Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3385363640
Category : Fiction
Languages : en
Pages : 42
Book Description
Reprint of the original, first published in 1875.
Exhibition of Prints (Claghorn Collection) Under the Auspices of the Pennsylvania Academy of the Fine Arts
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3385363640
Category : Fiction
Languages : en
Pages : 42
Book Description
Reprint of the original, first published in 1875.
Publisher: BoD – Books on Demand
ISBN: 3385363640
Category : Fiction
Languages : en
Pages : 42
Book Description
Reprint of the original, first published in 1875.
Exhibition of Prints (Claghorn Collection)
Author: Pennsylvania Academy of the Fine Arts
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 54
Book Description
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 54
Book Description
Exhibition of Prints (Claghorn Collection)
Author: Pennsylvania Academy of the Fine Arts
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 54
Book Description
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 54
Book Description
The First Smithsonian Collection
Author: Helena E. Wright
Publisher: Smithsonian Institution
ISBN: 193562363X
Category : Art
Languages : en
Pages : 292
Book Description
Outstanding Academic Title, Choice, 2015 Winner, Ewell Newman Award of the American Historical Print Collectors Society, 2016 In 1849 the Smithsonian purchased the Marsh Collection of European engravings. Not only the first collection of any kind to be acquired by the new Institution, it was also the first public print collection in the nation, and it presented an important symbol of cultural authority. The prints formed part of the library of Vermont Congressman George Perkins Marsh (1801-1882), a member of the Smithsonian’s Board of Regents. The uncertainty of the Smithsonian's mission in the early years complicated its motivation for purchasing the collection, especially given Marsh’s position as a Regent in financial difficulty. After a serious fire in 1865, portions of the collection were deposited at the Library of Congress and the Corcoran Gallery of Art. Efforts to reclaim it began in the 1880s, as a new generation of Smithsonian staff expanded the National Museum, but they achieved only mixed success. Through the story of the Marsh Collection, the book explores the cultural values attributed to prints in the 19th century, including their prominent role in expositions and their influence on visual culture at a time when collecting styles were moving from an individual’s private contemplation of artworks to wider public venues of exposition in museums and reception by multiple audiences. The history of this first Smithsonian collection enlivens an important stage in the development of American cultural identity and in the formation of the Smithsonian as a national institution.
Publisher: Smithsonian Institution
ISBN: 193562363X
Category : Art
Languages : en
Pages : 292
Book Description
Outstanding Academic Title, Choice, 2015 Winner, Ewell Newman Award of the American Historical Print Collectors Society, 2016 In 1849 the Smithsonian purchased the Marsh Collection of European engravings. Not only the first collection of any kind to be acquired by the new Institution, it was also the first public print collection in the nation, and it presented an important symbol of cultural authority. The prints formed part of the library of Vermont Congressman George Perkins Marsh (1801-1882), a member of the Smithsonian’s Board of Regents. The uncertainty of the Smithsonian's mission in the early years complicated its motivation for purchasing the collection, especially given Marsh’s position as a Regent in financial difficulty. After a serious fire in 1865, portions of the collection were deposited at the Library of Congress and the Corcoran Gallery of Art. Efforts to reclaim it began in the 1880s, as a new generation of Smithsonian staff expanded the National Museum, but they achieved only mixed success. Through the story of the Marsh Collection, the book explores the cultural values attributed to prints in the 19th century, including their prominent role in expositions and their influence on visual culture at a time when collecting styles were moving from an individual’s private contemplation of artworks to wider public venues of exposition in museums and reception by multiple audiences. The history of this first Smithsonian collection enlivens an important stage in the development of American cultural identity and in the formation of the Smithsonian as a national institution.
Philadelphia's Cultural Landscape
Author: Katharine Martinez
Publisher: Temple University Press
ISBN: 9781566397919
Category : Art
Languages : en
Pages : 254
Book Description
In their day, from 1830 to 1930, the Sartain family of Philadelphia were widely admired as printmakers, painters, art administrators and educators. This collection of essays examines their achievements of three generations of Sartains, from John to his granddaughter Harriet.
Publisher: Temple University Press
ISBN: 9781566397919
Category : Art
Languages : en
Pages : 254
Book Description
In their day, from 1830 to 1930, the Sartain family of Philadelphia were widely admired as printmakers, painters, art administrators and educators. This collection of essays examines their achievements of three generations of Sartains, from John to his granddaughter Harriet.
The Second Exhibition of Prints, from the Collection of T. Harrison Garrett
Author: Thomas Harrison Garrett
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 90
Book Description
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 90
Book Description
Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum
Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 880
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 880
Book Description
Dictionary Catalog of the Prints Division
Author: New York Public Library. Prints Division
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 854
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 854
Book Description
Exhibition of Prints (Claghorn Collection) Under the Auspices of the Pennsylvania Academy of the Fine Arts
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3385363632
Category : Fiction
Languages : en
Pages : 42
Book Description
Reprint of the original, first published in 1875.
Publisher: BoD – Books on Demand
ISBN: 3385363632
Category : Fiction
Languages : en
Pages : 42
Book Description
Reprint of the original, first published in 1875.
Exhibition of Prints (Claghorn Collection) Under the Auspices of the Philadelphia Academy of the Fine Arts
Author: William J 1840-1889 Clark
Publisher: Legare Street Press
ISBN: 9781014753809
Category :
Languages : en
Pages : 44
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Legare Street Press
ISBN: 9781014753809
Category :
Languages : en
Pages : 44
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.