Author: Roger ManvellPublisher: London] : Grey Walls Press
ISBN:
Category : Experimental films
Languages : en
Pages : 312
Book Description
Experiment in the Film
Author: Roger ManvellPublisher: London] : Grey Walls Press
ISBN:
Category : Experimental films
Languages : en
Pages : 312
Book Description
Experiment in the Film
Author: Roger ManvellPublisher:
ISBN:
Category : Experimental films
Languages : en
Pages : 285
Book Description
The Lucifer Effect
Author: Philip ZimbardoPublisher: Random House Trade Paperbacks
ISBN: 0812974441
Category : Psychology
Languages : en
Pages : 578
Book Description
The definitive firsthand account of the groundbreaking research of Philip Zimbardo—the basis for the award-winning film The Stanford Prison Experiment Renowned social psychologist and creator of the Stanford Prison Experiment Philip Zimbardo explores the mechanisms that make good people do bad things, how moral people can be seduced into acting immorally, and what this says about the line separating good from evil. The Lucifer Effect explains how—and the myriad reasons why—we are all susceptible to the lure of “the dark side.” Drawing on examples from history as well as his own trailblazing research, Zimbardo details how situational forces and group dynamics can work in concert to make monsters out of decent men and women. Here, for the first time and in detail, Zimbardo tells the full story of the Stanford Prison Experiment, the landmark study in which a group of college-student volunteers was randomly divided into “guards” and “inmates” and then placed in a mock prison environment. Within a week the study was abandoned, as ordinary college students were transformed into either brutal, sadistic guards or emotionally broken prisoners. By illuminating the psychological causes behind such disturbing metamorphoses, Zimbardo enables us to better understand a variety of harrowing phenomena, from corporate malfeasance to organized genocide to how once upstanding American soldiers came to abuse and torture Iraqi detainees in Abu Ghraib. He replaces the long-held notion of the “bad apple” with that of the “bad barrel”—the idea that the social setting and the system contaminate the individual, rather than the other way around. This is a book that dares to hold a mirror up to mankind, showing us that we might not be who we think we are. While forcing us to reexamine what we are capable of doing when caught up in the crucible of behavioral dynamics, though, Zimbardo also offers hope. We are capable of resisting evil, he argues, and can even teach ourselves to act heroically. Like Hannah Arendt’s Eichmann in Jerusalem and Steven Pinker’s The Blank Slate, The Lucifer Effect is a shocking, engrossing study that will change the way we view human behavior. Praise for The Lucifer Effect “The Lucifer Effect will change forever the way you think about why we behave the way we do—and, in particular, about the human potential for evil. This is a disturbing book, but one that has never been more necessary.”—Malcolm Gladwell “An important book . . . All politicians and social commentators . . . should read this.”—The Times (London) “Powerful . . . an extraordinarily valuable addition to the literature of the psychology of violence or ‘evil.’”—The American Prospect “Penetrating . . . Combining a dense but readable and often engrossing exposition of social psychology research with an impassioned moral seriousness, Zimbardo challenges readers to look beyond glib denunciations of evil-doers and ponder our collective responsibility for the world’s ills.”—Publishers Weekly “A sprawling discussion . . . Zimbardo couples a thorough narrative of the Stanford Prison Experiment with an analysis of the social dynamics of the Abu Ghraib prison in Iraq.”—Booklist “Zimbardo bottled evil in a laboratory. The lessons he learned show us our dark nature but also fill us with hope if we heed their counsel. The Lucifer Effect reads like a novel.”—Anthony Pratkanis, Ph.D., professor emeritus of psychology, University of California
An Experiment in Criticism
Author: Publisher:
ISBN:
Category : Books and reading
Languages : en
Pages : 142
Book Description
"Professor Lewis believed that literature exists above all for the joy of the reader and that books should be judged by the kind of reading they invite. He doubted the use of strictly evaluative criticism, especially its condemnations. Literary criticism is traditionally employed in judging books, and 'bad taste' is thought of as a taste for bad books. Professor Lewis's experiment consists in reversing the process, and judging literature itself by the way men read it. He defined a good book as one which can be read in a certain way, a bad book as one which can only be read in another. He was therefore mainly preoccupied with the notion of good reading: and he showed that this, in its surrender to the work on which it is engaged, has something in common with love, with moral action, and with intellectual achievement. In good reading we should be concerned less in altering our own opinions than in entering fully into the opinions of others; 'in reading great literature I become a thousand men and yet remain myself'. As with all that Professor Lewis wrote, the arguments are stimulating and the examples apt"--Publisher description
Design in Motion
Author: Laura A. FrahmPublisher: MIT Press
ISBN: 0262045184
Category : Art
Languages : en
Pages : 429
Book Description
The first comprehensive history in English of film at the Bauhaus, exploring practices that experimented with film as an adaptable, elastic “polymedium.” With Design in Motion, Laura Frahm proposes an alternate history of the Bauhaus—one in which visual media, and film in particular, are crucial to the Bauhaus’s visionary pursuit of integrating art and technology. In the first comprehensive examination in English of film at the Bauhaus, Frahm shows that experimentation with film spanned a range of Bauhaus practices, from textiles and typography to stage and exhibition design. Indeed, Bauhausler deployed film as an adaptable, elastic “polymedium,” malleable in shape and form, unfolding and refracting into multiple material, aesthetic, and philosophical directions. Frahm shows how the encounter with film imbued the Bauhaus of the 1920s and early 1930s with a flexible notion of design, infusing painting with temporal concepts, sculptures with moving forms, photographs with sequential aesthetics, architectural designs with a choreography of movement. Frahm considers, among other things, student works that explored light and the transparent features of celluloid and cellophane; weaving practices that incorporate cellophane; experimental films, social documentaries, and critical reportage by Bauhaus women; and the proliferation of film strips in posters, book covers, and other typographic work. Viewing the Bauhaus’s engagement with film through a media-theoretic lens, Frahm shows how film became a medium for “design in motion.” Movement and process, rather than stability and fixity, become the defining characteristics of Bauhaus educational, aesthetic, and philosophical ethos.
