Author: Lois A. Cuddy
Publisher: Bucknell University Press
ISBN: 9780838755556
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
Charles Darwin's theory of descent suggested that man is trapped by biological determinism and environment, which requires the fittest specimens to struggle and adapt without benefit of God in order to survive. Tthis volume focusses on how American literature appropriated and aesthetically transformed this, and related, theories.
Evolution and Eugenics in American Literature and Culture, 1880-1940
Author: Lois A. Cuddy
Publisher: Bucknell University Press
ISBN: 9780838755556
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
Charles Darwin's theory of descent suggested that man is trapped by biological determinism and environment, which requires the fittest specimens to struggle and adapt without benefit of God in order to survive. Tthis volume focusses on how American literature appropriated and aesthetically transformed this, and related, theories.
Publisher: Bucknell University Press
ISBN: 9780838755556
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
Charles Darwin's theory of descent suggested that man is trapped by biological determinism and environment, which requires the fittest specimens to struggle and adapt without benefit of God in order to survive. Tthis volume focusses on how American literature appropriated and aesthetically transformed this, and related, theories.
Evolution and Eugenics in American Literature and Culture, 1880-1940
Author: Lois A. Cuddy
Publisher:
ISBN: 9781611481884
Category : Literary Criticism
Languages : en
Pages :
Book Description
This volume focusses on how American literature- in representing, challenging, and critiquing culture- appropriated and aesthetically transformed these theories and, reciprocally, how literature was altered by these ideas.
Publisher:
ISBN: 9781611481884
Category : Literary Criticism
Languages : en
Pages :
Book Description
This volume focusses on how American literature- in representing, challenging, and critiquing culture- appropriated and aesthetically transformed these theories and, reciprocally, how literature was altered by these ideas.
Breeding and Eugenics in the American Literary Imagination
Author: Ewa Barbara Luczak
Publisher: Springer
ISBN: 1137545798
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
A disturbing but ultimately discredited strain in American thought, eugenics was a crucial ideological force in the early twentieth century. Luczak investigates the work of writers like Jack London and Charlotte Perkins Gilman, to consider the impact of eugenic racial discourse on American literary production from 1900-1940.
Publisher: Springer
ISBN: 1137545798
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
A disturbing but ultimately discredited strain in American thought, eugenics was a crucial ideological force in the early twentieth century. Luczak investigates the work of writers like Jack London and Charlotte Perkins Gilman, to consider the impact of eugenic racial discourse on American literary production from 1900-1940.
The Robert E. Howard Reader
Author: Darrell Schweitzer
Publisher: Wildside Press LLC
ISBN: 1434411656
Category : Literary Criticism
Languages : en
Pages : 214
Book Description
This anthology presents a wide range of analysis, criticism, and opinion about one of the most influential fantasy authors of the twentieth century, with contributions by such well-known writers and critics as: Poul Anderson, Fritz Leiber, George H. Scithers, L. Sprague de Camp, S. T. Joshi, Howard Waldrop, Steve Tompkins, Darrell Schweitzer, Leo Grin, Robert Weinberg, Mark Hall, Charles Hoffman, Don D'Ammassa, Robert M. Price, Gary Romeo, and Scott Connors. A "must buy" for every fan of Robert E. Howard.
Publisher: Wildside Press LLC
ISBN: 1434411656
Category : Literary Criticism
Languages : en
Pages : 214
Book Description
This anthology presents a wide range of analysis, criticism, and opinion about one of the most influential fantasy authors of the twentieth century, with contributions by such well-known writers and critics as: Poul Anderson, Fritz Leiber, George H. Scithers, L. Sprague de Camp, S. T. Joshi, Howard Waldrop, Steve Tompkins, Darrell Schweitzer, Leo Grin, Robert Weinberg, Mark Hall, Charles Hoffman, Don D'Ammassa, Robert M. Price, Gary Romeo, and Scott Connors. A "must buy" for every fan of Robert E. Howard.
The Cambridge Companion to the Literature of New York
Author: Cyrus R. K. Patell
Publisher: Cambridge University Press
ISBN: 0521514711
Category : Literary Criticism
Languages : en
Pages : 283
Book Description
A portrait of the diverse literary cultures of New York from its beginnings as a Dutch colony to the present.
Publisher: Cambridge University Press
ISBN: 0521514711
Category : Literary Criticism
Languages : en
Pages : 283
Book Description
A portrait of the diverse literary cultures of New York from its beginnings as a Dutch colony to the present.
Black and Brown Planets
Author: Isiah Lavender III
Publisher: Univ. Press of Mississippi
ISBN: 1626743061
Category : Social Science
Languages : en
Pages : 167
Book Description
Black and Brown Planets embarks on a timely exploration of the American obsession with color in its look at the sometimes-contrary intersections of politics and race in science fiction. The contributors, including De Witt D. Kilgore, Edward James, Lisa Yaszek, and Marleen S. Barr, among others, explore science fiction worlds of possibility (literature, television, and film), lifting blacks, Latin Americans, and indigenous peoples out from the background of this historically white genre. This collection considers the role of race and ethnicity in our visions of the future. The first section emphasizes the political elements of black identity portrayed in science fiction from black America to the vast reaches of interstellar space framed by racial history. In the next section, analysis of indigenous science fiction addresses the effects of colonization, helps discard the emotional and psychological baggage carried from its impact, and recovers ancestral traditions in order to adapt in a post-Native-apocalyptic world. Likewise, this section explores the affinity between science fiction and subjectivity in Latin American cultures from the role of science and industrialization to the effects of being in and moving between two cultures. By infusing more color in this otherwise monochrome genre, Black and Brown Planets imagines alternate racial galaxies with viable political futures in which people of color determine human destiny.
Publisher: Univ. Press of Mississippi
ISBN: 1626743061
Category : Social Science
Languages : en
Pages : 167
Book Description
Black and Brown Planets embarks on a timely exploration of the American obsession with color in its look at the sometimes-contrary intersections of politics and race in science fiction. The contributors, including De Witt D. Kilgore, Edward James, Lisa Yaszek, and Marleen S. Barr, among others, explore science fiction worlds of possibility (literature, television, and film), lifting blacks, Latin Americans, and indigenous peoples out from the background of this historically white genre. This collection considers the role of race and ethnicity in our visions of the future. The first section emphasizes the political elements of black identity portrayed in science fiction from black America to the vast reaches of interstellar space framed by racial history. In the next section, analysis of indigenous science fiction addresses the effects of colonization, helps discard the emotional and psychological baggage carried from its impact, and recovers ancestral traditions in order to adapt in a post-Native-apocalyptic world. Likewise, this section explores the affinity between science fiction and subjectivity in Latin American cultures from the role of science and industrialization to the effects of being in and moving between two cultures. By infusing more color in this otherwise monochrome genre, Black and Brown Planets imagines alternate racial galaxies with viable political futures in which people of color determine human destiny.
Westerns
Author: Victoria Lamont
Publisher: U of Nebraska Press
ISBN: 0803290314
Category : History
Languages : en
Pages : 237
Book Description
At every turn in the development of what we now know as the western, women writers have been instrumental in its formation. Yet the myth that the western is male-authored persists. Westerns: A Women's History debunks this myth once and for all by recovering the women writers of popular westerns who were active during the late nineteenth and early twentieth centuries when the western genre as we now know it emerged. Victoria Lamont offers detailed studies of some of the many women who helped shape the western. Their novels bear the classic hallmarks of the western--cowboys, schoolmarms, gun violence, lynchings, cattle branding--while also placing female characters at the center of their western adventures and improvising with western conventions in surprising and ingenious ways. In Emma Ghent Curtis's The Administratrix a widow disguises herself as a cowboy and infiltrates the cowboy gang responsible for lynching her husband. Muriel Newhall's pulp serial character, Sheriff Minnie, comes to the rescue of a steady stream of defenseless female victims. B. M. Bower, Katharine Newlin Burt, and Frances McElrath use cattle branding as a metaphor for their feminist critiques of patriarchy. In addition to recovering the work of these and other women authors of popular westerns, Lamont uses original archival analysis of the western-fiction publishing scene to overturn the long-standing myth of the western as a male-dominated genre.
Publisher: U of Nebraska Press
ISBN: 0803290314
Category : History
Languages : en
Pages : 237
Book Description
At every turn in the development of what we now know as the western, women writers have been instrumental in its formation. Yet the myth that the western is male-authored persists. Westerns: A Women's History debunks this myth once and for all by recovering the women writers of popular westerns who were active during the late nineteenth and early twentieth centuries when the western genre as we now know it emerged. Victoria Lamont offers detailed studies of some of the many women who helped shape the western. Their novels bear the classic hallmarks of the western--cowboys, schoolmarms, gun violence, lynchings, cattle branding--while also placing female characters at the center of their western adventures and improvising with western conventions in surprising and ingenious ways. In Emma Ghent Curtis's The Administratrix a widow disguises herself as a cowboy and infiltrates the cowboy gang responsible for lynching her husband. Muriel Newhall's pulp serial character, Sheriff Minnie, comes to the rescue of a steady stream of defenseless female victims. B. M. Bower, Katharine Newlin Burt, and Frances McElrath use cattle branding as a metaphor for their feminist critiques of patriarchy. In addition to recovering the work of these and other women authors of popular westerns, Lamont uses original archival analysis of the western-fiction publishing scene to overturn the long-standing myth of the western as a male-dominated genre.
Judging Insanity, Punishing Difference
Author: Chloé Deambrogio
Publisher: Stanford University Press
ISBN: 1503637360
Category : Law
Languages : en
Pages : 345
Book Description
In Judging Insanity, Punishing Difference, Chloé Deambrogio explores how developments in the field of forensic psychiatry shaped American courts' assessments of defendants' mental health and criminal responsibility over the course of the twentieth century. During this period, new psychiatric notions of the mind and its readability, legal doctrines of insanity and diminished culpability, and cultural stereotypes about race and gender shaped the ways in which legal professionals, mental health experts, and lay witnesses approached mental disability evidence, especially in cases carrying the death penalty. Using Texas as a case study, Deambrogio examines how these medical, legal, and cultural trends shaped psycho-legal debates in state criminal courts, while shedding light on the ways in which experts and lay actors' interpretations of "pathological" mental states influenced trial verdicts in capital cases. She shows that despite mounting pressures from advocates of the "rehabilitative penology," Texas courts maintained a punitive approach towards defendants allegedly affected by severe mental disabilities, while allowing for moralized views about personalities, habits, and lifestyle to influence psycho-legal assessments, in potentially prejudicial ways.
Publisher: Stanford University Press
ISBN: 1503637360
Category : Law
Languages : en
Pages : 345
Book Description
In Judging Insanity, Punishing Difference, Chloé Deambrogio explores how developments in the field of forensic psychiatry shaped American courts' assessments of defendants' mental health and criminal responsibility over the course of the twentieth century. During this period, new psychiatric notions of the mind and its readability, legal doctrines of insanity and diminished culpability, and cultural stereotypes about race and gender shaped the ways in which legal professionals, mental health experts, and lay witnesses approached mental disability evidence, especially in cases carrying the death penalty. Using Texas as a case study, Deambrogio examines how these medical, legal, and cultural trends shaped psycho-legal debates in state criminal courts, while shedding light on the ways in which experts and lay actors' interpretations of "pathological" mental states influenced trial verdicts in capital cases. She shows that despite mounting pressures from advocates of the "rehabilitative penology," Texas courts maintained a punitive approach towards defendants allegedly affected by severe mental disabilities, while allowing for moralized views about personalities, habits, and lifestyle to influence psycho-legal assessments, in potentially prejudicial ways.
Beyond the Civil War Hospital
Author: Kirsten Twelbeck
Publisher: transcript Verlag
ISBN: 3839434653
Category : Literary Criticism
Languages : en
Pages : 439
Book Description
Beyond the Civil War Hospital understands Reconstruction as a period of emotional turmoil that precipitated a struggle for form in cultural production. By treating selected texts from that era as multifaceted contributions to Reconstruction's »mental adaptation process« (Leslie Butler), Kirsten Twelbeck diagnoses individual conflicts between the »heart and the brain« only partly compensated for by a shared concern for national healing. By tracing each text's unique adaptation of the healing trope, she identifies surprising disagreement over racial equality, women's rights, and citizenship. The book pairs female and male white authors from the antislavery North, and brings together a broad range of genres.
Publisher: transcript Verlag
ISBN: 3839434653
Category : Literary Criticism
Languages : en
Pages : 439
Book Description
Beyond the Civil War Hospital understands Reconstruction as a period of emotional turmoil that precipitated a struggle for form in cultural production. By treating selected texts from that era as multifaceted contributions to Reconstruction's »mental adaptation process« (Leslie Butler), Kirsten Twelbeck diagnoses individual conflicts between the »heart and the brain« only partly compensated for by a shared concern for national healing. By tracing each text's unique adaptation of the healing trope, she identifies surprising disagreement over racial equality, women's rights, and citizenship. The book pairs female and male white authors from the antislavery North, and brings together a broad range of genres.
Jack London's Racial Lives
Author: Jeanne Campbell Reesman
Publisher: University of Georgia Press
ISBN: 0820339709
Category : Literary Criticism
Languages : en
Pages : 448
Book Description
Jack London (1876-1916), known for his naturalistic and mythic tales, remains among the most popular and influential American writers in the world. Jack London's Racial Lives offers the first full study of the enormously important issue of race in London's life and diverse works, whether set in the Klondike, Hawaii, or the South Seas or during the Russo-Japanese War, the Jack Johnson world heavyweight bouts, or the Mexican Revolution. Jeanne Campbell Reesman explores his choices of genre by analyzing racial content and purpose and judges his literary artistry against a standard of racial tolerance. Although he promoted white superiority in novels and nonfiction, London sharply satirized racism and meaningfully portrayed racial others--most often as protagonists--in his short fiction. Why the disparity? For London, racial and class identity were intertwined: his formation as an artist began with the mixed "heritage" of his family. His mother taught him racism, but he learned something different from his African American foster mother, Virginia Prentiss. Childhood poverty, shifting racial allegiances, and a "psychology of want" helped construct the many "houses" of race and identity he imagined. Reesman also examines London's socialism, his study of Darwin and Jung, and the illnesses he suffered in the South Seas. With new readings of The Call of the Wild, Martin Eden, and many other works, such as the explosive Pacific stories, Reesman reveals that London employed many of the same literary tropes of race used by African American writers of his period: the slave narrative, double-consciousness, the tragic mulatto, and ethnic diaspora. Hawaii seemed to inspire his most memorable visions of a common humanity.
Publisher: University of Georgia Press
ISBN: 0820339709
Category : Literary Criticism
Languages : en
Pages : 448
Book Description
Jack London (1876-1916), known for his naturalistic and mythic tales, remains among the most popular and influential American writers in the world. Jack London's Racial Lives offers the first full study of the enormously important issue of race in London's life and diverse works, whether set in the Klondike, Hawaii, or the South Seas or during the Russo-Japanese War, the Jack Johnson world heavyweight bouts, or the Mexican Revolution. Jeanne Campbell Reesman explores his choices of genre by analyzing racial content and purpose and judges his literary artistry against a standard of racial tolerance. Although he promoted white superiority in novels and nonfiction, London sharply satirized racism and meaningfully portrayed racial others--most often as protagonists--in his short fiction. Why the disparity? For London, racial and class identity were intertwined: his formation as an artist began with the mixed "heritage" of his family. His mother taught him racism, but he learned something different from his African American foster mother, Virginia Prentiss. Childhood poverty, shifting racial allegiances, and a "psychology of want" helped construct the many "houses" of race and identity he imagined. Reesman also examines London's socialism, his study of Darwin and Jung, and the illnesses he suffered in the South Seas. With new readings of The Call of the Wild, Martin Eden, and many other works, such as the explosive Pacific stories, Reesman reveals that London employed many of the same literary tropes of race used by African American writers of his period: the slave narrative, double-consciousness, the tragic mulatto, and ethnic diaspora. Hawaii seemed to inspire his most memorable visions of a common humanity.