Author: Helen Leung
Publisher: ReadHowYouWant.com
ISBN: 1459608364
Category : Performing Arts
Languages : en
Pages : 138
Book Description
Farewell My Concubine, one of three new QUEER FILM CLASSICS this fall, is a thought-provoking consideration of Chen Kaige's acclaimed 1992 Chinese film set in the mid-20th century about two male Peking opera stars and the woman who comes between them, set against the political turmoil of a China in transition. The film's treatment of gender performance and homosexuality was a first in Chinese cinema, and the subject of much controversy there. The movie, which helped to bring contemporary Chinese films onto the world stage, won the Palme d'Or at the Cannes Film Festival (the first Chinese film to do so), and was nominated for a Best Foreign-Language Film Oscar. This book, one of two new QFCs to focus on Asian queer cinema, places the film in its historical and cultural context while drawing on fresh insights from recent works on transgender and queer studies to provide readers with an intimate, provocative, and original look at the film.
Farewell My Concubine
Author: Helen Leung
Publisher: ReadHowYouWant.com
ISBN: 1459608364
Category : Performing Arts
Languages : en
Pages : 138
Book Description
Farewell My Concubine, one of three new QUEER FILM CLASSICS this fall, is a thought-provoking consideration of Chen Kaige's acclaimed 1992 Chinese film set in the mid-20th century about two male Peking opera stars and the woman who comes between them, set against the political turmoil of a China in transition. The film's treatment of gender performance and homosexuality was a first in Chinese cinema, and the subject of much controversy there. The movie, which helped to bring contemporary Chinese films onto the world stage, won the Palme d'Or at the Cannes Film Festival (the first Chinese film to do so), and was nominated for a Best Foreign-Language Film Oscar. This book, one of two new QFCs to focus on Asian queer cinema, places the film in its historical and cultural context while drawing on fresh insights from recent works on transgender and queer studies to provide readers with an intimate, provocative, and original look at the film.
Publisher: ReadHowYouWant.com
ISBN: 1459608364
Category : Performing Arts
Languages : en
Pages : 138
Book Description
Farewell My Concubine, one of three new QUEER FILM CLASSICS this fall, is a thought-provoking consideration of Chen Kaige's acclaimed 1992 Chinese film set in the mid-20th century about two male Peking opera stars and the woman who comes between them, set against the political turmoil of a China in transition. The film's treatment of gender performance and homosexuality was a first in Chinese cinema, and the subject of much controversy there. The movie, which helped to bring contemporary Chinese films onto the world stage, won the Palme d'Or at the Cannes Film Festival (the first Chinese film to do so), and was nominated for a Best Foreign-Language Film Oscar. This book, one of two new QFCs to focus on Asian queer cinema, places the film in its historical and cultural context while drawing on fresh insights from recent works on transgender and queer studies to provide readers with an intimate, provocative, and original look at the film.
Farewell to My Concubine
Author: Bihua Li
Publisher: William Morrow
ISBN:
Category : Fiction
Languages : en
Pages : 280
Book Description
Story of a male Beijing opera star, his love for another male singer, and the beautiful courtesan who comes between them, sweeps through five decades of Chinese history.
Publisher: William Morrow
ISBN:
Category : Fiction
Languages : en
Pages : 280
Book Description
Story of a male Beijing opera star, his love for another male singer, and the beautiful courtesan who comes between them, sweeps through five decades of Chinese history.
Transnational Chinese Cinemas
Author: Sheldon H. Lu
Publisher: University of Hawaii Press
ISBN: 9780824818456
Category : Performing Arts
Languages : en
Pages : 438
Book Description
Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture.
Publisher: University of Hawaii Press
ISBN: 9780824818456
Category : Performing Arts
Languages : en
Pages : 438
Book Description
Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture.
