Author: Jay McKean Fisher
Publisher: Mitchell Beazley
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
Félix Buhot, Peintre-graveur
Author: Jay McKean Fisher
Publisher: Mitchell Beazley
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
Publisher: Mitchell Beazley
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
Félix Buhot, peintre-graveur, 1847-1898
Author: André Fontaine
Publisher:
ISBN:
Category : Etchers
Languages : fr
Pages : 650
Book Description
Publisher:
ISBN:
Category : Etchers
Languages : fr
Pages : 650
Book Description
Félix Buhot (1847-1898).
Le peintre graveur aquafortists Félix Buhot (1847-1898)
Le peintre graveur aquafortist Félix Buhot (1847-1898)
The Rise of the Cult of Rembrandt
Author: Alison McQueen
Publisher: Amsterdam University Press
ISBN: 9789053566244
Category : Art
Languages : en
Pages : 392
Book Description
Rembrandt's life and art had an almost mythic resonance in nineteenth-century France with artists, critics, and collectors alike using his artistic persona both as a benchmark and as justification for their own goals. This first in-depth study of the traditional critical reception of Rembrandt reveals the preoccupation with his perceived "authenticity," "naturalism," and "naiveté," demonstrating how the artist became an ancestral figure, a talisman with whom others aligned themselves to increase the value of their own work. And in a concluding chapter, the author looks at the playRembrandt, staged in Paris in 1898, whose production and advertising are a testament to the enduring power of the artist's myth.
Publisher: Amsterdam University Press
ISBN: 9789053566244
Category : Art
Languages : en
Pages : 392
Book Description
Rembrandt's life and art had an almost mythic resonance in nineteenth-century France with artists, critics, and collectors alike using his artistic persona both as a benchmark and as justification for their own goals. This first in-depth study of the traditional critical reception of Rembrandt reveals the preoccupation with his perceived "authenticity," "naturalism," and "naiveté," demonstrating how the artist became an ancestral figure, a talisman with whom others aligned themselves to increase the value of their own work. And in a concluding chapter, the author looks at the playRembrandt, staged in Paris in 1898, whose production and advertising are a testament to the enduring power of the artist's myth.