Author: Ann Blainey
Publisher: Ivan R. Dee Publisher
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 368
Book Description
A tale of two extraodinarily gifted sisters and their encounters with nineteenth-century society.
Fanny & Adelaide
Author: Ann Blainey
Publisher: Ivan R. Dee Publisher
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 368
Book Description
A tale of two extraodinarily gifted sisters and their encounters with nineteenth-century society.
Publisher: Ivan R. Dee Publisher
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 368
Book Description
A tale of two extraodinarily gifted sisters and their encounters with nineteenth-century society.
Collecting Ladies
Author: Penny Olsen
Publisher: National Library Australia
ISBN: 0642277532
Category : Art
Languages : en
Pages : 246
Book Description
Around 1870, Ferdinand von Mueller, the greatest Australian botanist of the nineteenth century, began to advertise in several newspapers across Australia for 'lady' plant collectors. This was at a time when women typically had little recourse to science, or contact with men outside their circle of friends, making Mueller's network of ladies quite extraordinary. Collecting Ladies profiles 14 of Mueller's coterie of women collectors. Included are Fanny Charsley, Louisa Atkinson, Annie Walker and Ellis Rowan for whom Mueller made time to assist in pursuit of their own passions. He identified the plants they painted and provided letters of introduction to publishers and scientists. Together, these ladies produced some of the most beautiful books and botanical art to come out of Australia in the nineteenth century, covering all the Australian colonies.
Publisher: National Library Australia
ISBN: 0642277532
Category : Art
Languages : en
Pages : 246
Book Description
Around 1870, Ferdinand von Mueller, the greatest Australian botanist of the nineteenth century, began to advertise in several newspapers across Australia for 'lady' plant collectors. This was at a time when women typically had little recourse to science, or contact with men outside their circle of friends, making Mueller's network of ladies quite extraordinary. Collecting Ladies profiles 14 of Mueller's coterie of women collectors. Included are Fanny Charsley, Louisa Atkinson, Annie Walker and Ellis Rowan for whom Mueller made time to assist in pursuit of their own passions. He identified the plants they painted and provided letters of introduction to publishers and scientists. Together, these ladies produced some of the most beautiful books and botanical art to come out of Australia in the nineteenth century, covering all the Australian colonies.
The Weekly Reporter
Author:
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 1254
Book Description
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 1254
Book Description
Fanny Kemble
Author: Deirdre David
Publisher: University of Pennsylvania Press
ISBN: 0812201744
Category : Biography & Autobiography
Languages : en
Pages : 372
Book Description
A ForeWord magazine Book of the Year for 2007 Charismatic, highly intelligent, and splendidly talented, Fanny Kemble (1809-93) was a Victorian celebrity, known on both sides of the Atlantic as an actress and member of the famous Kemble theatrical dynasty, as a fierce opponent of slavery despite her marriage to a wealthy slave owner, as a brilliantly successful solo performer of Shakespeare, and as the author of journals about her career and life on her husband's Georgia plantations. She was, in her own words, irresistible as a "woman who has sat at dinner alongside Byron . . . and who calls Tennyson, Alfred." Touring in America with her father in the early 1830s, Kemble impulsively wed the wealthy and charming Philadelphia bachelor Pierce Butler, beginning a tumultuous marriage that ended in a sensational divorce and custody battle fourteen years later. At the time of their marriage, Kemble had not yet visited the vast Georgia rice and cotton plantations to which Butler was heir. In the winter of 1838, they visited Butler's southern holdings, and a horrified Kemble wrote what would later be published on both sides of the Atlantic as Journal of a Residence on a Georgian Plantation. An important text for abolitionists, it revealed the inner workings of a plantation and the appalling conditions in which slaves lived. Returning to England after her divorce, she fashioned a new career as a solo performer of Shakespeare's plays and as the author of memoirs, several travel narratives and collections of poems, a short novel, and miscellaneous essays on the theater. For the rest of her life, she would divide her time between the two countries. In the various roles she performed in her life, on stage and off—abolitionist, author, estranged wife—Kemble remained highly theatrical, appropriating and subverting nineteenth-century prescriptions for women's lives, ever rewriting the roles to which she was assigned by society and inheritance. Hers was truly a performed life, and in the first Kemble biography in twenty-five years to examine that life in its entirety, Deirdre David presents it in all its richness and complexity.
