Author: Edward Thomas
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 392
Book Description
Feminine Influence on the Poets
Author: Edward Thomas
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 392
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 392
Book Description
The World Below the Window
Author: William Jay Smith
Publisher: JHU Press
ISBN: 9780801867835
Category : Fiction
Languages : en
Pages : 270
Book Description
This selection of William Jay Smith's work of sixty years covers the entire career of one of America's acknowledged poetic masters. It moves from the dark pre-war lyrics ( Quail in Autumn) to the powerful long-lined free verse of the 1960s ( The Tin Can). Here are memorable WWII lyrics ( Dark Valentine) and masterful light verse ( The Tall Poets), displaying the wit that enlivens all of Smith's work. Previously uncollected poems range from a haunting delineation of the ironies of age in "The Shipwreck" to the dramatic intensity of The Cherokee Lottery, which deals with the forced removal of Indian tribes east of the Mississippi. Praise for William Jay Smith: "A most gifted and original poet... One of the very few who cannot be confused with anybody else."—Richard Wilbur "William Jay Smith has been one of our best poets for more than sixty years, and The Cherokee Lottery is his masterwork: taut, harrowing, eloquent, and profoundly memorable."—Harold Bloom "His best poems are unlike anything else in contemporary American literature... Although often based on realistic situations, Smith's compressed, formal lyrics develop language musically in a way which summons an intricate, dreamlike set of images and associations."—Dana Gioia "William Jay Smith has given us many of the truest and purest poems an American has written: the most resonantly musical, the most magical."—X. J. Kennedy
Publisher: JHU Press
ISBN: 9780801867835
Category : Fiction
Languages : en
Pages : 270
Book Description
This selection of William Jay Smith's work of sixty years covers the entire career of one of America's acknowledged poetic masters. It moves from the dark pre-war lyrics ( Quail in Autumn) to the powerful long-lined free verse of the 1960s ( The Tin Can). Here are memorable WWII lyrics ( Dark Valentine) and masterful light verse ( The Tall Poets), displaying the wit that enlivens all of Smith's work. Previously uncollected poems range from a haunting delineation of the ironies of age in "The Shipwreck" to the dramatic intensity of The Cherokee Lottery, which deals with the forced removal of Indian tribes east of the Mississippi. Praise for William Jay Smith: "A most gifted and original poet... One of the very few who cannot be confused with anybody else."—Richard Wilbur "William Jay Smith has been one of our best poets for more than sixty years, and The Cherokee Lottery is his masterwork: taut, harrowing, eloquent, and profoundly memorable."—Harold Bloom "His best poems are unlike anything else in contemporary American literature... Although often based on realistic situations, Smith's compressed, formal lyrics develop language musically in a way which summons an intricate, dreamlike set of images and associations."—Dana Gioia "William Jay Smith has given us many of the truest and purest poems an American has written: the most resonantly musical, the most magical."—X. J. Kennedy
The Body of Poetry
Author: Annie Ridley Crane Finch
Publisher: University of Michigan Press
ISBN: 0472025589
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
The Body of Poetry collects essays, reviews, and memoir by Annie Finch, one of the brightest poet-critics of her generation. Finch's germinal work on the art of verse has earned her the admiration of a wide range of poets, from new formalists to hip-hop writers. And her ongoing commitment to women's poetry has brought Finch a substantial following as a "postmodern poetess" whose critical writing embraces the past while establishing bold new traditions. The Body of Poetry includes essays on metrical diversity, poetry and music, the place of women poets in the canon, and on poets Emily Dickinson, Phillis Wheatley, Sara Teasdale, Audre Lorde, Marilyn Hacker, and John Peck, among other topics. In Annie Finch's own words, these essays were all written with one aim: "to build a safe space for my own poetry. . . . [I]n the attempt, they will also have helped to nourish a new kind of American poetics, one that will prove increasingly open to poetry's heart." Poet, translator, and critic Annie Finch is director of the Stonecoast low-residency MFA program at the University of Southern Maine. She is co-editor, with Kathrine Varnes, of An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art, and author of The Ghost of Meter: Culture and Prosody in American Free Verse, Eve, and Calendars. She is the winner of the eleventh annual Robert Fitzgerald Prosody Award for scholars who have made a lasting contribution to the art and science of versification.
Publisher: University of Michigan Press
ISBN: 0472025589
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
The Body of Poetry collects essays, reviews, and memoir by Annie Finch, one of the brightest poet-critics of her generation. Finch's germinal work on the art of verse has earned her the admiration of a wide range of poets, from new formalists to hip-hop writers. And her ongoing commitment to women's poetry has brought Finch a substantial following as a "postmodern poetess" whose critical writing embraces the past while establishing bold new traditions. The Body of Poetry includes essays on metrical diversity, poetry and music, the place of women poets in the canon, and on poets Emily Dickinson, Phillis Wheatley, Sara Teasdale, Audre Lorde, Marilyn Hacker, and John Peck, among other topics. In Annie Finch's own words, these essays were all written with one aim: "to build a safe space for my own poetry. . . . [I]n the attempt, they will also have helped to nourish a new kind of American poetics, one that will prove increasingly open to poetry's heart." Poet, translator, and critic Annie Finch is director of the Stonecoast low-residency MFA program at the University of Southern Maine. She is co-editor, with Kathrine Varnes, of An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art, and author of The Ghost of Meter: Culture and Prosody in American Free Verse, Eve, and Calendars. She is the winner of the eleventh annual Robert Fitzgerald Prosody Award for scholars who have made a lasting contribution to the art and science of versification.
Feminine Influence on the Poets
Author: Edward Thomas
Publisher: Legare Street Press
ISBN: 9781022022874
Category : History
Languages : en
Pages : 0
Book Description
Feminine Influence on the Poets explores the impact that women have had on the work of male poets throughout history. Drawing on examples from Shakespeare to Tennyson, the book argues that women have often played a vital role in inspiring and shaping the poetry of men. This is a fascinating book for anyone interested in literature, gender studies, or cultural history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Legare Street Press
ISBN: 9781022022874
Category : History
Languages : en
Pages : 0
Book Description
Feminine Influence on the Poets explores the impact that women have had on the work of male poets throughout history. Drawing on examples from Shakespeare to Tennyson, the book argues that women have often played a vital role in inspiring and shaping the poetry of men. This is a fascinating book for anyone interested in literature, gender studies, or cultural history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Feminine Influence on the Poets
Author: Thomas Edward
Publisher: Hardpress Publishing
ISBN: 9781313499354
Category :
Languages : en
Pages : 402
Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Publisher: Hardpress Publishing
ISBN: 9781313499354
Category :
Languages : en
Pages : 402
Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Romanticism and Women Poets
Author: Harriet Kramer Linkin
Publisher: University Press of Kentucky
ISBN: 0813184924
Category : Poetry
Languages : en
Pages : 401
Book Description
One of the most exciting developments in Romantic studies in the past decade has been the rediscovery and repositioning of women poets as vital and influential members of the Romantic literary community. This is the first volume to focus on women poets of this era and to consider how their historical reception challenges current conceptions of Romanticism. With a broad, revisionist view, the essays examine the poetry these women produced, what the poets thought about themselves and their place in the contemporary literary scene, and what the recovery of their works says about current and past theoretical frameworks. The contributors focus their attention on such poets as Felicia Hemans, Letitia Elizabeth Landon, Charlotte Smith, Anna Barbauld, Mary Lamb, and Fanny Kemble and argue for a significant rethinking of Romanticism as an intellectual and cultural phenomenon. Grounding their consideration of the poets in cultural, social, intellectual, and aesthetic concerns, the authors contest the received wisdom about Romantic poetry, its authors, its themes, and its audiences. Some of the essays examine the ways in which many of the poets sought to establish stable positions and identities for themselves, while others address the changing nature over time of the reputations of these women poets.