Women Through the Lens
Author: Shuqin Cui
Publisher: University of Hawaii Press
ISBN: 9780824825324
Category : Performing Arts
Languages : en
Pages : 350
Book Description
"Women Through the Lens will appeal to scholars and students in the fields of film, gender, and Asian studies, and to general readers interested in Chinese cinema."--Jacket.
Publisher: University of Hawaii Press
ISBN: 9780824825324
Category : Performing Arts
Languages : en
Pages : 350
Book Description
"Women Through the Lens will appeal to scholars and students in the fields of film, gender, and Asian studies, and to general readers interested in Chinese cinema."--Jacket.
New Chinese Cinema
Author: Sheila Cornelius
Publisher: Columbia University Press
ISBN: 023185143X
Category : Performing Arts
Languages : en
Pages : 133
Book Description
New Chinese Cinema: Challenging Representations examines the ‘search for roots’ films that emerged from China in the aftermath of the Cultural Revolution. The authors contextualize the films of the so-called Fifth Generation directors who came to prominence in the 1980s and 1990s, such as Chen Kaige, Zhang Yimou, and Tian Zhuangzhuang. Including close analysis of such pivotal films as Farewell My Concubine, Raise the Red Lantern, and The Blue Kite, this book also examines the rise of contemporary Sixth Generation underground directors whose themes embrace the disaffection of urban youth.
Publisher: Columbia University Press
ISBN: 023185143X
Category : Performing Arts
Languages : en
Pages : 133
Book Description
New Chinese Cinema: Challenging Representations examines the ‘search for roots’ films that emerged from China in the aftermath of the Cultural Revolution. The authors contextualize the films of the so-called Fifth Generation directors who came to prominence in the 1980s and 1990s, such as Chen Kaige, Zhang Yimou, and Tian Zhuangzhuang. Including close analysis of such pivotal films as Farewell My Concubine, Raise the Red Lantern, and The Blue Kite, this book also examines the rise of contemporary Sixth Generation underground directors whose themes embrace the disaffection of urban youth.
Memoirs from the Beijing Film Academy
Author: Zhen Ni
Publisher: Duke University Press
ISBN: 0822384175
Category : Biography & Autobiography
Languages : en
Pages : 253
Book Description
After graduating from the Beijing Film Academy in 1982, directors like Chen Kaige and Zhang Yimou transformed Chinese cinema with Farewell My Concubine, Yellow Earth, Raise the Red Lantern, and other international successes. Memoirs from the Beijing Film Academy tells the riveting story of this class of 1982, China’s famous "Fifth Generation" of filmmakers. It is the first insider’s account of this renowned cohort to appear in English. Covering these directors’ formative experiences during China’s tumultuous Cultural Revolution and later at the Beijing Film Academy, Ni Zhen—who was both their screenwriter and teacher—provides unique insights into the origins of the Fifth Generation’s creativity. Drawing on his personal knowledge and interviews conducted especially for this volume, Ni Zhen demonstrates the diversity of the Fifth Generation. He comments on the breadth of styles and themes explored by its members and introduces a range of male and female directors, cinematographers, and production designers famous in China but less well-known internationally. The book contains vivid descriptions of the production processes of two pioneering films—One and Eight and Yellow Earth.
Publisher: Duke University Press
ISBN: 0822384175
Category : Biography & Autobiography
Languages : en
Pages : 253
Book Description
After graduating from the Beijing Film Academy in 1982, directors like Chen Kaige and Zhang Yimou transformed Chinese cinema with Farewell My Concubine, Yellow Earth, Raise the Red Lantern, and other international successes. Memoirs from the Beijing Film Academy tells the riveting story of this class of 1982, China’s famous "Fifth Generation" of filmmakers. It is the first insider’s account of this renowned cohort to appear in English. Covering these directors’ formative experiences during China’s tumultuous Cultural Revolution and later at the Beijing Film Academy, Ni Zhen—who was both their screenwriter and teacher—provides unique insights into the origins of the Fifth Generation’s creativity. Drawing on his personal knowledge and interviews conducted especially for this volume, Ni Zhen demonstrates the diversity of the Fifth Generation. He comments on the breadth of styles and themes explored by its members and introduces a range of male and female directors, cinematographers, and production designers famous in China but less well-known internationally. The book contains vivid descriptions of the production processes of two pioneering films—One and Eight and Yellow Earth.
