Author: Valerie Sanders
Publisher: Springer
ISBN: 1349249351
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
This study focuses on the work of four Victorian anti-feminist women writers - Eliza Lynn Linton, Charlotte M. Yonge, Mrs Humphry Ward, and Margaret Oliphant - examining their self-contradictory responses to the debate about women's role in family life and society. Individual chapters review women's anti-feminism from 1792-1850, and fresh readings of their best-known novels emphasize the inconsistencies of their masculine and feminine ideals.
Eve's Renegades
Author: Valerie Sanders
Publisher: Springer
ISBN: 1349249351
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
This study focuses on the work of four Victorian anti-feminist women writers - Eliza Lynn Linton, Charlotte M. Yonge, Mrs Humphry Ward, and Margaret Oliphant - examining their self-contradictory responses to the debate about women's role in family life and society. Individual chapters review women's anti-feminism from 1792-1850, and fresh readings of their best-known novels emphasize the inconsistencies of their masculine and feminine ideals.
Publisher: Springer
ISBN: 1349249351
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
This study focuses on the work of four Victorian anti-feminist women writers - Eliza Lynn Linton, Charlotte M. Yonge, Mrs Humphry Ward, and Margaret Oliphant - examining their self-contradictory responses to the debate about women's role in family life and society. Individual chapters review women's anti-feminism from 1792-1850, and fresh readings of their best-known novels emphasize the inconsistencies of their masculine and feminine ideals.
Mrs Humphry Ward and Greenian Philosophy
Author: Helen Loader
Publisher: Springer
ISBN: 3030141098
Category : History
Languages : en
Pages : 282
Book Description
This book examines Mary Ward’s distinctive insight into late-Victorian and Edwardian society as a famous writer and reformer, who was inspired by the philosopher and British idealist, Thomas Hill Green. As a talented woman who had studied among Oxford University intellectuals in the 1870s, and the granddaughter of Dr Arnold of Rugby, Mrs Humphry Ward (as she was best known) was in a unique position to participate in the debates, issues and events that shaped her generation; religious doubt and Christianity, educational reforms, socialism, women’s suffrage and the First World War. Helen Loader examines a range of biographical sources, alongside Mary Ward’s writings and social reform activities, to demonstrate how she expressed and engaged with Greenian idealism, both in theory and practice, and made a significant contribution to British Society.
Publisher: Springer
ISBN: 3030141098
Category : History
Languages : en
Pages : 282
Book Description
This book examines Mary Ward’s distinctive insight into late-Victorian and Edwardian society as a famous writer and reformer, who was inspired by the philosopher and British idealist, Thomas Hill Green. As a talented woman who had studied among Oxford University intellectuals in the 1870s, and the granddaughter of Dr Arnold of Rugby, Mrs Humphry Ward (as she was best known) was in a unique position to participate in the debates, issues and events that shaped her generation; religious doubt and Christianity, educational reforms, socialism, women’s suffrage and the First World War. Helen Loader examines a range of biographical sources, alongside Mary Ward’s writings and social reform activities, to demonstrate how she expressed and engaged with Greenian idealism, both in theory and practice, and made a significant contribution to British Society.
Odd women?
Author: Emma Liggins
Publisher: Manchester University Press
ISBN: 1526111640
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
This genealogy of the 'odd woman' compares representations of spinsters, lesbians and widows in British women’s fiction and auto/biography from the 1850s to the 1930s. Women outside heterosexual marriage in this period were seen as abnormal, superfluous, incomplete and threatening, yet were also hailed as ‘women of the future’. Before 1850 odd women were marginalised, minor characters in British women’s fiction, yet by the 1930s spinsters, lesbians and widows had become heroines. This book examines how women writers, including Charlotte Brontë, Elisabeth Gaskell, Ella Hepworth Dixon, May Sinclair, E. H. Young, Radclyffe Hall, Winifred Holtby and Virginia Woolf, challenged dominant perceptions of singleness and lesbianism in their novels, stories and autobiographies. Drawing on advice literature, medical texts and feminist polemic, it demonstrates how these narratives responded to contemporary political controversies around the vote, women’s work, sexual inversion and birth control, as well as examining the impact of the First World War.
