Author: R. L. Brett
Publisher: Taylor & Francis
ISBN: 1351631144
Category : Literary Criticism
Languages : en
Pages : 95
Book Description
Cover -- Half Title Page -- Title Page -- Copyright Page -- Original Title Page -- Original Copyright Page -- Contents -- General Editor's Preface -- 1 Imagination and the Association of Ideas -- 2 Coleridge's Distinction between Fancy and Imagination -- 3 Symbol and Concept -- Bibliography -- Index
Fancy & Imagination
Author: R. L. Brett
Publisher: Taylor & Francis
ISBN: 1351631144
Category : Literary Criticism
Languages : en
Pages : 95
Book Description
Cover -- Half Title Page -- Title Page -- Copyright Page -- Original Title Page -- Original Copyright Page -- Contents -- General Editor's Preface -- 1 Imagination and the Association of Ideas -- 2 Coleridge's Distinction between Fancy and Imagination -- 3 Symbol and Concept -- Bibliography -- Index
Publisher: Taylor & Francis
ISBN: 1351631144
Category : Literary Criticism
Languages : en
Pages : 95
Book Description
Cover -- Half Title Page -- Title Page -- Copyright Page -- Original Title Page -- Original Copyright Page -- Contents -- General Editor's Preface -- 1 Imagination and the Association of Ideas -- 2 Coleridge's Distinction between Fancy and Imagination -- 3 Symbol and Concept -- Bibliography -- Index
Fancy & Imagination
Author: R. L. Brett
Publisher: Routledge
ISBN: 1351631136
Category : Literary Criticism
Languages : en
Pages : 78
Book Description
First published in 1969, this book provides a concise and helpful introduction to the terms ‘fancy’ and ‘imagination’. Although they are generally associated with Samuel Taylor Coleridge, the work begins with a discussion the history of these concepts which were also known to Aristotle, the Elizabethans, Hobbes, Locke and Blake. It then goes on to examine Coleridge’s theory of imagination and the distinction he drew between fancy and imagination. This work will be of particular interest to those studying Coleridge and the Romantic Movement.
Publisher: Routledge
ISBN: 1351631136
Category : Literary Criticism
Languages : en
Pages : 78
Book Description
First published in 1969, this book provides a concise and helpful introduction to the terms ‘fancy’ and ‘imagination’. Although they are generally associated with Samuel Taylor Coleridge, the work begins with a discussion the history of these concepts which were also known to Aristotle, the Elizabethans, Hobbes, Locke and Blake. It then goes on to examine Coleridge’s theory of imagination and the distinction he drew between fancy and imagination. This work will be of particular interest to those studying Coleridge and the Romantic Movement.
Works of Fancy and Imagination: Phantastes
Biographia Literaria
Author: Samuel Taylor Coleridge
Publisher:
ISBN:
Category :
Languages : en
Pages : 826
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 826
Book Description
Imagination and Fancy
Author: Leigh Hunt
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 278
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 278
Book Description
Flights of Fancy
Author: Bernadette Bland
Publisher: iUniverse
ISBN: 1450284531
Category : Poetry
Languages : en
Pages : 57
Book Description
Life is filled with emotional highs and lows. Riding the wave of this experience is part of living, but for poet Bernadette Bland, dreaming was even more important. No matter the attitude, mood, or circumstance, Ms. Bland has always believed in the beauty of life. Never to be deterred from her hearts desire, she has ridden her own life wave with an eye to her dreams and an eye to the beauty of nature. In her new poetry collection, Flights of Fancy, Ms. Bland shares her imagery with the outside world. She delves into the lavish splendor of nature in Drifting Grace: Gods Art Show. She peers behind the protective mask of a weeping clown in Behind the Mask. She recalls watching her mother slowly grow old in the poignant Mama. In all her words, she reveals her deepest yearnings and fears with selfless honesty. Flights of Fancy is an example of an imagination set free. Ms. Bland fills her poetry with wonder and will leave you longing to step out into the sun. She is not afraid to depict the sometimes traumatic rollercoaster of life; yet she encourages us to move on, move up, and not look back. Within every word, she calls to the reader, challenging each one of us to never stop dreaming!
Publisher: iUniverse
ISBN: 1450284531
Category : Poetry
Languages : en
Pages : 57
Book Description
Life is filled with emotional highs and lows. Riding the wave of this experience is part of living, but for poet Bernadette Bland, dreaming was even more important. No matter the attitude, mood, or circumstance, Ms. Bland has always believed in the beauty of life. Never to be deterred from her hearts desire, she has ridden her own life wave with an eye to her dreams and an eye to the beauty of nature. In her new poetry collection, Flights of Fancy, Ms. Bland shares her imagery with the outside world. She delves into the lavish splendor of nature in Drifting Grace: Gods Art Show. She peers behind the protective mask of a weeping clown in Behind the Mask. She recalls watching her mother slowly grow old in the poignant Mama. In all her words, she reveals her deepest yearnings and fears with selfless honesty. Flights of Fancy is an example of an imagination set free. Ms. Bland fills her poetry with wonder and will leave you longing to step out into the sun. She is not afraid to depict the sometimes traumatic rollercoaster of life; yet she encourages us to move on, move up, and not look back. Within every word, she calls to the reader, challenging each one of us to never stop dreaming!
