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Author: Chris Woodford Publisher: Gareth Stevens Publishing LLLP ISBN: 9781433934575 Category : Juvenile Nonfiction Languages : en Pages : 0
Book Description
For young readers who want to learn about the world in a practical way, Cool Science is perfect. They can discover scientific principles for themselves by carrying out step-by-step activities. Budding scientists learn how to conduct fair tests and record and assess their results. Key Features Easy-to-follow experiments in a simple step-by-step format Dynamic photos and illustrations aid comprehension Troubleshooting and safety tips "What You Will Need" boxes Glossary of key scientific terms and index This book shows young scientists how every movement makes a sound, even if they connot hear it, and that sound, like light, travels in waves. Many of the experiments hit a musical note-they include making a tuning fork, a stringed instrument, and a set of straw pipes. Book jacket.
Author: Isabel Thomas Publisher: Raintree ISBN: 1406290475 Category : Juvenile Nonfiction Languages : en Pages : 32
Book Description
Explore the world of sound with engaging text, real life examples and fun step-by-step experiments. This book brings the science of sound to life, explaining the concepts then getting kids to be hands-on scientists!
Author: Isabel Thomas Publisher: Capstone Classroom ISBN: 1410979008 Category : Electricity Languages : en Pages : 34
Book Description
"Explore the world of electricity with engaging text, real life examples and fun step-by-step experiments. This book brings the science of electricity to life, explaining the concepts then getting kids to be hands-on scientists!"--
Author: Chris Oxlade Publisher: Heinemann-Raintree Library ISBN: 9781432923112 Category : Juvenile Nonfiction Languages : en Pages : 56
Book Description
Presents experiments that demonstrate the properties of sound, including how sound waves work, the speed of sound, and modern sound recording.
Author: Alexandra Hui Publisher: MIT Press ISBN: 0262305038 Category : Science Languages : en Pages : 257
Book Description
An examination of how the scientific study of sound sensation became increasingly intertwined with musical aesthetics in nineteenth-century Germany and Austria. In the middle of the nineteenth century, German and Austrian concertgoers began to hear new rhythms and harmonies as non-Western musical ensembles began to make their way to European cities and classical music introduced new compositional trends. At the same time, leading physicists, physiologists, and psychologists were preoccupied with understanding the sensory perception of sound from a psychophysical perspective, seeking a direct and measurable relationship between physical stimulation and physical sensation. These scientists incorporated specific sounds into their experiments—the musical sounds listened to by upper middle class, liberal Germans and Austrians. In The Psychophysical Ear, Alexandra Hui examines this formative historical moment, when the worlds of natural science and music coalesced around the psychophysics of sound sensation, and new musical aesthetics were interwoven with new conceptions of sound and hearing. Hui, a historian and a classically trained musician, describes the network of scientists, musicians, music critics, musicologists, and composers involved in this redefinition of listening. She identifies a source of tension for the psychophysicists: the seeming irreconcilability between the idealist, universalizing goals of their science and the increasingly undeniable historical and cultural contingency of musical aesthetics. The convergence of the respective projects of the psychophysical study of sound sensation and the aesthetics of music was, however, fleeting. By the beginning of the twentieth century, with the professionalization of such fields as experimental psychology and ethnomusicology and the proliferation of new and different kinds of music, the aesthetic dimension of psychophysics began to disappear.