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Author: Estelle Amber Strazdins Publisher: ISBN: 9780191956867 Category : Civilization, Greco-Roman Languages : en Pages : 0
Book Description
Estelle Strazdins uses literature, inscriptions, and art to explore the relationship of elite Greeks of the Roman imperial period to time. She establishes that imperial Greek temporality was more complex than previously allowed by detailing how cultural output used the past to position itself within tradition but was crafted to speak to the future.
Author: Estelle Amber Strazdins Publisher: ISBN: 9780191956867 Category : Civilization, Greco-Roman Languages : en Pages : 0
Book Description
Estelle Strazdins uses literature, inscriptions, and art to explore the relationship of elite Greeks of the Roman imperial period to time. She establishes that imperial Greek temporality was more complex than previously allowed by detailing how cultural output used the past to position itself within tradition but was crafted to speak to the future.
Author: Estelle Strazdins Publisher: ISBN: 9780192690944 Category : Civilization, Greco-Roman Languages : en Pages : 0
Book Description
Strazdins uses literature, inscriptions, and art to explore the relationship of elite Greeks of the Roman imperial period to time. She establishes that imperial Greek temporality was more complex than previously allowed by detailing how cultural output used the past to position itself within tradition but was crafted to speak to the future.
Author: Estelle Strazdins Publisher: Oxford University Press ISBN: 0192690957 Category : Literary Criticism Languages : en Pages : 393
Book Description
Fashioning the Future in Roman Greece: Memory, Monuments, Texts uses literature, inscriptions, art, and architecture to explore the relationship of elite Greeks of the Roman imperial period to time. This wide-ranging work challenges conventional thinking about the temporal positioning of imperial Greece and the so-called 'Second Sophistic', which holds that it was obsessed above all with the Classical past. Instead, the volume establishes that imperial Greek temporality was far more complex than scholarship has previously allowed by detailing how contemporary cultural output used the past to position itself within tradition but was crafted to speak to the future. At the same time, the book emphasizes the value of interdisciplinary analysis in any explication of elite culture in Roman Greece, since abundant extant evidence reveals its purveyors were often responsible for the production of both literature and material culture. Strazdins shows how these two modes of cultural production in the hands of elites, such as Herodes Atticus, Arrian, Aelius Aristides, Lucian, Dio Chrysostom, Polemon, Pausanias, and Philostratus, exhibit a shared rhetoric oriented towards posterity and informed by a heightened awareness of the fragility of cultural and personal memory over large spans of time. The book thus provides a sophisticated analysis of the tensions, anxieties, and opportunities that attend the fashioning of commemorative strategies against the background of the 'Second Sophistic' and the Roman empire, and details the consequences of embroilment with futurity on our understanding of the cultural and political concerns of elite imperial Greeks.
Author: Richard Teverson Publisher: Taylor & Francis ISBN: 104010391X Category : History Languages : en Pages : 326
Book Description
This is the first book-length exploration of the ways art from the edges of the Roman Empire represented the future, examining visual representations of time and the role of artwork in Roman imperial systems. This book focuses on four kingdoms from across the empire: Cottius’s Alpine kingdom in the north, King Juba II’s Mauretania in the south-west, Herodian Judea in the east, and Kommagene to the north-east. Art from the imperial frontier is rarely considered through the lens of the aesthetics of time, and Roman provincial art and the monuments of allied rulers are typically interpreted as evidence of the interaction between Roman and local identities. In this interdisciplinary study, which explores statues, wall paintings, coins, monuments, and inscriptions, readers learn that these artworks served as something more: they were created to represent the futures that allied rulers and their people foresaw. The pressure of Roman imperialism drove patrons and artists on the empire’s borders to imbue their creations with increasingly sophisticated ideas about the future, as they wrestled with consequential decisions made under periods of intense political pressure. Comprehensively illustrated and providing an important new approach to Roman material culture at the edge of empire, Visions of the Future in Roman Frontier Kingdoms 100 BCE–100 CE is suitable for students and scholars working on Rome and its frontiers, as well as Roman material culture more broadly, and those studying the aesthetics of time in art and art history.