Publisher: Manchester University Press
ISBN: 1526111640
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
This genealogy of the 'odd woman' compares representations of spinsters, lesbians and widows in British women’s fiction and auto/biography from the 1850s to the 1930s. Women outside heterosexual marriage in this period were seen as abnormal, superfluous, incomplete and threatening, yet were also hailed as ‘women of the future’. Before 1850 odd women were marginalised, minor characters in British women’s fiction, yet by the 1930s spinsters, lesbians and widows had become heroines. This book examines how women writers, including Charlotte Brontë, Elisabeth Gaskell, Ella Hepworth Dixon, May Sinclair, E. H. Young, Radclyffe Hall, Winifred Holtby and Virginia Woolf, challenged dominant perceptions of singleness and lesbianism in their novels, stories and autobiographies. Drawing on advice literature, medical texts and feminist polemic, it demonstrates how these narratives responded to contemporary political controversies around the vote, women’s work, sexual inversion and birth control, as well as examining the impact of the First World War.
Exchanges and Correspondence
Author: Claudette Fillard
Publisher: Cambridge Scholars Publishing
ISBN: 1443824429
Category : Social Science
Languages : en
Pages : 310
Book Description
Through the eighteen essays of this book, the reader becomes the beholder of a challenging survey of “feminism-in-the-making,” from its early stages in the 18th century to the present, in Anglo-Saxon countries and elsewhere, including Eastern Europe and some places under the influence of communism or Islam. The development of exchanges and correspondence enabled feminism to pre-exist the word itself, which leads several contributors to ponder over its meaning as well as over the notion of influence, a pivotal component of their reflection. Through the complex interplay of harmony and disharmony, openly acknowledged or carefully hidden similarities or differences, and the delineation of the converging or conflicting forces which the authors of this volume attempt to disentangle, a fascinating chorus of voices eventually emerges from this volume, a preview of the budding “sisterhood.” It throws light on the major factors in women’s growing consciousness of their plight and of the main stakes in the struggle for the defense of their rights. Scholars of different national origins and methodological approaches here join forces until the book itself amounts to an innovative web of exchanges and correspondences, its medium as well as its avowed message.
Publisher: Cambridge Scholars Publishing
ISBN: 1443824429
Category : Social Science
Languages : en
Pages : 310
Book Description
Through the eighteen essays of this book, the reader becomes the beholder of a challenging survey of “feminism-in-the-making,” from its early stages in the 18th century to the present, in Anglo-Saxon countries and elsewhere, including Eastern Europe and some places under the influence of communism or Islam. The development of exchanges and correspondence enabled feminism to pre-exist the word itself, which leads several contributors to ponder over its meaning as well as over the notion of influence, a pivotal component of their reflection. Through the complex interplay of harmony and disharmony, openly acknowledged or carefully hidden similarities or differences, and the delineation of the converging or conflicting forces which the authors of this volume attempt to disentangle, a fascinating chorus of voices eventually emerges from this volume, a preview of the budding “sisterhood.” It throws light on the major factors in women’s growing consciousness of their plight and of the main stakes in the struggle for the defense of their rights. Scholars of different national origins and methodological approaches here join forces until the book itself amounts to an innovative web of exchanges and correspondences, its medium as well as its avowed message.
Catherine Crowe: Gender, Genre, and Radical Politics
Author: Ruth Heholt
Publisher: Routledge
ISBN: 1000173232
Category : Comics & Graphic Novels
Languages : en
Pages : 260
Book Description
This is the first full-length study of the popular Victorian writer Catherine Crowe (1790-1872). Crowe is increasingly being recognised as an important and influential figure in the literary and Spiritualist circles of the nineteenth century. This monograph offers a reassessment of her major works, arguing that her writing is prescient. Best known today for her collection of "real" ghost tales The Night Side of Nature: or of Ghosts and Ghost Seers, Crowe also wrote five popular novels as well as numerous short stories and essays. Innovative and sometimes original in their use of genre, her works cover the Newgate genre, help to initiate detective fiction, include elements of the social problem novels of the 1840s, and point the way to the sensation novels of the 1860s. Politically radical in many ways Crowe was vocal about women’s oppression by men, social inequality, poverty, slavery, and animal rights. This volume aims to restore an author who was "[o]nce as famous as Dickens or Thackeray" (Wilson 1986, v) to her proper place in the scholarly discussion of Victorian literature.
