Author: Matthew Rampley
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 276
Book Description
An introduction to the study of visual culture, this book offers a view of 'visual culture' that includes not only images, but also other visual media and forms of expression, from architecture to fashion, design and the human body. The book is organised around three broad themes, exploring key ideas and debates that have occurred during the last 20 or so years: *the meanings of the term 'visual culture' and of the various practices that form its basis*conceptual approaches to the contemporary analysis of visual culture*the cultural, social and historical contexts informing its production, distribution and consumption.Drawing on a wide range of examples from the last 100 years, the book adopts a cross-disciplinary perspective; it also explores, however, the limits of visual culture as an interdisciplinary field of study, engaging in current debates about the uses and value of the study of visual culture. It will therefore be of value both for readers new to the subject and also for those seeking fresh interventions into contemporary discussions within the field.Features*Accessibly written by a team of experts in the field*Illustrated throughout*Includes chapters on a wide range of visual forms, including architecture and urban design, film, crafts, fashion, design, fine art and the media.
Exploring Visual Culture
Art & Visual Culture
Author: Angeliki Lymberopolou
Publisher: Tate
ISBN: 9781849760485
Category : Art
Languages : en
Pages : 0
Book Description
"Anthology [of] key texts that document the history of art over the past one thousand years"--P. [4] of cover.
Publisher: Tate
ISBN: 9781849760485
Category : Art
Languages : en
Pages : 0
Book Description
"Anthology [of] key texts that document the history of art over the past one thousand years"--P. [4] of cover.
The Nineteenth-century Visual Culture Reader
Author: Vanessa R. Schwartz
Publisher: Psychology Press
ISBN: 9780415308663
Category : Art
Languages : en
Pages : 436
Book Description
The nineteenth century is central to contemporary discussions of visual culture. This reader brings together key writings on the period, exploring such topics as photographs, exhibitions and advertising.
Publisher: Psychology Press
ISBN: 9780415308663
Category : Art
Languages : en
Pages : 436
Book Description
The nineteenth century is central to contemporary discussions of visual culture. This reader brings together key writings on the period, exploring such topics as photographs, exhibitions and advertising.
Visual Culture
Author: Jessica Evans
Publisher: SAGE
ISBN: 9780761962472
Category : Business & Economics
Languages : en
Pages : 512
Book Description
" This collection of classic essays in the study of visual culture fills a major gap in this new and expanding intellectual field. Its major strength is its insistence on the importance of three central aspects of the study of visual culture: the sign, the institution and the viewing subject. It will provide readers, teachers and students with an essential text in visual and cultural studies." - "Janet Wolff, University of Rochester""" Visual Culture: The Reader provides an invaluable resource of over 30 key statements from a wide range of disciplines. Although underpinned by a focus on contemporary cultural theory, this reader puts issues of visual culture and the rhetoric of the image at centre stage. Divided into three parts, The Culture of the Visual, Regulating Photographic Meaning, Looking and Subjectivity, this reader enables students to make hitherto unmade connections across art, film and photography history and theory, semiotics, history, semiotics and communications, media studies, and cultural theory. The key statements are from the work of: Visual Culture: The Reader sets the agenda for the study of Visual Culture and will be an essential sourcebook for researchers and students alike.This is the reader for the module "The Image and Visual Culture" (D850) - part of The Open University Masters in Social Sciences Programme.
Publisher: SAGE
ISBN: 9780761962472
Category : Business & Economics
Languages : en
Pages : 512
Book Description
" This collection of classic essays in the study of visual culture fills a major gap in this new and expanding intellectual field. Its major strength is its insistence on the importance of three central aspects of the study of visual culture: the sign, the institution and the viewing subject. It will provide readers, teachers and students with an essential text in visual and cultural studies." - "Janet Wolff, University of Rochester""" Visual Culture: The Reader provides an invaluable resource of over 30 key statements from a wide range of disciplines. Although underpinned by a focus on contemporary cultural theory, this reader puts issues of visual culture and the rhetoric of the image at centre stage. Divided into three parts, The Culture of the Visual, Regulating Photographic Meaning, Looking and Subjectivity, this reader enables students to make hitherto unmade connections across art, film and photography history and theory, semiotics, history, semiotics and communications, media studies, and cultural theory. The key statements are from the work of: Visual Culture: The Reader sets the agenda for the study of Visual Culture and will be an essential sourcebook for researchers and students alike.This is the reader for the module "The Image and Visual Culture" (D850) - part of The Open University Masters in Social Sciences Programme.
