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Author: Donald M. Kartiganer, Ann J. Abadie Publisher: Univ. Press of Mississippi ISBN: 9781617033858 Category : Literature and society Languages : en Pages : 396
Book Description
Dare to enter the House of Night with the next four titles of the series (following UNTAMED), collected in a beautifully designed boxed set With more than 12 million books in print, rights sold in almost 40 countries, and over two years on the New York Times bestseller list (reaching as high as #1), the House of Night series by PC and Kristin Cast is an international publishing sensation. The series follows 16-year-old Zoey Redbird as she is “Marked” by a vampyre tracker and begins to undergo the “Change” into an actual vampyre. She has to leave her family and move into the House of Night in Tulsa, OK, a boarding school for other fledgling vampyres like her. It’s tough to begin a new life, away from her parents and friends, and on top of that, Zoey finds she is no average fledgling. She has been Marked as special by the vampyre Goddess, Nyx. Although Zoey has awesome new powers, it’s hard to fit in when everyone knows you’re “special.” As Zoey tries to make new friends and maybe find a hot boyfriend (or two), she comes up against all kinds of evil, from the perfect-looking, super-popular girl with not-so-faultless plans, to the mysterious deaths happening at the House of Night and all over Tulsa. Things at the House of Night are not always what they seem. Can Zoey find the courage deep within herself to find the truth and embrace her destiny?
Author: Donald M. Kartiganer, Ann J. Abadie Publisher: Univ. Press of Mississippi ISBN: 9781617033858 Category : Literature and society Languages : en Pages : 396
Book Description
Dare to enter the House of Night with the next four titles of the series (following UNTAMED), collected in a beautifully designed boxed set With more than 12 million books in print, rights sold in almost 40 countries, and over two years on the New York Times bestseller list (reaching as high as #1), the House of Night series by PC and Kristin Cast is an international publishing sensation. The series follows 16-year-old Zoey Redbird as she is “Marked” by a vampyre tracker and begins to undergo the “Change” into an actual vampyre. She has to leave her family and move into the House of Night in Tulsa, OK, a boarding school for other fledgling vampyres like her. It’s tough to begin a new life, away from her parents and friends, and on top of that, Zoey finds she is no average fledgling. She has been Marked as special by the vampyre Goddess, Nyx. Although Zoey has awesome new powers, it’s hard to fit in when everyone knows you’re “special.” As Zoey tries to make new friends and maybe find a hot boyfriend (or two), she comes up against all kinds of evil, from the perfect-looking, super-popular girl with not-so-faultless plans, to the mysterious deaths happening at the House of Night and all over Tulsa. Things at the House of Night are not always what they seem. Can Zoey find the courage deep within herself to find the truth and embrace her destiny?
Author: Ted Atkinson Publisher: University of Georgia Press ISBN: 082033085X Category : Literary Criticism Languages : en Pages : 286
Book Description
“Remarkably,” writes Ted Atkinson, “during a period roughly corresponding to the Great Depression, Faulkner wrote the novels and stories most often read, taught, and examined by scholars.” This is the first comprehensive study to consider his most acclaimed works in the context of those hard times. Atkinson sees Faulkner’s Depression-era novels and stories as an ideological battleground--in much the same way that 1930s America was. With their contrapuntal narratives that present alternative accounts of the same events, these works order multiple perspectives under the design of narrative unity. Thus, Faulkner’s ongoing engagement with cultural politics gives aesthetic expression to a fundamental ideological challenge of Depression-era America: how to shape what FDR called a “new order of things” out of such conflicting voices as the radical left, the Popular Front, and the Southern Agrarians. Focusing on aesthetic decadence in Mosquitoes and dispossession in The Sound and the Fury, Atkinson shows how Faulkner anticipated and mediated emergent sociocultural forces of the late 1920s and early 1930s. In Sanctuary; Light in August; Absalom, Absalom!; and “Dry September,” Faulkner explores social upheaval (in the form of lynching and mob violence), fascism, and the appeal of strong leadership during troubled times. As I Lay Dying, The Hamlet, “Barn Burning,” and “The Tall Men” reveal his “ambivalent agrarianism”--his sympathy for, yet anxiety about, the legions of poor and landless farmers and sharecroppers. In The Unvanquished, Faulkner views Depression concerns through the historical lens of the Civil War, highlighting the forces of destruction and reconstruction common to both events. Faulkner is no proletarian writer, says Atkinson. However, the dearth of overt references to the Depression in his work is not a sign that Faulkner was out of touch with the times or consumed with aesthetics to the point of ignoring social reality. Through his comprehensive social vision and his connections to the rural South, Hollywood, and New York, Faulkner offers readers remarkable new insight into Depression concerns.
Author: Kevin Railey Publisher: University of Alabama Press ISBN: 0817357270 Category : History Languages : en Pages : 232
Book Description
Railey uses a materialist critical approach to argue that Faulkner'sobsession with history and his struggle with specific ideologies affecting southern society and his family guided his development as an artist. Faulkner may have written himself into history in a way that satisfied the image he had of himself as a natural, artistic aristocrat.
