Fairfield Porter Raw PDF Download

Author: Klaus Ottmann
Publisher:
ISBN:
Category : Artists' preparatory studies
Languages : en
Pages : 96

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Author: Klaus Ottmann
Publisher: Giles
ISBN:
Category : Art
Languages : en
Pages : 104

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"A major survey of the work of this important contemporary artist." -- Publisher.

Author: Connie Hayes
Publisher:
ISBN: 9780974710709
Category : Landscape painting
Languages : en
Pages : 120

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Author: David Salle
Publisher: W. W. Norton & Company
ISBN: 0393248143
Category : Art
Languages : en
Pages : 288

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Book Description
“If John Berger’s Ways of Seeing is a classic of art criticism, looking at the ‘what’ of art, then David Salle’s How to See is the artist’s reply, a brilliant series of reflections on how artists think when they make their work. The ‘how’ of art has perhaps never been better explored.” —Salman Rushdie How does art work? How does it move us, inform us, challenge us? Internationally renowned painter David Salle’s incisive essay collection illuminates these questions by exploring the work of influential twentieth-century artists. Engaging with a wide range of Salle’s friends and contemporaries—from painters to conceptual artists such as Jeff Koons, John Baldessari, Roy Lichtenstein, and Alex Katz, among others—How to See explores not only the multilayered personalities of the artists themselves but also the distinctive character of their oeuvres. Salle writes with humor and verve, replacing the jargon of art theory with precise and evocative descriptions that help the reader develop a personal and intuitive engagement with art. The result: a master class on how to see with an artist’s eye.

Author: Joan Ludman
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 408

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This monumental project documents every known painting by Porter.

Author: Andrea Packard
Publisher:
ISBN: 9780999390436
Category :
Languages : en
Pages : 48

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This 48-page catalog was published on the occasion of the exhibition titled Rackstraw Downes: A Wider View, which took place at the List Gallery, Swarthmore College March 5 - April 5, 2020. The catalog includes essay by the exhibition curator, Andrea Packard, and Alfred Mac Adam.

Author: Fairfield Porter
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 294

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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Richard Wrangham
Publisher: Profile Books
ISBN: 1847652107
Category : Science
Languages : en
Pages : 318

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Book Description
In this stunningly original book, Richard Wrangham argues that it was cooking that caused the extraordinary transformation of our ancestors from apelike beings to Homo erectus. At the heart of Catching Fire lies an explosive new idea: the habit of eating cooked rather than raw food permitted the digestive tract to shrink and the human brain to grow, helped structure human society, and created the male-female division of labour. As our ancestors adapted to using fire, humans emerged as "the cooking apes". Covering everything from food-labelling and overweight pets to raw-food faddists, Catching Fire offers a startlingly original argument about how we came to be the social, intelligent, and sexual species we are today. "This notion is surprising, fresh and, in the hands of Richard Wrangham, utterly persuasive ... Big, new ideas do not come along often in evolution these days, but this is one." -Matt Ridley, author of Genome

Author: Glenda Carpio
Publisher: Oxford University Press
ISBN: 0199719543
Category : Literary Criticism
Languages : en
Pages : 302

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Reassessing the meanings of "black humor" and "dark satire," Laughing Fit to Kill illustrates how black comedians, writers, and artists have deftly deployed various modes of comedic "conjuring"--the absurd, the grotesque, and the strategic expression of racial stereotypes--to redress not only the past injustices of slavery and racism in America but also their legacy in the present. Focusing on representations of slavery in the post-civil rights era, Carpio explores stereotypes in Richard Pryor's groundbreaking stand-up act and the outrageous comedy of Chappelle's Show to demonstrate how deeply indebted they are to the sly social criticism embedded in the profoundly ironic nineteenth-century fiction of William Wells Brown and Charles W. Chesnutt. Similarly, she reveals how the iconoclastic literary works of Ishmael Reed and Suzan-Lori Parks use satire, hyperbole, and burlesque humor to represent a violent history and to take on issues of racial injustice. With an abundance of illustrations, Carpio also extends her discussion of radical black comedy to the visual arts as she reveals how the use of subversive appropriation by Kara Walker and Robert Colescott cleverly lampoons the iconography of slavery. Ultimately, Laughing Fit to Kill offers a unique look at the bold, complex, and just plain funny ways that African American artists have used laughter to critique slavery's dark legacy.