Author: Carmen Bredeson
Publisher: Enslow Publishing
ISBN: 9780766018327
Category : Composers
Languages : en
Pages : 0
Book Description
Unveils the unique influences of Sousa, Ellington and eight other composers whose musical creations have become some of the most memorable music in history.
Ten Great American Composers
Author: Carmen Bredeson
Publisher: Enslow Publishing
ISBN: 9780766018327
Category : Composers
Languages : en
Pages : 0
Book Description
Unveils the unique influences of Sousa, Ellington and eight other composers whose musical creations have become some of the most memorable music in history.
Publisher: Enslow Publishing
ISBN: 9780766018327
Category : Composers
Languages : en
Pages : 0
Book Description
Unveils the unique influences of Sousa, Ellington and eight other composers whose musical creations have become some of the most memorable music in history.
Interviews with American Composers
Author: Barney Childs
Publisher:
ISBN: 9780252043994
Category :
Languages : en
Pages : 456
Book Description
In 1972-73, Barney Childs embarked on an ambitious attempt to survey the landscape of new American concert music. He recorded freewheeling conversations with fellow composers, most of them under forty, all of them important but most not yet famous. Though unable to publish the interviews in his lifetime, Childs had gathered invaluable dialogues with the likes of Robert Ashley, Olly Wilson, Harold Budd, Christian Wolff, and others. Virginia Anderson edits the first published collection of these conversations. She pairs each interview with a contextual essay by a contemporary expert that shows how the composer's discussion with Childs fits into his life and work. Together, the interviewees cover a broad range of ideas and concerns around topics like education, notation, developments in electronic music, changing demands on performers, and tonal music. Innovative and revealing, Interviews with American Composers is an artistic and historical snapshot of American music at an important crossroads.
Publisher:
ISBN: 9780252043994
Category :
Languages : en
Pages : 456
Book Description
In 1972-73, Barney Childs embarked on an ambitious attempt to survey the landscape of new American concert music. He recorded freewheeling conversations with fellow composers, most of them under forty, all of them important but most not yet famous. Though unable to publish the interviews in his lifetime, Childs had gathered invaluable dialogues with the likes of Robert Ashley, Olly Wilson, Harold Budd, Christian Wolff, and others. Virginia Anderson edits the first published collection of these conversations. She pairs each interview with a contextual essay by a contemporary expert that shows how the composer's discussion with Childs fits into his life and work. Together, the interviewees cover a broad range of ideas and concerns around topics like education, notation, developments in electronic music, changing demands on performers, and tonal music. Innovative and revealing, Interviews with American Composers is an artistic and historical snapshot of American music at an important crossroads.
Famous American Composers
Spiritual Lives of the Great Composers
Author: Patrick Kavanaugh
Publisher: Zondervan
ISBN: 0310208068
Category : Biography & Autobiography
Languages : en
Pages : 260
Book Description
This is a compelling and inspiring look at spiritual beliefs that influenced some of the world's greatest composers, now revised and expanded with eight additional composers.
Publisher: Zondervan
ISBN: 0310208068
Category : Biography & Autobiography
Languages : en
Pages : 260
Book Description
This is a compelling and inspiring look at spiritual beliefs that influenced some of the world's greatest composers, now revised and expanded with eight additional composers.
The Extraordinary Music of Mr. Ives
Author: Joanne Stanbridge
Publisher: HarperCollins
ISBN: 0547935668
Category : Juvenile Nonfiction
Languages : en
Pages : 37
Book Description
When the Lusitania was attacked in 1915, the American composer and New Yorker Charles Ives transformed the experience of this heartbreaking news into a musical piece. It begins with a jumble of traffic noises, then the hurdy-gurdy swells into the lovely old hymn “In the Sweet Bye-and-Bye.” In lyrical text and watercolors—sometimes in dramatic wordless spreads—this thoughtful picture ebook reveals not only a wartime tragedy, but a composer’s conviction that everyday music can convey profound emotion—and help heal a city. Young readers will understand that if they listen, music can be heard in the unlikeliest of places, from the busy chatter of a market to the wail of a fire engine.
Publisher: HarperCollins
ISBN: 0547935668
Category : Juvenile Nonfiction
Languages : en
Pages : 37
Book Description
When the Lusitania was attacked in 1915, the American composer and New Yorker Charles Ives transformed the experience of this heartbreaking news into a musical piece. It begins with a jumble of traffic noises, then the hurdy-gurdy swells into the lovely old hymn “In the Sweet Bye-and-Bye.” In lyrical text and watercolors—sometimes in dramatic wordless spreads—this thoughtful picture ebook reveals not only a wartime tragedy, but a composer’s conviction that everyday music can convey profound emotion—and help heal a city. Young readers will understand that if they listen, music can be heard in the unlikeliest of places, from the busy chatter of a market to the wail of a fire engine.
