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Author: Albert Russell Ascoli Publisher: Global Academic Publishing ISBN: 1438438060 Category : Literary Criticism Languages : en Pages : 51
Book Description
Examines the interplay between reading and writing in the works of Petrarch and Dante. Building upon his 2008 book Dante and the Making of a Modern Author, Albert Russell Ascoli here reflects on the extent to which Petrarchs addresses to and figurations of his relationship to his readers intersect with the oft-asserted modernity of his authorial stances. In particular, Ascoli argues that following in the wake of Dantes double staging of himself as reader of his own works (especially in the Vita Nuova), Petrarch shows a keen and probing awareness of how the process of poetic signification involves a continual interchange between author and reader, as well as a strong desire to control the nature of that interchange as much as he can. Ascoli asserts that between Dante and Petrarch two primaryand contradictoryfeatures of literary modernity can be identified: the affirmation of the preeminence of authorial intention and the foregrounding of readerly freedom of interpretation. The Aldo S. Bernardo Lecture Series in the Humanities honors Professor Emeritus Aldo S. Bernardo, his scholarship in medieval Italian literature, and his service to Binghamton University as Professor of Romance Languages and University Distinguished Service Professor. The Bernardo Lecture Series is endowed by the Bernardo Fund and administered by Binghamton Universitys Center for Medieval and Renaissance Studies (CEMERS), which Professor Bernardo cofounded and codirected with Professor Bernard Huppé from 1966 to 1973. The series offers annual lectures by distinguished scholars on topics related to Professor Bernardos primary fields of interestmedieval and Renaissance Italian literature, with a particular focus on Dante Studies, and intellectual history.
Author: Albert Russell Ascoli Publisher: Global Academic Publishing ISBN: 1438438060 Category : Literary Criticism Languages : en Pages : 51
Book Description
Examines the interplay between reading and writing in the works of Petrarch and Dante. Building upon his 2008 book Dante and the Making of a Modern Author, Albert Russell Ascoli here reflects on the extent to which Petrarchs addresses to and figurations of his relationship to his readers intersect with the oft-asserted modernity of his authorial stances. In particular, Ascoli argues that following in the wake of Dantes double staging of himself as reader of his own works (especially in the Vita Nuova), Petrarch shows a keen and probing awareness of how the process of poetic signification involves a continual interchange between author and reader, as well as a strong desire to control the nature of that interchange as much as he can. Ascoli asserts that between Dante and Petrarch two primaryand contradictoryfeatures of literary modernity can be identified: the affirmation of the preeminence of authorial intention and the foregrounding of readerly freedom of interpretation. The Aldo S. Bernardo Lecture Series in the Humanities honors Professor Emeritus Aldo S. Bernardo, his scholarship in medieval Italian literature, and his service to Binghamton University as Professor of Romance Languages and University Distinguished Service Professor. The Bernardo Lecture Series is endowed by the Bernardo Fund and administered by Binghamton Universitys Center for Medieval and Renaissance Studies (CEMERS), which Professor Bernardo cofounded and codirected with Professor Bernard Huppé from 1966 to 1973. The series offers annual lectures by distinguished scholars on topics related to Professor Bernardos primary fields of interestmedieval and Renaissance Italian literature, with a particular focus on Dante Studies, and intellectual history.
Author: Giuseppe Mazzotta Publisher: Duke University Press ISBN: 082238261X Category : Poetry Languages : en Pages : 250
Book Description
At the center of Petrarch's vision, announcing a new way of seeing the world, was the individual, a sense of the self that would one day become the center of modernity as well. This self, however, seemed to be fragmented in Petrarch's work, divided among the worlds of philosophy, faith, and love of the classics, politics, art, and religion, of Italy, France, Greece, and Rome. In recent decades scholars have explored each of these worlds in depth. In this work, Giuseppe Mazzotta shows for the first time how all these fragmentary explorations relate to each other, how these separate worlds are part of a common vision. Written in a clear and passionate style, The Worlds of Petrarch takes us into the politics of culture, the poetic imagination, into history and ethics, art and music, rhetoric and theology. With this encyclopedic strategy, Mazzotta is able to demonstrate that the self for Petrarch is not a unified whole but a unity of parts, and, at the same time, that culture emerges not from a consensus but from a conflict of ideas produced by opposition and dark passion. These conflicts, intrinsic to Petrarch's style of thought, lead Mazzotta to a powerful rethinking of the concepts of "fragments" and "unity" and, finally, to a new understanding of the relationship between them.
Author: Giacomo Leopardi Publisher: Macmillan ISBN: 0374296820 Category : Biography & Autobiography Languages : en Pages : 2592
Book Description
For most of his writing career, Leopardi kept an immense notebook, known as the Zibaldone, in which he recorded his original, wide-ranging, radically modern comments about religion, philosophy, language, history, anthropology, astronomy, literature, poetry, and love. The Zibaldone has been recognized as one of the foundational books of modern culture.
Author: Albert Russell Ascoli
Author: Albert Russell Ascoli
Author: Sylvanus Urban (pseud. van Edward Cave.)
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Author: Giovanni Veneroni
Author: 
Author: Giovanni VENERONI
Author: Giovanni VENERONI
Author: 
Author: Giuseppe Mazzotta
Author: Giacomo Leopardi