Visual Rhetoric
Author: Lester C. Olson
Publisher: SAGE
ISBN: 141294919X
Category : Art
Languages : en
Pages : 465
Book Description
Visual images, artifacts, and performances play a powerful part in shaping U.S. culture. To understand the dynamics of public persuasion, students must understand this "visual rhetoric." This rich anthology contains 20 exemplary studies of visual rhetoric, exploring an array of visual communication forms, from photographs, prints, television documentary, and film to stamps, advertisements, and tattoos. In material original to this volume, editors Lester C. Olson, Cara A. Finnegan, and Diane S. Hope present a critical perspective that links visuality and rhetoric, locates the study of visual rhetoric within the disciplinary framework of communication, and explores the role of the visual in the cultural space of the United States. Enhanced with these critical editorial perspectives, Visual Rhetoric: A Reader in Communication and American Culture provides a conceptual framework for students to understand and reflect on the role of visual communication in the cultural and public sphere of the United States. Key Features and Benefits Five broad pairs of rhetorical action—performing and seeing; remembering and memorializing; confronting and resisting; commodifying and consuming; governing and authorizing—introduce students to the ways visual images and artifacts become powerful tools of persuasion Each section opens with substantive editorial commentary to provide readers with a clear conceptual framework for understanding the rhetorical action in question, and closes with discussion questions to encourage reflection among the essays The collection includes a range of media, cultures, and time periods; covers a wide range of scholarly approaches and methods of handling primary materials; and attends to issues of gender, race, sexuality and class Contributors include: Thomas Benson; Barbara Biesecker; Carole Blair; Dan Brouwer; Dana Cloud; Kevin Michael DeLuca; Anne Teresa Demo; Janis L. Edwards; Keith V. Erickson; Cara A. Finnegan; Bruce Gronbeck; Robert Hariman; Christine Harold; Ekaterina Haskins; Diane S. Hope; Judith Lancioni; Margaret R. LaWare; John Louis Lucaites; Neil Michel; Charles E. Morris III; Lester C. Olson; Shawn J. Parry-Giles; Ronald Shields; John M. Sloop; Nathan Stormer; Reginald Twigg and Carol K. Winkler "This book significantly advances theory and method in the study of visual rhetoric through its comprehensive approach and wise separations of key conceptual components." —Julianne H. Newton, University of Oregon
Publisher: SAGE
ISBN: 141294919X
Category : Art
Languages : en
Pages : 465
Book Description
Visual images, artifacts, and performances play a powerful part in shaping U.S. culture. To understand the dynamics of public persuasion, students must understand this "visual rhetoric." This rich anthology contains 20 exemplary studies of visual rhetoric, exploring an array of visual communication forms, from photographs, prints, television documentary, and film to stamps, advertisements, and tattoos. In material original to this volume, editors Lester C. Olson, Cara A. Finnegan, and Diane S. Hope present a critical perspective that links visuality and rhetoric, locates the study of visual rhetoric within the disciplinary framework of communication, and explores the role of the visual in the cultural space of the United States. Enhanced with these critical editorial perspectives, Visual Rhetoric: A Reader in Communication and American Culture provides a conceptual framework for students to understand and reflect on the role of visual communication in the cultural and public sphere of the United States. Key Features and Benefits Five broad pairs of rhetorical action—performing and seeing; remembering and memorializing; confronting and resisting; commodifying and consuming; governing and authorizing—introduce students to the ways visual images and artifacts become powerful tools of persuasion Each section opens with substantive editorial commentary to provide readers with a clear conceptual framework for understanding the rhetorical action in question, and closes with discussion questions to encourage reflection among the essays The collection includes a range of media, cultures, and time periods; covers a wide range of scholarly approaches and methods of handling primary materials; and attends to issues of gender, race, sexuality and class Contributors include: Thomas Benson; Barbara Biesecker; Carole Blair; Dan Brouwer; Dana Cloud; Kevin Michael DeLuca; Anne Teresa Demo; Janis L. Edwards; Keith V. Erickson; Cara A. Finnegan; Bruce Gronbeck; Robert Hariman; Christine Harold; Ekaterina Haskins; Diane S. Hope; Judith Lancioni; Margaret R. LaWare; John Louis Lucaites; Neil Michel; Charles E. Morris III; Lester C. Olson; Shawn J. Parry-Giles; Ronald Shields; John M. Sloop; Nathan Stormer; Reginald Twigg and Carol K. Winkler "This book significantly advances theory and method in the study of visual rhetoric through its comprehensive approach and wise separations of key conceptual components." —Julianne H. Newton, University of Oregon
Visual Culture
Author: Margarita Dikovitskaya
Publisher: MIT Press
ISBN: 9780262042246
Category : Art
Languages : en
Pages : 340
Book Description
Drawing on interviews, responses to questionnaires, and oral histories by U.S.
