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Author: Paul Mazgaj Publisher: University of Delaware Press ISBN: 9780874139495 Category : History Languages : en Pages : 374
Book Description
The role and influence of intellectuals is one of the flashpoints in the recurring debate on the nature and dimensions of French fascism. At the forefront of this debate are a group of emerging writers, collectively known as the Young Right. Though thoroughly schooled in the reactionary nationalism of Charles Maurras' Action francaise, whose orbit they entered in the early 1930s, they were soon seduced by the mobilizing force of neighboring fascist movements and regimes. Led by two precocious literary talents, Robert Brasillach and Thierry Maulnier, the Young Right set themselves to rejuvenating French nationalism and winning a place for France in an emerging new Europe. Their project - an attempt to graft lessons from foreign sources onto a native language of French generational and cultural politics - was one of several efforts to create a distinctive French fascism.
Author: Paul Mazgaj Publisher: University of Delaware Press ISBN: 9780874139495 Category : History Languages : en Pages : 374
Book Description
The role and influence of intellectuals is one of the flashpoints in the recurring debate on the nature and dimensions of French fascism. At the forefront of this debate are a group of emerging writers, collectively known as the Young Right. Though thoroughly schooled in the reactionary nationalism of Charles Maurras' Action francaise, whose orbit they entered in the early 1930s, they were soon seduced by the mobilizing force of neighboring fascist movements and regimes. Led by two precocious literary talents, Robert Brasillach and Thierry Maulnier, the Young Right set themselves to rejuvenating French nationalism and winning a place for France in an emerging new Europe. Their project - an attempt to graft lessons from foreign sources onto a native language of French generational and cultural politics - was one of several efforts to create a distinctive French fascism.
Author: Caroline Campbell Publisher: LSU Press ISBN: 0807160970 Category : History Languages : en Pages : 0
Book Description
In the inter war era, the rise of the largest political movement in modern French history, the powerful Croix de Feu (1927–1936), and its successor, the Parti Social Français, or PSF (1936–1945), led to a sharp rightward turn in France’s political culture. Political Belief in France, 1927–1945 traces the central role of women in this shift, arguing that they transformed the Croix de Feu/PSF from a paramilitary league for veterans into a social reform movement that sought to remake the politics, society, and culture of the French Republic. Following the creation of a Women’s Section in 1934, the women of the Croix de Feu/PSF developed a wide array of social programs, including welfare services, youth development, and health-care initiatives. At a time of economic depression and high unemployment, these popular programs tempered the organization’s fearsome reputation as a violent paramilitary group. While the efforts of the Women’s Section had the veneer of moderation, they accentuated the long-standing conservative image of France as a deeply Christian society and sought to assimilate people of different ethnoreligious backgrounds into the dominant national community. Croix de Feu/PSF women promoted their socialagenda as a religious and patriotic duty, a reflection of the individual’s responsibility to make personal sacrifices on behalf of their vision for France’s Christian civilization. The Croix de Feu/PSF’s ethnoreligious nationalism circulated throughout the French imperial nation-state, making the movement the premier defender of an empire at the height of its power. But women in North African branches faced substantial marginalization, and the movement remained dangerously sectarian in the Maghreb, driving indigenous activists from reformism to anticolonialism. The Croix de Feu/PSF thus set the stage for both the authoritarian, anti-Semitic Vichy regime and the decolonization that followed the war. The first book on women of the French far right in the age of fascism, Political Belief in France, 1927–1945 contributes to the fields of French history, gender studies, the history of fascism, and the history of empire.
Author: Joan Lorna Tumblety Publisher: ISBN: Category : Je suis partout Languages : en Pages : 870
Book Description
Illustrates the cultural politics of fascism in Occupied France in one section of the Parisian collaborationist press, Je suis partout, most notorious of the fascist-collaborationist weeklies. Studies the "conceptual universe" of the newspaper, in which modernity is central and the language is permeated by a rhetoric of gender in which poiltics and culture are described and understood through an evocation of femininity, masculinity, sexual identity and the body.
Author: Matthew Affron Publisher: Princeton University Press ISBN: 0691241961 Category : Art Languages : en Pages : 296
Book Description
Bringing together studies by art historians, historians, and political scientists, Fascist Visions explores the themes and paradigms that pervaded protofascist and fascist aesthetic discourse, cultural policy, and artistic production in France and Italy. Whether traditionalist or innovative in idiom, art functioned as the expression of fascism's ideological polarities: nihilism and idealism, modernism and antimodernism, revolution and reaction. This volume charts the unfolding of fascist aesthetics from its genesis in nationalist and antimaterialist ideologies before World War I to its full development during the interwar period and World War II. It also highlights the shared motivations of advocates of fascist aesthetics, including artists, art critics, political activists, and government officials, outside of Germany. The eight essays in this book investigate the intersection of fascist ideology and aesthetics through a wide range of historical examples. Topics include: theories of cultural regeneration in Italy from the Risorgimento to fascism; the impact of fascism upon the work of such artists and art critics as Ardengo Soffici, Mario Sironi, Valentine de Saint-Point, and Waldemar George; the theories of modernist urbanism developed by Georges Valois's Faisceau; and official sponsorship of painting and the decorative arts in Mussolini's Italy and in Vichy France. The contributors to this volume include Walter Adamson, Matthew Affron, Mark Antliff, Emily Braun, Michèle Cone, Emilio Gentile, Nancy Locke, and Marla Stone.
