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Author: Nicholas Borelli Publisher: Nicholas Borelli ISBN: 1463654111 Category : Fiction Languages : en Pages : 346
Book Description
The virtually continuous abuse of females in our society compels some to debate and impels others to act. Every father must protect his daughter-and all of our daughters need protection. Niccolò Cérvantés de'Conti began his career as a New York City Prosecutor and rose to become the United States Attorney in New York. He then entered private practice at a prominent, New York law firm, The Union and Metropolitan. Years before, Nick de'Conti's college-age daughter, Elspeth, was kidnapped, raped, tortured and murdered. The system he trusted failed him. He reverted to the base instincts of his youth in inner-city East Harlem and murdered his daughter's killers. As a result, de'Conti is recruited into FATA!, a secret society of wealthy, middle-age men (The Protectors) and admiring young women (The Communicators), that avenges the deaths of females lost to violence (The Lost Ones). FATA! stands for Fathers Against the Abuse. de'Conti becomes prominent in this cult of grieving fathers and the sisters of young women murdered by predatory men. de'Conti and his cult accomplish in the darkness of the night what law enforcement cannot achieve in the bright light of day.
Author: Nicholas Borelli Publisher: Nicholas Borelli ISBN: 1463654111 Category : Fiction Languages : en Pages : 346
Book Description
The virtually continuous abuse of females in our society compels some to debate and impels others to act. Every father must protect his daughter-and all of our daughters need protection. Niccolò Cérvantés de'Conti began his career as a New York City Prosecutor and rose to become the United States Attorney in New York. He then entered private practice at a prominent, New York law firm, The Union and Metropolitan. Years before, Nick de'Conti's college-age daughter, Elspeth, was kidnapped, raped, tortured and murdered. The system he trusted failed him. He reverted to the base instincts of his youth in inner-city East Harlem and murdered his daughter's killers. As a result, de'Conti is recruited into FATA!, a secret society of wealthy, middle-age men (The Protectors) and admiring young women (The Communicators), that avenges the deaths of females lost to violence (The Lost Ones). FATA! stands for Fathers Against the Abuse. de'Conti becomes prominent in this cult of grieving fathers and the sisters of young women murdered by predatory men. de'Conti and his cult accomplish in the darkness of the night what law enforcement cannot achieve in the bright light of day.
Author: William Berger Publisher: Vintage ISBN: 0307756335 Category : Music Languages : en Pages : 514
Book Description
Everything you could possibly know about Verdi and his operas, from the brilliant and humorous author of Wagner Without Fear. If you want to know why La traviata was actually a flop at its premiere in 1853, it's in here. If you want to know why claiming to have heard Bjorling's Chicago performance of Il trovatore is the classic opera fan faux pas, it's in here. Even if you just want to know how to pronounce Aida, or what the plot of Rigoletto is all about, this is the place to look. From the composer's intense hatred of priests to synopses of the operas and a detailed discography of the best recordings to buy, it can all be found in Verdi with a Vengeance. William Berger has given another improbable performance, serving up a book as thorough as it is funny and as original as it is astute, an utterly indispensable guide for novice and expert alike.
Author: William Jewett Publisher: Cornell University Press ISBN: 1501744526 Category : Drama Languages : en Pages : 281
Book Description
'Fatal Autonomy is a subtle, gracefully written, and politically astute reading of selected plays by the canonical Romantic poets. Jewett offers the most original and carefully circumscribed formulations to date of the interaction between language and politics as it is depicted in Romantic drama.'—Julie Carlson, University of California, Santa Barbara Describing an enduring moral puzzle and explaining how it helped to shape a key moment in the history of poetic drama, Fatal Autonomy represents Romanticism as a reckoning with the costs of individual agency. No moral calculus can ever fully determine the relation of events to an individual's actions and failures to act, William Jewett argues; that is why the stubborn belief in such a relationship gives rise to tragedy. Jewett maintains that tragic drama forces its readers and viewers to confront the ways in which the use of language grants agency. The Romantic poets saw a moral challenge in that confrontation and followed its generic implications toward a new kind of poetry. Fatal Autonomy thus looks to Romantic drama to explain how Romantic poetry came to hold a permanent grip on conceptions of moral life. Tracing the source of major strains in British Romanticism to a politically charged body of dramatic poems, Jewett focuses on two historical moments: 1794-97, which he describes as the political turning point in the careers of William Wordsworth and Samuel Taylor Coleridge, and 1819-22, the years in which he believes Percy Bysshe Shelley and Lord Byron wrote their best poetry.
Author: Gilles de Van Publisher: University of Chicago Press ISBN: 9780226143699 Category : Biography & Autobiography Languages : en Pages : 450
Book Description
But in the musical drama reality begins to blur, the musical forms lose their excessively neat patterns, and doubt and ambiguity undermine characters and situations, reflecting the crisis of character typical of modernity. Indeed, much of the interest and originality of Verdi's operas lie in his adherence to both these contradictory systems, allowing the composer/dramatist to be simultaneously classical and modern, traditionalist and innovator.
Author: Nicholas Borelli
Author: Nicholas Borelli
Author: Kinahan Cornwallis
Author: William Berger
Author: Milwaukee Public Library
Author: 
Author: Luther Anthony (B.)
Author: William Jewett
Author: Gilles de Van
Author: Charles Rooke
Author: Charles Rooke