Publisher: MIT Press
ISBN: 9780262042246
Category : Art
Languages : en
Pages : 340
Book Description
Drawing on interviews, responses to questionnaires, and oral histories by U.S.
Visual Culture
Author: Richard Howells
Publisher: John Wiley & Sons
ISBN: 1509518819
Category : Art
Languages : en
Pages : 451
Book Description
This is a book about how to read visual images: from fine art to photography, film, television and new media. It explores how meaning is communicated by the wide variety of texts that inhabit our increasingly visual world. But, rather than simply providing set meanings to individual images, Visual Culture teaches readers how to interpret visual texts with their own eyes. While the first part of the book takes readers through differing theoretical approaches to visual analysis, the second part shifts to a medium-based analysis, connected by an underlying theme about the complex relationship between visual culture and reality. Howells and Negreiros draw together seemingly diverse methodologies, while ultimately arguing for a polysemic approach to visual analysis. The third edition of this popular book contains over fifty illustrations, for the first time in colour. Included in the revised text is a new section on images of power, fear and seduction, a new segment on video games, as well as fresh material on taste and judgement. This timely edition also offers a glossary and suggestions for further reading. Written in a clear, lively and engaging style, Visual Culture continues to be an ideal introduction for students taking courses in visual culture and communications in a range of disciplines, including media and cultural studies, sociology, and art and design.
Publisher: John Wiley & Sons
ISBN: 1509518819
Category : Art
Languages : en
Pages : 451
Book Description
This is a book about how to read visual images: from fine art to photography, film, television and new media. It explores how meaning is communicated by the wide variety of texts that inhabit our increasingly visual world. But, rather than simply providing set meanings to individual images, Visual Culture teaches readers how to interpret visual texts with their own eyes. While the first part of the book takes readers through differing theoretical approaches to visual analysis, the second part shifts to a medium-based analysis, connected by an underlying theme about the complex relationship between visual culture and reality. Howells and Negreiros draw together seemingly diverse methodologies, while ultimately arguing for a polysemic approach to visual analysis. The third edition of this popular book contains over fifty illustrations, for the first time in colour. Included in the revised text is a new section on images of power, fear and seduction, a new segment on video games, as well as fresh material on taste and judgement. This timely edition also offers a glossary and suggestions for further reading. Written in a clear, lively and engaging style, Visual Culture continues to be an ideal introduction for students taking courses in visual culture and communications in a range of disciplines, including media and cultural studies, sociology, and art and design.
Exploring Visual Literacy Inside, Outside and Through the Frame
Author:
Publisher: BRILL
ISBN: 1848881126
Category : Social Science
Languages : en
Pages : 235
Book Description
This interdisciplinary exploration of visual literacy is a result of the discussions that arose at the 2011 Conference on Visual Literacy in Oxford. Consistent with the themes which surfaced at the conference, this collection of articles examines our ways of framing what we see.
