Author: Annette Leddy
Publisher: Getty Publications
ISBN: 1606061186
Category : Art
Languages : en
Pages : 82
Book Description
Consists of essays about the avant-garde journal Dyn, which was produced in Mexico in the 1940s - and its editor, Austrian painter and theorist, Wolfgang Paalen.
Farewell to Surrealism
Author: Annette Leddy
Publisher: Getty Publications
ISBN: 1606061186
Category : Art
Languages : en
Pages : 82
Book Description
Consists of essays about the avant-garde journal Dyn, which was produced in Mexico in the 1940s - and its editor, Austrian painter and theorist, Wolfgang Paalen.
Publisher: Getty Publications
ISBN: 1606061186
Category : Art
Languages : en
Pages : 82
Book Description
Consists of essays about the avant-garde journal Dyn, which was produced in Mexico in the 1940s - and its editor, Austrian painter and theorist, Wolfgang Paalen.
Farewell to the Muse: Love, War and the Women of Surrealism
Author: Whitney Chadwick
Publisher: Thames & Hudson
ISBN: 0500774056
Category : Art
Languages : en
Pages : 353
Book Description
A fascinating examination of the ambitions and friendships of a talented group of midcentury women artists Farewell to the Muse documents what it meant to be young, ambitious, and female in the context of an avant-garde movement defined by celebrated men whose backgrounds were often quite different from those of their younger lovers and companions. Focusing on the 1930s, 1940s, and 1950s, Whitney Chadwick charts five female friendships among the Surrealists to show how Surrealism, female friendship, and the experiences of war, loss, and trauma shaped individual women’s transitions from someone else’s muse to mature artists in their own right. Her vivid account includes the fascinating story of Claude Cahun and Suzanne Malherbe in occupied Jersey, as well as the experiences of Lee Miller and Valentine Penrose at the front line. Chadwick draws on personal correspondence between women, including the extraordinary letters between Leonora Carrington and Leonor Fini during the months following the arrest and imprisonment of Carrington’s lover Max Ernst and the letter Frida Kahlo shared with her friend and lover Jacqueline Lamba years after it was written in the late 1930s. This history brings a new perspective to the political context of Surrealism as well as fresh insights on the vital importance of female friendship to its progress.
Publisher: Thames & Hudson
ISBN: 0500774056
Category : Art
Languages : en
Pages : 353
Book Description
A fascinating examination of the ambitions and friendships of a talented group of midcentury women artists Farewell to the Muse documents what it meant to be young, ambitious, and female in the context of an avant-garde movement defined by celebrated men whose backgrounds were often quite different from those of their younger lovers and companions. Focusing on the 1930s, 1940s, and 1950s, Whitney Chadwick charts five female friendships among the Surrealists to show how Surrealism, female friendship, and the experiences of war, loss, and trauma shaped individual women’s transitions from someone else’s muse to mature artists in their own right. Her vivid account includes the fascinating story of Claude Cahun and Suzanne Malherbe in occupied Jersey, as well as the experiences of Lee Miller and Valentine Penrose at the front line. Chadwick draws on personal correspondence between women, including the extraordinary letters between Leonora Carrington and Leonor Fini during the months following the arrest and imprisonment of Carrington’s lover Max Ernst and the letter Frida Kahlo shared with her friend and lover Jacqueline Lamba years after it was written in the late 1930s. This history brings a new perspective to the political context of Surrealism as well as fresh insights on the vital importance of female friendship to its progress.
Form and Sense
Author: Wolfgang Paalen
Publisher: Simon and Schuster
ISBN: 1611459230
Category : Art
Languages : en
Pages : 99
Book Description
Wolfgang Paalen was a central figure in internationalist surrealist circles in the late 1930s. Artist and intellectual, he was a European whose fascination with archaic cultures led him finally to Mexico, where he founded the influential magazine DYN in 1941. In the bold texts from DYN that make up Form and Sense, we encounter a unique artistic mind and an oracular voice. Paalen’s book is an intellectual delight with essays on cubism, surrealism, the universality of forms in architecture, and the relationships that exist between art and science. He weaves together the new ideas and archaic inspirations in twentieth-century painting and sculpture. His nuanced and original considerations of some key figures—Mondrian, Kandinsky, Picasso—marked Paalen in turn as a significant thinker in the world of modern art. This painter’s book, illustrated with carefully chosen examples of the art he examines, makes us not only understand but also experience the rich interplay between idea and image that informs the art of our own time. A new introduction by the scholar Martica Sawin examines Paalen’s career, particularly his influential writing on surrealism and abstraction.
