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Author: Gopalan Mullik Publisher: Springer Nature ISBN: 3030456110 Category : Performing Arts Languages : en Pages : 359
Book Description
This book explores cinema and film theory through classical Indian theories. While non-Western philosophies have largely been ignored by existing paradigms, Gopalan Mullik responds through an interrogation of how audio-visual images are processed by the audiences at the basic level of their being outside of Western experience. In the process, this book moves away from the heavily Eurocentric film discourse of today while also detailing how this new platform for understanding cinema at the most basic level of its meaning can build upon existing film theories rather than act as a replacement for them.
Author: Gopalan Mullik Publisher: Springer Nature ISBN: 3030456110 Category : Performing Arts Languages : en Pages : 359
Book Description
This book explores cinema and film theory through classical Indian theories. While non-Western philosophies have largely been ignored by existing paradigms, Gopalan Mullik responds through an interrogation of how audio-visual images are processed by the audiences at the basic level of their being outside of Western experience. In the process, this book moves away from the heavily Eurocentric film discourse of today while also detailing how this new platform for understanding cinema at the most basic level of its meaning can build upon existing film theories rather than act as a replacement for them.
Author: Ashvin Immanuel Devasundaram Publisher: Routledge ISBN: 1000577171 Category : Performing Arts Languages : en Pages : 125
Book Description
This book offers a concise and cutting-edge repository of essential information on new independent Indian films, which have orchestrated a recent renaissance in the Bollywood-dominated Indian cinema sphere. Spotlighting a specific timeline, from the Indies’ consolidated emergence in 2010 across a decade of their development, the book takes note of recent transformations in the Indian political, economic, cultural and social matrix and the concurrent release of unflinchingly interrogative and radically evocative films that traverse LGBTQ+ issues, female empowerment, caste discrimination, populist politics and religious violence. A combination of essential Indie-specific information and concise case studies makes this a must-have quick guide to the future torchbearers of Indian cinema for scholars, students, early career researchers and a global audience interested in intersecting aspects of cinema, culture, politics and society in contemporary India.
Author: Dhananjay Rai Publisher: Rowman & Littlefield ISBN: 1666901342 Category : Political Science Languages : en Pages : 269
Book Description
Popular Hindi cinema has become a significant signpost of contemporaneity due to its construction of social language. Generally, Hindi cinema has been understood through internal (auteur or genre or cinéma verité) and external aspects (consumption spheres and moviegoers’ complex response in the form of catharsis or everydayness mimesis). However, cinema also needs a new way of discerning with respect to ‘Dalit Representation’. The study needs to look at the construction and meaning of the social language of Hindi cinema. Construction refers to exploring factors beyond the film industry responsible for shaping the social language. Meaning entails the exhibition of social language in the form of messages. Herein, relational exploration becomes crucial. The relationship between factors of social language of Hindi cinema and Dalits must be unraveled for understanding the meaning of social language for Dalits. Contested representation encompasses the nature of absence and presence of Dalits in Hindi cinema.
Author: Laura U. Marks Publisher: Duke University Press ISBN: 1478059125 Category : Philosophy Languages : en Pages : 220
Book Description
In The Fold, Laura U. Marks offers a practical philosophy and aesthetic theory for living in an infinitely connected cosmos. Drawing on the theories of Leibniz, Glissant, Deleuze, and theoretical physicist David Bohm—who each conceive of the universe as being folded in on itself in myriad ways—Marks contends that the folds of the cosmos are entirely constituted of living beings. From humans to sandwiches to software to stars, every entity is alive and occupies its own private enclosure inside the cosmos. Through analyses of fiction, documentary, and experimental movies, interactive media, and everyday situations, Marks outlines embodied methods for detecting and augmenting the connections between each living entity and the cosmos. She shows that by affectively mediating with the ever-shifting folded relations within the cosmos, it is possible to build “soul-assemblages” that challenge information capitalism, colonialism, and other power structures and develop new connections with the infinite. With this guide for living within the enfolded and unfolding cosmos, Marks teaches readers to richly apprehend the world and to trace the processes of becoming that are immanent within the fold.
Author: Ronie Parciack Publisher: Routledge ISBN: 131733325X Category : Performing Arts Languages : en Pages : 239
Book Description
The popular Hindi film industry is the largest in India and the most conspicuous film industry in the non-Western world. This book analyses the pivotal visual and narrative conventions employed in popular Hindi films through the combined prism of film studies and classical Indian philosophy and ritualism. The book shows the films outside Western paradigms, as visual manifestations and outcomes of the evolution of classical Hindu notions and esthetic forms. These include notions associated with the Advaita-Vedānta philosophical school and early Buddhist thought, concepts and dynamism stemming from Hindu ritualism, rasa esthetic theories, as well as Brahmanic notions such as dharma (religion, law, order), and mokṣa (liberation). These are all highly abstract notions which the author defines as "the unseen": a cluster of diversified concepts denoting what subsists beyond the phenomenal, what prevails beyond the empirical world of saṁsāra and stands out of this world (alaukika), while simultaneously being embodied and transformed within visual filmic imagery, codes and semiotics that are teased out and analyzed. A culturally sensitive reading of popular Hindi films, the interpretations put forward are also applicable to the Western context. They enable a fuller understanding of religious phenomena outside the primary religious field, within the vernacular arenas of popular culture and mass communication. The book is of interest to scholars in the fields of Indology, modern Indian studies, film, media and cultural studies.
