Ferdinand Hodler PDF Download

Author: Ferdinand Hodler
Publisher: Scalo Publishers
ISBN:
Category : Art
Languages : en
Pages : 200

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Author: Thomas Köhler
Publisher: Wienand Verlag
ISBN: 9783868326628
Category : Modernism (Art)
Languages : en
Pages : 240

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Book Description
Ferdinand Hodler's expressive figure paintings, mountain landscapes and portraits are icons of modernism. Even during his lifetime, the work of the Swiss painter (1853-1918), who helped shape Symbolism, attracted great international attention. Contemporaries saw in Hodler above all the human actor, "who knows how to shape the soul through the body", said the artist Paul Klee in 1911. What is hardly known today: Hodler's path to fame also led via Berlin. Alongside Paris, Vienna and Munich, the imperial capital had developed into one of the most important European art metropolises at the beginning of the 20th century. These cities offered Hodler the opportunity to make his work known beyond the Swiss borders. With around 50 paintings by Hodler and works by Lovis Corinth and Hans Thoma, among others, who exhibited with Hodler in Berlin, his success story on the Spree is told for the first time.

Author: Michelle Facos
Publisher:
ISBN: 9780415780704
Category : Art
Languages : en
Pages : 435

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Book Description
Using the tools of the "new" art history (feminism, Marxism, social context, etc.) An Introduction to Nineteenth-Century Art offers a richly textured, yet clear and logical, introduction to nineteenth-century art and culture. This textbook will provide readers with a basic historical framework of the period and the critical tools for interpreting and situating new and unfamiliar works of art. Michelle Facos goes beyond existing histories of nineteenth-century art, which often focus solely on France, Britain, and the United States, to incorporate artists and artworks from Scandinavia, Germany, and Eastern Europe. The book expertly balances its coverage of trends and individual artworks: where the salient trends are clear, trend-setting works are highlighted, and the complexity of the period is respected by situating all works in their proper social and historical context. In this way, the student reader achieves a more nuanced understanding of the way in which the story of nineteenth-century art is the story of the ways in which artists and society grappled with the problem of modernity. Key pedagogical features include: Data boxes provide statistics, timelines, charts, and historical information about the period to further situate artworks. Text boxes highlight extracts from original sources, citing the ideas of artists and their contemporaries, including historians, philosophers, critics, and theorists, to place artists and works in the broader context of aesthetic, cultural, intellectual, social, and political conditions in which artists were working. Beautifully illustrated with over 250 color images. Margin notes and glossary definitions. Online resources at www.routledge.com/textbooks/facos with access to a wealth of information, including original documents pertaining to artworks discussed in the textbook, contemporary criticism, timelines and maps to enrich your understanding of the period and allow for further comparison and exploration. Chapters take a thematic approach combined within an overarching chronology and more detailed discussions of individual works are always put in the context of the broader social picture, thus providing students with a sense of art history as a controversial and alive arena of study. Michelle Facos teaches art history at Indiana University, Bloomington. Her research explores the changing relationship between artists and society since the Enlightenment and issues of identity. Prior publications include Nationalism and the Nordic Imagination: Swedish Painting of the 1890s (1998), Art, Culture and National Identity in Fin-de-Siècle Europe, co-edited with Sharon Hirsh (2003), and Symbolist Art in Context (2009).

Author: Michelle Facos
Publisher: Univ of California Press
ISBN: 0520255828
Category : Art
Languages : en
Pages : 296

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Book Description
The Symbolist art movement of the late 19th century forms an important bridge between Impressionism and Modernism. But because Symbolism emphasizes ideas over objects and events, it has suffered from conflicting definitions. In this book, Michelle Facos offers a comprehensive description of this challenging subject.

Author: Maria Rennhofer
Publisher:
ISBN: 9780500093061
Category : Art
Languages : en
Pages : 248

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Book Description
As teacher, artist, craftsman and co-founder of the Vienna Secession, Koloman Moser (1868-1918) had an immense influence on the tastes of his time. His talents ranged from stained glass to stage design and postage stamps, and he devoted his latter years to painting.