Publisher: University of Pennsylvania Press
ISBN: 0812201744
Category : Biography & Autobiography
Languages : en
Pages : 372
Book Description
A ForeWord magazine Book of the Year for 2007 Charismatic, highly intelligent, and splendidly talented, Fanny Kemble (1809-93) was a Victorian celebrity, known on both sides of the Atlantic as an actress and member of the famous Kemble theatrical dynasty, as a fierce opponent of slavery despite her marriage to a wealthy slave owner, as a brilliantly successful solo performer of Shakespeare, and as the author of journals about her career and life on her husband's Georgia plantations. She was, in her own words, irresistible as a "woman who has sat at dinner alongside Byron . . . and who calls Tennyson, Alfred." Touring in America with her father in the early 1830s, Kemble impulsively wed the wealthy and charming Philadelphia bachelor Pierce Butler, beginning a tumultuous marriage that ended in a sensational divorce and custody battle fourteen years later. At the time of their marriage, Kemble had not yet visited the vast Georgia rice and cotton plantations to which Butler was heir. In the winter of 1838, they visited Butler's southern holdings, and a horrified Kemble wrote what would later be published on both sides of the Atlantic as Journal of a Residence on a Georgian Plantation. An important text for abolitionists, it revealed the inner workings of a plantation and the appalling conditions in which slaves lived. Returning to England after her divorce, she fashioned a new career as a solo performer of Shakespeare's plays and as the author of memoirs, several travel narratives and collections of poems, a short novel, and miscellaneous essays on the theater. For the rest of her life, she would divide her time between the two countries. In the various roles she performed in her life, on stage and off—abolitionist, author, estranged wife—Kemble remained highly theatrical, appropriating and subverting nineteenth-century prescriptions for women's lives, ever rewriting the roles to which she was assigned by society and inheritance. Hers was truly a performed life, and in the first Kemble biography in twenty-five years to examine that life in its entirety, Deirdre David presents it in all its richness and complexity.
Settler Society in the Australian Colonies
Author: Angela Woollacott
Publisher: Oxford University Press, USA
ISBN: 0199641803
Category : History
Languages : en
Pages : 240
Book Description
Examines the rising numbers of free settlers from the 1820s to the 1860s, their dependence on Aboriginal, immigrant, and convict under-paid laborers, and the slow development of representative government.
Publisher: Oxford University Press, USA
ISBN: 0199641803
Category : History
Languages : en
Pages : 240
Book Description
Examines the rising numbers of free settlers from the 1820s to the 1860s, their dependence on Aboriginal, immigrant, and convict under-paid laborers, and the slow development of representative government.
Topsy-Turvy
Author: Anya Jabour
Publisher: Rowman & Littlefield
ISBN: 1566636329
Category : History
Languages : en
Pages : 273
Book Description
This book brings into sharp relief the way in which gender, race, slavery, and status shaped the lives of children in the American South before, during, and after the Civil War. She argues that the identities children developed in the antebellum era shaped their responses to the upheavals of the war years and their lives after the war's conclusion.
Publisher: Rowman & Littlefield
ISBN: 1566636329
Category : History
Languages : en
Pages : 273
Book Description
This book brings into sharp relief the way in which gender, race, slavery, and status shaped the lives of children in the American South before, during, and after the Civil War. She argues that the identities children developed in the antebellum era shaped their responses to the upheavals of the war years and their lives after the war's conclusion.