Speaking in Images
Author: Michael Berry
Publisher: Columbia University Press
ISBN: 9780231133302
Category : Motion pictures
Languages : en
Pages : 592
Book Description
Interviews with Ang Lee (Crouching Tiger, Hidden Dragon) and other Chinese directors about their work & the ways it has impacted both on the film industry in China as well as on the world scene.
Publisher: Columbia University Press
ISBN: 9780231133302
Category : Motion pictures
Languages : en
Pages : 592
Book Description
Interviews with Ang Lee (Crouching Tiger, Hidden Dragon) and other Chinese directors about their work & the ways it has impacted both on the film industry in China as well as on the world scene.
China Into Film
Author: Jerome Silbergeld
Publisher: Reaktion Books
ISBN: 9781861890504
Category : Performing Arts
Languages : en
Pages : 356
Book Description
Since 1984, Chinese cinema has been the most dramatic entry onto the international film scene. China into Film is the first book to look at contemporary Chinese cinema as a visual art and to illustrate the ways in which it has been shaped by centuries of Chinese tradition. Jerome Silbergeld looks at the significance of gender roles, the strategies of film-makers in coping with state censorship, the translation of novels into films, the continuing attachment of film-makers to melodrama, and cinematic critiques of Maoism and post-Maoist culture. Abundantly illustrated with Chinese paintings as well as scenes from such internationally acclaimed films as Yellow Earth, Red Sorghum, Raise the Red Lantern and Farewell My Concubine, China into Film reveals a cinematic form at once excitingly new and deeply imbedded in traditional Chinese visual culture.
Publisher: Reaktion Books
ISBN: 9781861890504
Category : Performing Arts
Languages : en
Pages : 356
Book Description
Since 1984, Chinese cinema has been the most dramatic entry onto the international film scene. China into Film is the first book to look at contemporary Chinese cinema as a visual art and to illustrate the ways in which it has been shaped by centuries of Chinese tradition. Jerome Silbergeld looks at the significance of gender roles, the strategies of film-makers in coping with state censorship, the translation of novels into films, the continuing attachment of film-makers to melodrama, and cinematic critiques of Maoism and post-Maoist culture. Abundantly illustrated with Chinese paintings as well as scenes from such internationally acclaimed films as Yellow Earth, Red Sorghum, Raise the Red Lantern and Farewell My Concubine, China into Film reveals a cinematic form at once excitingly new and deeply imbedded in traditional Chinese visual culture.