Author: Hans-Peter Wipplinger
Publisher: Walther Konig Verlag
ISBN:
Category : Art
Languages : en
Pages : 344

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Book Description
Swiss painter Ferdinand Hodler (1853-1918) was an exponent of Symbolism and Jugendstil, a pioneer of Expressionism and an innovator of monumental painting. Hodler's significance can also be charted through those he influenced in Viennese Modernist circles, such as Gustav Klimt, Koloman Moser, Oskar Kokoschka and Egon Schiele. Hodler's landscapes, self-portraits and portraits of women (such as the haunting series following the death of his lover Valentine God -Darel) bristle with barely restrained energy and color, paving the way for the expressionistic, decorative experiments of the next generation of artists. Published to accompany the artists' most comprehensive exhibition in Austria since his resounding success at the 1904 Secession, Ferdinand Hodler: Elective Affinities from Klimt to Schiele explores the main themes of Hodler's work and puts him in the context of his peers and followers.

Author: George Heard Hamilton
Publisher: Yale University Press
ISBN: 9780300056495
Category : Art
Languages : en
Pages : 628

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This new edition of 'a book that offers the best available grounding in its huge subject,' as the Sunday Times called it, includes color plates and a revised and expanded bibliography. Professor Hamilton traces the origins and growth of modern art, assessing the intrinsic qualities of individual works and describing the social forces in play. The result is an authoritative guide through the forest of artistic labels-Impressionism and Expressionism, Symbolism, Cubism, Constructivism, Surrealism, etc.-and to the achievements of Degas and Cezanne, Ensor and Munch, Matisse and Kandinsky, Picasso, Braque, and Epstein, Mondrian, Dali, Modigliani, Utrillo and Chagall, Klee, Henry Moore, and many other artists in a revolutionary age.

Author: Russell T. Clement
Publisher: Bloomsbury Publishing USA
ISBN: 0313085102
Category : Art
Languages : en
Pages : 964

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Book Description
Paul Gauguin (1848-1903) played a seminal role in Post-Impressionist France. In his writings and work, he favored emotional responses to nature over intellectual uses of lines, color, and composition. In 1888 he and Emile Bernard developed a new style called Synthetism. Three groups of Gauguin's symbolist followers—Pont Aven, Les Nabis, and Rose + Croix pursued and extended the Synthetist vision. This sourcebook focuses on the most prominent adherents of the three schools directly affected by Gauguin's symbolism. This is the first comprehensive, single-volume guide and bibliography of artists in these three important French avant-garde movements. This work covers the entire careers of 16 artists by providing biographical sketches, chronologies, citations to primary and secondary literature and exhibitions.

Author: William Hauptman
Publisher: 5Continents
ISBN:
Category : Art
Languages : en
Pages : 116

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Book Description
Ferdinand Hodler (1853-1819) was one of the best-known Swiss painters of the 19th century and the first great modern painter of Switzerland whose styles straddled the mainstream as they also ventured boldly and courageously into the innovative and the untried. And yet, his artistic stance was always determined by his own uniqueness, regardless of the stylistic isms that developed elsewhere to which Hodler's art might have had affinities. In portraiture, genre, landscape, and historical subjects, the extraordinary vision of Hodler provided a distinctive contribution to the tumultuous world of European art in the decades before World War One. This volume presents a wide range of Hodler's works starting from his early paintings - landscapes, figure compositions and portraits treated with a vigorous realism - as well as his work combining genres including symbolism and art nouveau, up to his final phase of works which took on an expressionistic aspect. The Art Gallery Series is an affordable, high

Author: Ferdinand Hodler
Publisher:
ISBN: 9783775720632
Category : Painting, Swiss
Languages : en
Pages : 0

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Book Description
Swiss painter Ferdinand Hodler (1853-1918) is one of Europe's most influential artistic personalities, whose work bridged the styles of Realism, Symbolism, and the modern period. Despite initial praise, his extensive oeuvre has not always been an object of admiration; its diversity and originality, however, deserve international re-evaluation. Hodler's symbolist vision of a large, harmonious union of man and nature is expressed both in unique and monumental figurative compositions, and in stylized landscapes of sheer mountain peaks and glinting lakes. Twenty-five years since the last retrospective, this fresh and extensive assessment of Hodler's paintings invites the viewer to explore his work anew; on the one hand it represents a unique view of turn-of-the-century art and Symbolism, on the other it demonstrates a powerful and genuine interest in the depiction of man. (German edition ISBN 978-3-7757-2062-5) Exhibition schedule: Kunstmuseum Bern April 9-August 10, 2008 Szépmüvészeti Múzeum, Budapest, September 9-December 14, 2008 With support by Pro Helvetia, Swiss Arts Council