Publisher: Simon and Schuster
ISBN: 1611459230
Category : Art
Languages : en
Pages : 99
Book Description
Wolfgang Paalen was a central figure in internationalist surrealist circles in the late 1930s. Artist and intellectual, he was a European whose fascination with archaic cultures led him finally to Mexico, where he founded the influential magazine DYN in 1941. In the bold texts from DYN that make up Form and Sense, we encounter a unique artistic mind and an oracular voice. Paalen’s book is an intellectual delight with essays on cubism, surrealism, the universality of forms in architecture, and the relationships that exist between art and science. He weaves together the new ideas and archaic inspirations in twentieth-century painting and sculpture. His nuanced and original considerations of some key figures—Mondrian, Kandinsky, Picasso—marked Paalen in turn as a significant thinker in the world of modern art. This painter’s book, illustrated with carefully chosen examples of the art he examines, makes us not only understand but also experience the rich interplay between idea and image that informs the art of our own time. A new introduction by the scholar Martica Sawin examines Paalen’s career, particularly his influential writing on surrealism and abstraction.
Farewell, Brindavoine
Author: Tardi
Publisher: Fantagraphics Books
ISBN: 1683964330
Category : Comics & Graphic Novels
Languages : en
Pages : 66
Book Description
The French cartooning master Tardi’s first solo graphic novel is a riotous action-adventure comedy. Paris, 1914. In one auspicious night, Lucien Brindavoine’s humdrum life is thrown into wild disarray. Out of the blue, a strange old man visits Brinvadoine’s flat and implores him to go to Istanbul to seek his destiny. No sooner are these fateful words spoken than a shot is fired through the window and the man is murdered by a mysterious assailant. Thus kicks off a madcap adventure wherein the mild-mannered dilettante Brindavoine races to the Middle East ― by boat, plane, and jeep ―with cutthroat assassins threatening him at every turn. After much ado, he encounters an iron city in the desert where an eccentric American billionaire will decide his fate. The first solo graphic novel by Tardi, Farewell, Brindavoine showcases the French cartooning master’s signature blend of dark humor, brutal violence, and beguiling mystery. For Tardi fans, an essential early work; for newcomers, a thrilling primer to the Tardi oeuvre.
Publisher: Fantagraphics Books
ISBN: 1683964330
Category : Comics & Graphic Novels
Languages : en
Pages : 66
Book Description
The French cartooning master Tardi’s first solo graphic novel is a riotous action-adventure comedy. Paris, 1914. In one auspicious night, Lucien Brindavoine’s humdrum life is thrown into wild disarray. Out of the blue, a strange old man visits Brinvadoine’s flat and implores him to go to Istanbul to seek his destiny. No sooner are these fateful words spoken than a shot is fired through the window and the man is murdered by a mysterious assailant. Thus kicks off a madcap adventure wherein the mild-mannered dilettante Brindavoine races to the Middle East ― by boat, plane, and jeep ―with cutthroat assassins threatening him at every turn. After much ado, he encounters an iron city in the desert where an eccentric American billionaire will decide his fate. The first solo graphic novel by Tardi, Farewell, Brindavoine showcases the French cartooning master’s signature blend of dark humor, brutal violence, and beguiling mystery. For Tardi fans, an essential early work; for newcomers, a thrilling primer to the Tardi oeuvre.
Women Artists and the Surrealist Movement
Author: Whitney Chadwick
Publisher: Thames & Hudson
ISBN: 0500777004
Category : Art
Languages : en
Pages : 403
Book Description
A revised edition of Whitney Chadwick’s seminal work on the women artists who shaped the Surrealist art movement. This pioneering book stands as the most comprehensive treatment of the lives, ideas, and art works of the remarkable group of women who were an essential part of the Surrealist movement. Leonora Carrington, Frida Kahlo, and Dorothea Tanning, among many others, embodied their age as they struggled toward artistic maturity and their own “liberation of the spirit” in the context of the Surrealist revolution. Their stories and achievements are presented here against the background of the turbulent decades of the 1920s, ’30s, and ’40s and the war that forced Surrealism into exile in New York and Mexico. Whitney Chadwick, author of the highly acclaimed Women, Art, and Society, interviewed and corresponded with most of the artists themselves in the course of her research. Women Artists and the Surrealist Movement, now revised with a new foreword by art historian Dawn Ades, contains a wealth of extracts from unpublished writings and numerous illustrations never before reproduced. Since this book was first published, it has acquired the undeniable status of a classic among artists, art historians, critics, and cultural historians. It has inspired and necessitated a revision of the story of the Surrealist movement.
Publisher: Thames & Hudson
ISBN: 0500777004
Category : Art
Languages : en
Pages : 403
Book Description
A revised edition of Whitney Chadwick’s seminal work on the women artists who shaped the Surrealist art movement. This pioneering book stands as the most comprehensive treatment of the lives, ideas, and art works of the remarkable group of women who were an essential part of the Surrealist movement. Leonora Carrington, Frida Kahlo, and Dorothea Tanning, among many others, embodied their age as they struggled toward artistic maturity and their own “liberation of the spirit” in the context of the Surrealist revolution. Their stories and achievements are presented here against the background of the turbulent decades of the 1920s, ’30s, and ’40s and the war that forced Surrealism into exile in New York and Mexico. Whitney Chadwick, author of the highly acclaimed Women, Art, and Society, interviewed and corresponded with most of the artists themselves in the course of her research. Women Artists and the Surrealist Movement, now revised with a new foreword by art historian Dawn Ades, contains a wealth of extracts from unpublished writings and numerous illustrations never before reproduced. Since this book was first published, it has acquired the undeniable status of a classic among artists, art historians, critics, and cultural historians. It has inspired and necessitated a revision of the story of the Surrealist movement.
Harald Szeemann
Author: Glenn Phillips
Publisher: Getty Publications
ISBN: 1606065599
Category : Art
Languages : en
Pages : 418
Book Description
Widely regarded as the most influential curator of the second half of the twentieth century, Harald Szeemann (1933–2005) is associated with some of the most important artistic developments of the postwar era. A passionate advocate for avant-garde movements like Conceptualism and Postminimalism, he collaborated with artists such as Joseph Beuys, Bruce Nauman, Richard Serra, and Cy Twombly, developing new ways of presenting art that reflected his sweeping vision of contemporary culture. Szeemann once stated that his goal as an exhibition maker was to create a “Museum of Obsessions.” This richly illustrated volume is a virtual collection catalogue for that imaginary institution, tracing the evolution of his curatorial method through letters, drawings, personal datebooks, installation plans, artists’ books, posters, photographs, and handwritten notes. This book documents all phases of Szeemann’s career, from his early stint as director of the Kunsthalle Bern, where he organized the seminal Live in Your Head: When Attitudes Become Form (1969); to documenta 5 (1972) and the intensely personal exhibition he staged in his own apart-ment using the belongings of his hairdresser grandfather (1974); to his reinvention as a freelance curator who realized projects on wide-ranging themes until his death in 2005. The book contains essays exploring Szeemann’s curatorial approach as well as interviews with collaborators. Its more than 350 illustrations include previously unpublished installation photographs and documents as well as archival materials. This volume is published to accompany an exhibition on view at the Getty Research Institute at the Getty Center February 6 to May 6, 2018 (a satellite show will be at the Institute of Contemporary Art in Los Angeles February 4 to April 22, 2018); at the Kunsthalle Bern in Bern, Switzerland, June to September 2018; at the Kunsthalle Düsseldorf in Düsseldorf, Germany October 2018 to January 2019; and at the Castello di Rivoli Museo d’Arte Contemporanea Rivoli in Turin, Italy, February to May 2019.
Publisher: Getty Publications
ISBN: 1606065599
Category : Art
Languages : en
Pages : 418
Book Description
Widely regarded as the most influential curator of the second half of the twentieth century, Harald Szeemann (1933–2005) is associated with some of the most important artistic developments of the postwar era. A passionate advocate for avant-garde movements like Conceptualism and Postminimalism, he collaborated with artists such as Joseph Beuys, Bruce Nauman, Richard Serra, and Cy Twombly, developing new ways of presenting art that reflected his sweeping vision of contemporary culture. Szeemann once stated that his goal as an exhibition maker was to create a “Museum of Obsessions.” This richly illustrated volume is a virtual collection catalogue for that imaginary institution, tracing the evolution of his curatorial method through letters, drawings, personal datebooks, installation plans, artists’ books, posters, photographs, and handwritten notes. This book documents all phases of Szeemann’s career, from his early stint as director of the Kunsthalle Bern, where he organized the seminal Live in Your Head: When Attitudes Become Form (1969); to documenta 5 (1972) and the intensely personal exhibition he staged in his own apart-ment using the belongings of his hairdresser grandfather (1974); to his reinvention as a freelance curator who realized projects on wide-ranging themes until his death in 2005. The book contains essays exploring Szeemann’s curatorial approach as well as interviews with collaborators. Its more than 350 illustrations include previously unpublished installation photographs and documents as well as archival materials. This volume is published to accompany an exhibition on view at the Getty Research Institute at the Getty Center February 6 to May 6, 2018 (a satellite show will be at the Institute of Contemporary Art in Los Angeles February 4 to April 22, 2018); at the Kunsthalle Bern in Bern, Switzerland, June to September 2018; at the Kunsthalle Düsseldorf in Düsseldorf, Germany October 2018 to January 2019; and at the Castello di Rivoli Museo d’Arte Contemporanea Rivoli in Turin, Italy, February to May 2019.
