Report of the Commissioner-general for the United States to the International Universal Exposition, Paris, 1900 ... February 28, 1901 PDF Download

Author: United States. Commission to the Paris Exposition
Publisher:
ISBN:
Category : Exposition universelle
Languages : en
Pages : 516

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Author: Herbert E Butler
Publisher: Legare Street Press
ISBN: 9781016091534
Category :
Languages : en
Pages : 0

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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Elizabeth Emery
Publisher: Bloomsbury Publishing USA
ISBN: 1501344641
Category : Art
Languages : en
Pages : 289

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Book Description
Japonisme, the nineteenth-century fascination for Japanese art, has generated an enormous body of scholarship since the beginning of the twenty-first century, but most of it neglects the women who acquired objects from the Far East and sold them to clients or displayed them in their homes before bequeathing them to museums. The stories of women shopkeepers, collectors, and artists rarely appear in memoirs left by those associated with the japoniste movement. This volume brings to light the culturally important, yet largely forgotten activities of women such as Clémence d'Ennery (1823–1898), who began collecting Japanese and Chinese chimeras in the 1840s, built and decorated a house for them in the 1870s, and bequeathed the “Musée d'Ennery” to the state as a free public museum in 1893. A friend of the Goncourt brothers and a fifty-year patron of Parisian dealers of Asian art, d'Ennery's struggles to gain recognition as a collector and curator serve as a lens through which to examine the collecting and display practices of other women of her day. Travelers to Japan such as the Duchesse de Persigny, Isabella Stewart Gardner, and Laure Durand- Fardel returned with souvenirs that they shared with friends and family. Salon hostesses including Juliette Adam, Louise Cahen d'Anvers, Princesse Mathilde, and Marguerite Charpentier provided venues for the discussion and examination of Japanese art objects, as did well-known art dealers Madame Desoye, Madame Malinet, Madame Hatty, and Madame Langweil. Writers, actresses, and artists-Judith Gautier, Thérèse Bentzon, Sarah Bernhardt, and Mary Cassatt, to name just a few- took inspiration from the Japanese material in circulation to create their own unique works of art. Largely absent from the history of Japonisme, these women-and many others-actively collected Japanese art, interacted with auction houses and art dealers, and formed collections now at the heart of museums such as the Louvre, the Musée Guimet, the Musée Cernuschi, the Musée Unterlinden, and the Metropolitan Museum of Art.

Author: Robert Rosenblum
Publisher: Abrams Books for Young Readers
ISBN:
Category : Art
Languages : en
Pages : 454

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Book Description
Looks back on the Paris World's Fair of 1900, and surveys its artwork and the artists who produced it.

Author: A. Geppert
Publisher: Springer
ISBN: 0230281834
Category : History
Languages : en
Pages : 424

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Book Description
Imperial expositions held in fin-de-siècle London, Paris and Berlin were knots in a world wide web. Conceptualizing expositions as meta-media, Fleeting Cities constitutes a transnational and transdisciplinary investigation into how modernity was created and displayed, consumed and disputed in the European metropolis around 1900.

Author: Annegret Fauser
Publisher: Boydell & Brewer
ISBN: 1580461859
Category : Music
Languages : en
Pages : 417

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Book Description
The 1889 Exposition universelle in Paris is famous as a turning point in the history of French music, and modern music generally. This book explores the ways in which music was used, exhibited, listened to, and written about during the Exposition universelle. It also reveals the sociopolitical uses of music in France during the 19th century.

Author: William Edward Burghardt Du Bois
Publisher:
ISBN: 9781942884538
Category : Art
Languages : en
Pages : 144

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Book Description
How W.E.B. Du Bois combined photographs and infographics to communicate the everyday realities of Black lives and the inequities of race in America At the 1900 Paris Exposition the pioneering sociologist and activist W.E.B. Du Bois presented an exhibit representing the progress of African Americans since the abolition of slavery. In striking graphic visualisations and photographs (taken by mostly anonymous photographers) he showed the changing status of a newly emancipated people across America and specifically in Georgia, the state with the largest Black population. This beautifully designed book reproduces the photographs alongside the revolutionary graphic works for the first time, and includes a marvelous essay by two celebrated art historians, Jacqueline Francis and Stephen G. Hall. Du Bois' hand-drawn charts, maps and graphs represented the achievements and economic conditions of African Americans in radically inventive forms, long before such data visualization was commonly used in social research. Their clarity and simplicity seems to anticipate the abstract art of the Russian constructivists and other modernist painters to come. The photographs were drawn from African American communities across the United States. Both the photographers and subjects are mostly anonymous. They show people engaged in various occupations or posing formally for group and studio portraits. Elegant and dignified, they refute the degrading stereotypes of Black people then prevalent in white America. Du Bois' exhibit at the Paris Exposition continues to resonate as a powerful affirmation of the equal rights of Black Americans to lives of freedom and fulfilment. Black Lives 1900 captures this singular work. American sociologist, historian, author, editor and activist W.E.B. Du Bois (1868-1963) was the most influential Black civil rights activist of the first half of the 20th century. He was a protagonist in the founding of the National Association for the Advancement of Colored People (NAACP) in 1909, and his 1903 bookThe Souls of Black Folk remains a classic and a landmark of African American literature.

Author: Astrid Swenson
Publisher: Cambridge University Press
ISBN: 0521117623
Category : History
Languages : en
Pages : 433

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Book Description
A richly illustrated book exploring the origins of the modern fascination for heritage, comparing preservation in France, Germany and England.

Author: Tomoko Sato
Publisher: Skira Editore
ISBN: 9788857232430
Category : Art nouveau
Languages : en
Pages : 247

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Book Description
Alphonse Mucha was an extraordinarily prolific and versatile artist who made his mark in the diverse fields of design - including posters, jewellery, interior decoration, theatre, packaging and product designs - as well as in painting, book illustration, sculpture and photography. He is one of the best-known Czech artists to wide international audiences today and rose to international fame in fin-de- siècle Paris with his elegant designs for theatre posters for Sarah Bernhardt, the most famous French actress of the time, and decorative panels ( panneaux décoratifs ) featuring gracefully posed women. For those posters Mucha created a distinctive style - "le style Mucha" - characterised by harmonious compositions, sinuous forms, organic lines and a muted palette, which became synonymous with the newly emerging decorative style of the time - Art Nouveau. By the time of the Paris Exposition Universelle of 1900, Mucha had become a leading figure in this decorative art movement, who defined the look of the era. The catalogue explores the development of Mucha's career and overall achievements as a multifaceted and visionary artist. It is divided into six sections, highlighting Mucha's personality as Bohemian; picture maker for people; cosmopolitan; mystic; patriot and philosopher.

Author: Eugene F Provenzo
Publisher: Rowman & Littlefield
ISBN: 1442226285
Category : History
Languages : en
Pages : 238

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Book Description
“An important snapshot of life for black Americans at the beginning of the twentieth century” from the editor of The Illustrated Souls of Black Folk (Booklist). “The problem of the Twentieth Century is the problem of the color-line.” This quote is among the most prophetic in American history. It was written by W. E. B. DuBois for the Exhibition of American Negroes displayed at the 1900 Paris Exposition. They are words whose force echoed throughout the Twentieth Century. W. E. B. DuBois put together a groundbreaking exhibit about African Americans for the 1900 World’s Fair in Paris. For the first time, this book takes readers through the exhibit. With more than 200 black-and-white images throughout, this book explores the diverse lives of African Americans at the turn of the century, from challenges to accomplishments. DuBois confronted stereotypes in many ways in the exhibit, and he provided irrefutable evidence of how African Americans had been systematically discriminated against. Though it was only on display for a few brief months, the award-winning Exhibit of American Negroes represents the great lost archive of African American culture from the beginning of the twentieth century. “Those concerned with African American history will benefit from this work and may wish to also consult Provenzo’s The Illustrated Souls of Black Folk (2004) for a companion read. Summing Up: Recommended.” —Choice Reviews “Ten years before he founded the NAACP, W. E. B. DuBois used his role in the Exhibition to begin the long, fruitful process of achieving equality.” —Benjamin Todd Jealous, president and CEO of the NAACP