Henry Cowell
Author: Joel Sachs
Publisher: Oxford University Press
ISBN: 0199939187
Category : Music
Languages : en
Pages : 619
Book Description
Joel Sachs offers the first complete biography of one of the most influential figures in twentieth-century American music. Henry Cowell, a major musical innovator of the first half of the century, left a rich body of compositions spanning a wide range of styles. But as Sachs shows, Cowell's legacy extends far beyond his music. He worked tirelessly to create organizations such as the highly influential New Music Quarterly, New Music Recordings, and the Pan-American Association of Composers, through which great talents like Ruth Crawford Seeger and Charles Ives first became known in the US and abroad. As one of the first Western advocates for World Music, he used lectures, articles, and recordings to bring other musical cultures to myriad listeners and students including John Cage and Lou Harrison, who attributed their life work to Cowell's influence. Finally, Sachs describes the tragedy of Cowell's life, being sentenced to fifteen years in San Quentin -- of which he served four -- after pleading guilty to a morals charge that even the prosecutor felt was trivial. Providing a wealth of insight into Cowell's ideas and philosophy, Joel Sachs lays out a much-needed perspective on one of the giants of twentieth-century American music.
Publisher: Oxford University Press
ISBN: 0199939187
Category : Music
Languages : en
Pages : 619
Book Description
Joel Sachs offers the first complete biography of one of the most influential figures in twentieth-century American music. Henry Cowell, a major musical innovator of the first half of the century, left a rich body of compositions spanning a wide range of styles. But as Sachs shows, Cowell's legacy extends far beyond his music. He worked tirelessly to create organizations such as the highly influential New Music Quarterly, New Music Recordings, and the Pan-American Association of Composers, through which great talents like Ruth Crawford Seeger and Charles Ives first became known in the US and abroad. As one of the first Western advocates for World Music, he used lectures, articles, and recordings to bring other musical cultures to myriad listeners and students including John Cage and Lou Harrison, who attributed their life work to Cowell's influence. Finally, Sachs describes the tragedy of Cowell's life, being sentenced to fifteen years in San Quentin -- of which he served four -- after pleading guilty to a morals charge that even the prosecutor felt was trivial. Providing a wealth of insight into Cowell's ideas and philosophy, Joel Sachs lays out a much-needed perspective on one of the giants of twentieth-century American music.
Nationalist and Populist Composers
Author: Steve Schwartz
Publisher: Rowman & Littlefield
ISBN: 1442257679
Category : Music
Languages : en
Pages : 439
Book Description
Populism and nationalism in classical music held a significant place between the world wars with composers such as George Gershwin, Aaron Copland, and Leonard Bernstein creating a soundtrack to the lives of everyday Americans. While biographies of these individual composers exist, no single book has taken on this period as a direct contradiction to the modernist dichotomy between the music of Stravinsky and Schoenberg. In Nationalist and Populist Composers: Voices of the American People, Steve Schwartz offers an overdue correction to this distortion of the American classical music tradition by showing that not all composers of this era fall into either the Stravinsky or Schoenberg camps. Exploring the rise and decline of musical populism in the United States, Schwartz examines the major works of George Gershwin, Randall Thompson, Virgil Thomson, Aaron Copland, Roy Harris, Kurt Weill, Morton Gould, and Leonard Bernstein. Organized chronologically, chapters cover each composer’s life and career and then reveal how key works participated in populist and nationalist themes. Written for the both the scholar and amateur enthusiast interested in modern classical music and American social history, Nationalist and Populist Composers creates a contextual frame through which all audiences can better understand such works as Rhapsody in Blue, Appalachian Spring, and West Side Story.
