Author: Jean-Gabriel Petit de Montempuys
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0
Book Description
Memoire presenté à Son Altesse royale monseigneur le duc d'Orleans, regent du Royaume
Author: Jean-Gabriel Petit de Montempuys
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0
Book Description
French Conversation and Composition
Author: Harry Vincent Wann
Publisher:
ISBN:
Category : French language
Languages : en
Pages : 220
Book Description
Publisher:
ISBN:
Category : French language
Languages : en
Pages : 220
Book Description
Orestes
Author: Voltaire
Publisher: Simon and Schuster
ISBN: 1627933212
Category : Drama
Languages : en
Pages : 56
Book Description
Orestes was produced in 1750, an experiment which intensely interested the literary world and the public. In his Dedicatory Letters to the Duchess of Maine, Voltaire has the following passage on the Greek drama: "We should not, I acknowledge, endeavor to imitate what is weak and defective in the ancients: it is most probable that their faults were well known to their contemporaries. I am satisfied, Madam, that the wits of Athens condemned, as well as you, some of those repetitions, and some declamations with which Sophocles has loaded his Electra: they must have observed that he had not dived deep enough into the human heart. I will moreover fairly confess, that there are beauties peculiar not only to the Greek language, but to the climate, to manners and times, which it would be ridiculous to transplant hither. Therefore I have not copied exactly the Electra of Sophocles-much more I knew would be necessary; but I have taken, as well as I could, all the spirit and substance of it."
Publisher: Simon and Schuster
ISBN: 1627933212
Category : Drama
Languages : en
Pages : 56
Book Description
Orestes was produced in 1750, an experiment which intensely interested the literary world and the public. In his Dedicatory Letters to the Duchess of Maine, Voltaire has the following passage on the Greek drama: "We should not, I acknowledge, endeavor to imitate what is weak and defective in the ancients: it is most probable that their faults were well known to their contemporaries. I am satisfied, Madam, that the wits of Athens condemned, as well as you, some of those repetitions, and some declamations with which Sophocles has loaded his Electra: they must have observed that he had not dived deep enough into the human heart. I will moreover fairly confess, that there are beauties peculiar not only to the Greek language, but to the climate, to manners and times, which it would be ridiculous to transplant hither. Therefore I have not copied exactly the Electra of Sophocles-much more I knew would be necessary; but I have taken, as well as I could, all the spirit and substance of it."
Almahide
Author: MADELEINE DE. SCUDERY
Publisher: Gale Ecco, Print Editions
ISBN: 9781385783733
Category :
Languages : en
Pages : 680
Book Description
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Harvard University Houghton Library N029846 In fact by Madelène de Scudéry. In three parts, each of three books, but disposed in four sections each having separate pagination and register, as follows: part I; part II; part III, book 1; and part III, books 2 and 3. London: printed by J. M. for Thomas Dring, 1702. [2],225, [1];267, [1];107, [1];76p.; 2°
Publisher: Gale Ecco, Print Editions
ISBN: 9781385783733
Category :
Languages : en
Pages : 680
Book Description
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Harvard University Houghton Library N029846 In fact by Madelène de Scudéry. In three parts, each of three books, but disposed in four sections each having separate pagination and register, as follows: part I; part II; part III, book 1; and part III, books 2 and 3. London: printed by J. M. for Thomas Dring, 1702. [2],225, [1];267, [1];107, [1];76p.; 2°
Graphic History
Author: Philip Benedict
Publisher: Librairie Droz
ISBN: 9782600004404
Category : Art
Languages : en
Pages : 454
Book Description
The suite of forty prints published in Geneva in 1570 depicting the wars, massacres and troubles of the French Wars of Religion may have been the first picture history made in woodcuts or etchings that promised a geenral public a true view of great events of the recent past. This richly illustrated study reconstructs the gradual elaboration of this experimental work, situating it within the previously untold story of the use of the graphic arts to report the news in the fist centuries of European printmaking. Successive chapters explore the pictorial traditions that inspired the printmakers, examine how they gathered their information, assess the reliability of the scenes, and analyze the historical vision informing the series. Part 2 reproduces the full suite with commentary in double page fold-outs. Through the study of a single print series, lost chapters in the history of jorunalism, of the graphic arts, and of Protestant historical consciousness re-emerge.
Publisher: Librairie Droz
ISBN: 9782600004404
Category : Art
Languages : en
Pages : 454
Book Description
The suite of forty prints published in Geneva in 1570 depicting the wars, massacres and troubles of the French Wars of Religion may have been the first picture history made in woodcuts or etchings that promised a geenral public a true view of great events of the recent past. This richly illustrated study reconstructs the gradual elaboration of this experimental work, situating it within the previously untold story of the use of the graphic arts to report the news in the fist centuries of European printmaking. Successive chapters explore the pictorial traditions that inspired the printmakers, examine how they gathered their information, assess the reliability of the scenes, and analyze the historical vision informing the series. Part 2 reproduces the full suite with commentary in double page fold-outs. Through the study of a single print series, lost chapters in the history of jorunalism, of the graphic arts, and of Protestant historical consciousness re-emerge.
