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Author: Ana María Leiva Aguilera Publisher: GRIN Verlag ISBN: 365682066X Category : Literary Criticism Languages : en Pages : 14
Book Description
Essay from the year 2014 in the subject English Language and Literature Studies - Literature, University of Jaén, language: English, abstract: The first thing we find when we begin with the reading of "The Picture of Dorian Gray" is a preface, a series of very philosophical aphorisms which served to the Irish author, Oscar Wilde, so that he could answer to those who classified his very first edition as immoral. It is known that the book was inspired when he visited the studio of a painter friend of him, the same who appears in this book, that romantic artist, lover of beauty who idealizes and loves beautiful things. That excessive idealism, represented in the admiration the author feels for the physical beauty of his model, as well as the intimate friendship he had with the son of a marquis which will be the reason why he will be judged to be homosexual.
Author: Ana María Leiva Aguilera Publisher: GRIN Verlag ISBN: 365682066X Category : Literary Criticism Languages : en Pages : 14
Book Description
Essay from the year 2014 in the subject English Language and Literature Studies - Literature, University of Jaén, language: English, abstract: The first thing we find when we begin with the reading of "The Picture of Dorian Gray" is a preface, a series of very philosophical aphorisms which served to the Irish author, Oscar Wilde, so that he could answer to those who classified his very first edition as immoral. It is known that the book was inspired when he visited the studio of a painter friend of him, the same who appears in this book, that romantic artist, lover of beauty who idealizes and loves beautiful things. That excessive idealism, represented in the admiration the author feels for the physical beauty of his model, as well as the intimate friendship he had with the son of a marquis which will be the reason why he will be judged to be homosexual.
Author: Mikel Dufrenne Publisher: Universitat de València ISBN: 8491343202 Category : Art Languages : es Pages : 862
Book Description
En este estudio, Mikel Dufrenne desarrolla una crítica de la experiencia estética. Centrándose en «el sentido» propio y «las condiciones» que hacen posible la experiencia del sujeto contemplador, Dufrenne perfila la noción de objeto estético, fenomenológicamente entendido, en relación a la obra de arte. Para introducirse en el estudio de la experiencia estética, aborda la organización objetiva de la obra de arte, como totalidad estructurada y potencial instauradora de sentido. Por otro lado, partiendo de un estudio sobre la obra musical y de otro sobre la pictórica, propone un perfil general de la estructura de la obra de arte. De este modo, se va desvelando la clave metodológica: a partir de la descripción fenomenológica, desarrolla un análisis trascendental, para abordar finalmente el ámbito de lo propiamente ontológico. A su vez, considera que la experiencia estética supone el mantenimiento, por parte del sujeto, de una determinada actitud estética.
Author: Mikel Dufrenne Publisher: Northwestern University Press ISBN: 9780810105911 Category : Philosophy Languages : en Pages : 652
Book Description
The Phenomenology of Aesthetic Experience (Fr. Ph nom nologie de l'exp rience esth tique) was first published in 1953. In the first of four parts, Dufrenne distinguishes the "aesthetic object" from the "work of art." In the second, he elucidates types of works of art, especially music and painting. He devotes his third section to aesthetic perception. In the fourth, he describes a Kantian critique of aesthetic experience. A perennial classic in the SPEP series, the work is rounded out by a detailed "Translator's Foreword" especially helpful to readers in aesthetics interested in the context and circumstances around which the original was published as well as the phenomenological background of the book.
Author: Steven Shaviro Publisher: MIT Press ISBN: 0262517973 Category : Philosophy Languages : en Pages : 191
Book Description
A Deleuzian reading of Whitehead and a Whiteheadian reading of Deleuze open the possibility of a critical aesthetics of contemporary culture. In Without Criteria, Steven Shaviro proposes and explores a philosophical fantasy: imagine a world in which Alfred North Whitehead takes the place of Martin Heidegger. What if Whitehead, instead of Heidegger, had set the agenda for postmodern thought? Heidegger asks, “Why is there something, rather than nothing?” Whitehead asks, “How is it that there is always something new?” In a world where everything from popular music to DNA is being sampled and recombined, argues Shaviro, Whitehead's question is the truly urgent one. Without Criteria is Shaviro's experiment in rethinking postmodern theory, especially the theory of aesthetics, from a point of view that hearkens back to Whitehead rather than Heidegger. In working through the ideas of Whitehead and Deleuze, Shaviro also appeals to Kant, arguing that certain aspects of Kant's thought pave the way for the philosophical “constructivism” embraced by both Whitehead and Deleuze. Kant, Whitehead, and Deleuze are not commonly grouped together, but the juxtaposition of them in Without Criteria helps to shed light on a variety of issues that are of concern to contemporary art and media practices.
Author: Hans Rainer Sepp Publisher: Springer Science & Business Media ISBN: 9048124719 Category : Philosophy Languages : en Pages : 376
Book Description
Historically, phenomenology began in Edmund Husserl’s theory of mathematics and logic, went on to focus for him on transcendental rst philosophy and for others on metaphysics, philosophical anthropology, and theory of interpretation. The c- tinuing focus has thus been on knowledge and being. But if one began without those interests and with an understanding of the phenomenological style of approach, one might well see that art and aesthetics make up the most natural eld to be approached phenomenologically. Contributions to this eld have continually been made in the phenomenological tradition from very early on, but, so to speak, along the side. (The situation has been similar with phenomenological ethics. ) A great deal of thought about art and aesthetics has nevertheless accumulated during a century and a handbook like the present one is long overdue. The project of this handbook began in conversations over dinner in Sepp’s apa- ment in Baden-Baden at one evening of the hot European summer in the year 2003. As things worked out, he knew more about whom to ask and how much space to allocate to each entry and Embree knew more about how to conduct the inviting, preliminary editing, and prodding of contributors who were late returning their criticized drafts and copyedited entries and was able to invest the time and other resources from his endowed chair. That process took longer than anticipated and there were additional unfortunate delays due to factors beyond the editors’s control.
Author: Ana María Leiva Aguilera
Author: Ana María Leiva Aguilera
Author: Mikel Dufrenne
Author: Mikel Dufrenne
Author: 
Author: Nythamar Fernandes de Oliveira
Author: 
Author: Mikel Dufrenne
Author: Steven Shaviro
Author: 
Author: Hans Rainer Sepp