Farthest North of Humanness PDF Download

Author: Percy Aldridge Grainger
Publisher: Springer
ISBN: 1349076279
Category : Music
Languages : en
Pages : 585

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Author: Kay Dreyfus (editor)
Publisher:
ISBN:
Category :
Languages : en
Pages : 542

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Author: Percy Grainger
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 596

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Author: Kay Dreyfus
Publisher:
ISBN: 9781349076291
Category :
Languages : en
Pages :

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Author: David Pear
Publisher: UoM Custom Book Centre
ISBN: 1921775424
Category :
Languages : en
Pages : 151

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Author: Daniel M. Grimley
Publisher: Boydell Press
ISBN: 9781843832102
Category : Music
Languages : en
Pages : 276

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This text examines the role which music and landscape played in the formation of Norwegian cultural identity in the 19th century, and the function that landscape has performed in Edvard Grieg's work. Grieg's work presents several perspectives on the relationships between music, landscape and identity.

Author: Chris Walton
Publisher: University Rochester Press
ISBN: 1580463002
Category : Biography & Autobiography
Languages : en
Pages : 470

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Places the Swiss composer Schoeck, master of a late-Romantic style both sensuous and stringent, in context and gives insight into his increasingly popular musical works.

Author: Kay Dreyfus
Publisher: Lyrebird Press
ISBN: 0734037945
Category : Music
Languages : en
Pages : 202

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Percy Grainger’s childhood imagining of a music capable of reproducing the sounds of nature was translated, in his later life, into the creation of wondrously inventive “Free Music” machines. Mostly made from found materials, these machines take their place in a proud tradition of sound art, at a point where the aural and the visual intersect. Two minds converged on the creation of the machines: the one self-taught and intuitive, the other scientifically trained and rigorous. The exchange of letters between the two men charts their journey of discovery and the friendship that grew from it: a grand passionate human adventure.

Author: Martin Lee-Browne
Publisher: Boydell & Brewer Ltd
ISBN: 1843839598
Category : Music
Languages : en
Pages : 562

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"There are many biographies and articles about the life of Frederick Delius (1862-1934), but there has never been a comprehensive book about his music until now. He was an extraordinarily versatiles composer, equally at home with orchestral, instrumental, and chamber works as with choral works and songs; and Delius and his Music covers his entire output. Everything he published, from his earliest compositions and 'trifiles' to the mighty, ninety-minute A Mass of Life, is analysed here in nontechnical language. The history and background of each work and its critical reception are also examined, set within a biography, and against a backdrop of the English musical scene and some of its personalities during the seventy years of Delius's life. There are numerous musical examples and many quotations from contemporary newspapers and journals, as well as a complete list of Delius's works, with catalogue numbers, and a select bibliography. This book will appeal not only to students and Delian scholars, but also to everyone who already has an interest in Delius's unique music, or who would like to discover it for the first time"--Jaquette.

Author: Suzanne Robinson
Publisher: Routledge
ISBN: 1317125010
Category : Music
Languages : en
Pages : 333

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Unaccountably, Percy Grainger has remained on the margins of both American music history and twentieth-century modernism. This volume reveals the well-known composer of popular gems to be a self-described ’hyper-modernist’ who composed works of uncompromising dissonance, challenged the conventions of folk song collection and adaptation, re-visioned the modern orchestra, experimented with ’ego-less’ composition and designed electronic machines intended to supersede human application. Grainger was far from being a self-sufficient maverick working in isolation. Through contact with innovators such as Ferrucio Busoni, Léon Theremin and Henry Cowell; promotion of the music of modern French and Spanish schools; appreciation of vernacular, jazz and folk musics; as well as with the study and transcription of non-Western music; he contested received ideas and proposed many radical new approaches. By reappraising Grainger’s social and historical connectedness and exploring the variety of aspects of modernity seen in his activities in the British, American and Australian contexts, the authors create a profile of a composer, propagandist and visionary whose modernist aesthetic paralleled that of the most advanced composers of his day, and, in some cases, anticipated their practical experiments.