Shapes of Imagination
Author: George Stiny
Publisher: MIT Press
ISBN: 026254413X
Category : Design
Languages : en
Pages : 249
Book Description
Visual calculating in shape grammars aligns with art and design, bridging the gap between seeing (Coleridge's “imagination”) and combinatoric play (Coleridge's “fancy”). In Shapes of Imagination, George Stiny runs visual calculating in shape grammars through art and design—incorporating Samuel Taylor Coleridge's poetic imagination and Oscar Wilde's corollary to see things as they aren't. Many assume that calculating limits art and design to suit computers, but shape grammars rely on seeing to prove otherwise. Rules that change what they see extend calculating to overtake what computers can do, in logic and with data and learning. Shape grammars bridge the divide between seeing (Coleridge's “imagination, or esemplastic power”) and combinatoric play (Coleridge's “fancy”). Stiny shows that calculating without seeing excludes art and design. Seeing is key for calculating to augment creative activity with aesthetic insight and value. Shape grammars go by appearances, in a full-fledged aesthetic enterprise for the inconstant eye; they answer the question of what calculating would be like if Turing and von Neumann were artists instead of logicians. Art and design are calculating in all their splendid detail.
Publisher: MIT Press
ISBN: 026254413X
Category : Design
Languages : en
Pages : 249
Book Description
Visual calculating in shape grammars aligns with art and design, bridging the gap between seeing (Coleridge's “imagination”) and combinatoric play (Coleridge's “fancy”). In Shapes of Imagination, George Stiny runs visual calculating in shape grammars through art and design—incorporating Samuel Taylor Coleridge's poetic imagination and Oscar Wilde's corollary to see things as they aren't. Many assume that calculating limits art and design to suit computers, but shape grammars rely on seeing to prove otherwise. Rules that change what they see extend calculating to overtake what computers can do, in logic and with data and learning. Shape grammars bridge the divide between seeing (Coleridge's “imagination, or esemplastic power”) and combinatoric play (Coleridge's “fancy”). Stiny shows that calculating without seeing excludes art and design. Seeing is key for calculating to augment creative activity with aesthetic insight and value. Shape grammars go by appearances, in a full-fledged aesthetic enterprise for the inconstant eye; they answer the question of what calculating would be like if Turing and von Neumann were artists instead of logicians. Art and design are calculating in all their splendid detail.
Imagination in Coleridge
Author: Samuel Taylor Coleridge
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
Imagination
Author: Mary Warnock
Publisher: Univ of California Press
ISBN: 9780520037243
Category : Psychology
Languages : en
Pages : 220
Book Description
Imagination is an outstanding contribution to a notoriously elusive and confusing subject. It skillfully interrelates problems in philosophy, the history of ideas and literary theory and criticism, tracing the evolution of the concept of imagination from Hume and Kant in the eighteenth century to Ryle, Sartre and Wittgenstein in the twentieth. She strongly belies that the cultivation of imagination should be the chief aim of education and one of her objectives in writing the book has been to put forward reasons why this is so. Purely philosophical treatment of the concept is shown to be related to its use in the work of Coleridge and Wordsworth, who she considers to be the creators of a new kind of awareness with more than literary implications. The purpose of her historical account is to suggest that the role of imagination in our perception and thought is more pervasive than may at first sight appear, and that the thread she traces is an important link joining apparently different areas of our experience. She argues that imagination is an essential element in both our awareness of the world and our attaching of value to it.
Publisher: Univ of California Press
ISBN: 9780520037243
Category : Psychology
Languages : en
Pages : 220
Book Description
Imagination is an outstanding contribution to a notoriously elusive and confusing subject. It skillfully interrelates problems in philosophy, the history of ideas and literary theory and criticism, tracing the evolution of the concept of imagination from Hume and Kant in the eighteenth century to Ryle, Sartre and Wittgenstein in the twentieth. She strongly belies that the cultivation of imagination should be the chief aim of education and one of her objectives in writing the book has been to put forward reasons why this is so. Purely philosophical treatment of the concept is shown to be related to its use in the work of Coleridge and Wordsworth, who she considers to be the creators of a new kind of awareness with more than literary implications. The purpose of her historical account is to suggest that the role of imagination in our perception and thought is more pervasive than may at first sight appear, and that the thread she traces is an important link joining apparently different areas of our experience. She argues that imagination is an essential element in both our awareness of the world and our attaching of value to it.
Imagination
Author: E. J. Furlong
Publisher: Routledge
ISBN: 1317851684
Category : Philosophy
Languages : en
Pages : 136
Book Description
First published in 2002. This essay has its origin primarily in some of the remarks on imagination made by Professor Ryle in The Concept of Mind. Reflection on arguments used in that book led the author to make the distinctions which have been indicated by the phrases 'in imagination', with imagination', and the term 'supposal'. This book is mainly a philosophical study of the leading concepts.
Publisher: Routledge
ISBN: 1317851684
Category : Philosophy
Languages : en
Pages : 136
Book Description
First published in 2002. This essay has its origin primarily in some of the remarks on imagination made by Professor Ryle in The Concept of Mind. Reflection on arguments used in that book led the author to make the distinctions which have been indicated by the phrases 'in imagination', with imagination', and the term 'supposal'. This book is mainly a philosophical study of the leading concepts.