Author: Marc Shapiro
Publisher: Bluewater Productions
ISBN: 1450784496
Category : Comics & Graphic Novels
Languages : en
Pages : 100
Book Description
Betty White, Kathy Griffin, Rosie O'Donnell, and Ellen DeGeneres are some of the most entertaining and hilarious women in modern-day comedy. The Female Force comic series offers a broad examination of strong and influential women who have shaped modern history and culture. This graphic novel features these comedy queens for the first time, together!
Female Force: Women in Comedy
Author: Marc Shapiro
Publisher: Bluewater Productions
ISBN: 1450784496
Category : Comics & Graphic Novels
Languages : en
Pages : 100
Book Description
Betty White, Kathy Griffin, Rosie O'Donnell, and Ellen DeGeneres are some of the most entertaining and hilarious women in modern-day comedy. The Female Force comic series offers a broad examination of strong and influential women who have shaped modern history and culture. This graphic novel features these comedy queens for the first time, together!
Publisher: Bluewater Productions
ISBN: 1450784496
Category : Comics & Graphic Novels
Languages : en
Pages : 100
Book Description
Betty White, Kathy Griffin, Rosie O'Donnell, and Ellen DeGeneres are some of the most entertaining and hilarious women in modern-day comedy. The Female Force comic series offers a broad examination of strong and influential women who have shaped modern history and culture. This graphic novel features these comedy queens for the first time, together!
Female Force: Women in Comedy: Betty White, Kathy Griffin, Rosie O'Donnell and Ellen DeGeneres
Author: Marc Shapiro
Publisher: Bluewater Productions
ISBN: 1123990093
Category : Comics & Graphic Novels
Languages : en
Pages : 100
Book Description
Betty White, Kathy Griffin, Rosie O'Donnell, and Ellen DeGeneres are some of the most entertaining and hilarious women in modern-day comedy. The Female Force comic series offers a broad examination of strong and influential women who have shaped modern history and culture. This graphic novel features these comedy queens for the first time, together!
Publisher: Bluewater Productions
ISBN: 1123990093
Category : Comics & Graphic Novels
Languages : en
Pages : 100
Book Description
Betty White, Kathy Griffin, Rosie O'Donnell, and Ellen DeGeneres are some of the most entertaining and hilarious women in modern-day comedy. The Female Force comic series offers a broad examination of strong and influential women who have shaped modern history and culture. This graphic novel features these comedy queens for the first time, together!
We Killed
Author: Yael Kohen
Publisher: Macmillan
ISBN: 0374287236
Category : Biography & Autobiography
Languages : en
Pages : 338
Book Description
Kohen assembles America's most prominent comediennes to piece together an oral history about the revolution that happened to (and by) women in American comedy.
Publisher: Macmillan
ISBN: 0374287236
Category : Biography & Autobiography
Languages : en
Pages : 338
Book Description
Kohen assembles America's most prominent comediennes to piece together an oral history about the revolution that happened to (and by) women in American comedy.
Women Like Us: Feeling Overwhelmed, Overworked, Overweight and Over It?
Author: Ellen Briggs
Publisher:
ISBN: 9780648100836
Category :
Languages : en
Pages : 224
Book Description
A collection of humorous true stories by stand up comedians Mandy Nolan and Ellen Briggs.
Publisher:
ISBN: 9780648100836
Category :
Languages : en
Pages : 224
Book Description
A collection of humorous true stories by stand up comedians Mandy Nolan and Ellen Briggs.