The Judgment of Palaemon
Author: Philip Ford
Publisher: BRILL
ISBN: 9004245391
Category : History
Languages : en
Pages : 287
Book Description
In Virgil's third Eclogue, Palaemon concludes the poetry competition between Menalcas and Damoetas by saying that he cannot choose between them, a judgment that is emblematic of the contest between Neo-Latin and vernacular poetry in Renaissance France. Both forms of poetry draw on similar roots, both are equally accomplished, and the contest between them is largely amicable. The Judgment of Palaement illustrates the almost symbiotic relationship between Renaissance Latin and French poetry, while exploring poets' motivation for choosing one language over another, the different challenges each form of writing involved, and the extent of the collaboration between different language communities. It focuses on some of the major writers of the period, as well as less known ones, and on genres specific to humanist poetry. It shows that composing in Latin was often considered more natural than writing in the vernacular, at a time when many Frenchmen's mother tongue was a non-standard French dialect or distinct language. Book jacket.
Publisher: BRILL
ISBN: 9004245391
Category : History
Languages : en
Pages : 287
Book Description
In Virgil's third Eclogue, Palaemon concludes the poetry competition between Menalcas and Damoetas by saying that he cannot choose between them, a judgment that is emblematic of the contest between Neo-Latin and vernacular poetry in Renaissance France. Both forms of poetry draw on similar roots, both are equally accomplished, and the contest between them is largely amicable. The Judgment of Palaement illustrates the almost symbiotic relationship between Renaissance Latin and French poetry, while exploring poets' motivation for choosing one language over another, the different challenges each form of writing involved, and the extent of the collaboration between different language communities. It focuses on some of the major writers of the period, as well as less known ones, and on genres specific to humanist poetry. It shows that composing in Latin was often considered more natural than writing in the vernacular, at a time when many Frenchmen's mother tongue was a non-standard French dialect or distinct language. Book jacket.
The Constantinian Order of Saint George
Author: Guy Stair Sainty
Publisher: Boletín Oficial del Estado
ISBN: 843402506X
Category : History
Languages : en
Pages : 578
Book Description
According to legend the Constantinian Order is the oldest chivalric institution, founded by Emperor Constantine the Great and governed by successive Byzantine Emperors and their descendants. While this chronology was supported by multiple writers even into the twentieth century, it has little historical basis. Nonetheless, the Angeli, Farnese and Bourbon families which held the Grand Mastership could legitimately claim Byzantine imperial descent, albeit in the female line, and the Order’s cross replicates that seen by Constantine in the vision recorded by both Lactantius and Eusebius, writing very soon after Maximian’s defeat at the battle of the Milvian Bridge. The Order’s emergence in the middle of the sixteenth century, when Christian Europe was under assault from a militant Ottoman empire, gained Papal support almost immediately and by the end of the seventeenth century the Order had mem-bers across the Italian peninsular, in Spain, Bavaria, Austria and Bohemia, Croatia and Poland. Today the majority of the Order’s members are found in Italy and Spain but there are also members in Portugal, France, Belgium, Great Britain and Luxembourg, with smaller groups in the Netherlands, Germany and Sweden as well as an expanding membership in the United States. This work examines the conversion of Constantine and the histories of the Angeli, Farnese and Bourbon Grand Masterships, with extensive reference to hitherto unpub-lished documents in the Vatican archives and in the Farnese and Bourbon archives in Naples. These serve to confirm the close relationship the Order had with the Church and the high regard in which it was held by successive Popes, as well as its autonomy as a subject of canon law independent from any crown or temporal sovereignty. This unique status has enabled its hereditary Grand Masters to maintain this dignity after the absorption of the former Kingdom of the Two Sicilies into a united Italy. The Order’s autonomy, coupled with the Grand Master’s close links to the Spanish Crown, has meant that Spanish and Italian citizens (as well as the citizens of several other states which have accorded the Order recognition) may obtain official permission to wear the Order’s decorations. 2018 is the three hundredth anniversary of the Papal Bull Militantis Ecclesiae which confirmed and approved the previous Papal acts concerning the Order and laid out the rights and privileges of the Order, its Grand Masters and members. In the early 20th century Pope Saint Pius X and Benedict XV conferred further privileges on the Order, ap-proving the statutes, while the then future Pope Pius XII had been admitted to the Order in 1913. Today the Order is engaged in works of charity, in conformity with the Church’s teachings, and includes among its members some thirteen Cardinals as well as some thirty members of reign-ing or former reigning families.