The Lives of the Surrealists
Author: Desmond Morris
Publisher: National Geographic Books
ISBN: 0500296375
Category : Art
Languages : en
Pages : 0
Book Description
A lively history of the Surrealists, both known and unknown, by one of the last surviving members of the movement—artist and bestselling author Desmond Morris. Surrealism did not begin as an art movement but as a philosophical strategy, a way of life, and a rebellion against the establishment that gave rise to the World War I. In The Lives of the Surrealists, surrealist artist and celebrated writer Desmond Morris concentrates on the artists as people—as remarkable individuals. What were their personalities, their predilections, their character strengths and flaws? Unlike the impressionists or the cubists, the surrealists did not obey a fixed visual code, but rather the rules of surrealist philosophy: work from the unconscious, letting your darkest, most irrational thoughts well up and shape your art. An artist himself, and contemporary of the later surrealists, Morris illuminates the considerable variation in each artist’s approach to this technique. While some were out-and-out surrealists in all they did, others lived more orthodox lives and only became surrealists at the easel or in the studio. Focusing on the thirty-two artists most closely associated with the surrealist movement, Morris lends context to their life histories with narratives of their idiosyncrasies and their often complex love lives, alongside photos of the artists and their work.
Publisher: National Geographic Books
ISBN: 0500296375
Category : Art
Languages : en
Pages : 0
Book Description
A lively history of the Surrealists, both known and unknown, by one of the last surviving members of the movement—artist and bestselling author Desmond Morris. Surrealism did not begin as an art movement but as a philosophical strategy, a way of life, and a rebellion against the establishment that gave rise to the World War I. In The Lives of the Surrealists, surrealist artist and celebrated writer Desmond Morris concentrates on the artists as people—as remarkable individuals. What were their personalities, their predilections, their character strengths and flaws? Unlike the impressionists or the cubists, the surrealists did not obey a fixed visual code, but rather the rules of surrealist philosophy: work from the unconscious, letting your darkest, most irrational thoughts well up and shape your art. An artist himself, and contemporary of the later surrealists, Morris illuminates the considerable variation in each artist’s approach to this technique. While some were out-and-out surrealists in all they did, others lived more orthodox lives and only became surrealists at the easel or in the studio. Focusing on the thirty-two artists most closely associated with the surrealist movement, Morris lends context to their life histories with narratives of their idiosyncrasies and their often complex love lives, alongside photos of the artists and their work.
Farewell, Everything
Author: Véva Perala
Publisher: Lulu.com
ISBN: 1734086602
Category : Fiction
Languages : en
Pages : 334
Book Description
In a world waking from a dark age, a young musician finds himself thousands of miles from home, covered in bruises, and falling in love. And it's only downhill from there. Chronically clueless and incurably naïve, runaway street performer Osha Oloreben has known his share of hard knocks - but none like those he's dealt in the city of Valena. Dragged into war and battered by disease, Osha unwittingly trades his life for a fever dream of half-truths and hidden realms. Helped and hindered by a cast of mystics, rebels, and ghosts, he struggles to reclaim his body, his identity, and reality itself - before it's too late. With humor and horror in equal measure, 'Farewell, Everything' delves into the dissolution of a transforming mind. Climate fallout, cultural amnesia, and the enduring legacy of past mistakes set a bleak yet whimsical stage on which healing and self-discovery take on mythic proportions. Stumbling through the stages of grief - denial, anger, bargaining, depression, and acceptance - our unlikely hero braves the surreal landscapes of love, loss, and death, from which no one emerges unchanged.