Publisher: Rowman & Littlefield
ISBN: 1442257679
Category : Music
Languages : en
Pages : 439
Book Description
Populism and nationalism in classical music held a significant place between the world wars with composers such as George Gershwin, Aaron Copland, and Leonard Bernstein creating a soundtrack to the lives of everyday Americans. While biographies of these individual composers exist, no single book has taken on this period as a direct contradiction to the modernist dichotomy between the music of Stravinsky and Schoenberg. In Nationalist and Populist Composers: Voices of the American People, Steve Schwartz offers an overdue correction to this distortion of the American classical music tradition by showing that not all composers of this era fall into either the Stravinsky or Schoenberg camps. Exploring the rise and decline of musical populism in the United States, Schwartz examines the major works of George Gershwin, Randall Thompson, Virgil Thomson, Aaron Copland, Roy Harris, Kurt Weill, Morton Gould, and Leonard Bernstein. Organized chronologically, chapters cover each composer’s life and career and then reveal how key works participated in populist and nationalist themes. Written for the both the scholar and amateur enthusiast interested in modern classical music and American social history, Nationalist and Populist Composers creates a contextual frame through which all audiences can better understand such works as Rhapsody in Blue, Appalachian Spring, and West Side Story.
Reminiscences of an American Composer and Pianist
Author: George Walker
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 240
Book Description
The first black American to receive the Pulitzer Prize for music (for his composition Lilacs), George Walker recounts the most significant events in his life and distinguished career as a composer and a musician.
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 240
Book Description
The first black American to receive the Pulitzer Prize for music (for his composition Lilacs), George Walker recounts the most significant events in his life and distinguished career as a composer and a musician.
Dwight's Journal of Music
Neoclassical Music in America
Author: R. James Tobin
Publisher: Rowman & Littlefield
ISBN: 0810884402
Category : Music
Languages : en
Pages : 301
Book Description
From the 1920s to the 1950s, neoclassicism was one of the dominant movements in American music. Today this music is largely in eclipse, mostly absent in performance and even from accounts of music history, in spite of—and initially because of—its adherence to an expanded tonality. No previous book has focused on the nature and scope of this musical tradition. Neoclassical Music in America: Voices of Clarity and Restraint makes clear what neoclassicism was, how it emerged in America, and what happened to it. Music reviewer and scholar, R. James Tobin argues that efforts to define musical neoclassicism as a style largely fail because of the stylistic diversity of the music that fall within its scope. However, neoclassicists as different from one another as the influential Igor Stravinsky and Paul Hindemith did have a classical aesthetic in common, the basic characteristics of which extend to other neoclassicists This study focuses, in particular, on a group of interrelated neoclassical American composers who came to full maturity in the 1940s. These included Harvard professor Walter Piston, who had studied in France in the 1920s; Harold Shapero, the most traditional of the group; Irving Fine and Arthur Berger, his colleagues at Brandeis; Lukas Foss, later an experimentalist composer whose origins lay in neoclassicism of the 1940s; Alexei Haieff, and Ingolf Dahl, both close associates of Stravinsky; and others. Tobin surveys the careers of these figures, drawing especially on early reviews of performances before offering his own critical assessment of individual works. Adventurous collectors of recordings, performing musicians, concert and broadcasting programmers, as well as music and cultural historians and those interested in musical aesthetics, will find much of interest here. Dates of composition, approximate duration of individual works, and discographies add to the work’s reference value.
Publisher: Rowman & Littlefield
ISBN: 0810884402
Category : Music
Languages : en
Pages : 301
Book Description
From the 1920s to the 1950s, neoclassicism was one of the dominant movements in American music. Today this music is largely in eclipse, mostly absent in performance and even from accounts of music history, in spite of—and initially because of—its adherence to an expanded tonality. No previous book has focused on the nature and scope of this musical tradition. Neoclassical Music in America: Voices of Clarity and Restraint makes clear what neoclassicism was, how it emerged in America, and what happened to it. Music reviewer and scholar, R. James Tobin argues that efforts to define musical neoclassicism as a style largely fail because of the stylistic diversity of the music that fall within its scope. However, neoclassicists as different from one another as the influential Igor Stravinsky and Paul Hindemith did have a classical aesthetic in common, the basic characteristics of which extend to other neoclassicists This study focuses, in particular, on a group of interrelated neoclassical American composers who came to full maturity in the 1940s. These included Harvard professor Walter Piston, who had studied in France in the 1920s; Harold Shapero, the most traditional of the group; Irving Fine and Arthur Berger, his colleagues at Brandeis; Lukas Foss, later an experimentalist composer whose origins lay in neoclassicism of the 1940s; Alexei Haieff, and Ingolf Dahl, both close associates of Stravinsky; and others. Tobin surveys the careers of these figures, drawing especially on early reviews of performances before offering his own critical assessment of individual works. Adventurous collectors of recordings, performing musicians, concert and broadcasting programmers, as well as music and cultural historians and those interested in musical aesthetics, will find much of interest here. Dates of composition, approximate duration of individual works, and discographies add to the work’s reference value.