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Author: Paul A. Van Dyke Publisher: Hong Kong University Press ISBN: 988802891X Category : History Languages : en Pages : 674
Book Description
Paul Van Dyke works in many languages and archives to uncover the history of Peark River trade. This two-volume work is likely to be the most definitive reference work on the major trading families of Guangzhou. Organized as a series of family studies, this first volume includes exhaustive profiles of nine of the dominant hongs and their founding patriarchs for which good information survives: Tan Suqua, Tan Hunqua, Cai and Qiu, Beaukeequa, Yan, Mandarin Quiqua, Ye and Tacqua Amoy, Zhang, and Liang.
Author: Paul A. Van Dyke Publisher: Hong Kong University Press ISBN: 988802891X Category : History Languages : en Pages : 674
Book Description
Paul Van Dyke works in many languages and archives to uncover the history of Peark River trade. This two-volume work is likely to be the most definitive reference work on the major trading families of Guangzhou. Organized as a series of family studies, this first volume includes exhaustive profiles of nine of the dominant hongs and their founding patriarchs for which good information survives: Tan Suqua, Tan Hunqua, Cai and Qiu, Beaukeequa, Yan, Mandarin Quiqua, Ye and Tacqua Amoy, Zhang, and Liang.
Author: William Watson Publisher: Yale University Press ISBN: 0300107358 Category : Art Languages : en Pages : 300
Book Description
This handsome book is the first in a major three-volume series that will survey China's immense wealth of art, architecture, and artefacts from prehistoric times to the twentieth century. The Arts of China to AD 900 investigates the beginnings of the traditions on which much of the art rests, moving from Neolithic and Bronze Age China to the era of the Tang Dynasty around AD 900.
Author: Maxwell K. Hearn Publisher: Metropolitan Museum of Art ISBN: 0870999834 Category : Art, Chinese Languages : en Pages : 313
Book Description
China's entry into the modern era was shaped by unprecedented internal turmoil and external pressures, which brought a forceful end to two millennia of imperial rule and cultural insularity. The essays in this volume offer a variety of perspectives on the impact of the West on indigenous literature, architecture, painting, and calligraphy during this period (ca. 1860-1980). This book is published in conjunction with the exhibition "Nineteenth- and Twentieth-Century Chinese Paintings from the Robert H. Ellsworth Collection in The Metropolitan Museum of Art", held at the museum from 30th January-19th August 2001.
Author: Zheng Yangwen Publisher: BRILL ISBN: 9004194789 Category : History Languages : en Pages : 372
Book Description
Generations of Chinese scholars have made China synonymous with the Great Wall and presented its civilization as fundamentally land-bound. This volume challenges this perspective, demonstrating that China was not a “Walled Kingdom”, certainly not since the Yongjia Disturbance in 311. China reached out to the maritime world far more actively than historians have acknowledged, while the seas and what came from the seas—from Islam, fragrances and Jesuits to maize, opium and clocks—significantly changed the course of history, and have been of inestimable importance to China since the Ming. This book integrates the maritime history of China, especially the Qing period, a subject which has hitherto languished on the periphery of scholarly analysis, into the mainstream of current historical narrative. It was the seas that made Tang China a “Cosmopolitan Empire” (Mark Lewis), the Song dynasty China’s “Greatest Age” (John Fairbank), China at 1600 “the largest and most sophisticated of all unified realms on earth” (Jonathan Spence), and the reign of the three Qing emperors (Kangxi, Yongzheng and Qianlong) China’s “last golden age” (Charles Hucker).
Author: Bénédicte Savoy Publisher: Walter de Gruyter GmbH & Co KG ISBN: 311054508X Category : Art Languages : en Pages : 324
Book Description
As more parts of the world outside Europe became accessible =– and in the wake of social and technological developments in the 18th century – a growing number of exotic artefacts entered European markets. The markets for such objects thrived, while a collecting culture and museums emerged. This book provides insights into the methods and places of exchange, networks, prices, expertise, and valuation concepts, as well as the transfer and transport of these artefacts over 300 years and across four continents. The contributions are from international experts, including Ting Chang, Nélia Dias, Noëmie Etienne, Jonathan Fine, Philip Jones, Sylvester Okwunodu Ogbechie, Léa Saint-Raymond, and Masako Yamamoto.
Author: University of Toronto Publisher: ISBN: Category : Art Languages : en Pages : 444
Book Description
The Magnificent Art Collection of Dr Lillian Malcove Consists of 513 pieces: paintings, drawings, furniture, icons, manuscripts, and textiles, as well as works in terracotta, glass, bronze, stone, enamel, ivory, silver, and gold. They represent a vast range of art history, from prehistory to the twentieth century, including Greek, Roman, Byzantine, and western medieval works, and even a few pieces from the Far East. Dr Malcove, a psychoanalyst in New York, bequeathed the collection to the University of Toronto so that it might be used in teaching. It is housed in the University of Toronto Art Centre. This catalogue was initially produced in conjunction with the first exhibit of the collection, presented at the University of Toronto in two parts, late in 1985 and early in 1986. Each piece is illustrated in the catalogue, and this new paperback edition features eight pages of colour photographs. Extensive descriptions, identifying and evaluating the objects, have been provided by scholars who represent diverse areas of expertise in art and archaeology. Also included are five brief memoirs by friends of Dr Malcove. The catalogue stands as a permanent record of an extraordinary collection and a unique perspective on art from a variety of cultures throughout history.
Author: Craig Clunas Publisher: Oxford University Press, USA ISBN: 9780192842077 Category : Art Languages : en Pages : 260
Book Description
China can boast a history of art lasting 5,000 years and embracing a huge diversity of images and objects - jade tablets, painted silk handscrolls and fans, ink and lacquer painting, porcelain-ware, sculptures, and calligraphy. They range in scale from the vast 'terracotta army' with its 7,000or so life-size figures, to the exquisitely delicate writing of fourth-century masters such as Wang Xizhin and his teacher, 'Lady Wei'. But this rich tradition has not, until now, been fully appreciated in the West where scholars have focused their attention on sculpture, downplaying art more highlyprized by the Chinese themselves such as calligraphy. Art in China marks a breakthrough in the study of the subject. Drawing on recent innovative scholarship and on newly-accessible studies in China itself Craig Clunas surveys the full spectrum of the visual arts in China. He ranges from the Neolithic period to the art scene of the 1980s and 1990s,examining art in a variety of contexts as it has been designed for tombs, commissioned by rulers, displayed in temples, created for the men and women of the educated ilite, and bought and sold in the marketplace. Many of the objects illustrated in this book have previously been known only to a fewspecialists, and will be totally new to a general audience.
Author: Partha Mitter Publisher: Cambridge University Press ISBN: 9780521443548 Category : Art Languages : en Pages : 538
Book Description
Partha Mitter's book is a pioneering study of the history of modern art on the Indian subcontinent from 1850 to 1922. The author tells the story of Indian art during the Raj, set against the interplay of colonialism and nationalism. The work addresses the tensions and contradictions that attended the advent of European naturalism in India, as part of the imperial design for the westernisation of the elite, and traces the artistic evolution from unquestioning westernisation to the construction of Hindu national identity. Through a wide range of literary and pictorial sources, Art and Nationalism in Colonial India balances the study of colonial cultural institutions and networks with the ideologies of the nationalist and intellectual movements which followed. The result is a book of immense significance, both in the context of South Asian history and in the wider context of art history.
Author: Paul A. Van Dyke
Author: Paul A. Van Dyke
Author: Craig Clunas
Author: William Watson
Author: Maxwell K. Hearn
Author: Zheng Yangwen
Author: John D. Wong
Author: Bénédicte Savoy
Author: University of Toronto
Author: Craig Clunas
Author: Partha Mitter