say anything which is not strictly demanded, first by their character and secondly by the plot. Includes the plays Fitting for Ladies, A Close Shave and Sauce for the Goose. In Fitting for Ladies, a man on the look-out for a new romantic rendezvous is mistaken for a dressmaker... In A Close Shave, a woman's would-be lover has to assume the identity of her artist husband, who is about to be called up for military service. In Sauce for the Goose, a man discovers that the woman he is pursuing is the wife of an old friend...
Publisher: Bloomsbury Publishing
ISBN: 1849439931
Category : Drama
Languages : en
Pages : 423
Book Description
Georges Feydeau, once considered as purveyor of slapstick farces, is now accepted as France’s best comic dramatist since Moliere. He once said that to make people laugh you have to place your cast in a dramatic situation and then observe them from a comic angle, but they must never do or say anything which is not strictly demanded, first by their character and secondly by the plot. Includes the plays Fitting for Ladies, A Close Shave and Sauce for the Goose. In Fitting for Ladies, a man on the look-out for a new romantic rendezvous is mistaken for a dressmaker... In A Close Shave, a woman's would-be lover has to assume the identity of her artist husband, who is about to be called up for military service. In Sauce for the Goose, a man discovers that the woman he is pursuing is the wife of an old friend...
Georges Feydeau, Three Farces
A Flea in her Ear
Author: George Feydeau
Publisher: Bloomsbury Publishing
ISBN: 1849438552
Category : Performing Arts
Languages : en
Pages : 194
Book Description
Eccentric and hillarious, Georges Feydeau’s much loved comedy mixes madness, mayhem, fun and frivolity. When the beautiful wife of Victor Chandebise suspects of having an affair, she enlists the help of her dearest friend to entrap him. Their plan to entice him to a rendezvous at the Hotel Coq D'or spectacularly misfires and chaos ensues. Set in the decadent surroundings of Belle Époque Paris, Feydeau's quintessential farce promises to be an exhilerating even of mistaken identities and comic disaster.
Publisher: Bloomsbury Publishing
ISBN: 1849438552
Category : Performing Arts
Languages : en
Pages : 194
Book Description
Eccentric and hillarious, Georges Feydeau’s much loved comedy mixes madness, mayhem, fun and frivolity. When the beautiful wife of Victor Chandebise suspects of having an affair, she enlists the help of her dearest friend to entrap him. Their plan to entice him to a rendezvous at the Hotel Coq D'or spectacularly misfires and chaos ensues. Set in the decadent surroundings of Belle Époque Paris, Feydeau's quintessential farce promises to be an exhilerating even of mistaken identities and comic disaster.
The Lady from Maxim's
Author: Georges Feydeau
Publisher: Samuel French, Inc.
ISBN: 9780573611377
Category : Drama
Languages : en
Pages : 76
Book Description
Farce / 5m, 4f, extras / Unit set A normally sober doctor awakens to find that he brought two things home from Maxim's last night: a hangover and a lady of the evening. His wife is diverted from discovering the tart by one of her famous visitations from a popular saint. The doctor's uncle returns after a long army tour in Africa and promptly mistakes the lady from Maxim's for his nephew's wife. Uncle's immediate business is marrying off a niece to a young soldier who turns out to be the true
Publisher: Samuel French, Inc.
ISBN: 9780573611377
Category : Drama
Languages : en
Pages : 76
Book Description
Farce / 5m, 4f, extras / Unit set A normally sober doctor awakens to find that he brought two things home from Maxim's last night: a hangover and a lady of the evening. His wife is diverted from discovering the tart by one of her famous visitations from a popular saint. The doctor's uncle returns after a long army tour in Africa and promptly mistakes the lady from Maxim's for his nephew's wife. Uncle's immediate business is marrying off a niece to a young soldier who turns out to be the true
Four Farces
Author: Georges Feydeau
Publisher: Hal Leonard Corporation
ISBN: 9781557833051
Category : Drama
Languages : en
Pages : 404
Book Description
Wild plots and quicksilver wit characterize the plays of Georges Feydeau. Called the greatest master of French comedy since Moliere by admirers such as Kenneth Tynan, Feydeau reflects the lusty tradition of the French bedroom farce as well as the tough exorbitant humor later to find full expression in the theater of the absurd. The plays offered in this volume represent the major stages of Feydeau's career. The one-act Wooed and Viewed was his first comedy, written in 1880. On the Marry-go-Wrong shows Feydeau on the way to becoming a master of mad imbroglio, a talent that he demonstrates in Not by Bed Alone. Going to Pot is a one-act play of conjugal strife of the emotional intensity that marked his work toward the end of his career.
Publisher: Hal Leonard Corporation
ISBN: 9781557833051
Category : Drama
Languages : en
Pages : 404
Book Description
Wild plots and quicksilver wit characterize the plays of Georges Feydeau. Called the greatest master of French comedy since Moliere by admirers such as Kenneth Tynan, Feydeau reflects the lusty tradition of the French bedroom farce as well as the tough exorbitant humor later to find full expression in the theater of the absurd. The plays offered in this volume represent the major stages of Feydeau's career. The one-act Wooed and Viewed was his first comedy, written in 1880. On the Marry-go-Wrong shows Feydeau on the way to becoming a master of mad imbroglio, a talent that he demonstrates in Not by Bed Alone. Going to Pot is a one-act play of conjugal strife of the emotional intensity that marked his work toward the end of his career.
Sauce for the Goose
Author: Georges Feydeau
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 128
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 128
Book Description
Farce
Author: Jessica Milner Davis
Publisher: Routledge
ISBN: 1351520245
Category : Performing Arts
Languages : en
Pages : 204
Book Description
Farce has always been relegated to the lowest rung of the ladder of dramatic genres. Distinctions between farce and more literary comic forms remain clouded, even in the light of contemporary efforts to rehabilitate this type of comedy. Is farce really nothing more than slapstick-the "putting out of candles, kicking down of tables, falling over joynt-stools," as Thomas Shadwell characterized it in the seventeenth century? Or was his contemporary, Nahum Tate correct when he declared triumphantly that "there are no rules to be prescribed for that sort of wit, no patterns to copy; and 'tis altogether the creature of imagination"? Davis shows farce to be an essential component in both the comedic and tragic traditions. Farce sets out to explore the territory of what makes farce distinct as a comic genre. Its lowly origins date back to the classic Graeco-Roman theatre; but when formal drama was reborn by the process of elaboration of ritual within the mediaeval Church, the French term "farce" became synonymous with a recognizable style of comic performance. Taking a wide range of farces from the briefest and most basic of fair-ground mountebank performances to fully-fledged five-act structures from the late nineteenth century, the book reveals the patterns of comic plot and counter-plot that are common to all. The result is a novel classification of farce-plots, which serves to clarify the differences between farce and more literary comic forms and to show how quickly farce can shade into other styles of humor. The key is a careful balance between a revolt against order and propriety, and a kind of Realpolitik which ultimately restores the social conventions under attack. A complex array of devices in such things as framing, plot, characterization, timing and acting style maintain the delicate balance. Contemporary examples from the London stage bring the discussion u
Publisher: Routledge
ISBN: 1351520245
Category : Performing Arts
Languages : en
Pages : 204
Book Description
Farce has always been relegated to the lowest rung of the ladder of dramatic genres. Distinctions between farce and more literary comic forms remain clouded, even in the light of contemporary efforts to rehabilitate this type of comedy. Is farce really nothing more than slapstick-the "putting out of candles, kicking down of tables, falling over joynt-stools," as Thomas Shadwell characterized it in the seventeenth century? Or was his contemporary, Nahum Tate correct when he declared triumphantly that "there are no rules to be prescribed for that sort of wit, no patterns to copy; and 'tis altogether the creature of imagination"? Davis shows farce to be an essential component in both the comedic and tragic traditions. Farce sets out to explore the territory of what makes farce distinct as a comic genre. Its lowly origins date back to the classic Graeco-Roman theatre; but when formal drama was reborn by the process of elaboration of ritual within the mediaeval Church, the French term "farce" became synonymous with a recognizable style of comic performance. Taking a wide range of farces from the briefest and most basic of fair-ground mountebank performances to fully-fledged five-act structures from the late nineteenth century, the book reveals the patterns of comic plot and counter-plot that are common to all. The result is a novel classification of farce-plots, which serves to clarify the differences between farce and more literary comic forms and to show how quickly farce can shade into other styles of humor. The key is a careful balance between a revolt against order and propriety, and a kind of Realpolitik which ultimately restores the social conventions under attack. A complex array of devices in such things as framing, plot, characterization, timing and acting style maintain the delicate balance. Contemporary examples from the London stage bring the discussion u
Feydeau, First to Last
Author: Georges Feydeau
Publisher: Hal Leonard Corporation
ISBN: 9781557834638
Category : Drama
Languages : en
Pages : 322
Book Description
(Applause Books). Feydeau was the greatest of a great age of French farceurs and the first to enter the modern repertory. Of the more than 40 plays Feydeau wrote, over a third were one-acts. In this volume, Shapiro has selected and translated eight of these one-act plays, among them Feydeau's first and last works. Includes: Ladies' Man * Wooed and Viewed * Romance in A Flat * Fit to Be Tried, or, Stepbrothers in Crime * Mixed Doubles * The Boor Hug * Caught with His Trance Down * Tooth and Consequences, or, Hortense Said: "No Skin Off My Ass!"
Publisher: Hal Leonard Corporation
ISBN: 9781557834638
Category : Drama
Languages : en
Pages : 322
Book Description
(Applause Books). Feydeau was the greatest of a great age of French farceurs and the first to enter the modern repertory. Of the more than 40 plays Feydeau wrote, over a third were one-acts. In this volume, Shapiro has selected and translated eight of these one-act plays, among them Feydeau's first and last works. Includes: Ladies' Man * Wooed and Viewed * Romance in A Flat * Fit to Be Tried, or, Stepbrothers in Crime * Mixed Doubles * The Boor Hug * Caught with His Trance Down * Tooth and Consequences, or, Hortense Said: "No Skin Off My Ass!"
Pure Filth
Author: Noah D. Guynn
Publisher: University of Pennsylvania Press
ISBN: 0812296494
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
As Noah D. Guynn observes, early French farce has been summarily dismissed as filth for centuries. Renaissance humanists, classical moralists, and Enlightenment philosophes belittled it as an embarrassing reminder of the vulgarity of medieval popular culture. Modern literary critics and theater historians often view it as comedy's poor relation—trite, smutty pap that served to divert the masses and to inure them to lives of subservience. Yet, as Guynn demonstrates in his reexamination of the genre, the superficial crudeness and predictability of farce belie the complexities of its signifying and performance practices and the dynamic, contested nature of its field of reception. Pure Filth focuses on overlooked and occluded content in farce, arguing that apparently coarse jokes conceal finely drawn, and sometimes quite radical, perspectives on ethics, politics, and religion. Engaging with cultural history, political anthropology, and critical, feminist, and queer theory, Guynn shows that farce does not pander to the rabble in order to cultivate acquiescence or curb dissent. Rather, it uses the tools of comic theater—parody and satire, imitation and exaggeration, cross-dressing and masquerade—to address the urgent issues its spectators faced in their everyday lives: economic inequality and authoritarian rule, social justice and ethical renewal, sacramental devotion and sacerdotal corruption, and heterosocial relations and household politics. Achieving its subtlest effects by employing the lewdest forms of humor, farce reveals that aspirations to purity, whether ethical, political, or religious, are inevitably mired in the very filth they repudiate.
Publisher: University of Pennsylvania Press
ISBN: 0812296494
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
As Noah D. Guynn observes, early French farce has been summarily dismissed as filth for centuries. Renaissance humanists, classical moralists, and Enlightenment philosophes belittled it as an embarrassing reminder of the vulgarity of medieval popular culture. Modern literary critics and theater historians often view it as comedy's poor relation—trite, smutty pap that served to divert the masses and to inure them to lives of subservience. Yet, as Guynn demonstrates in his reexamination of the genre, the superficial crudeness and predictability of farce belie the complexities of its signifying and performance practices and the dynamic, contested nature of its field of reception. Pure Filth focuses on overlooked and occluded content in farce, arguing that apparently coarse jokes conceal finely drawn, and sometimes quite radical, perspectives on ethics, politics, and religion. Engaging with cultural history, political anthropology, and critical, feminist, and queer theory, Guynn shows that farce does not pander to the rabble in order to cultivate acquiescence or curb dissent. Rather, it uses the tools of comic theater—parody and satire, imitation and exaggeration, cross-dressing and masquerade—to address the urgent issues its spectators faced in their everyday lives: economic inequality and authoritarian rule, social justice and ethical renewal, sacramental devotion and sacerdotal corruption, and heterosocial relations and household politics. Achieving its subtlest effects by employing the lewdest forms of humor, farce reveals that aspirations to purity, whether ethical, political, or religious, are inevitably mired in the very filth they repudiate.
From Marriage to Divorce
Author: George Feydeau
Publisher: Bloomsbury Publishing
ISBN: 1783192828
Category : Drama
Languages : en
Pages : 231
Book Description
Feydeau's major farces are universally admired, but relatively few people are familiar with his early work. When Feydeau left school in 1879 he began writing monologues for leading actors and actresses to perform in salons and at charity concerts But by 1882 he had progressed to the one-act play, which he continued to write through his career. The most successful were the four published in this volume, written between 1908 and 1911, and which he always wished to see published together, as they are here, under the title From Marriage to Divorce. The plays are more or less based upon the breakdown of his own marriage. This volume includes the plays Better Late, One Month Early, Take Your Medicine Like a Man and Don't Walk About With Nothing On. These translations were commissioned by the BBC.
Publisher: Bloomsbury Publishing
ISBN: 1783192828
Category : Drama
Languages : en
Pages : 231
Book Description
Feydeau's major farces are universally admired, but relatively few people are familiar with his early work. When Feydeau left school in 1879 he began writing monologues for leading actors and actresses to perform in salons and at charity concerts But by 1882 he had progressed to the one-act play, which he continued to write through his career. The most successful were the four published in this volume, written between 1908 and 1911, and which he always wished to see published together, as they are here, under the title From Marriage to Divorce. The plays are more or less based upon the breakdown of his own marriage. This volume includes the plays Better Late, One Month Early, Take Your Medicine Like a Man and Don't Walk About With Nothing On. These translations were commissioned by the BBC.