Publisher: BRILL
ISBN: 1848881126
Category : Social Science
Languages : en
Pages : 235
Book Description
This interdisciplinary exploration of visual literacy is a result of the discussions that arose at the 2011 Conference on Visual Literacy in Oxford. Consistent with the themes which surfaced at the conference, this collection of articles examines our ways of framing what we see.
Visual Cultures of Science
Author: Luc Pauwels
Publisher: UPNE
ISBN: 9781584655121
Category : Art
Languages : en
Pages : 338
Book Description
A new collection explores the complex role of visual representation in science.
Publisher: UPNE
ISBN: 9781584655121
Category : Art
Languages : en
Pages : 338
Book Description
A new collection explores the complex role of visual representation in science.
Satires of Power in Yoruba Visual Culture
Author: Yomi Ola
Publisher:
ISBN: 9781611630374
Category : Art
Languages : en
Pages : 0
Book Description
Yoruba artists have long employed the visual arts to criticize dictatorial and ineffectual governments. This book examines satires of power in Yoruba visual culture from the precolonial to the postcolonial periods of Nigerian history. Prior to the imposition of British colonial rule between 1893 and 1960, there were manifestations of parodies of power in the Yoruba satirical masking as well as in the carvings of some of the leading artists of the era, including the renowned Olowe of Ise, who worked predominantly for many kings in southwestern Nigeria. By the 1940s, Yoruba artists began to use the Western modernist media of editorial cartooning and photography as tools of social and political commentary. This text explores the visual commentaries on colonialism by Akinola Lasekan and the critiques of postcolonial military and civilian leaderships conceived by prominent cartoonists such as Kenny Adamson, Josy Ajiboye, dele jegede, Bisi Ogunbadejo, Boye Gbenro, and Tayo Fatunla. And in the global arena, the book further explores the triad of identity, power, and parody in the postmodern photographs and installations of Rotimi Fani-Kayode and Yinka Shonibare, two London-based artists of Yoruba descent. While this book complements previous studies of satire among the Yoruba as an aspect of ritualized performance traditions, it departs from such studies by exploring its appropriations in secular spaces of contemporary visual culture. This book is part of the African World Series, edited by Toyin Falola, Jacob and Frances Sanger Mossiker Chair in the Humanities, University of Texas at Austin. "In original, compelling arguments, Ola considers both direct and oblique influences that the Yoruba trickster deity Esu has had on specific works by each artist. Summing up: Recommended." -- CHOICE Magazine
Publisher:
ISBN: 9781611630374
Category : Art
Languages : en
Pages : 0
Book Description
Yoruba artists have long employed the visual arts to criticize dictatorial and ineffectual governments. This book examines satires of power in Yoruba visual culture from the precolonial to the postcolonial periods of Nigerian history. Prior to the imposition of British colonial rule between 1893 and 1960, there were manifestations of parodies of power in the Yoruba satirical masking as well as in the carvings of some of the leading artists of the era, including the renowned Olowe of Ise, who worked predominantly for many kings in southwestern Nigeria. By the 1940s, Yoruba artists began to use the Western modernist media of editorial cartooning and photography as tools of social and political commentary. This text explores the visual commentaries on colonialism by Akinola Lasekan and the critiques of postcolonial military and civilian leaderships conceived by prominent cartoonists such as Kenny Adamson, Josy Ajiboye, dele jegede, Bisi Ogunbadejo, Boye Gbenro, and Tayo Fatunla. And in the global arena, the book further explores the triad of identity, power, and parody in the postmodern photographs and installations of Rotimi Fani-Kayode and Yinka Shonibare, two London-based artists of Yoruba descent. While this book complements previous studies of satire among the Yoruba as an aspect of ritualized performance traditions, it departs from such studies by exploring its appropriations in secular spaces of contemporary visual culture. This book is part of the African World Series, edited by Toyin Falola, Jacob and Frances Sanger Mossiker Chair in the Humanities, University of Texas at Austin. "In original, compelling arguments, Ola considers both direct and oblique influences that the Yoruba trickster deity Esu has had on specific works by each artist. Summing up: Recommended." -- CHOICE Magazine