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Author: Karen Newman Publisher: University of Chicago Press ISBN: 0226577090 Category : Drama Languages : en Pages : 209
Book Description
By examining representations of women on stage and in the many printed materials aimed at them, Karen Newman shows how female subjectivity—both the construction of the gendered subject and the ideology of women's subjection to men—was fashioned in Elizabethan and Jacobean England. Her emphasis is not on "women" so much as on the category of "femininity" as deployed in the late sixteenth and early seventeenth centuries. Through the critical lens of poststructuralism, Newman reads anatomies, conduct and domesticity handbooks, sermons, homilies, ballads, and court cases to delineate the ideologies of femininity they represented and produced. Arguing that drama, as spectacle, provides a peculiarly useful locus for analyzing the management of femininity, Newman considers the culture of early modern London to reveal how female subjectivity was fashioned and staged in the plays of Shakespeare, Jonson, and others.
Author: Karen Newman Publisher: University of Chicago Press ISBN: 0226577090 Category : Drama Languages : en Pages : 209
Book Description
By examining representations of women on stage and in the many printed materials aimed at them, Karen Newman shows how female subjectivity—both the construction of the gendered subject and the ideology of women's subjection to men—was fashioned in Elizabethan and Jacobean England. Her emphasis is not on "women" so much as on the category of "femininity" as deployed in the late sixteenth and early seventeenth centuries. Through the critical lens of poststructuralism, Newman reads anatomies, conduct and domesticity handbooks, sermons, homilies, ballads, and court cases to delineate the ideologies of femininity they represented and produced. Arguing that drama, as spectacle, provides a peculiarly useful locus for analyzing the management of femininity, Newman considers the culture of early modern London to reveal how female subjectivity was fashioned and staged in the plays of Shakespeare, Jonson, and others.
Author: Mary Beth Rose Publisher: Cornell University Press ISBN: 1501723251 Category : Literary Criticism Languages : en Pages : 271
Book Description
A public and highly popular literary form, English Renaissance drama affords a uniquely valuable index of the process of cultural transformation. The Expense of Spirit integrates feminist and historicist critical approaches to explore the dynamics of cultural conflict and change during a crucial period in the formation of modern sexual values. Comparing Elizabethan and Jacobean dramatic representations of love and sexuality with those in contemporary moral tracts and religious writings on women, love, and marriage, Mary Beth Rose argues that such literature not only interpreted sexual sensibilities but also contributed to creating and transforming them.
Author: Marliss C. Desens Publisher: University of Delaware Press ISBN: 9780874134766 Category : Drama Languages : en Pages : 188
Book Description
None of these assumptions has been tested against the evidence of the surviving plays from the period - an oversight that the present study seeks to remedy.
Author: J. Leeds Barroll Publisher: Fairleigh Dickinson Univ Press ISBN: 9780838635704 Category : Literary Criticism Languages : en Pages : 460
Book Description
Medieval and Renaissance Drama in England is an international volume published every year in hardcover, containing essays and studies as well as book reviews of the many significant books and essays dealing with the cultural history of medieval and early modern England as expressed by and realized in its drama exclusive of Shakespeare.
Author: M. Burnett Publisher: Springer ISBN: 023038014X Category : Literary Criticism Languages : en Pages : 238
Book Description
Drawing upon archival material as well as the drama, popular verse and pamphlets, this book reads representations of masters and servants in relation to key Renaissance preoccupations. Apprentices, journeymen, male domestic servants, maidservants and stewards, Burnett argues, were deployed in literary texts to address questions about the exercise of power, social change and the threat of economic upheaval. In this way, writers were instrumental in creating servant 'cultures', and spaces within which forms of political resistance could be realized.
Author: Eugene M. Waith Publisher: University of Delaware Press ISBN: 9780874133257 Category : Drama Languages : en Pages : 324
Book Description
These essays bring attention to the designs that the English Renaissance playwrights imposed on their work. Among the patterns explored are those inspired by the literature, drama, or poetics of classical times and visual patterns derived from traditions of stage presentation.
Author: Katrine K. Wong Publisher: Routledge ISBN: 0415806704 Category : Drama Languages : en Pages : 234
Book Description
This book offers a survey of how female and male characters in English Renaissance theatre participated and interacted in musical activities, both inside and outside the contemporary societal decorum. Wong examines the theatrical functions of music in the context of non-Shakespearean Renaissance drama, discussing dramaturgical meanings of music and its association with gender, love, and erotomania in Renaissance plays.
Author: Katrine K. Wong Publisher: Routledge ISBN: 1136169709 Category : Literary Criticism Languages : en Pages : 233
Book Description
This book offers a survey of how female and male characters in English Renaissance theatre participated and interacted in musical activities, both inside and outside the contemporary societal decorum. Wong’s analysis broadens our understanding of the general theatrical representation of music, or musical dramaturgy, and complicates the current discussion of musical portrayal and construction of gender during this period. Wong discusses dramaturgical meanings of music and its association with gender, love, and erotomania in Renaissance plays. The negotiation between the dichotomous qualities of the heavenly and the demonic finds extensive application in recent studies of music in early modern English plays. However, while ideological dualities identified in music in traditional Renaissance thinking may seem unequivocal, various musical representations of characters and situations in early modern drama would prove otherwise. Wong, building upon the conventional model of binarism, explores how playwrights created their musical characters and scenarios according to the received cultural use and perception of music, and, at the same time, experimented with the multivalent meanings and significance embodied in theatrical music.
Author: Karen Newman
Author: Karen Newman
Author: Karen NEWMAN
Author: Mary Beth Rose
Author: Marliss C. Desens
Author: J. Leeds Barroll
Author: Viviana Comensoli
Author: M. Burnett
Author: Eugene M. Waith
Author: Katrine K. Wong
Author: Katrine K. Wong