Femininity, Masculinity, and Sexuality in Morocco and Hollywood PDF Download

Author: Osire Glacier
Publisher: Springer
ISBN: 3319532855
Category : Political Science
Languages : en
Pages : 196

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Book Description
This book is the first to formulate an ideology of emancipation for women in Morocco. Beginning with constructs of the body, femininity and masculinity, it analyzes the central role played by the sociopolitical writing of sexuality in creating gender hierarchy. The author focuses on Morocco, while drawing parallels with Hollywood cinema, one of the great producers of femininity and masculinity, and conducts an exhaustive examination of constructs of femininity and masculinity in language, social practices, cultural productions and legal texts. The objectives of this project are tripartite: it exposes the dynamics that devalue women’s humanity; it charts the schemas of their sexual, economic and sociopolitical exploitation; and it advances concrete solutions for re-establishing women’s human dignity.

Author: Denis M. Provencher
Publisher: Rowman & Littlefield
ISBN: 179364487X
Category : Literary Criticism
Languages : en
Pages : 311

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Book Description
In this first edited collection in English on Abdellah Taïa, Denis M. Provencher and Siham Bouamer frame the distinctiveness of the Moroccan author’s migration by considering current scholarship in French and Francophone studies, post-colonial studies, affect theory, queer theory, and language and sexuality. In contrast to critics that consider Taïa to immigrate and integrate successfully to France as a writer and intellectual, Provencher and Bouamer argue that the author’s writing is replete with elements of constant migration, “comings and goings,” cruel optimism, flexible accumulation of language over borders, transnational filiations, and new forms of belonging and memory making across time and space. At the same time, his constantly evolving identity emerges in many non-places, defined as liminal and border narrative spaces where unexpected and transgressive new forms of belonging emerge without completely shedding shame, mourning, or melancholy.

Author: Jocelyn Frelier
Publisher: U of Nebraska Press
ISBN: 1496233654
Category : Literary Criticism
Languages : en
Pages : 287

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Book Description
One of the lasting legacies of colonialism is the assumption that families should conform to a kinship arrangement built on normative, nuclear, individuality-based models. An alternate understanding of familial aspiration is one cultivated across national borders and cultures and beyond the constraints of diasporas. This alternate understanding, which imagines a category of “trans-” families, relies on decolonial and queer intellectual thought to mobilize or transform power across borders. In Transforming Family Jocelyn Frelier examines a selection of novels penned by francophone authors in France, Morocco, and Algeria, including Azouz Begag, Nina Bouraoui, Fouad Laroui, Leïla Sebbar, Leïla Slimani, and Abdellah Taïa. Each novel contributes a unique argument about this alternate understanding of family, questioning how family relates to race, gender, class, embodiment, and intersectionality. Arguing that trans- families are always already queer, Frelier opens up new spaces of agency for both family units and individuals who seek representation and fulfilling futures. The novels analyzed in Transforming Family, as well as the families they depict, resist classification and delink the legacies of colonialism from contemporary modes of being. As a result, these novels create trans- identities for their protagonists and contribute to a scholarly understanding of the becoming trans- of cultural production. As international political debates related to migration, the family unit, and the “global migrant crisis” surge, Frelier destabilizes governmental criteria for the “regrouping” of families by turning to a set of definitions found in the cultural production of members of the francophone, North African diaspora.

Author: Fatima Sadiqi
Publisher: BRILL
ISBN: 9004128530
Category : Social Science
Languages : en
Pages : 355

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Book Description
This text is an original investigation in the complex relationship between women, gender, and language in a Muslim, multilingual, and multicultural setting. Moroccan women's use of monolingualism (oral literature) and multilingualism (code-switching) reflects their agency and gender-role subversion in a heavily patriarchal society.

Author: Deborah Kapchan
Publisher: University of Pennsylvania Press
ISBN: 0812202430
Category : Social Science
Languages : en
Pages : 344

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Book Description
Selected by Choice magazine as an Outstanding Academic Book for 1996 Gender on the Market is a study of Moroccan women's expressive culture and the ways in which it both determines and responds to current transformations in gender roles. Beginning with women's emergence into what has been defined as the most paradigmatic of Moroccan male institutions—the marketplace—the book elucidates how gender and commodity relations are experienced and interpreted in women's aesthetic practices. Deborah Kapchan compellingly demonstrates that Moroccan women challenge some of the most basic cultural assumptions of their society—especially ones concerning power and authority.

Author: Daisy Hilse Dwyer
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 224

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Book Description
Daisy Dwyer's principal theme is that belief systems concerning sexuality and male-female relations are systematically linked with the distribution of power and authority between the sexes in different cultural situations. The relations between belief systems and authority varies according to whether men and women share essentially the same ideology concerning sex roles and sexuality (e.g., dominant males, subordinate females), as they do in some settings, or whether their ideologies significantly contrast (p. 165-169). Because of the potential for ideological variation between the sexes in a given culture, Dwyer argues that belief systems concerning sexuality are often more complicated than they have often been assumed to be by theorists who presume that sexual ideologies can be reduced to simplistic formulae such as "woman is to man as nature is to culture" (p. 5). ... Dwyer's study is based upon Taroudannt, a southern Moroccan town in which she conducted field research around 1970-the exact period of research is unspecified but textual references are made to 1970 events. She argues that the "Taroudannt ideology" provides an instance of men and women sharing a belief in female inferiority and subordination although both acknowledge that the dominant characteristics of the two sexes significantly overlap (p. 51). ... Dwyer provides normative descriptions of how sex roles are inculcated and come to be accepted, and also of the shared normative expectations of men and women at different stages in their life- cycles. She rightly insists upon dispensing with Western stereotypes concerning "Arab-Muslim" sexuality and upon emphasizing the temporal and historical dimension of sexual ideologies. -- From https://www.jstor.org (Sep. 15, 2015).

