Author: Wallace Shawn
Publisher: Dramatists Play Service, Inc.
ISBN: 0822237261
Category : Performing Arts
Languages : en
Pages : 50
Book Description
To celebrate the tenth anniversary of the opening of an unsuccessful play, the playwright, the leading actor, the producer, and various other members of the company get together at their former haunt, the Talk House. Most haven’t been there, or even seen each other, in years, and the gossip and nostalgia are mixed with questions and accusations. Why does a washed-up old actor keep getting beaten up by his friends? Where does a failed actress-turned-waitress disappear to for months at a time? EVENING AT THE TALK HOUSE is a biting portrayal of people grasping to find their place in a world in which terror has become an accepted part of life. Is this the world we’re living in now?
Evening at the Talk House
Author: Wallace Shawn
Publisher: Dramatists Play Service, Inc.
ISBN: 0822237261
Category : Performing Arts
Languages : en
Pages : 50
Book Description
To celebrate the tenth anniversary of the opening of an unsuccessful play, the playwright, the leading actor, the producer, and various other members of the company get together at their former haunt, the Talk House. Most haven’t been there, or even seen each other, in years, and the gossip and nostalgia are mixed with questions and accusations. Why does a washed-up old actor keep getting beaten up by his friends? Where does a failed actress-turned-waitress disappear to for months at a time? EVENING AT THE TALK HOUSE is a biting portrayal of people grasping to find their place in a world in which terror has become an accepted part of life. Is this the world we’re living in now?
Publisher: Dramatists Play Service, Inc.
ISBN: 0822237261
Category : Performing Arts
Languages : en
Pages : 50
Book Description
To celebrate the tenth anniversary of the opening of an unsuccessful play, the playwright, the leading actor, the producer, and various other members of the company get together at their former haunt, the Talk House. Most haven’t been there, or even seen each other, in years, and the gossip and nostalgia are mixed with questions and accusations. Why does a washed-up old actor keep getting beaten up by his friends? Where does a failed actress-turned-waitress disappear to for months at a time? EVENING AT THE TALK HOUSE is a biting portrayal of people grasping to find their place in a world in which terror has become an accepted part of life. Is this the world we’re living in now?
Evening at The Talk House
Author: Wallace Shawn
Publisher: Faber & Faber
ISBN: 0571328148
Category : Performing Arts
Languages : en
Pages : 70
Book Description
At Ted's instigation, the old gang gather once more at the almost legendary club The Talk House. Ten years on and presided over still by the kindly Nellie, there's the same genteel atmosphere, familiar drinks, unchanging special snacks. But the era of Walter Barclay is long gone. A playwright, a composer, an actress. The possibility of a pleasant night. Evening at the Talk House by Wallace Shawn premiered at the National Theatre, London, in November 2015.
Publisher: Faber & Faber
ISBN: 0571328148
Category : Performing Arts
Languages : en
Pages : 70
Book Description
At Ted's instigation, the old gang gather once more at the almost legendary club The Talk House. Ten years on and presided over still by the kindly Nellie, there's the same genteel atmosphere, familiar drinks, unchanging special snacks. But the era of Walter Barclay is long gone. A playwright, a composer, an actress. The possibility of a pleasant night. Evening at the Talk House by Wallace Shawn premiered at the National Theatre, London, in November 2015.
The Designated Mourner
Author: Wallace Shawn
Publisher: Theatre Communications Group
ISBN: 1559366567
Category : Drama
Languages : en
Pages : 73
Book Description
“The play nicely combines Pinterian menace with caustic political commentary.” –Time “Acerbic, elusive, poetic and chilling, the writing is demanding in a rarefied manner. Its implications are both affecting and disturbing.” –Los Angeles Times “In his exquisitely written dramatic lament for the decline of high culture. . . . [Shawn] offers a definition of the self that should rattle the defenses of intellectual snobs everywhere.” –The New York Times Writer and performer Wallace Shawn’s landmark 1996 play features three characters—a respected poet, his daughter, and her English-professor husband—suspected of subversion in a world where culture has come under the control of the ruling oligarchy. Told through three interwoven monologues, the Orwellian political story is recounted alongside the visceral dissolution of a marriage. The play debuted at the Royal National Theatre in London, in a production directed by David Hare, who also directed the film version, starring Mike Nichols and Miranda Richardson. The play’s subsequent New York premiere was staged in a long-abandoned men’s club in lower Manhattan, directed by Shawn’s longtime collaborator André Gregory. Wallace Shawn is the author of Our Late Night (OBIE Award for Best Play), Marie and Bruce, Aunt Dan and Lemon, The Fever, and the screenplay for My Dinner with André. His most recent play, Grasses of a Thousand Colors, premiered last year in London.