Publisher: Boletín Oficial del Estado
ISBN: 843402506X
Category : History
Languages : en
Pages : 578
Book Description
According to legend the Constantinian Order is the oldest chivalric institution, founded by Emperor Constantine the Great and governed by successive Byzantine Emperors and their descendants. While this chronology was supported by multiple writers even into the twentieth century, it has little historical basis. Nonetheless, the Angeli, Farnese and Bourbon families which held the Grand Mastership could legitimately claim Byzantine imperial descent, albeit in the female line, and the Order’s cross replicates that seen by Constantine in the vision recorded by both Lactantius and Eusebius, writing very soon after Maximian’s defeat at the battle of the Milvian Bridge. The Order’s emergence in the middle of the sixteenth century, when Christian Europe was under assault from a militant Ottoman empire, gained Papal support almost immediately and by the end of the seventeenth century the Order had mem-bers across the Italian peninsular, in Spain, Bavaria, Austria and Bohemia, Croatia and Poland. Today the majority of the Order’s members are found in Italy and Spain but there are also members in Portugal, France, Belgium, Great Britain and Luxembourg, with smaller groups in the Netherlands, Germany and Sweden as well as an expanding membership in the United States. This work examines the conversion of Constantine and the histories of the Angeli, Farnese and Bourbon Grand Masterships, with extensive reference to hitherto unpub-lished documents in the Vatican archives and in the Farnese and Bourbon archives in Naples. These serve to confirm the close relationship the Order had with the Church and the high regard in which it was held by successive Popes, as well as its autonomy as a subject of canon law independent from any crown or temporal sovereignty. This unique status has enabled its hereditary Grand Masters to maintain this dignity after the absorption of the former Kingdom of the Two Sicilies into a united Italy. The Order’s autonomy, coupled with the Grand Master’s close links to the Spanish Crown, has meant that Spanish and Italian citizens (as well as the citizens of several other states which have accorded the Order recognition) may obtain official permission to wear the Order’s decorations. 2018 is the three hundredth anniversary of the Papal Bull Militantis Ecclesiae which confirmed and approved the previous Papal acts concerning the Order and laid out the rights and privileges of the Order, its Grand Masters and members. In the early 20th century Pope Saint Pius X and Benedict XV conferred further privileges on the Order, ap-proving the statutes, while the then future Pope Pius XII had been admitted to the Order in 1913. Today the Order is engaged in works of charity, in conformity with the Church’s teachings, and includes among its members some thirteen Cardinals as well as some thirty members of reign-ing or former reigning families.
Memoires presentés par plusieurs cardinaux, archeveques et eveques, a son altesse royale, monseigneur le duc d'Orleans, regent du royaume
Memoires presentes par plusieurs Cardinaux, Archeveques et Eveques a Son Altesse Royale Monseigneur le Duc d'Orleans, regent du Royaume
The Reception of Bodin
Author:
Publisher: BRILL
ISBN: 9004259805
Category : History
Languages : en
Pages : 479
Book Description
In The Reception of Bodin an international and interdisciplinary team of seventeen scholars considers one of the most remarkable figures in European intellectual history, the sixteenth-century jurist and philosopher Jean Bodin, as a ‘prismatic agent’ in the transmission of ideas. The subject is approached in the light of reception theory coupled with critical evaluation of key texts as well as features of Bodin’s own career. Bodin is treated as recipient of knowledge gleaned from multifarious sources, and his readers as receivers responding diversely to his work in various contexts and from various standpoints. The volume provides searching insights both into Bodin’s mental world and into processes that served to cross-fertilise European intellectual life from the Renaissance to the Enlightenment. Contributors include Ann Blair, Harald E. Braun, Glenn Burgess, Peter Burke, Vittor Ivo Comparato, Marie-Dominique Couzinet, Luc Foisneau, Robert von Friedeburg, Mark Greengrass, Virginia Krause, Johannes Machielsen, Christian Martin, Sara Miglietti, Diego Quaglioni, Jonathan Schüz, Michaela Valente.
Publisher: BRILL
ISBN: 9004259805
Category : History
Languages : en
Pages : 479
Book Description
In The Reception of Bodin an international and interdisciplinary team of seventeen scholars considers one of the most remarkable figures in European intellectual history, the sixteenth-century jurist and philosopher Jean Bodin, as a ‘prismatic agent’ in the transmission of ideas. The subject is approached in the light of reception theory coupled with critical evaluation of key texts as well as features of Bodin’s own career. Bodin is treated as recipient of knowledge gleaned from multifarious sources, and his readers as receivers responding diversely to his work in various contexts and from various standpoints. The volume provides searching insights both into Bodin’s mental world and into processes that served to cross-fertilise European intellectual life from the Renaissance to the Enlightenment. Contributors include Ann Blair, Harald E. Braun, Glenn Burgess, Peter Burke, Vittor Ivo Comparato, Marie-Dominique Couzinet, Luc Foisneau, Robert von Friedeburg, Mark Greengrass, Virginia Krause, Johannes Machielsen, Christian Martin, Sara Miglietti, Diego Quaglioni, Jonathan Schüz, Michaela Valente.