Publisher: Routledge
ISBN: 1000173232
Category : Comics & Graphic Novels
Languages : en
Pages : 260
Book Description
This is the first full-length study of the popular Victorian writer Catherine Crowe (1790-1872). Crowe is increasingly being recognised as an important and influential figure in the literary and Spiritualist circles of the nineteenth century. This monograph offers a reassessment of her major works, arguing that her writing is prescient. Best known today for her collection of "real" ghost tales The Night Side of Nature: or of Ghosts and Ghost Seers, Crowe also wrote five popular novels as well as numerous short stories and essays. Innovative and sometimes original in their use of genre, her works cover the Newgate genre, help to initiate detective fiction, include elements of the social problem novels of the 1840s, and point the way to the sensation novels of the 1860s. Politically radical in many ways Crowe was vocal about women’s oppression by men, social inequality, poverty, slavery, and animal rights. This volume aims to restore an author who was "[o]nce as famous as Dickens or Thackeray" (Wilson 1986, v) to her proper place in the scholarly discussion of Victorian literature.
The Angel Out of the House
Author: Dorice Williams Elliott
Publisher: University of Virginia Press
ISBN: 0813920884
Category : History
Languages : en
Pages : 286
Book Description
Elliott (English, U. of Kansas) examines how novels and other literary texts portray women in the middle and upper classes taking an active part in endeavors that were perceived to have important social, economic, and political consequences. Such works, she says, helped produce and authorize women's desires to participate in such endeavors. Her study began as a doctoral dissertation for Johns Hopkins University. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: University of Virginia Press
ISBN: 0813920884
Category : History
Languages : en
Pages : 286
Book Description
Elliott (English, U. of Kansas) examines how novels and other literary texts portray women in the middle and upper classes taking an active part in endeavors that were perceived to have important social, economic, and political consequences. Such works, she says, helped produce and authorize women's desires to participate in such endeavors. Her study began as a doctoral dissertation for Johns Hopkins University. Annotation copyrighted by Book News, Inc., Portland, OR
Women and Spirituality in the Writing of More, Wollstonecraft, Stanton, and Eddy
Author: A. Ingham
Publisher: Springer
ISBN: 0230109942
Category : Social Science
Languages : en
Pages : 258
Book Description
This comparative study graphs the feminist theological trajectory of the religious writings of four eclectic, but similar, women: Hannah More, Mary Wollstonecraft, Elizabeth Cady Stanton, and Mary Baker Eddy.
Publisher: Springer
ISBN: 0230109942
Category : Social Science
Languages : en
Pages : 258
Book Description
This comparative study graphs the feminist theological trajectory of the religious writings of four eclectic, but similar, women: Hannah More, Mary Wollstonecraft, Elizabeth Cady Stanton, and Mary Baker Eddy.
First-Person Anonymous
Author: Alexis Easley
Publisher: Routledge
ISBN: 1351936409
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
First-Person Anonymous revises previous histories of Victorian women's writing by examining the importance of both anonymous periodical journalism and signed book authorship in women’s literary careers. Alexis Easley demonstrates how women writers capitalized on the publishing conventions associated with signed and unsigned print media in order to create their own spaces of agency and meaning within a male-dominated publishing industry. She highlights the importance of journalism in the fashioning of women's complex identities, thus providing a counterpoint to conventional critical accounts of the period that reduce periodical journalism to a monolithically oppressive domain of power relations. Instead, she demonstrates how anonymous publication enabled women to participate in important social and political debates without compromising their middle-class respectability. Through extensive analysis of literary and journalistic texts, Easley demonstrates how the narrative strategies and political concerns associated with women's journalism carried over into their signed books of poetry and prose. Women faced a variety of obstacles and opportunities as they negotiated the demands of signed and unsigned print media. In investigating women's engagement with these media, Easley focuses specifically on the work of Christian Johnstone (1781-1857), Harriet Martineau (1802-76), Elizabeth Gaskell (1810-65), George Eliot (1819-80) , and Christina Rossetti (1830-94). She provides new insight into the careers of these authors and recovers a large, anonymous body of periodical writing through which their better known careers emerged into public visibility. Since her work touches on two issues central to the study of literary history - the construction of the author and changes in media technology - it will appeal to an audience of scholars and general readers in the fields of Victorian literature, media studies, periodicals research, gender studies, and nineteenth-century
Publisher: Routledge
ISBN: 1351936409
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