Publisher: Theatre Communications Group
ISBN: 1559366567
Category : Drama
Languages : en
Pages : 73
Book Description
“The play nicely combines Pinterian menace with caustic political commentary.” –Time “Acerbic, elusive, poetic and chilling, the writing is demanding in a rarefied manner. Its implications are both affecting and disturbing.” –Los Angeles Times “In his exquisitely written dramatic lament for the decline of high culture. . . . [Shawn] offers a definition of the self that should rattle the defenses of intellectual snobs everywhere.” –The New York Times Writer and performer Wallace Shawn’s landmark 1996 play features three characters—a respected poet, his daughter, and her English-professor husband—suspected of subversion in a world where culture has come under the control of the ruling oligarchy. Told through three interwoven monologues, the Orwellian political story is recounted alongside the visceral dissolution of a marriage. The play debuted at the Royal National Theatre in London, in a production directed by David Hare, who also directed the film version, starring Mike Nichols and Miranda Richardson. The play’s subsequent New York premiere was staged in a long-abandoned men’s club in lower Manhattan, directed by Shawn’s longtime collaborator André Gregory. Wallace Shawn is the author of Our Late Night (OBIE Award for Best Play), Marie and Bruce, Aunt Dan and Lemon, The Fever, and the screenplay for My Dinner with André. His most recent play, Grasses of a Thousand Colors, premiered last year in London.
Waste
Author: Jessica Rizzo
Publisher: punctum books
ISBN: 1950192881
Category : Performing Arts
Languages : en
Pages : 177
Book Description
If at its most elemental, the theater is an art form of human bodies in space, what becomes of the theater as suicide capitalism pushes our world into a posthuman age? Waste: Capitalism and the Dissolution of the Human in Twentieth-Century Theater traces the twentieth-century theater's movement from dramaturgies of efficiency to dramaturgies of waste, beginning with the observation that the most salient feature of the human is her ability to be ashamed of herself, to experience herself as excess, the waster and the waste of the world. By examining theatrical representations of capitalism, war, climate change, and the permanent refugee crisis, Waste traces the ways in which these human-driven events signal a tendency toward prodigality that terminates with self-destruction. Defying its promise of abundance for all, capitalism poisons all relationships with competition and fear. The desire to dominate in war is revealed to be the desire to obliterate the self in collective conflagration. The refugee crisis raises the urgent question of our responsibility to the other, but the climate crisis renders the question of anthropocentric obligations moot.Waste proposes that the theater is the form best suited to confronting the human's perverse relationship to its finitude. Everything about the theater is suffused with existential shame, with an acute awareness of its provisionality. Unlike the dominant narrative of the human, which is bound up with a fantasy of infinite growth, the theater is not deluded about its nature, origins, and destiny. At its best, the theater gathers artist and audience in one space to die together for a little while, to consciously waste, and not spend, their time. JESSICA RIZZO is an American writer, director, and dramaturge. She holds a DFA in Dramaturgy and Dramatic Criticism from the Yale School of Drama, where she served as Associate Editor of Theater magazine and was awarded the John W. Gassner Prize for Criticism. She has taught at the Yale School of Drama, Yale College, and Bryn Mawr College. In 2017, she directed the North American premiere of Elfriede Jelinek's Shadow: Eurydice Says in New York City. She has also worked at the Yale Repertory Theatre and the Hungarian Theatre of Cluj, and has had her work presented as part of the Hong Kong Arts Festival. Her writing has appeared in PAJ: A Journal of Performance and Art, TheaterForum, Theatre Journal, Theater, TDR, Austrian Studies, the Theatre Times, Vice, Momus, LA's Cultural Weekly, Philadelphia's Broad Street Review and ArtBlog, and Romania's Scena.ro.
Publisher: punctum books
ISBN: 1950192881
Category : Performing Arts
Languages : en
Pages : 177
Book Description
If at its most elemental, the theater is an art form of human bodies in space, what becomes of the theater as suicide capitalism pushes our world into a posthuman age? Waste: Capitalism and the Dissolution of the Human in Twentieth-Century Theater traces the twentieth-century theater's movement from dramaturgies of efficiency to dramaturgies of waste, beginning with the observation that the most salient feature of the human is her ability to be ashamed of herself, to experience herself as excess, the waster and the waste of the world. By examining theatrical representations of capitalism, war, climate change, and the permanent refugee crisis, Waste traces the ways in which these human-driven events signal a tendency toward prodigality that terminates with self-destruction. Defying its promise of abundance for all, capitalism poisons all relationships with competition and fear. The desire to dominate in war is revealed to be the desire to obliterate the self in collective conflagration. The refugee crisis raises the urgent question of our responsibility to the other, but the climate crisis renders the question of anthropocentric obligations moot.Waste proposes that the theater is the form best suited to confronting the human's perverse relationship to its finitude. Everything about the theater is suffused with existential shame, with an acute awareness of its provisionality. Unlike the dominant narrative of the human, which is bound up with a fantasy of infinite growth, the theater is not deluded about its nature, origins, and destiny. At its best, the theater gathers artist and audience in one space to die together for a little while, to consciously waste, and not spend, their time. JESSICA RIZZO is an American writer, director, and dramaturge. She holds a DFA in Dramaturgy and Dramatic Criticism from the Yale School of Drama, where she served as Associate Editor of Theater magazine and was awarded the John W. Gassner Prize for Criticism. She has taught at the Yale School of Drama, Yale College, and Bryn Mawr College. In 2017, she directed the North American premiere of Elfriede Jelinek's Shadow: Eurydice Says in New York City. She has also worked at the Yale Repertory Theatre and the Hungarian Theatre of Cluj, and has had her work presented as part of the Hong Kong Arts Festival. Her writing has appeared in PAJ: A Journal of Performance and Art, TheaterForum, Theatre Journal, Theater, TDR, Austrian Studies, the Theatre Times, Vice, Momus, LA's Cultural Weekly, Philadelphia's Broad Street Review and ArtBlog, and Romania's Scena.ro.