Author: Andrea Khalil
Publisher: Routledge
ISBN: 1317968638
Category : Business & Economics
Languages : en
Pages : 120

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Book Description
This book provides insight into contemporary film production from North African countries referred to as the Maghreb. Focus is both on the socio-economic context of film production, which suffers some of the same setbacks and obstacles as other regions of the developing world, and on the thematic details treated in the films themselves. The book delves into ideas such as gender and sexuality, national identity, political conflict, and issues of post and neo-colonial relationships in the context of globalisation. The book includes close analyses of individual films which at times show the taboo subjects of sexual and substance abuse, the lives of street children, and prostitution, as well as upper-class contradictions between an increasingly global position of privilege while in the midst of a traditionalist society. Others chapters focus on an individual filmmakers’ world view as depicted in representations of contemporary daily life of the average Tunisian, Moroccan or Algerian. The book provides an understanding of day to day existence in Morocco, Tunisia, and Algeria as depicted by local artists. The theoretical questions raised stretch beyond this topic to touch on ‘third world’ art and film production, and production in conditions of political repression and rigid moral conservatism.

Author: Robert Lang
Publisher: Columbia University Press
ISBN: 9780231113007
Category : Literary Criticism
Languages : en
Pages : 408

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Book Description
In the 1930s a band of smart and able young men, some still in their twenties, helped Franklin D. Roosevelt transform an American nation in crisis. They were the junior officers of the New Deal. Thomas G. Corcoran, Benjamin V. Cohen, William O. Douglas, Abe Fortas, and James Rowe helped FDR build the modern Democratic Party into a progressive coalition whose command over power and ideas during the next three decades seemed politically invincible. This is the first book about this group of Rooseveltians and their linkage to Lyndon Johnson's Great Society and the Vietnam War debacle. Michael Janeway grew up inside this world. His father, Eliot Janeway, business editor of Time and a star writer for Fortune and Life magazines, was part of this circle, strategizing and practicing politics as well as reporting on these men. Drawing on his intimate knowledge of events and previously unavailable private letters and other documents, Janeway crafts a riveting account of the exercise of power during the New Deal and its aftermath. He shows how these men were at the nexus of reform impulses at the electoral level with reform thinking in the social sciences and the law and explains how this potent fusion helped build the contemporary American state. Since that time efforts to reinvent government by "brains trust" have largely failed in the U.S. In the last quarter of the twentieth century American politics ceased to function as a blend of broad coalition building and reform agenda setting, rooted in a consensus of belief in the efficacy of modern government. Can a progressive coalition of ideas and power come together again? The Fall of the House of Roosevelt makes such a prospect both alluring and daunting.

Author: Anthony Uzarowski
Publisher: Charlesbridge Publishing
ISBN: 1623543517
Category : Biography & Autobiography
Languages : en
Pages : 184

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Book Description
The ultimate celebration of LGBTQIA+ icons profiling 40 artists, entertainers, writers, and activists who inspired the queer community with their style, openness, and diversity. This giftable collection of Instagram-worthy illustrated biographies takes you on a tour through LGBTQIA+ history from the 20th century through today, featuring profiles of Britney Spears, Judy Garland, RuPaul, Lady Gaga, Mae West, Freddie Mercury, and Lil Nas X. What makes a gay icon? Free, uninhibited expression; an open mind; creativity; and bravery. Friends of Dorothy celebrates a wide range of people with the strength, vulnerability, charisma, and style that set them apart and gave them status with the queer community. Queer icons include supporters of LGBTQIA+ rights such as Marsha P. Johnson, and others like Divine and RuPaul who shattered social barriers to become important cultural ambassadors of queerness, changing the world in the process. Other icons are timeless entertainers with unique appeal, from Judy Garland and Bette Midler to Grace Jones and Lady Gaga. This collection welcomes readers into a flamboyant world populated by larger-than-life figures who inspired LGBTQIA+ people—over the decades—creating controversy, challenging conventions, and sometimes putting their own lives on the line in order for new generations to live in a more equal and accepting world. With spectacular color portraits by artist Alejandro Mogollo Díez, the dramatic visual style perfectly captures the flair and panache of these figures.

Author: Janell Hobson
Publisher: State University of New York Press
ISBN: 1438444028
Category : Social Science
Languages : en
Pages : 222

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Book Description
In Body as Evidence, Janell Hobson challenges postmodernist dismissals of identity politics and the delusional belief that the Millennial era reflects a "postracial" and "postfeminist" world. Hobson points to diverse examples in cultural narratives, which suggest that new media rely on old ideologies in the shaping of the body politic. Body as Evidence creates a theoretical mash-up of prose and poetry to illuminate the ways that bodies still matter as sites of political, cultural, and digital resistance. It does so by examining various representations, from popular shows like American Idol to public figures like the Obamas to high-profile cases like the Duke lacrosse rape scandal to current trends in digital culture. Hobson's study also discusses the women who have fueled and retooled twenty-first-century media to make sense of antiracist and feminist resistance. Her discussions include the electronica of Janelle Monáe, M.I.A., and Björk; the feminist film odysseys of Wanuri Kahiu and Neloufer Pazira; and the embodied resistance found simply in raising one's voice in song, creating a blog, wearing a veil, stripping naked, or planting a tree. Spinning knowledge out of this information overload, Hobson offers a global black feminist meditation on how our bodies mobilize, destabilize, and decolonize the meanings of race and gender in an increasingly digitized and globalized world.