Comic Venus
Author: Kristen Anderson Wagner
Publisher: Wayne State University Press
ISBN: 0814341039
Category : Performing Arts
Languages : en
Pages : 424
Book Description
Examines the social and historical significance of women’s contributions to American silent film comedy. For many people the term "silent comedy" conjures up images of Charlie Chaplin's Little Tramp, Buster Keaton's Stoneface, or Harold Lloyd hanging precariously from the side of a skyscraper. Even people who have never seen a silent film can recognize these comedians at a glance. But what about the female comedians? Gale Henry, Louise Fazenda, Colleen Moore, Constance Talmadge—these and numerous others were wildly popular during the silent film era, appearing in countless motion pictures and earning top salaries, and yet their names have been almost entirely forgotten. As a consequence, recovering their history is all the more compelling given that they laid the foundation for generations of funny women, from Lucille Ball to Carol Burnett to Tina Fey. These women constitute an essential and neglected sector of film history, reflecting a turning point in women's social and political history. Their talent and brave spirit continues to be felt today, and Comic Venus: Women and Comedy in American Silent Film seeks to provide a better understanding of women's experiences in the early twentieth century and to better understand and appreciate the unruly and boundary-breaking women who have followed. The diversity and breadth of archival materials explored in Comic Venus illuminate the social and historical period of comediennes and silent film. In four sections, Kristen Anderson Wagner enumerates the relationship between women and comedy, beginning with the question of why historically women weren't seen as funny or couldn't possibly be funny in the public and male eye, a question that persists even today. Wagner delves into the idea of women's "delicate sensibilities," which presumably prevented them from being funny, and in chapter two traces ideas about feminine beauty and what a woman should express versus what these comedic women did express, as Wagner notes, "comediennes challenged the assumption that beauty was a fundamental component of ideal femininity." In chapter three, Wagner discusses how comediennes such as Clara Bow, Marie Dressler, and Colleen Moore used humor to gain recognition and power through performances of sexuality and desire. Women comedians presented "sexuality as fun and playful, suggesting that personal relationships could be fluid rather than stable." Chapter four examines silent comediennes' relationships to the modern world and argues that these women exemplified modernity and new womanhood. The final chapter of Comic Venus brings readers to understand comediennes and their impact on silent-era cinema, as well as their lasting influence on later generations of funny women. Comic Venus is the first book to explore the overlooked contributions made by comediennes in American silent film. Those with an interest in film and representations of femininity in comedy will be fascinated by the analytical connections and thoroughly researched histories of these women and their groundbreaking movements in comedy and stage.
Publisher: Wayne State University Press
ISBN: 0814341039
Category : Performing Arts
Languages : en
Pages : 424
Book Description
Examines the social and historical significance of women’s contributions to American silent film comedy. For many people the term "silent comedy" conjures up images of Charlie Chaplin's Little Tramp, Buster Keaton's Stoneface, or Harold Lloyd hanging precariously from the side of a skyscraper. Even people who have never seen a silent film can recognize these comedians at a glance. But what about the female comedians? Gale Henry, Louise Fazenda, Colleen Moore, Constance Talmadge—these and numerous others were wildly popular during the silent film era, appearing in countless motion pictures and earning top salaries, and yet their names have been almost entirely forgotten. As a consequence, recovering their history is all the more compelling given that they laid the foundation for generations of funny women, from Lucille Ball to Carol Burnett to Tina Fey. These women constitute an essential and neglected sector of film history, reflecting a turning point in women's social and political history. Their talent and brave spirit continues to be felt today, and Comic Venus: Women and Comedy in American Silent Film seeks to provide a better understanding of women's experiences in the early twentieth century and to better understand and appreciate the unruly and boundary-breaking women who have followed. The diversity and breadth of archival materials explored in Comic Venus illuminate the social and historical period of comediennes and silent film. In four sections, Kristen Anderson Wagner enumerates the relationship between women and comedy, beginning with the question of why historically women weren't seen as funny or couldn't possibly be funny in the public and male eye, a question that persists even today. Wagner delves into the idea of women's "delicate sensibilities," which presumably prevented them from being funny, and in chapter two traces ideas about feminine beauty and what a woman should express versus what these comedic women did express, as Wagner notes, "comediennes challenged the assumption that beauty was a fundamental component of ideal femininity." In chapter three, Wagner discusses how comediennes such as Clara Bow, Marie Dressler, and Colleen Moore used humor to gain recognition and power through performances of sexuality and desire. Women comedians presented "sexuality as fun and playful, suggesting that personal relationships could be fluid rather than stable." Chapter four examines silent comediennes' relationships to the modern world and argues that these women exemplified modernity and new womanhood. The final chapter of Comic Venus brings readers to understand comediennes and their impact on silent-era cinema, as well as their lasting influence on later generations of funny women. Comic Venus is the first book to explore the overlooked contributions made by comediennes in American silent film. Those with an interest in film and representations of femininity in comedy will be fascinated by the analytical connections and thoroughly researched histories of these women and their groundbreaking movements in comedy and stage.