First-Person Anonymous revises previous histories of Victorian women's writing by examining the importance of both anonymous periodical journalism and signed book authorship in women’s literary careers. Alexis Easley demonstrates how women writers capitalized on the publishing conventions associated with signed and unsigned print media in order to create their own spaces of agency and meaning within a male-dominated publishing industry. She highlights the importance of journalism in the fashioning of women's complex identities, thus providing a counterpoint to conventional critical accounts of the period that reduce periodical journalism to a monolithically oppressive domain of power relations. Instead, she demonstrates how anonymous publication enabled women to participate in important social and political debates without compromising their middle-class respectability. Through extensive analysis of literary and journalistic texts, Easley demonstrates how the narrative strategies and political concerns associated with women's journalism carried over into their signed books of poetry and prose. Women faced a variety of obstacles and opportunities as they negotiated the demands of signed and unsigned print media. In investigating women's engagement with these media, Easley focuses specifically on the work of Christian Johnstone (1781-1857), Harriet Martineau (1802-76), Elizabeth Gaskell (1810-65), George Eliot (1819-80) , and Christina Rossetti (1830-94). She provides new insight into the careers of these authors and recovers a large, anonymous body of periodical writing through which their better known careers emerged into public visibility. Since her work touches on two issues central to the study of literary history - the construction of the author and changes in media technology - it will appeal to an audience of scholars and general readers in the fields of Victorian literature, media studies, periodicals research, gender studies, and nineteenth-century
Literary Modernity Between the Middle East and Europe
Author: Kamran Rastegar
Publisher: Routledge
ISBN: 1134094264
Category : Literary Collections
Languages : en
Pages : 193
Book Description
This book is a comparative study of the development of English, Persian and Arabic literature and their interrelations with specific reference to modernity, nationalism and social value.
Publisher: Routledge
ISBN: 1134094264
Category : Literary Collections
Languages : en
Pages : 193
Book Description
This book is a comparative study of the development of English, Persian and Arabic literature and their interrelations with specific reference to modernity, nationalism and social value.
Man Up
Author: Morna Ramday
Publisher: Cambridge Scholars Publishing
ISBN: 144388412X
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
Much has been written regarding the New Woman in the fin de siècle and the changes women’s groups fought so hard to achieve. However, the social and gender changes demanded by women as the nineteenth century drew to a close necessitated a corresponding change in traditional masculinities. Redefinition of the male role was not easily negotiated in an era of rampant patriarchy and Victorian supremacy; the distinct boundaries between male and female social space made this increasingly problematic for both genders. Some Victorian men, who had seen the public sphere as exclusively theirs, felt both their masculinity and male privilege threatened and were confused by women’s challenges and their attempted encroachment into what had previously been perceived as solely male domains. While many female authors explored possibilities for the New Woman figure, as the fin de siècle approached, male authors began to consider how masculinities might respond to changing gender dynamics. Authors such as Sir Arthur Conan Doyle and Bram Stoker, amongst others, addressed ways in which their male characters could negotiate a quandary of masculinities under threat by alterations to conventional gender spheres while remaining “manly” in situations which required a rethinking of many of their basic tenets during this time of flux. This book examines the opinions of women within both the dominant and reverse discourses, and parallels them with ideas surrounding changes in masculinities that began to emerge in male-authored texts. As such, it details an often vociferous negotiation of volatile issues which led to a major upheaval of gender roles in the approach to a new century that demanded changes which were difficult to achieve.
Publisher: Cambridge Scholars Publishing
ISBN: 144388412X
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
Much has been written regarding the New Woman in the fin de siècle and the changes women’s groups fought so hard to achieve. However, the social and gender changes demanded by women as the nineteenth century drew to a close necessitated a corresponding change in traditional masculinities. Redefinition of the male role was not easily negotiated in an era of rampant patriarchy and Victorian supremacy; the distinct boundaries between male and female social space made this increasingly problematic for both genders. Some Victorian men, who had seen the public sphere as exclusively theirs, felt both their masculinity and male privilege threatened and were confused by women’s challenges and their attempted encroachment into what had previously been perceived as solely male domains. While many female authors explored possibilities for the New Woman figure, as the fin de siècle approached, male authors began to consider how masculinities might respond to changing gender dynamics. Authors such as Sir Arthur Conan Doyle and Bram Stoker, amongst others, addressed ways in which their male characters could negotiate a quandary of masculinities under threat by alterations to conventional gender spheres while remaining “manly” in situations which required a rethinking of many of their basic tenets during this time of flux. This book examines the opinions of women within both the dominant and reverse discourses, and parallels them with ideas surrounding changes in masculinities that began to emerge in male-authored texts. As such, it details an often vociferous negotiation of volatile issues which led to a major upheaval of gender roles in the approach to a new century that demanded changes which were difficult to achieve.