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Author: Oskar Kokoschka Publisher: ISBN: 9781555540135 Category : English drama Languages : en Pages : 0
Book Description
Expressionism has been a dominant force in painting, film, graphics, theatre, literature, and music throughout the twentieth century. Several of the classics of the style are represented in this volume, including: Sphinx and the Strawman by Oskar Kokoschka, Sancta Susanna by August Stramm, From Morn to Midnight by Georg Kaiser, Ithaka by Gottfried Benn, The Son by Walter Hasenclever, The Transfiguration by Ernst Toller, Crucifixion by Lothar Schreyer.
Author: Oskar Kokoschka Publisher: ISBN: 9781555540135 Category : English drama Languages : en Pages : 0
Book Description
Expressionism has been a dominant force in painting, film, graphics, theatre, literature, and music throughout the twentieth century. Several of the classics of the style are represented in this volume, including: Sphinx and the Strawman by Oskar Kokoschka, Sancta Susanna by August Stramm, From Morn to Midnight by Georg Kaiser, Ithaka by Gottfried Benn, The Son by Walter Hasenclever, The Transfiguration by Ernst Toller, Crucifixion by Lothar Schreyer.
Author: Oskar Kokoschka Publisher: ISBN: Category : Art Languages : en Pages : 232
Book Description
Contents: Oskar Kokoschka, Sphinx and Strawman ò August Stramm, Sancta Susanna ò Georg Kaiser, From Morn to Midnight ò Gottfried Benn, Ithaka ò Walter Hasenclever, The Son ò Ernst Toller, The Transfiguration ò Lothar Schreyer, Crucifixion
Author: Peter Selz Publisher: Univ of California Press ISBN: 0520341503 Category : Art Languages : en Pages : 550
Book Description
Published in 1957, German Expressionist Painting was the first comprehensive study of one of the most pivotal movements in the art of this century. When it was written, however, German Expressionism seemed like an eccentric manifestation far removed from what was then considered the mainstream of modern art. But as historians well know, each generation alters the concept of mainstream to encompass those aspects of the past which seem most relevant to the present. The impact of German Expressionism on the art and thought of later generations could never have been anticipated at the time of the original writing of this book. During the subsequent years an enormous body of scholarly research and an even larger number of popular books on German expressionist art has been printed. Numerous monographs and detailed studies on most of the artists exist now and countless exhibitions with accompanying catalogues have taken place. Much of this new research could have been incorporated in a revised edition and the bibliography certainly could have been greatly expanded to include the important writings which have been published in Germany, the United States and elsewhere since this book was originally issued. The author, however, was faced with the choice of reprinting the original text with only the most necessary alterations-such as updating the captions to indicate present locations of the paintings-or the preparation of a revised text and bibliography. Desirable as a revision appeared, present printing costs would have priced the paperback out of reach for students. It is for this reason that I decided to reissue the original text which stands on its own as a primary investigation of German Expressionist Painting.
Author: R. S. Furness Publisher: Taylor & Francis ISBN: 1351630512 Category : Literary Criticism Languages : en Pages : 115
Book Description
As part of WebMuseum, Paris, Nicolas Pioch provides an overview of Expressionism, an artistic movement that developed in the late 19th and 20th centuries. Expressionism emphasized the expression of inner experience rather than a realistic portrayal of reality. Versions of the Web site are available in English and French. The movement originated in Germany.