The Wave
Author: Todd StrasserPublisher: Ember
ISBN: 0307979121
Category : Young Adult Fiction
Languages : en
Pages : 146
Book Description
This novel dramatizes an incident that took place in a California school in 1969. A teacher creates an experimental movement in his class to help students understand how people could have followed Hitler. The results are astounding. The highly disciplined group, modeled on the principles of the Hilter Youth, has its own salute, chants, and special ways of acting as a unit and sweeps beyond the class and throughout the school, evolving into a society willing to give up freedom for regimentation and blind obedience to their leader. All will learn a lesson that will never be forgotten.
Army Film and the Avant Garde
Author: Alice LovejoyPublisher:
ISBN: 9780253014887
Category : History
Languages : en
Pages : 305
Book Description
Based on the author's dissertation (doctoral)--Yale University, 2009.
The Case for the UFO: Unidentified Flying Objects
Author: M. JessupPublisher:
ISBN: 9781499105513
Category :
Languages : en
Pages : 220
Book Description
This is the first ever reprint of the book that brought the entire legend of the Philadelphia Experiment into the public sphere, and created controversy for decades: "The Case For the UFO!" Why has this book been suppressed for so many years? It is a well-reasoned review of the UFO record by an eminent astromomer, mathematician, and archaeologist: Dr. M.K. Jessup. His conclusions are breathtaking and incredible, but inescapable. Description from the original dust jacket:Flying saucers are not new! For thousands of years, men have seen mysterious objects in the skies. Now, a prominent scientists proves that unidentified flying objects originate here, on Earth.If you have ever wondered about the things today's scientists do not, will not, or cannot explain, this book is for you. Such questions might be:What is the hidden meaning of the comet's tail?What caused the "Devil's Footprints" of Devonshire?Why are we wrong to think of space flight only in terms of rocket power?How was a soldier "teleported" from the Phillippine Islands to Mexico City within one hour?What force lifted 1200-ton stones in ancient Peru?How is acceleration achieved by UFOs?What caused the disappearance of the crews of the SS Sea Bird and the Marie Celeste?Was the "secret" of space flight known 50,000 years ago?What is the strange truth hidden in the ancient ruins of Baalbek?And finally, and most importantly: Are the UFOs friend, or foe?This is the original edition of "The Case For the UFO," which does NOT include the scrawled "annotations" of the infamous Carlos Allende (who may or may not have tormented Jessup into committing suicide). You will find this version much easier to read than the Varo Edition, and probably much more meaningful.
Foam and Foam Films
Author: D. ExerowaPublisher: Elsevier
ISBN: 0080531806
Category : Technology & Engineering
Languages : en
Pages : 797
Book Description
The main physicochemical aspects of foam and foam films such as preparation, structure, properties, are considered, giving a special emphasis on foam stability. It is shown that the foam and foam films are an efficient object in the study of various surface phenomena and in establishing regularities common for different interfaces, in particular, water/oil interface. The techniques and results on foam films have an independent meaning and involve the latest achievement in this field, with a focus on authors' results. The book has an expressed monographic character. It reveals joint ideas, i.e. the quantitative approach in treating foams is based on foam film behaviour and the techniques for controlling the foam liquid content, developed by the authors. A major contribution represents the independent consideration of formation and stability of foam films in theoretical and experimental aspects. No monograph published so far reveals these topics in the mentioned manner. Data and information about foams, physicochemical characterization of surfactants, phospholipids and polymers can also be found. Furthermore, the book provides information about: techniques involved in the study of foam films and foam structure and properties; foam drainage; processes of destruction in gravitational and centrifugal fields; reasons for stability of films and their role in the processes running in the foam; mechanical, rheological, optical, thermophysical, electrical properties; foam destruction upon addition of antifoams (mechanism of destruction, techniques, application); scientific principles of controlling foam properties and their application in foam separation and concentration; enhanced oil recovery; thermodynamic and non-equilibrium properties of foam films, stabilized by surfactants, phospholipids and polymers; techniques for the study of surface forces; formation and stability of foam films; black films, including bilayers; new theories of stability of amphiphile bilayer; experiments involved in this stability; application in biology and medicine.
Experiments in Film and Philosophy
Author: Christopher FalzonPublisher: Taylor & Francis
ISBN: 1000969819
Category : Philosophy
Languages : en
Pages : 221
Book Description
Christopher Falzon argues in this book for a new way of understanding film as philosophy. Inspired and informed by the work of Michel Foucault, Falzon shows how a motion picture can operate not simply as a thought experiment but as a form of experience-centred, experimental reflection. It is film’s ability to show viewers things that challenge their way of thinking, giving them experiences that can make them think differently, that gives the film its status as philosophy. Through these cinematic experiences, not only cultural norms and presuppositions but also cinematic conventions, and even established philosophical positions, can be interrogated and questioned. Experiments in Film and Philosophy explores three films in the light of this new way of thinking about philosophy and film: Jean-Luc Godard’s Breathless, Rubin Ötlund’s Force Majeure, and Jonathon Glazer’s Under the Skin. It will be of interest to advanced students and scholars interested in the current debates about the relationship between film and philosophy.