Nombre santissimo de Maria: su excelencia, significados, veneracion y efectos ... PDF Download

Author: Antonio de Quintanadueñas
Publisher:
ISBN:
Category :
Languages : es
Pages :

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Author: Antonio de (S.I.) Quintanadueñas
Publisher:
ISBN:
Category :
Languages : es
Pages : 370

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Author: Antonio (O. Jer.) Agustín
Publisher:
ISBN:
Category :
Languages : es
Pages : 22

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Author: Antonio de Quintanadueñas
Publisher:
ISBN:
Category :
Languages : es
Pages :

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Author: Ralph Dekoninck
Publisher: BRILL
ISBN: 9004432264
Category : Art
Languages : en
Pages : 780

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This book examines how secret knowledge was represented visually in ways that both revealed and concealed the true nature of that knowledge, giving and yet impeding access to it.

Author: Mónica Domínguez Torres
Publisher: Penn State Press
ISBN: 0271097221
Category : Art
Languages : en
Pages : 378

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In the age of European expansion, pearls became potent symbols of imperial supremacy. Pearls for the Crown demonstrates how European art legitimated racialized hierarchies and inequitable notions about humanity and nature that still hold sway today. When Christopher Columbus encountered pristine pearl beds in southern Caribbean waters in 1498, he procured the first source of New World wealth for the Spanish Crown, but he also established an alternative path to an industry that had remained outside European control for centuries. Centering her study on a selection of key artworks tied to the pearl industry, Mónica Domínguez Torres examines the interplay of materiality, labor, race, and power that drove artistic production in the early modern period. Spanish colonizers exploited the expertise and forced labor of Native American and African workers to establish pearling centers along the coasts of South and Central America, disrupting the environmental and demographic dynamics of their overseas territories. Drawing from postcolonial theory, material culture studies, and ecocriticism, Domínguez Torres demonstrates how, through use of the pearl, European courtly art articulated ideas about imperial expansion, European superiority, and control over nature, all of which played key roles in the political circles surrounding the Spanish Crown. This highly anticipated interdisciplinary study will be welcomed by scholars of art history, the history of colonial Latin America, and ecocriticism in the context of the Spanish colonies.

Author: Charlene Villaseñor Black
Publisher: Princeton University Press
ISBN: 0691096317
Category : Art
Languages : en
Pages : 268

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St. Joseph is mentioned only eight times in the New Testament Gospels. Prior to the late medieval period, Church doctrine rarely noticed him except in passing. But in 1555 this humble carpenter, earthly spouse of the Virgin Mary and foster father of Jesus, was made patron of the Conquest and conversion in Mexico. In 1672, King Charles II of Spain named St. Joseph patron of his kingdom, toppling St. James--traditional protector of the Iberian peninsula for over 800 years--from his honored position. Focusing on the changing manifestations of Holy Family and St. Joseph imagery in Spain and colonial Mexico from the sixteenth through eighteenth centuries, this book examines the genesis of a new saint's cult after centuries of obscurity. In so doing, it elucidates the role of the visual arts in creating gender discourses and deploying them in conquest, conversion, and colonization. Charlene Villaseñor Black examines numerous images and hundreds of primary sources in Spanish, Latin, Náhuatl, and Otomí. She finds that St. Joseph was not only the most frequently represented saint in Spanish Golden Age and Mexican colonial art, but also the most important. In Spain, St. Joseph was celebrated as a national icon and emblem of masculine authority in a society plagued by crisis and social disorder. In the Americas, the parental figure of the saint--model father, caring spouse, hardworking provider--became the perfect paradigm of Spanish colonial power. Creating the Cult of St. Joseph exposes the complex interactions among artists, the Catholic Church and Inquisition, the Spanish monarchy, and colonial authorities. One of the only sustained studies of masculinity in early modern Spain, it also constitutes a rare comparative study of Spain and the Americas.

Author: Carme López Calderón
Publisher: BRILL
ISBN: 9004447687
Category : Architecture
Languages : en
Pages : 509

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An interpretation of the emblematic programme found in the Chapel of Nuestra Señora de los Ojos Grandes (Galicia, Spain), consisting of 58 emblems painted c.1735.

Author: Antonio Agustín
Publisher:
ISBN:
Category :
Languages : es
Pages : 0

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Author: Nancy van Deusen
Publisher: Stanford University Press
ISBN: 9780804780483
Category : Social Science
Languages : en
Pages : 354

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This groundbreaking work argues that the seminal concept of recogimiento functioned as a metaphor for the colonial relationship between Spain and Lima. Ubiquitous and flexible, recogimiento had three related meanings—two cultural and one institutional—that developed over a 200-year period in Renaissance Spain and the viceregal capital, Lima. Female and male religious conceptualized recogimiento as a mystical praxis that aspired toward "union" with God, and it was also articulated as a fundamental virtue of enclosure and quiescent conduct for women. As an institutional practice, recogimiento involved substantial numbers of women and girls living in convents, lay pious houses, schools, and institutions (called recogimientos) that admitted schoolgirls, prostitutes, women petitioning for divorce, and the spiritually devout. In a broader sense, practices of recogimiento both conformed to and transgressed imagined boundaries of the sacred and the worldly in colonial Lima. Recogimiento also reflected the process of transculturation, or the adaptation of particular cultural values to local contingencies. Through an analysis of more than 600 ecclesiastical litigation suits, and drawing on an impressive array of primary and secondary sources, the author shows how recogimiento was experienced by a range of individuals: from viceroys and archbishops to female foodsellers, shop owners, and secluded mystics. She argues that by 1650 women representing different races and classes in Lima claimed recogimiento as integral to their public, familial, and internal identities. The social and cultural history of Lima between 1550 and 1713 illustrates the complexities of conjugal relations, sexuality, and social norms in the viceregal capital, demonstrates the inextricable link between sacred and secular realms in colonial society, and delineates the process of transculturation between Spain and Lima.