Female Force: Princess Diana
Author: Chris Arrant
Publisher: Bluewater Productions
ISBN: 1427638578
Category : Comics & Graphic Novels
Languages : en
Pages : 26
Book Description
This comic series has been featured on CNN, Fox News, and OK! Magazine. Princess. Public Figure. Philanthropist. Parent. Diana, Princess of Wales emerged in the early 1980s as a fresh face to the stoic British monarchy with a storybook wedding, which was unfortunately later a tabloid breakup. She emerged as a modern British woman and admirable icon to not only England but the world.
Publisher: Bluewater Productions
ISBN: 1427638578
Category : Comics & Graphic Novels
Languages : en
Pages : 26
Book Description
This comic series has been featured on CNN, Fox News, and OK! Magazine. Princess. Public Figure. Philanthropist. Parent. Diana, Princess of Wales emerged in the early 1980s as a fresh face to the stoic British monarchy with a storybook wedding, which was unfortunately later a tabloid breakup. She emerged as a modern British woman and admirable icon to not only England but the world.
Specters of Slapstick and Silent Film Comediennes
Author: Maggie Hennefeld
Publisher: Columbia University Press
ISBN: 0231547064
Category : Performing Arts
Languages : en
Pages : 359
Book Description
Women explode out of chimneys and melt when sprayed with soda water. Feminist activists play practical jokes to lobby for voting rights, while overworked kitchen maids dismember their limbs to finish their chores on time. In early slapstick films with titles such as Saucy Sue, Mary Jane’s Mishap, Jane on Strike, and The Consequences of Feminism, comediennes exhibit the tensions between joyful laughter and gendered violence. Slapstick comedy often celebrates the exaggeration of make-believe injury. Unlike male clowns, however, these comic actresses use slapstick antics as forms of feminist protest. They spontaneously combust while doing housework, disappear and reappear when sexually assaulted, or transform into men by eating magic seeds—and their absurd metamorphoses evoke the real-life predicaments of female identity in a changing modern world. Specters of Slapstick and Silent Film Comediennes reveals the gender politics of comedy and the comedic potentials of feminism through close consideration of hundreds of silent films. As Maggie Hennefeld argues, comedienne catastrophes provide disturbing but suggestive images for comprehending gendered social upheavals in the early twentieth century. At the same time, slapstick comediennes were crucial to the emergence of film language. Women’s flexible physicality offered filmmakers blank slates for experimenting with the visual and social potentials of cinema. Specters of Slapstick and Silent Film Comediennes poses major challenges to the foundations of our ideas about slapstick comedy and film history, showing how this combustible genre blows open age-old debates about laughter, society, and gender politics.
Publisher: Columbia University Press
ISBN: 0231547064
Category : Performing Arts
Languages : en
Pages : 359
Book Description
Women explode out of chimneys and melt when sprayed with soda water. Feminist activists play practical jokes to lobby for voting rights, while overworked kitchen maids dismember their limbs to finish their chores on time. In early slapstick films with titles such as Saucy Sue, Mary Jane’s Mishap, Jane on Strike, and The Consequences of Feminism, comediennes exhibit the tensions between joyful laughter and gendered violence. Slapstick comedy often celebrates the exaggeration of make-believe injury. Unlike male clowns, however, these comic actresses use slapstick antics as forms of feminist protest. They spontaneously combust while doing housework, disappear and reappear when sexually assaulted, or transform into men by eating magic seeds—and their absurd metamorphoses evoke the real-life predicaments of female identity in a changing modern world. Specters of Slapstick and Silent Film Comediennes reveals the gender politics of comedy and the comedic potentials of feminism through close consideration of hundreds of silent films. As Maggie Hennefeld argues, comedienne catastrophes provide disturbing but suggestive images for comprehending gendered social upheavals in the early twentieth century. At the same time, slapstick comediennes were crucial to the emergence of film language. Women’s flexible physicality offered filmmakers blank slates for experimenting with the visual and social potentials of cinema. Specters of Slapstick and Silent Film Comediennes poses major challenges to the foundations of our ideas about slapstick comedy and film history, showing how this combustible genre blows open age-old debates about laughter, society, and gender politics.
The Girl in the Show
Author: Anna Fields
Publisher: Arcade
ISBN: 9781510718364
Category : Humor
Languages : en
Pages : 392
Book Description
For fans of Tina Fey, Amy Poehler, Amy Schumer—and every other “funny woman”—comes a candid feminist comedy manifesto exploring the sisterhood between women’s comedy and women’s liberation. “I’m not funny at all. What I am is brave.” —Lucille Ball From female pop culture powerhouses dominating the entertainment landscape to memoirs from today’s most vocal feminist comediennes shooting up the bestseller lists, women in comedy have never been more influential. Marking this cultural shift, The Girl in the Show provides an in-depth exploration of how comedy and feminism have grown hand in hand to give women a stronger voice in the ongoing fight for equality. From I Love Lucy to SNL to today’s rising cable and web-series stars, Anna Fields’ entertaining retrospective combines amusing and honest personal narratives with the historical, political, and cultural contexts of the feminist movement. With interview subjects like Abbi Jacobson, Molly Shannon, Mo Collins, and Lizz Winstead among others—as well as actresses, stand-up comics, writers, producers, and female comedy troupes—Fields shares true stories of wit and heroism from some of our most treasured (and under-represented) artists. At its heart, The Girl in the Show captures the urgency of our continued struggle towards equality, allowing the reader to both revel in—and rebel against—our collective ideas of “women’s comedy.”
Publisher: Arcade
ISBN: 9781510718364
Category : Humor
Languages : en
Pages : 392
Book Description
For fans of Tina Fey, Amy Poehler, Amy Schumer—and every other “funny woman”—comes a candid feminist comedy manifesto exploring the sisterhood between women’s comedy and women’s liberation. “I’m not funny at all. What I am is brave.” —Lucille Ball From female pop culture powerhouses dominating the entertainment landscape to memoirs from today’s most vocal feminist comediennes shooting up the bestseller lists, women in comedy have never been more influential. Marking this cultural shift, The Girl in the Show provides an in-depth exploration of how comedy and feminism have grown hand in hand to give women a stronger voice in the ongoing fight for equality. From I Love Lucy to SNL to today’s rising cable and web-series stars, Anna Fields’ entertaining retrospective combines amusing and honest personal narratives with the historical, political, and cultural contexts of the feminist movement. With interview subjects like Abbi Jacobson, Molly Shannon, Mo Collins, and Lizz Winstead among others—as well as actresses, stand-up comics, writers, producers, and female comedy troupes—Fields shares true stories of wit and heroism from some of our most treasured (and under-represented) artists. At its heart, The Girl in the Show captures the urgency of our continued struggle towards equality, allowing the reader to both revel in—and rebel against—our collective ideas of “women’s comedy.”