Author: M. K. Raghavendra Publisher: Routledge India ISBN: 9780429344411 Category : Art Languages : en Pages : 182
Book Description
"This book interrogates the vocabulary used in theorizing about Indian cinema to reach into the deeper cultural meanings of philosophies and traditions which it derives its influences from. It re-examines terms and concepts used in film criticism and contextualises them within the aesthetics, poetics, and politics of Indian cinema. The book looks at terms and concepts borrowed from the scholarship on American and world cinema and explores their use and relevance in describing the characteristics and evolution of cinema in India. It highlights how realism, romance, and melodrama in the context of India has been used in a culturally singular way and how the aggregation of generic elements - songs, action, comedy and the likes - in Indian film can be traced to classical theatre and other diverse religious and philosophical influences. These influences have characterised popular film and drama in India which presents all aspects of life for a diverse nation. The author explores concepts like 'fantasy', 'family' and 'patriotic films' by using various examples from films in India and outside as well as practices in the other arts. He identifies the fundamental logic behind the choices made by filmmakers in India and discusses concepts which allow for a fresh theorizing on Indian cinema's characteristics. This book will be of great interest to students and researchers of film studies, media studies, cultural studies, literature, cultural history, and South Asian studies. It will also be useful for general readers who are interested in learning more about Indian cinema, its forms, origins, and influences"--
Author: Neepa Majumdar Publisher: John Wiley & Sons ISBN: 1119048192 Category : Performing Arts Languages : en Pages : 628
Book Description
A new collection in the Wiley Blackwell Companions to National Cinemas series, featuring the cinemas of India In A Companion to Indian Cinema, film scholars Neepa Majumdar and Ranjani Mazumdar along with 25 established and emerging scholars, deliver new research on contemporary and historical questions on Indian cinema. The collection considers Indian cinema's widespread presence both within and outside the country, and pays particular attention to regional cinemas such as Bhojpuri, Bengali, Malayalam, Manipuri, and Marathi. The volume also reflects on the changing dimensions of technology, aesthetics, and the archival impulse of film. The editors have included scholarship that discusses a range of films and film experiences that include commercial cinema, art cinema, and non-fiction film. Even as scholarship on earlier decades of Indian cinema is challenged by the absence of documentation and films, the innovative archival and field work in this Companion extends from cinema in early twentieth century India to a historicized engagement with new technologies and contemporary cinematic practices. There is a focus on production cultures and circulation, material cultures, media aesthetics, censorship, stardom, non-fiction practices, new technologies, and the transnational networks relevant to Indian cinema. Suitable for undergraduate and graduate students of film and media studies, South Asian studies, and history, A Companion to Indian Cinema is also an important new resource for scholars with an interest in the context and theoretical framework for the study of India's moving image cultures.
Author: Kristin Lené Hole Publisher: Routledge ISBN: 1317408047 Category : Social Science Languages : en Pages : 672
Book Description
Comprised of 43 innovative contributions, this companion is both an overview of, and intervention into the field of cinema and gender. The essays included here address a variety of geographical contexts, from an analysis of cinema. Islam and women and television under Eastern European socialism, to female audience reception in Nigeria, to changing class and race norms in Bollywood dance sequences. A special focus is on women directors in a global context that includes films and filmmakers from Asia, Africa, Australia, Europe, North and South America. The collection also offers a solid overview of feminist contributions to thinking on genre from the "chick flick" to the action or Western film, to film noir and the slasher. Readers will find contributions on a variety of approaches to spectatorship, reception studies and fandom, as well as transnational approaches to star studies and essays addressing the relationship between feminist film theory and new media. Other topics include queer and trans* cinema, eco-cinema and the post-human. Finally, readers interested in the history of film will find essays addressing the methodological dimensions of feminist film history, essays on silent and studio era women in film, and histories of female filmmakers in a variety of non-Western contexts.
Author: Piyush Roy Publisher: Bloomsbury Publishing ISBN: 9354354882 Category : Performing Arts Languages : en Pages : 234
Book Description
Appreciating Melodrama: Theory and Practice in Indian Cinema and Television seeks to identify and appreciate the continual influence of the ancient Sanskrit drama treatise, the Natyashastra, and its theory of aesthetics, the rasa theory, on the unique narrative attributes of Indian cinema. This volume of work critically engages with a representative sample of landmark films from 100 years of Indian film history across genres, categories, regions and languages. This is the first time a case study-based rigorous academic review of popular Indian cinema is done using the Indian aesthetic appreciation theory of rasa (affect/emotion). It proposes a theoretical model for film appreciation, especially for content made in the melodramatic genre, and challenges existing First World/Euro-American film criticism canons and notions that privilege cinematic 'realism' over other narrative forms, which will generate passionate debates for and against its propositions in future studies and research on films. This is a valuable academic reference book for students of film and theatre, world cinema and Indian cinema studies, South Asian studies and culture, Indology and the 'Sociology of Cinema' studies. It is a must-have reference text in the curriculum of both practical-oriented acting schools, as well as courses and modules focusing on a theoretical study of cinema, such as film criticism and appreciation, and the history of movies and performance studies.
Author: Gopalan Mullik
Author: Gopalan Mullik
Author: Ashvin Immanuel Devasundaram
Author: Dhananjay Rai
Author: Laura U. Marks
Author: Ronie Parciack
Author: M. K. Raghavendra
Author: Neepa Majumdar
Author: 
Author: Kristin Lené Hole
Author: Piyush Roy