Publisher: Lulu.com
ISBN: 1734086602
Category : Fiction
Languages : en
Pages : 334
Book Description
In a world waking from a dark age, a young musician finds himself thousands of miles from home, covered in bruises, and falling in love. And it's only downhill from there. Chronically clueless and incurably naïve, runaway street performer Osha Oloreben has known his share of hard knocks - but none like those he's dealt in the city of Valena. Dragged into war and battered by disease, Osha unwittingly trades his life for a fever dream of half-truths and hidden realms. Helped and hindered by a cast of mystics, rebels, and ghosts, he struggles to reclaim his body, his identity, and reality itself - before it's too late. With humor and horror in equal measure, 'Farewell, Everything' delves into the dissolution of a transforming mind. Climate fallout, cultural amnesia, and the enduring legacy of past mistakes set a bleak yet whimsical stage on which healing and self-discovery take on mythic proportions. Stumbling through the stages of grief - denial, anger, bargaining, depression, and acceptance - our unlikely hero braves the surreal landscapes of love, loss, and death, from which no one emerges unchanged.
Fantastic Art, Dada, Surrealism
Author: Museum of Modern Art (New York, N.Y.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 306
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 306
Book Description
Surrealism and Women
Author: Mary Ann Caws
Publisher: MIT Press
ISBN: 9780262530989
Category : Design
Languages : en
Pages : 250
Book Description
These sixteen illustrated essays present an important revision of surrealism by focusing on the works of women surrealists and their strategies to assert positions as creative subjects within a movement that regarded woman primarily as an object of masculine desire or fear.While the male surrealists attacked aspects of the bourgeois order, they reinforced the traditional patriarchal image of woman. Their emphasis on dreams, automatic writing, and the unconscious reveal some of the least inhibited masculine fantasies. The first resistance to the male surrealists' projection of the female figure arose in the writings and paintings of marginalized woman artists and writers associated with Surrealism. The essays in this collection explore the complexity of these women's works, which simultaneously employ and subvert the dominant discourse of male surrealists. Essays What Do Little Girls Dream Of: The Insurgent Writing of Gis�le Prassinos • Finding What You Are Not Looking For • From D�jeuner en fourrure to Caroline: Meret Oppenheim's Chronicle of Surrealism • Speaking with Forked Tongues: "Male" Discourse in "Female" Surrealism? • Androgyny: Interview with Meret Oppenheim • The Body Subversive: Corporeal Imagery in Carrington, Prassinos, and Mansour • Identity Crises: Joyce Mansour's Narratives • Joyce Mansour and Egyptian Mythology • In the Interim: The Constructivist Surrealism of Kay Sage • The Flight from Passion in Leonora Carrington's Literary Work • Beauty and/Is the Beast: Animal Symbology in the Work of Leonora Carrington, Remedio Varo, and Leonor Fini • Valentine, Andr�, Paul et les autres, or the Surrealization of Valentine Hugo • Refashioning the World to the Image of Female Desire: The Collages of Aube Ell�ou�t • Eileen Agar • Statement by Dorothea Tanning
Publisher: MIT Press
ISBN: 9780262530989
Category : Design
Languages : en
Pages : 250
Book Description
These sixteen illustrated essays present an important revision of surrealism by focusing on the works of women surrealists and their strategies to assert positions as creative subjects within a movement that regarded woman primarily as an object of masculine desire or fear.While the male surrealists attacked aspects of the bourgeois order, they reinforced the traditional patriarchal image of woman. Their emphasis on dreams, automatic writing, and the unconscious reveal some of the least inhibited masculine fantasies. The first resistance to the male surrealists' projection of the female figure arose in the writings and paintings of marginalized woman artists and writers associated with Surrealism. The essays in this collection explore the complexity of these women's works, which simultaneously employ and subvert the dominant discourse of male surrealists. Essays What Do Little Girls Dream Of: The Insurgent Writing of Gis�le Prassinos • Finding What You Are Not Looking For • From D�jeuner en fourrure to Caroline: Meret Oppenheim's Chronicle of Surrealism • Speaking with Forked Tongues: "Male" Discourse in "Female" Surrealism? • Androgyny: Interview with Meret Oppenheim • The Body Subversive: Corporeal Imagery in Carrington, Prassinos, and Mansour • Identity Crises: Joyce Mansour's Narratives • Joyce Mansour and Egyptian Mythology • In the Interim: The Constructivist Surrealism of Kay Sage • The Flight from Passion in Leonora Carrington's Literary Work • Beauty and/Is the Beast: Animal Symbology in the Work of Leonora Carrington, Remedio Varo, and Leonor Fini • Valentine, Andr�, Paul et les autres, or the Surrealization of Valentine Hugo • Refashioning the World to the Image of Female Desire: The Collages of Aube Ell�ou�t • Eileen Agar • Statement by Dorothea Tanning