Publisher: University Press of Kentucky
ISBN: 0813184924
Category : Poetry
Languages : en
Pages : 401
Book Description
One of the most exciting developments in Romantic studies in the past decade has been the rediscovery and repositioning of women poets as vital and influential members of the Romantic literary community. This is the first volume to focus on women poets of this era and to consider how their historical reception challenges current conceptions of Romanticism. With a broad, revisionist view, the essays examine the poetry these women produced, what the poets thought about themselves and their place in the contemporary literary scene, and what the recovery of their works says about current and past theoretical frameworks. The contributors focus their attention on such poets as Felicia Hemans, Letitia Elizabeth Landon, Charlotte Smith, Anna Barbauld, Mary Lamb, and Fanny Kemble and argue for a significant rethinking of Romanticism as an intellectual and cultural phenomenon. Grounding their consideration of the poets in cultural, social, intellectual, and aesthetic concerns, the authors contest the received wisdom about Romantic poetry, its authors, its themes, and its audiences. Some of the essays examine the ways in which many of the poets sought to establish stable positions and identities for themselves, while others address the changing nature over time of the reputations of these women poets.
Feminine Influence
Author: Edward Thomas
Publisher:
ISBN: 9781331215530
Category : Poetry
Languages : en
Pages : 376
Book Description
Excerpt from Feminine Influence: On the Poets "BY Heaven," says Biron in "Love's Labour's Lost," "I do love; and it hath taught me to rhyme and to be melancholy." By far the greatest part of the influence of women upon poetry has hitherto been of the unconscious kind; they have been the subject and the inspiration of many poems. In civilisations where the conscious intelligence of men treated women as altogether inferior, this was the only direct influence possible. In Greece, for example, it is clear that man saw in woman "no other end than to minister to his pleasure or to become the mother of his children." It is also clear that there must have been women to help Euripides to the liberal view expressed in the "Medea" and the "Alcestis," to his sympathy with" the dumb and age-long protest of the weaker against the stronger sex" who they were we shall never know. The position of women was not better in Rome, though here as everywhere, and at all times, a woman of magical or grand character could make her own world. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher:
ISBN: 9781331215530
Category : Poetry
Languages : en
Pages : 376
Book Description
Excerpt from Feminine Influence: On the Poets "BY Heaven," says Biron in "Love's Labour's Lost," "I do love; and it hath taught me to rhyme and to be melancholy." By far the greatest part of the influence of women upon poetry has hitherto been of the unconscious kind; they have been the subject and the inspiration of many poems. In civilisations where the conscious intelligence of men treated women as altogether inferior, this was the only direct influence possible. In Greece, for example, it is clear that man saw in woman "no other end than to minister to his pleasure or to become the mother of his children." It is also clear that there must have been women to help Euripides to the liberal view expressed in the "Medea" and the "Alcestis," to his sympathy with" the dumb and age-long protest of the weaker against the stronger sex" who they were we shall never know. The position of women was not better in Rome, though here as everywhere, and at all times, a woman of magical or grand character could make her own world. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Classical Women Poets
Author: Josephine Balmer
Publisher: Bloodaxe Books
ISBN:
Category : Poetry
Languages : en
Pages : 168
Book Description
Fragmented and forgotten, the women poets of ancient Greece and Rome have long been overlooked by translators and scholars. Yet to Antipater of Thessalonica, writing in the first century AD, these were the 'earthly Muses' whose poetic skills rivalled those of their heavenly namesakes. Today only a fraction of their work survives - lyrical, witty, often innovative, and always moving - offering surprising insights into the closed world of women in antiquity, from childhood friendships through love affairs and marriage to motherhood and bereavement. Josephine Balmer's translations breathe new life into long-lost works by over a dozen poets from early Greece to the late Roman empire, including Sappho, Corinna, Erinna and Sulpicia, as well as inscriptions, folk-songs and even graffiti. Each poet is introduced by a brief bibliographical note, and where necessary her poems are annotated to guide readers through unfamiliar mythological or historical references. In an illuminating introduction, Josephine Balmer examines the nature of women's poetry in antiquity, as well as the problems (and pleasures) of translating such fragmentary works. Classical Women Poets is a complete collection for anyone interested in women's literature, the ancient world, and - above all - poetry. It is a companion volume to Josephine Balmer's edition Sappho: Poems and Fragments, also published by Bloodaxe.
