Fenomenología de la percepción estética : Curso 2006-2007 PDF Download

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Languages : es
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Author: Mikel Dufrenne
Publisher: Universitat de València
ISBN: 8491343202
Category : Art
Languages : es
Pages : 862

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En este estudio, Mikel Dufrenne desarrolla una crítica de la experiencia estética. Centrándose en «el sentido» propio y «las condiciones» que hacen posible la experiencia del sujeto contemplador, Dufrenne perfila la noción de objeto estético, fenomenológicamente entendido, en relación a la obra de arte. Para introducirse en el estudio de la experiencia estética, aborda la organización objetiva de la obra de arte, como totalidad estructurada y potencial instauradora de sentido. Por otro lado, partiendo de un estudio sobre la obra musical y de otro sobre la pictórica, propone un perfil general de la estructura de la obra de arte. De este modo, se va desvelando la clave metodológica: a partir de la descripción fenomenológica, desarrolla un análisis trascendental, para abordar finalmente el ámbito de lo propiamente ontológico. A su vez, considera que la experiencia estética supone el mantenimiento, por parte del sujeto, de una determinada actitud estética.

Author: Mikel Dufrenne
Publisher:
ISBN: 9788473661430
Category : Aesthetics
Languages : es
Pages : 377

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Author: Nel Rodríguez Rial
Publisher:
ISBN: 9788474929874
Category :
Languages : es
Pages : 242

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Author: Shaun Gallagher
Publisher: Routledge
ISBN: 1136458166
Category : Philosophy
Languages : en
Pages : 279

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The Phenomenological Mind is the first book to properly introduce fundamental questions about the mind from the perspective of phenomenology. Key questions and topics covered include: • what is phenomenology? • naturalizing phenomenology and the cognitive sciences • phenomenology and consciousness • consciousness and self-consciousness • time and consciousness • intentionality • the embodied mind • action • knowledge of other minds • situated and extended minds • phenomenology and personal identity. This second edition includes a new preface, and revised and improved chapters. Also included are helpful features such as chapter summaries, guides to further reading, and a glossary, making The Phenomenological Mind an ideal introduction to key concepts in phenomenology, cognitive science and philosophy of mind.

Author: Katya Mandoki
Publisher: Routledge
ISBN: 131713849X
Category : Philosophy
Languages : en
Pages : 344

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Katya Mandoki advances in this book the thesis that it is not only possible but crucial to open up the field of aesthetics (traditionally confined to the study of art and beauty) toward the richness and complexity of everyday life. She argues that in every process of communication, whether face to face or through the media, fashion, and political propaganda, there is always an excess beyond the informative and functional value of a message. This excess is the aesthetic. Following Huizinga's view of play as an ingredient of any social environment, Mandoki explores how various cultural practices are in fact forms of playing since, for the author, aesthetics and play are Siamese twins. One of the unique contributions of this book is the elaboration and application of a semiotic model for the simultaneous analysis of social interactions in the four registers, namely visual, auditory, verbal and body language, to detect the aesthetic strategies deployed in specific situations. She argues that since the presentation of the self is targeted towards participants' sensibilities, aesthetics plays a key role in these modes of exchange. Consequently, the author updates important debates in this field to clear the way for a socio-aesthetic inquiry through contexts such as the family, school, medical, artistic or religious traditions from which social identities emerge.

Author: Maurizio Ferraris
Publisher: State University of New York Press
ISBN: 1438453795
Category : Philosophy
Languages : en
Pages : 126

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Philosophical realism has taken a number of different forms, each applied to different topics and set against different forms of idealism and subjectivism. Maurizio Ferraris's Manifesto of New Realism takes aim at postmodernism and hermeneutics, arguing against their emphasis on reality as constructed and interpreted. While acknowledging the value of these criticisms of traditional, dogmatic realism, Ferraris insists that the insights of postmodernism have reached a dead end. Calling for the discipline to turn its focus back to truth and the external world, Ferraris's manifesto—which sparked lively debate in Italy and beyond—offers a wiser realism with social and political relevance.

Author: Osbel Suárez
Publisher: Actar D
ISBN:
Category : Art
Languages : en
Pages : 292

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Kinetic art is art that contains moving parts or depends on motion for its effect. The moving parts are generally powered by wind, a motor or the observer. The term kinetic sculpture refers to a class of art made primarily from the late 1950s through 1960s. Kinetic art was first recorded by the sculptors Naum Gabo and Antoine Pevsner in their Realist Manifesto issued as part of a manifesto of constructivism in 1920 in Moscow. Bicycle Wheel, of 1913, by Marcel Duchamp, is said to be the first kinetic sculpture.

Author: Anna-Teresa Tymieniecka
Publisher: Springer Science & Business Media
ISBN: 9400747942
Category : Philosophy
Languages : en
Pages : 397

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The classic conception of human transcendental consciousness assumes its self-supporting existential status within the horizon of life-world, nature and earth. Yet this assumed absoluteness does not entail the nature of its powers, neither their constitutive force. This latter call for an existential source reaching beyond the generative life-world network. Transcendental consciousness, having lost its absolute status (its point of reference) it is the role of the logos to lay down the harmonious positioning in the cosmic sphere of the all, establishing an original foundation of phenomenology in the primogenital ontopoiesis of life. ​

Author: Annette W. Balkema
Publisher: Rodopi
ISBN: 9789042010970
Category : Art
Languages : en
Pages : 194

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Advanced art education is in the process of developing research programs throughout Europe. What does the term research actually means in the practice of art? What is the relation to the scientific methods of alpha, beta or gamma sciences, directed toward knowledge production and the development of a certain scientific domaine? What will be the influence of scientific research on the art forms?