Author: Lawrence H. Schwartz Publisher: Univ. of Tennessee Press ISBN: 9780870496455 Category : Literary Criticism Languages : en Pages : 300
Book Description
A systematic approach to using currently available techniques of artificial intelligence to develop computer programs for commercial use. From basic concepts of knowledge engineering through managing a complete system. Schwartz (English, Montclair State College-NJ) asks: How was it possible for a writer, out-of-print and generally ignored in the early 1940s, to be proclaimed a literary genius in 1950? His research illuminates the process by which Faulkner was chosen to be revivified as an important American nationalist writer during the heating up of the Cold War. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Theresa M. Towner Publisher: Univ. Press of Mississippi ISBN: 1617030961 Category : Literary Criticism Languages : en Pages : 192
Book Description
This study argues that Faulkner's writings about racial matters interrogated rather than validated his racial beliefs and that, in the process of questioning his own ideology, his fictional forms extended his reach as an artist. After winning the Nobel Prize in 1950, Faulkner wrote what critics term “his later novels.” These have been almost uniformly dismissed, with the prevailing view being that as he became a more public figure, his fiction became a platform rather than a canvas. Within this context Faulkner on the Color Line redeems the novels in the final phase of his career by interpreting them as Faulkner's way of addressing the problem of race in America. They are seen as a series of formal experiments Faulkner deliberately attempted as he examined the various cultural functions of narrative, most particularly those narratives that enforce American racial ideology. The first chapters look at the ways in which the ability to assert oneself verbally informs matters of individual and cultural identity in both the widely studied works of Faulkner's major phase and those in his later career. Later chapters focus on the last works, providing detailed readings of Intruder in the Dust, Requiem for a Nun, the Snopes trilogy, A Fable, and The Reivers. The book examines Faulkner as he confronted the vexing questions of race in these novels and assesses the identity of Faulkner as the Nobel Prize winner who claimed on many occasions that he was “tired,” maybe “written out.” In his decision not to speak in the identity of the Black people represented in his fiction, in his decision to write instead about the complexities of all racial constructions, he produced a host of characters suffering within the rigid protocols on race that had been enforced in America for centuries. As a private, white individual, he could never be other than what he was. Rather than attempt to reconcile Faulkner the public man with the private one, however, this study concludes that through his fiction Faulkner the artist questioned himself and came to understand others across the color line.
Author: James Decker Publisher: Bloomsbury Publishing ISBN: 1350317772 Category : Literary Criticism Languages : en Pages : 165
Book Description
This concise introduction to the concept of ideology provides an overview of the term and considers its impact on literary theory. James M. Decker analyzes the history of Western ideology from its pre-Enlightenment roots to its current incarnations, providing readers with both an essential overview of key terms and issues and a thoughtful assessment of some of the important critical thinkers associated with the notion, including Marx, Gramsci and Althusser. Ideological theories are introduced within three broad categories - the subjective, the institutional and the political - which helps students to synthesize a concept that sprawls across the traditional disciplinary lines of philosophy, politics, economics, history and cultural and literary studies. Close readings of key texts demonstrate the impact of ideology on critical practice and literary reputation. Texts include: - Toni Morrison's Sula - William Faulkner's 'Barn Burning' - George Orwell's 1984 Compact and easy-to-follow, Decker's study finally asks: are we now in a 'post-ideological' era?
Author: R. Rio-Jelliffe Publisher: Bucknell University Press ISBN: 9780838754627 Category : Language Arts & Disciplines Languages : en Pages : 214
Book Description
On that paradoxical premise, Faulkner's theory addresses the writer's dilemma of having only the inadequate word to surmount itself; and the practice in fiction seeks to vanquish the enemy, not in the wordless, as it is often denoted, but in silence past the word."--BOOK JACKET.
Author: Karl F. Zender Publisher: LSU Press ISBN: 0807181366 Category : Literary Criticism Languages : en Pages : 168
Book Description
With this study Karl F. Zender offers fresh readings of individual novels, themes, and motifs while also assessing the impact of recent politicized interpretations on our understanding of Faulkner’s achievement. Sympathetically acknowledging the need to decenter the canon, Zender’s searching interrogation of current theory clears a breathing space for Faulkner and his readers between the fustier remnants of New Criticism and the excesses of post-structuralism. Each chapter opens with a balanced presentation of the genuine gifts contemporary theory has bestowed on our comprehension of a particular novel or problem in Faulkner criticism and then proceeds with a groundbreaking reading. “The Politics of Incest” challenges older psychoanalytic interpretations of Faulkner’s use of the incest motif, and “Faulkner’s Privacy” defends the novelist’s difficulty or “reticence” as an aesthetic resistance against the rude candor of deregionalized and depersonalized culture. Subsequent chapters take up the volatile issues of Faulkner’s representations of women and of African Americans, and a close reading of the classic “Barn Burning” critiques the current tendency to blur the concepts of patriarchy and paternity. The elegiac final chapter, “Where is Yoknapatawpha County?” draws on a comparison with John Updike’s Pennsylvania fiction and a reading of Joan Williams’s The Wintering to explore Faulkner’s disinclination to represent the quotidian realities of southern life in his later novels. Zender shows that Faulkner’s stylistic withdrawal attempts to “transform into beauty” his alienation from the postwar world and his fear of aging. That Faulkner and the Politics of Reading itself recovers and gives new luster to Faulkner’s beauty will surely please, in the author’s words, “those readers . . . for whom literature is less a mechanism of social change than a source of pleasure.” The originality of its critical vision will inspire Faulkner scholars, students of American literature, and general readers.
Author: Donald M. Kartiganer, Ann J. Abadie
Author: Donald M. Kartiganer, Ann J. Abadie
Author: Ted Atkinson
Author: Kevin Railey
Author: Lawrence H. Schwartz
Author: Kevin Railey
Author: Theresa M. Towner
Author: Jacob L. Kroner
Author: James Decker
Author: R. Rio-Jelliffe
Author: Karl F. Zender