Author: Caroline Campbell Publisher: LSU Press ISBN: 0807160997 Category : History Languages : en Pages : 311
Book Description
In the inter war era, the rise of the largest political movement in modern French history, the powerful Croix de Feu (1927–1936), and its successor, the Parti Social Français, or PSF (1936–1945), led to a sharp rightward turn in France’s political culture. Political Belief in France, 1927–1945 traces the central role of women in this shift, arguing that they transformed the Croix de Feu/PSF from a paramilitary league for veterans into a social reform movement that sought to remake the politics, society, and culture of the French Republic. Following the creation of a Women’s Section in 1934, the women of the Croix de Feu/PSF developed a wide array of social programs, including welfare services, youth development, and health-care initiatives. At a time of economic depression and high unemployment, these popular programs tempered the organization’s fearsome reputation as a violent paramilitary group. While the efforts of the Women’s Section had the veneer of moderation, they accentuated the long-standing conservative image of France as a deeply Christian society and sought to assimilate people of different ethnoreligious backgrounds into the dominant national community. Croix de Feu/PSF women promoted their socialagenda as a religious and patriotic duty, a reflection of the individual’s responsibility to make personal sacrifices on behalf of their vision for France’s Christian civilization. The Croix de Feu/PSF’s ethnoreligious nationalism circulated throughout the French imperial nation-state, making the movement the premier defender of an empire at the height of its power. But women in North African branches faced substantial marginalization, and the movement remained dangerously sectarian in the Maghreb, driving indigenous activists from reformism to anticolonialism. The Croix de Feu/PSF thus set the stage for both the authoritarian, anti-Semitic Vichy regime and the decolonization that followed the war. The first book on women of the French far right in the age of fascism, Political Belief in France, 1927–1945 contributes to the fields of French history, gender studies, the history of fascism, and the history of empire.
Author: David Carroll Publisher: Princeton University Press ISBN: 0691223033 Category : Literary Criticism Languages : en Pages : 309
Book Description
This is the first book to provide a sustained critical analysis of the literary-aesthetic dimension of French fascism--the peculiarly French form of what Walter Benjamin called the fascist "aestheticizing of politics." Focusing first on three important extremist nationalist writers at the turn of the century and then on five of the most visible fascist intellectuals in France in the 1930s, David Carroll shows how both traditional and modern concepts of art figure in the elaboration of fascist ideology--and in the presentation of fascism as an art of the political. Carroll is concerned with the internal relations of fascism and literature--how literary fascists conceived of politics as a technique for fashioning a unified people and transforming the disparate elements of society into an organic, totalized work of art. He explores the logic of such aestheticizing, as well as the assumptions about art, literature, and culture at the basis of both the aesthetics and politics of French literary fascists. His book reveals how not only classical humanism but also modern aesthetics that defend the autonomy and integrity of literature became models for xenophobic forms of nationalism and extreme "cultural" forms of anti-Semitism. A cogent analysis of the ideological function of literature and culture in fascism, this work helps us see the ramifications of thinking of literature or art as the truth or essence of politics.
Author: Mark Antliff Publisher: Duke University Press ISBN: 9780822340348 Category : Art Languages : en Pages : 380
Book Description
An investigation of the central role that theories of the visual arts and creativity played in the development of fascism in France between 1909 and 1939.
Author: Alice Yaeger Kaplan Publisher: U of Minnesota Press ISBN: 145290149X Category : History Languages : en Pages : 246
Book Description
Reproductions of Banality was first published in 1986. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. An established fascist state has never existed in France, and after World War II there was a tendency to blame the Nazi Occupation for the presence of fascists within the country. Yet the memory of fascism within their ranks still haunts French intellectuals, and questions about a French version of fascist ideology have returned to the political forefront again and again in the years since the war. In Reproductions of Banality, Alice Yaegar Kaplan investigates the development of fascist ideology as it was manifested in the culture of prewar and Occupied France. Precisely because it existed only in a "gathering" or formative stage, and never achieved the power that brings with it a bureaucratic state apparatus, French fascism never lost its utopian, communal elements, or its consequent aesthetic appeal. Kaplan weighs this fascist aesthetic and its puzzling power of attraction by looking closely at its material remains: the narratives, slogans, newspapers, and film criticism produced by a group of writers who worked in Paris in the 1930s and early 1940s — their "most real moment." These writers include Pierre Drieu la Rochelle, Louis-Ferdinand Celine, Lucien Rebatat, Robert Brasillach, and Maurice Bardeche, as well as two precursors of French fascism, Georges Sorel and the Italian futurist F.T. Marinetti, who made of the airplane an industrial carrier of sexual fantasies and a prime mover in the transit from futurism to fascism. Kaplan's work is grounded in the major Marxist and psychoanalytic theories of fascism and in concepts of banality and mechanical reproduction that draw upon Walter Benjamin. Emphasizing the role played by the new technologies of sight and sound, she is able to suggest the nature of the long-repressed cultural and political climate that produced French fascism, and to show—by implication — that the mass marketing of ideology in democratic states bears a family resemblance to the fascist mode of an earlier time.
Author: Paul Mazgaj
Author: Paul Mazgaj
Author: Caroline Campbell
Author: Joan Lorna Tumblety
Author: Matthew Affron
Author: Margaret Atack
Author: Caroline Campbell
Author: David Carroll
Author: Mark Antliff
Author: Alice Yaeger Kaplan
Author: