Author: Orlando di LassoPublisher: New York : Appleton-Century-Crofts
ISBN:
Category : Counterpoint
Languages : en
Pages : 266
Book Description
Examples of Gregorian Chant and Works by Orlandus Lassus, Giovanni Pierluigi Palestrina and Marc Antonio Ingegneri for Use in Classes of Counterpoint
Author: Orlando di LassoPublisher: New York : Appleton-Century-Crofts
ISBN:
Category : Counterpoint
Languages : en
Pages : 266
Book Description
Examples of Gregorian Chant and Works by Orlandus Lassus, Giovanni Pierluigi Palestrina and Marc Antonio Ingegneri
Author: Examples of Gregorian Chant and Works by Orlanus Lassus, Giovanni Pierluigi Palestrina and Marc Antonio Ingegneri for Use in Classes of Counterpoint
Author: Gustave Fredric SoderlundPublisher:
ISBN:
Category : Chants (Plain, gregorian, etc.)
Languages : en
Pages : 0
Book Description
Examples of Gregorian Chant and Works by Orlando Lassus, Giovanni Pierluigi Palestrina and Marc Antonio Ingegneri
Author: Examples of Gregorian Chant and Works
Author: Gustave Fredric SoderlundPublisher:
ISBN:
Category : Music
Languages : en
Pages : 264
Book Description
Examples of Gregorian Chant and Works by
Author: Orlandus Lassus Giovanni Pierluigi Palestrina and Marc Antonio IngegneriPublisher:
ISBN:
Category :
Languages : en
Pages : 264
Book Description
Examples of Gregorian Chant, and Works by Orlandus Lassus, Giovanni Pierluigi Palestraina and Marc Antonio Ingegneri
Author: Gustave Fredric SoderlundPublisher:
ISBN:
Category : Church music
Languages : en
Pages : 238
Book Description
Examples of Gregorian Chant and Works by Orlandus Lassus
Author: Gustabe Fredric SoderlundPublisher:
ISBN:
Category :
Languages : en
Pages : 244
Book Description
Examples of Gregorian Chant and Sacred Music of the 16th Century
Author: Gustave Fredric SoderlundPublisher: Waveland Press
ISBN: 1478631147
Category : Music
Languages : en
Pages : 311
Book Description
The only systematic survey of its kind! The great composers of the sixteenth century—Palestrina, Victoria, des Pres, Lassus, and Morales—employed a common body of techniques in their approach to ecclesiastical art music before the development of harmony. Now available from Waveland Press, this systematic survey of examples of their music stresses these similarities, thereby helping musicians to master the techniques of sixteenth-century counterpoint. Since the basis of mastery lies in the ability to understand and to write in two and three voices, the editors have included twenty-six examples of two-voice writing and twenty-seven examples of three-voice writing. Samples of four- and five-voice writing, as well as larger, multi-movement Masses, have been included for more advanced students. Identification of sources, commentary, and translations are provided at the end of the collection.
Author: