Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Experiencing Stravinsky PDF full book. Access full book title Experiencing Stravinsky by Robin Maconie. Download full books in PDF and EPUB format.
Author: Robin Maconie Publisher: Scarecrow Press ISBN: 0810884313 Category : Music Languages : en Pages : 275
Book Description
Hear the name “Igor Stravinsky” and the first thing that comes to mind is a composer of ponderous, “serious” music. But did you know that Stravinsky lived much of his life in Hollywood? That he collaborated on musical projects with Pablo Picasso and George Balanchine? That his work subtly espoused deeply held political views and reflected key literary influences? That he was not only interested in the modern communication technologies of his time—sound recording, radio, television, even early computers—but wrote music that echoed their impact? In Experiencing Stravinsky, music historian Robin Maconie takes a fresh approach to understanding this great composer’s works, explaining what makes Stravinsky’s sound unique and what we, as listeners, need to know in order to appreciate the variety and brilliance of his compositions. Experiencing Stravinsky is more than just another work of music appreciation. In the author’s deft hands, Stravinsky’s long musical career is a guided tour through 20th-century history, from Czarist Russia and two world wars to the height of the Hollywood era and the birth of the information age. Maconie has provided nothing less than an operating manual to getting the most out of Stravinsky’s music.
Author: Robin Maconie Publisher: Scarecrow Press ISBN: 0810884313 Category : Music Languages : en Pages : 275
Book Description
Hear the name “Igor Stravinsky” and the first thing that comes to mind is a composer of ponderous, “serious” music. But did you know that Stravinsky lived much of his life in Hollywood? That he collaborated on musical projects with Pablo Picasso and George Balanchine? That his work subtly espoused deeply held political views and reflected key literary influences? That he was not only interested in the modern communication technologies of his time—sound recording, radio, television, even early computers—but wrote music that echoed their impact? In Experiencing Stravinsky, music historian Robin Maconie takes a fresh approach to understanding this great composer’s works, explaining what makes Stravinsky’s sound unique and what we, as listeners, need to know in order to appreciate the variety and brilliance of his compositions. Experiencing Stravinsky is more than just another work of music appreciation. In the author’s deft hands, Stravinsky’s long musical career is a guided tour through 20th-century history, from Czarist Russia and two world wars to the height of the Hollywood era and the birth of the information age. Maconie has provided nothing less than an operating manual to getting the most out of Stravinsky’s music.
Author: Igor Stravinsky Publisher: Hamlin Press ISBN: 1406745561 Category : Music Languages : en Pages : 148
Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Per Dahl Publisher: Routledge ISBN: 1000504506 Category : Music Languages : en Pages : 240
Book Description
Igor Stravinsky left behind a complex heritage of music and ideas. There are many examples of discrepancies between his literate statements about music and musicians and his musical compositions and activity. Per Dahl presents a model of communication that unveils a clear and logical understanding of Stravinsky's heritage, based on the extant material available. From this, Dahl argues the case for Stravinsky’s music and his ideas as separate entities, representing different modes of communication. As well as describing a triangular model of communication, based on a tilted and extended version of Ogden's triangle, Dahl presents an empirical investigation of Stravinsky's vocabulary of signs and expressions in his published scores - his communicative mode towards musicians. In addition to simple statistics, Dahl compares the notation practice in the composer’s different stylistic epochs as well as his writing for different sizes of ensembles. Dahl also considers Stravinsky’s performances and recordings as modes of communication to investigate whether the multi-layered model can soften the discrepancies between Stravinsky the literary and Stravinsky the musician.
Author: Jann Pasler Publisher: Univ of California Press ISBN: 9780520054035 Category : Biography & Autobiography Languages : en Pages : 412
Book Description
"This book grew out of the International Stravinsky Symposium and the papers commissioned for it. The participants' new insights fall into three broad categories. First, there are those of a general nature that shed light on some of the central aesthetic issues of our time, as reflected in Stravinsky's music. Second, there are those that lead to a more precise understanding of the different periods of Stravinsky's career and the forces operating within them. Third, there are those that reveal threads of continuity that permeate Stravinsky's entire oeuvre." -- P. ix-x.
Author: Helen Sills Publisher: BRILL ISBN: 9004518533 Category : Biography & Autobiography Languages : en Pages : 372
Book Description
This ground-breaking study of Stravinsky’s spirituality presents a new view of his music as unified, challenging the current view which describes it as often discontinuous and static. Stravinsky’s spirituality is the origin of his radical restoration of time in music.
Author: Graham Griffiths Publisher: Cambridge University Press ISBN: 1107310474 Category : Music Languages : en Pages : 355
Book Description
Stravinsky's reinvention in the early 1920s, as both neoclassical composer and concert-pianist, is here placed at the centre of a fundamental reconsideration of his whole output - viewed from the unprecedented perspective of his relationship with the piano. Graham Griffiths assesses Stravinsky's musical upbringing in St Petersburg with emphasis on his education at the hands of two extraordinary teachers whom he later either ignored or denounced: Leokadiya Kashperova, for piano and Rimsky-Korsakov, for instrumentation. Their message, Griffiths argues, enabled Stravinsky to formulate from that intensely Russian experience an internationalist brand of neoclassicism founded upon the premises of objectivity and craft. Drawing directly on the composer's manuscripts, Griffiths addresses Stravinsky's lifelong fascination with counterpoint and with pianism's constructive processes. Stravinsky's Piano presents both of these as recurring features of the compositional attitudes that Stravinsky consistently applied to his works, whether Russian, neoclassical or serial, and regardless of idiom and genre.
Author: Charles M. Joseph Publisher: ISBN: Category : Music Languages : en Pages : 472
Book Description
¿7FA study of the musical collaboration of Igor Stravinsky and George Balanchine, who created the music and movement for many ballet masterpieces. Drawing on extensive new research, Joseph discusses the Stravinsky-Balanchine ballets against a rich contextual backdrop."
Author: Franco Sciannameo Publisher: Rowman & Littlefield ISBN: 0810888866 Category : Music Languages : en Pages : 205
Book Description
Since the eighteenth century, violin concertos have provided a showcase for dramatic interplay between a soloist’s virtuosity and the blended sonority of an orchestra’s many instruments. Using this genre to showcase skill and ingenuity, composers cemented the violin concerto as a key genre of classical music and gifted our ears with such timeless masterpieces as Vivaldi’s Four Seasons. In Experiencing the Violin Concerto, Franco Sciannameo draws on his years of scholarship and violin performance to trace the genre through Baroque, Classical, and modern periods. Along the way, he explores the social and personal histories of composers, and the fabulous virtuosi who performed concertos, and audiences they conquered worldwide. Inviting readers to consider not only the components of the music but also the power of perception and experience, Sciannameo recreates the atmosphere of a live performance as he paints a narrative history of technique and innovation. Experiencing the Violin Concerto uses descriptions in place of technical jargon to make the world of classical music accessible to amateur music lovers. As part of the Listener’s Companion series, the volume gives readers an enhanced experience of key works by investigating the environments in which the works were written and first performed as well as those in which they are enjoyed today.
Author: David Akombo Publisher: McFarland ISBN: 1476622698 Category : Music Languages : en Pages : 277
Book Description
This study surveys music and dance from a global perspective, viewing them as a composite whole found in every culture. To some, music means sound and body movement. To others, dance means body movement and sound. The author examines the complementary connection between sound and movement as an element of the human experience as old as humanity itself. Music and dance from Africa, the Americas, Asia, Europe, the Middle East and the South Pacific are discussed.
Author: Stephen Walsh Publisher: Knopf ISBN: 0593319044 Category : Biography & Autobiography Languages : en Pages : 720
Book Description
Widely regarded the greatest composer of the twentieth century, Igor Stravinsky was central to the development of modernism in art. Deeply influential and wonderfully productive, he is remembered for dozens of masterworks, from The Firebird and The Rite of Spring to The Rake's Progress, but no dependable biography of him exists. Previous studies have relied too heavily on his own unreliable memoirs and conversations, and until now no biographer has possessed both the musical knowledge to evaluate his art and the linguistic proficiency needed to explore the documentary background of his life--a life whose span extended from tsarist Russia to Switzerland, France, and ultimately the United States. In this revealing volume, the first of two, Stephen Walsh follows Stravinsky from his birth in 1882 to 1934. He traces the composer's early Russian years in new and fascinating detail, laying bare the complicated relationships within his family and showing how he first displayed his extraordinary talents within the provincial musical circle around his teacher, Nikolay Rimsky-Korsakov. Stravinsky's brilliantly creative involvement with the Ballets Russes is illuminated by a sharp sense of the internal artistic politics that animated the group. Portraying Stravinsky's circumstances as an émigré in France trying to make his living as a conductor and pianist as well as a composer while beset by emotional and financial demands, Walsh reveals the true roots of his notorious obsession with money during the 1920s and describes with sympathy the nature of his long affair with Vera Sudeykina. While always respecting Stravinsky's own insistence that life and art be kept distinct, Stravinsky makes clear precisely how the development of his music was connected to his life and to the intellectual environment in which he found himself. But at the same time it demonstrates the composer's remarkably pragmatic psychology, which led him to consider the welfare of his art to be of paramount importance, before which everything else had to give way. Hence, for example, his questionable attitude toward Hitler and Mussolini, and his reputation as a touchy, unpredictable man as famous for his enmities as for his friendships. Stephen Walsh, long established as an expert on Stravinsky's music, has drawn upon a vast array of material, much of it unpublished or unavailable in English, to bring the man himself, in all his color and genius, to glowing life. Written with elegance and energy, comprehensive, balanced, and original, Stravinsky is essential reading for anyone interested in the adventure of art in our time. Praise from the British press for Stephen Walsh's The Music of Stravinsky "One of the finest general studies of the composer." --Wilfrid Mellers, composer, Times Literary Supplement "The beautiful prose of The Music of Stravinsky is itself a fund of arresting images. For those who already love Stravinsky's music, Walsh's essays on each work will bring a smile of recognition and joy at new kernels of insight. For those unfamiliar with many of the works he discusses, Walsh's commentaries are likely to whet appetites for performances of the works." --John Shepherd, Notes "This book sent me scurrying back to the scores and made me want to recommend it to other people. Above all, it is a good read." --Anthony Pople, Music and Letters
Author: Robin Maconie
Author: Robin Maconie
Author: Igor Stravinsky
Author: Per Dahl
Author: Jann Pasler
Author: Helen Sills
Author: Graham Griffiths
Author: Charles M. Joseph
Author: Franco Sciannameo
Author: David Akombo
Author: Stephen Walsh