Author: Antony Spawforth Publisher: ISBN: 9781139189743 Category : Acculturation Languages : en Pages : 319
Book Description
"This book examines the impact of the Roman cultural revolution under Augustus on the Roman province of Greece. It argues that the transformation of Roman Greece into a classicizing 'museum' was a specific response of the provincial Greek elites to the cultural politics of the Roman imperial monarchy. Against a background of Roman debates about Greek culture and Roman decadence, Augustus promoted the ideal of a Roman debt to a 'classical' Greece rooted in Europe and morally opposed to a stereotyped Asia. In Greece the regime signalled its admiration for Athens, Sparta, Olympia and Plataea as symbols of these past Greek glories. Cued by the Augustan monarchy, provincial-Greek notables expressed their Roman orientation by competitive cultural work (revival of ritual; restoration of buildings) aimed at further emphasising Greece's 'classical' legacy. Reprised by Hadrian, the Augustan construction of 'classical' Greece helped to promote the archaism typifying Greek culture under the principate"--
Author: Bettina Reitz-Joosse Publisher: Oxford University Press ISBN: 0197610684 Category : Foreign Language Study Languages : en Pages : 289
Book Description
"Building in Words explores the relation between text and architecture in the Roman world from a new angle. Ancient Roman viewers were not only confronted with finished monuments, but also frequently with buildings under construction. They experienced noisy building work, disruptive transportation of materials, and sometimes spectacular engineering feats. This book analyses how Roman writers responded to the process of building and construction in their works. For Roman authors, telling stories of architectural creation served to give meaning to finished monuments. Representing a building's construction might encourage admiration of its artistry, cost, or labour. On the other hand, it could also highlight morally problematic aspects of construction, especially in connection with large-scale engineering projects. In offering descriptions of the process of creating architecture, writers also reflect on the creation of their own works. The metaphor of construction for literary composition is polyvalent: writers use it to comment on the aesthetics or ambition of their literary work, to articulate the power and durability, but also the fragility of literature. This monograph places literary texts of the early Roman empire in dialogue with epigraphic and archaeological material. Through its focus on the process of building, it furthers our understanding of the aesthetics of both architecture and literature in ancient Rome"--
Author: Katherine Harloe Publisher: Routledge ISBN: 1351999141 Category : History Languages : en Pages : 332
Book Description
Hellenomania, the second volume in the MANIA series, presents a wide-ranging, multi-disciplinary exploration of the modern reception of ancient Greek material culture in cultural practices ranging from literature to architecture, stage and costume design, painting, sculpture, cinema, and the performing arts. It examines both canonical and less familiar responses to both real and imagined Greek antiquities from the seventeenth century to the present, across various national contexts. Encompassing examples from Inigo Jones to the contemporary art exhibition documenta 14, and from Thessaloniki and Delphi to Nashville, the contributions examine attempted reconstructions of an ‘authentic’ ancient Greece alongside imaginative and utopian efforts to revive the Greek spirit using modern technologies, new media, and experimental practices of the body. Also explored are the political resonances of Hellenomaniac fascinations, and tensions within them between the ideal and the real, the past, present, and future. Part I examines the sources and derivations of Hellenomania from the Baroque and pre-Romantic periods to the early twentieth century. While covering more canonical material than the following sections, it also casts spotlights on less familiar figures and sets the scene for the illustrations of successive waves of Hellenomania explored in subsequent chapters. Part II focuses on responses, uses, and appropriations of ancient Greek material culture in the built environment—mostly architecture—but also extends to painting and even gymnastics; it examines in particular how a certain idealisation of ancient Greek architecture affected its modern applications. Part III explores challenges to the idealisation of ancient Greece, through the transformative power of colour, movement, and of reliving the past in the present human body, especially female. Part IV looks at how the fascination with the material culture of ancient Greece can move beyond the obsession with Greece and Greekness.
Author: Mary Harlow Publisher: Oxbow Books ISBN: 178297718X Category : Crafts & Hobbies Languages : en Pages : 425
Book Description
Twenty chapters present the range of current research into the study of textiles and dress in classical antiquity, stressing the need for cross and inter-disciplinarity study in order to gain the fullest picture of surviving material. Issues addressed include: the importance of studying textiles to understand economy and landscape in the past; different types of embellishments of dress from weaving techniques to the (late introduction) of embroidery; the close links between the language of ancient mathematics and weaving; the relationships of iconography to the realities of clothed bodies including a paper on the ground breaking research on the polychromy of ancient statuary; dye recipes and methods of analysis; case studies of garments in Spanish, Viennese and Greek collections which discuss methods of analysis and conservation; analyses of textile tools from across the Mediterranean; discussions of trade and ethnicity to the workshop relations in Roman fulleries. Multiple aspects of the production of textiles and the social meaning of dress are included here to offer the reader an up-to-date account of the state of current research. The volume opens up the range of questions that can now be answered when looking at fragments of textiles and examining written and iconographic images of dressed individuals in a range of media. The volume is part of a pair together with Prehistoric, Ancient Near Eastern and Aegean Textiles and Dress: an interdisciplinary anthology edited by Mary Harlow, Cécile Michel and Marie-Louise Nosch
Author: Estelle Amber Strazdins
Author: Estelle Amber Strazdins
Author: Estelle Strazdins
Author: Estelle Strazdins
Author: Richard Teverson
Author: Antony Spawforth
Author: Katell Berthelot
Author: Bettina Reitz-Joosse
Author: Sara Pendergast
Author: Katherine Harloe
Author: Mary Harlow