Female Force: Ayn Rand
Author: John Blundell
Publisher: Bluewater Productions
ISBN: 1450749240
Category : Comics & Graphic Novels
Languages : en
Pages : 24
Book Description
Recounts in graphic novel format the life and career of controversial American writer and philospher Ayn Rand, best known for her novel "Atlas Shrugged," whose distinctive views on economics and society have inspired many.
Publisher: Bluewater Productions
ISBN: 1450749240
Category : Comics & Graphic Novels
Languages : en
Pages : 24
Book Description
Recounts in graphic novel format the life and career of controversial American writer and philospher Ayn Rand, best known for her novel "Atlas Shrugged," whose distinctive views on economics and society have inspired many.
Women Aren't Supposed to Fly
Author: Harriet Hall
Publisher: iUniverse
ISBN: 0595499589
Category : Biography & Autobiography
Languages : en
Pages : 236
Book Description
This irreverent romp through the worlds of medicine and the military is part autobiography, part social history, and part laugh-out-loud comedy. When the author graduated from medical school in 1970, only 7% of America's doctors were women, and very few of those joined the military. She was the second woman ever to do an Air Force internship, the only woman doctor at David Grant USAF Medical Center, and the only female military doctor in Spain. She had to fight for acceptance: even the 3 year old daughter of a patient told her father, "Oh, Daddy! That¿s not a doctor, that's a lady." She was refused a radiology residency because they subtracted points for women. She couldn¿t have dependents: she was paid less than her male counterparts, she couldn't live on base, and her civilian husband was not even covered for medical care or allowed to shop on base. After spending six years as a General Medical Officer in Franco's Spain, she became a family practice specialist and a flight surgeon, doing everything from delivering babies to flying a B-52. Along the way, she found time to buy her own airplane and learn to fly it (in that order) and to have two babies of her own. She retired as a full colonel. As a rare woman in a male-dominated field, she encountered prejudice, silliness, and even frank disbelief. Her sense of humor kept her afloat; she enlivened the solemnity of her job with antics like admitting a spider to the hospital and singing "The Mickey Mouse Club March" on a field exercise. This book describes her education and career. She tells an entertaining story of what it was like to be a female doctor, flight surgeon, pilot, and military officer in a world that wasn't quite ready for her yet. The title is taken from her first cross-country solo flight: when she closed out her flight plan, the man at the desk said, "Didn't anybody ever tell you women aren't supposed to fly?"
Publisher: iUniverse
ISBN: 0595499589
Category : Biography & Autobiography
Languages : en
Pages : 236
Book Description
This irreverent romp through the worlds of medicine and the military is part autobiography, part social history, and part laugh-out-loud comedy. When the author graduated from medical school in 1970, only 7% of America's doctors were women, and very few of those joined the military. She was the second woman ever to do an Air Force internship, the only woman doctor at David Grant USAF Medical Center, and the only female military doctor in Spain. She had to fight for acceptance: even the 3 year old daughter of a patient told her father, "Oh, Daddy! That¿s not a doctor, that's a lady." She was refused a radiology residency because they subtracted points for women. She couldn¿t have dependents: she was paid less than her male counterparts, she couldn't live on base, and her civilian husband was not even covered for medical care or allowed to shop on base. After spending six years as a General Medical Officer in Franco's Spain, she became a family practice specialist and a flight surgeon, doing everything from delivering babies to flying a B-52. Along the way, she found time to buy her own airplane and learn to fly it (in that order) and to have two babies of her own. She retired as a full colonel. As a rare woman in a male-dominated field, she encountered prejudice, silliness, and even frank disbelief. Her sense of humor kept her afloat; she enlivened the solemnity of her job with antics like admitting a spider to the hospital and singing "The Mickey Mouse Club March" on a field exercise. This book describes her education and career. She tells an entertaining story of what it was like to be a female doctor, flight surgeon, pilot, and military officer in a world that wasn't quite ready for her yet. The title is taken from her first cross-country solo flight: when she closed out her flight plan, the man at the desk said, "Didn't anybody ever tell you women aren't supposed to fly?"