Author: Ulrich Weisstein Publisher: John Benjamins Publishing ISBN: 1588116700 Category : Literary Criticism Languages : en Pages : 366
Book Description
Ulrich Weisstein's collection of 21 essays offers a comparative study of Expressionism as a Modernist movement whose dynamic core lay in Germany and Austria-Hungary, but which transformed artistic practices in other European countries. The focus, Weisstein argues, must be strictly and sharply aimed at a specific body of works and opinionsa relatively dense core surrounded by a less clearly defined fringe zoneindigenous to the German speaking countries. The volume spans an Expressionist period extending from roughly 1910 to 1925. Weisstein himself contributes two introductory chapters on problems of definition and a thoughtful analysis of English Vorticism. An ample context is set by comparative essays concerned with international movements such as Futurism that had an impact on German Expressionist drama, prose, and poetry, together with essays on the adaptation of Expressionist forms in countries such as Poland, Russia, Hungary, South Slavic nations and the United States. These essays call attention to representative authors and artists, as well as to periodicals and artistic circles. Reviewers have praised not only the presentation of literary links and interaction among national cultures, but especially the most rewarding interdisciplinary essays on Dada and on Expressionist painting, music, and film.
Author: Wolf Dieter Dube Publisher: Oxford University Press, USA ISBN: Category : Art Languages : en Pages : 224
Book Description
""I know for my own part that I have no program, only the inexplicable longing to grasp what I see and feel, and to find for it the purest expression." The words of German Expressionist Karl Schmidt-Rottluff, co-founder of the "Brücke" movement in Dresden, convey the essence of the revolutionary movement in the arts which overthrew the stifling academicism of Kaiser Wilhelm's Germany and led in the years between 1900 and 1914 to an amazing upsurge of creative activity. The German Expressionists sought simplified forms, new rhythms, intenser colors. The name which has been given to their movement (not by them) suggests that they were preoccupied with the expression of violent emotion; in fact, however, such artists as the member of the "Brücke" group, Kirchner, Heckel, Schmidt-Rottluff, Pechstein and Nolde, were concerned above all with sheer liberation. Their work, and that of their great contemporaries and associates Marc, Macke, Jawlensky, Kandinsky, Klee and Kubin in Munich; Feininger, Beckmann, Barlach and Meidner in Berlin; and Kokoschka and Schiele in Vienna, all of whom worked in related styles, is a decisive and immensely rich contribution to the history of the twentieth-century art. The story is told here by a senior curator of the Bavarian State art collections largely in the vivid and intensely revealing words of the artists themselves; these he sets in context with rare sympathy and insight."--
Author: Dr Kimberly A. Smith Publisher: Ashgate Publishing, Ltd. ISBN: 1409449998 Category : Art Languages : en Pages : 375
Book Description
During the period in which Expressionist artists were active in central Europe, art historians were producing texts which were characterized as ‘expressionist’, yet the notion of an expressionist art history has yet to be fully explored in historiographic studies. This anthology offers a cross-section of noteworthy art history texts written 1912-1933 that have been described as expressionist, along with commentaries by an international group of scholars. Together they offer a productive lens through which to re-examine the practice and theory of early twentieth-century art history.
Author: KimberlyA. Smith Publisher: Routledge ISBN: 1351544721 Category : Art Languages : en Pages : 374
Book Description
During the period in which Expressionist artists were active in central Europe, art historians were producing texts which also began to be characterized evocatively as ?expressionist?, yet the notion of an expressionist art history has yet to be fully explored in historiographic studies of the discipline. This anthology offers a cross-section of noteworthy art history texts that have been described as expressionist, along with critical commentaries by an international group of scholars. Written between 1912 and 1933, the primary sources have been selected from the published scholarship of both recognized and less-familiar figures in the field's Germanic tradition: Wilhelm Worringer, Fritz Burger, Ernst Heidrich, Max Dvor? Heinrich W?lfflin, and Carl Einstein. Translated here for the first time, these examples of an expressionist turn in art history, along with their secondary analyses and the book's introduction, offer a productive lens through which to re-examine the practice and theory of art history in the early twentieth century.
Author: Oskar Kokoschka
Author: Oskar Kokoschka
Author: Oskar Kokoschka
Author: Peter Selz
Author: Neil H. Donahue
Author: R. S. Furness
Author: Ulrich Weisstein
Author: Wolf Dieter Dube
Author: Dr Kimberly A. Smith
Author: Dietmar Elger
Author: KimberlyA. Smith