The Wreath: Designed as a Token for the Young
The South Australian Government Gazette
Author: South Australia
Publisher:
ISBN:
Category : Gazettes
Languages : en
Pages : 1358
Book Description
Publisher:
ISBN:
Category : Gazettes
Languages : en
Pages : 1358
Book Description
Musical Women in England, 1870-1914
Author: NA NA
Publisher: Springer
ISBN: 0312299346
Category : History
Languages : en
Pages : 317
Book Description
Musical Women in England, 1870-1914 delineates the roles women played in the flourishing music world of late-Victorian and early twentieth-century England, and shows how contemporary challenges to restrictive gender roles inspired women to move into new areas of musical expression, both in composition and performance. The most famous women musicians were the internationally renowned stars of opera; greatly admired despite their violations of the prescribed Victorian linkage of female music-making with domesticity, the divas were often compared to the sirens of antiquity, their irresistible voices a source of moral danger to their male admirers. Their ambiguous social reception notwithstanding, the extraordinary ability and striking self-confidence of these women - and of pioneering female soloists on the violin, long an instrument permitted only to men - inspired fiction writers to feature musician heroines and motivated unprecedented numbers of girls and women to pursue advanced musical study. Finding professional orchestras almost fully closed to them, many female graduates of English conservatories performed in small ensembles and in all-female and amateur orchestras, and sought to earn their living in the overcrowed world of music teaching.
Publisher: Springer
ISBN: 0312299346
Category : History
Languages : en
Pages : 317
Book Description
Musical Women in England, 1870-1914 delineates the roles women played in the flourishing music world of late-Victorian and early twentieth-century England, and shows how contemporary challenges to restrictive gender roles inspired women to move into new areas of musical expression, both in composition and performance. The most famous women musicians were the internationally renowned stars of opera; greatly admired despite their violations of the prescribed Victorian linkage of female music-making with domesticity, the divas were often compared to the sirens of antiquity, their irresistible voices a source of moral danger to their male admirers. Their ambiguous social reception notwithstanding, the extraordinary ability and striking self-confidence of these women - and of pioneering female soloists on the violin, long an instrument permitted only to men - inspired fiction writers to feature musician heroines and motivated unprecedented numbers of girls and women to pursue advanced musical study. Finding professional orchestras almost fully closed to them, many female graduates of English conservatories performed in small ensembles and in all-female and amateur orchestras, and sought to earn their living in the overcrowed world of music teaching.
London Voices, 1820–1840
Author: Roger Parker
Publisher: University of Chicago Press
ISBN: 022667018X
Category : Music
Languages : en
Pages : 300
Book Description
London, 1820. The British capital is a metropolis that overwhelms dwellers and visitors alike with constant exposure to all kinds of sensory stimulation. Over the next two decades, the city’s tumult will reach new heights: as population expansion places different classes in dangerous proximity and ideas of political and social reform linger in the air, London begins to undergo enormous infrastructure change that will alter it forever. It is the London of this period that editors Roger Parker and Susan Rutherford pinpoint in this book, which chooses one broad musical category—voice—and engages with it through essays on music of the streets, theaters, opera houses, and concert halls; on the raising of voices in religious and sociopolitical contexts; and on the perception of voice in literary works and scientific experiments with acoustics. Emphasizing human subjects, this focus on voice allows the authors to explore the multifaceted issues that shaped London, from the anxiety surrounding the city’s importance in the musical world at large to the changing vocal imaginations that permeated the epoch. Capturing the breadth of sonic stimulations and cultures available—and sometimes unavoidable—to residents at the time, London Voices, 1820–1840 sheds new light on music in Britain and the richness of London culture during this period.
Publisher: University of Chicago Press
ISBN: 022667018X
Category : Music
Languages : en
Pages : 300
Book Description
London, 1820. The British capital is a metropolis that overwhelms dwellers and visitors alike with constant exposure to all kinds of sensory stimulation. Over the next two decades, the city’s tumult will reach new heights: as population expansion places different classes in dangerous proximity and ideas of political and social reform linger in the air, London begins to undergo enormous infrastructure change that will alter it forever. It is the London of this period that editors Roger Parker and Susan Rutherford pinpoint in this book, which chooses one broad musical category—voice—and engages with it through essays on music of the streets, theaters, opera houses, and concert halls; on the raising of voices in religious and sociopolitical contexts; and on the perception of voice in literary works and scientific experiments with acoustics. Emphasizing human subjects, this focus on voice allows the authors to explore the multifaceted issues that shaped London, from the anxiety surrounding the city’s importance in the musical world at large to the changing vocal imaginations that permeated the epoch. Capturing the breadth of sonic stimulations and cultures available—and sometimes unavoidable—to residents at the time, London Voices, 1820–1840 sheds new light on music in Britain and the richness of London culture during this period.