My Fair Concubine
Author: Jeannie Lin
Publisher: Harlequin
ISBN: 1459230566
Category : Fiction
Languages : en
Pages : 258
Book Description
The USA Today–bestselling author of The Dragon and the Pearl “combines wit, seduction, skill, and intelligence in a tantalizing take on ‘My Fair Lady’” (Publishers Weekly, starred review). Yan Ling tries hard to be servile—it’s what’s expected of a girl of her class. Being intelligent and strong-minded, she finds it a constant battle. Proud Fei Long is unimpressed by her spirit—until he realizes she’s the answer to his problems. He has to deliver the emperor a “princess.” In two months can he train a tea girl to pass as a noblewoman? Yet it’s hard to teach good etiquette when all Fei Long wants to do is break it, by taking this tea girl for his own . . . “Lin has a gift for bringing the wondrous and colorful world of ancient China to readers. The history and culture of the era are beautifully bound together with a classic romance theme. Those yearning for new worlds and age-old adventures will savor Lin’s novel.” —Romantic Times
Publisher: Harlequin
ISBN: 1459230566
Category : Fiction
Languages : en
Pages : 258
Book Description
The USA Today–bestselling author of The Dragon and the Pearl “combines wit, seduction, skill, and intelligence in a tantalizing take on ‘My Fair Lady’” (Publishers Weekly, starred review). Yan Ling tries hard to be servile—it’s what’s expected of a girl of her class. Being intelligent and strong-minded, she finds it a constant battle. Proud Fei Long is unimpressed by her spirit—until he realizes she’s the answer to his problems. He has to deliver the emperor a “princess.” In two months can he train a tea girl to pass as a noblewoman? Yet it’s hard to teach good etiquette when all Fei Long wants to do is break it, by taking this tea girl for his own . . . “Lin has a gift for bringing the wondrous and colorful world of ancient China to readers. The history and culture of the era are beautifully bound together with a classic romance theme. Those yearning for new worlds and age-old adventures will savor Lin’s novel.” —Romantic Times
Teaching Sound Film
Author: R. J. Cardullo
Publisher: Springer
ISBN: 9463007261
Category : Education
Languages : en
Pages : 460
Book Description
Teaching Sound Film: A Reader is a film analysis-and-criticism textbook that contains 35 essays on 35 geographically diverse, historically significant sound films. The countries represented here are France, Italy, England, Belgium, Russia, India, China, Cuba, Germany, Japan, Russia, Romania, Czechoslovakia, Brazil, Taiwan, Austria, Afghanistan, South Korea, Finland, Burkina Faso, Mexico, Iran, Israel, Colombia, and the United States. The directors represented include Jean Renoir, Orson Welles, Akira Kurosawa, Federico Fellini, Woody Allen, Aki Kaurismäki, Ken Loach, Tomás Gutiérrez Alea, Abbas Kiarostami, Michael Haneke, and Hong Sang-soo. Written with university students (and possibly also advanced high school students) in mind, the essays in Teaching Sound Film: A Reader cover some of the central films treated—and central issues raised—in today’s cinema courses and provide students with practical models to help them improve their own writing and analytical skills. These essays are clear and readable—that is, sophisticated and meaty yet not overly technical or jargon-heavy. This makes them perfect introductions to their respective films as well as important contributions to the field of film studies in general. Moreover, this book’s scholarly apparatus features credits, images, bibliographies for all films discussed, filmographies for all the directors, a list of topics for writing and discussion, a glossary of film terms, and an appendix containing three essays, respectively, on film acting, avant-garde cinema, and theater vs. film.
Publisher: Springer
ISBN: 9463007261
Category : Education
Languages : en
Pages : 460
Book Description
Teaching Sound Film: A Reader is a film analysis-and-criticism textbook that contains 35 essays on 35 geographically diverse, historically significant sound films. The countries represented here are France, Italy, England, Belgium, Russia, India, China, Cuba, Germany, Japan, Russia, Romania, Czechoslovakia, Brazil, Taiwan, Austria, Afghanistan, South Korea, Finland, Burkina Faso, Mexico, Iran, Israel, Colombia, and the United States. The directors represented include Jean Renoir, Orson Welles, Akira Kurosawa, Federico Fellini, Woody Allen, Aki Kaurismäki, Ken Loach, Tomás Gutiérrez Alea, Abbas Kiarostami, Michael Haneke, and Hong Sang-soo. Written with university students (and possibly also advanced high school students) in mind, the essays in Teaching Sound Film: A Reader cover some of the central films treated—and central issues raised—in today’s cinema courses and provide students with practical models to help them improve their own writing and analytical skills. These essays are clear and readable—that is, sophisticated and meaty yet not overly technical or jargon-heavy. This makes them perfect introductions to their respective films as well as important contributions to the field of film studies in general. Moreover, this book’s scholarly apparatus features credits, images, bibliographies for all films discussed, filmographies for all the directors, a list of topics for writing and discussion, a glossary of film terms, and an appendix containing three essays, respectively, on film acting, avant-garde cinema, and theater vs. film.