Publisher: Bloodaxe Books
ISBN:
Category : Poetry
Languages : en
Pages : 168
Book Description
Fragmented and forgotten, the women poets of ancient Greece and Rome have long been overlooked by translators and scholars. Yet to Antipater of Thessalonica, writing in the first century AD, these were the 'earthly Muses' whose poetic skills rivalled those of their heavenly namesakes. Today only a fraction of their work survives - lyrical, witty, often innovative, and always moving - offering surprising insights into the closed world of women in antiquity, from childhood friendships through love affairs and marriage to motherhood and bereavement. Josephine Balmer's translations breathe new life into long-lost works by over a dozen poets from early Greece to the late Roman empire, including Sappho, Corinna, Erinna and Sulpicia, as well as inscriptions, folk-songs and even graffiti. Each poet is introduced by a brief bibliographical note, and where necessary her poems are annotated to guide readers through unfamiliar mythological or historical references. In an illuminating introduction, Josephine Balmer examines the nature of women's poetry in antiquity, as well as the problems (and pleasures) of translating such fragmentary works. Classical Women Poets is a complete collection for anyone interested in women's literature, the ancient world, and - above all - poetry. It is a companion volume to Josephine Balmer's edition Sappho: Poems and Fragments, also published by Bloodaxe.
Women’s Poetry of Late Imperial China
Author: Xiaorong Li
Publisher: University of Washington Press
ISBN: 0295804432
Category : History
Languages : en
Pages : 264
Book Description
This study of poetry by women in late imperial China examines the metamorphosis of the trope of the "inner chambers" (gui), to which women were confined in traditional Chinese households, and which in literature were both a real and an imaginary place. Originally popularized in sixth-century "palace style" poetry, the inner chambers were used by male writers as a setting in which to celebrate female beauty, to lament the loneliness of abandoned women, and by extension, to serve as a political allegory for the exile of loyal and upright male ministers spurned by the imperial court. Female writers of lyric poetry (ci) soon adopted the theme, beginning its transition from male fantasy to multidimensional representation of women and their place in society, and eventually its manifestation in other poetic genres as well. Emerging from the role of sexual objects within poetry, late imperial women were agents of literary change in their expansion and complication of the boudoir theme. While some take ownership and de-eroticizing its imagery for their own purposes, adding voices of children and older women, and filling the inner chambers with purposeful activity such as conversation, teaching, religious ritual, music, sewing, childcare, and chess-playing, some simply want to escape from their confinement and protest gender restrictions imposed on women. Women's Poetry of Late Imperial China traces this evolution across centuries, providing and analyzing examples of poetic themes, motifs, and imagery associated with the inner chambers, and demonstrating the complication and nuancing of the gui theme by increasingly aware and sophisticated women writers.
Publisher: University of Washington Press
ISBN: 0295804432
Category : History
Languages : en
Pages : 264
Book Description
This study of poetry by women in late imperial China examines the metamorphosis of the trope of the "inner chambers" (gui), to which women were confined in traditional Chinese households, and which in literature were both a real and an imaginary place. Originally popularized in sixth-century "palace style" poetry, the inner chambers were used by male writers as a setting in which to celebrate female beauty, to lament the loneliness of abandoned women, and by extension, to serve as a political allegory for the exile of loyal and upright male ministers spurned by the imperial court. Female writers of lyric poetry (ci) soon adopted the theme, beginning its transition from male fantasy to multidimensional representation of women and their place in society, and eventually its manifestation in other poetic genres as well. Emerging from the role of sexual objects within poetry, late imperial women were agents of literary change in their expansion and complication of the boudoir theme. While some take ownership and de-eroticizing its imagery for their own purposes, adding voices of children and older women, and filling the inner chambers with purposeful activity such as conversation, teaching, religious ritual, music, sewing, childcare, and chess-playing, some simply want to escape from their confinement and protest gender restrictions imposed on women. Women's Poetry of Late Imperial China traces this evolution across centuries, providing and analyzing examples of poetic themes, motifs, and imagery associated with the inner chambers, and demonstrating the complication and nuancing of the gui theme by increasingly aware and sophisticated women writers.
A History of Twentieth-Century British Women's Poetry
Author: Jane Dowson
Publisher: Cambridge University Press
ISBN: 9780521819466
Category : Literary Criticism
Languages : en
Pages : 424
Book Description
Publisher Description
Publisher: Cambridge University Press
ISBN: 9780521819466
Category : Literary Criticism
Languages : en
Pages : 424
Book Description
Publisher Description