Night Thoughts
Author: Wallace Shawn
Publisher: Haymarket Books
ISBN: 1608468135
Category : Literary Collections
Languages : en
Pages : 50
Book Description
This “acerbic yet compassionate” meditation on humanity by the acclaimed actor and playwright offers “curiosity, thoughtfulness, sharp logic, deep emotion” (Publishers Weekly, starred review). Beloved actor and Obie Award–winning playwright Wallace Shawn has been an incisive commentator on civilization and its discontents for decades. Now, having recently passed the age of seventy and watched Donald Trump claim the presidency, he offers a late-stage critique of his species, which he sees as being divided between the lucky and the unlucky. In Night Thoughts, Shawn takes the lucky—himself included—to task for their complacency while offering fascinating reflections on “civilization, morality, Beethoven, 11th-century Japanese court poetry, and his hopes for a better world, among other topics” (Publishers Weekly, starred review).
Publisher: Haymarket Books
ISBN: 1608468135
Category : Literary Collections
Languages : en
Pages : 50
Book Description
This “acerbic yet compassionate” meditation on humanity by the acclaimed actor and playwright offers “curiosity, thoughtfulness, sharp logic, deep emotion” (Publishers Weekly, starred review). Beloved actor and Obie Award–winning playwright Wallace Shawn has been an incisive commentator on civilization and its discontents for decades. Now, having recently passed the age of seventy and watched Donald Trump claim the presidency, he offers a late-stage critique of his species, which he sees as being divided between the lucky and the unlucky. In Night Thoughts, Shawn takes the lucky—himself included—to task for their complacency while offering fascinating reflections on “civilization, morality, Beethoven, 11th-century Japanese court poetry, and his hopes for a better world, among other topics” (Publishers Weekly, starred review).
Mike Nichols
Author: Mark Harris
Publisher: Penguin
ISBN: 0399562265
Category : Biography & Autobiography
Languages : en
Pages : 689
Book Description
One of The Hollywood Reporter’s 100 Greatest Film Books of All Time • A National Book Critics Circle finalist • One of People's top 10 books of 2021 • An instant New York Times bestseller • Named a best book of the year by NPR and Time A magnificent biography of one of the most protean creative forces in American entertainment history, a life of dazzling highs and vertiginous plunges—some of the worst largely unknown until now—by the acclaimed author of Pictures at a Revolution and Five Came Back Mike Nichols burst onto the scene as a wunderkind: while still in his twenties, he was half of a hit improv duo with Elaine May that was the talk of the country. Next he directed four consecutive hit plays, won back-to-back Tonys, ushered in a new era of Hollywood moviemaking with Who's Afraid of Virginia Woolf?, and followed it with The Graduate, which won him an Oscar and became the third-highest-grossing movie ever. At thirty-five, he lived in a three-story Central Park West penthouse, drove a Rolls-Royce, collected Arabian horses, and counted Jacqueline Kennedy, Elizabeth Taylor, Leonard Bernstein, and Richard Avedon as friends. Where he arrived is even more astonishing given where he had begun: born Igor Peschkowsky to a Jewish couple in Berlin in 1931, he was sent along with his younger brother to America on a ship in 1939. The young immigrant boy caught very few breaks. He was bullied and ostracized--an allergic reaction had rendered him permanently hairless--and his father died when he was just twelve, leaving his mother alone and overwhelmed. The gulf between these two sets of facts explains a great deal about Nichols's transformation from lonely outsider to the center of more than one cultural universe--the acute powers of observation that first made him famous; the nourishment he drew from his creative partnerships, most enduringly with May; his unquenchable drive; his hunger for security and status; and the depressions and self-medications that brought him to terrible lows. It would take decades for him to come to grips with his demons. In an incomparable portrait that follows Nichols from Berlin to New York to Chicago to Hollywood, Mark Harris explores, with brilliantly vivid detail and insight, the life, work, struggle, and passion of an artist and man in constant motion. Among the 250 people Harris interviewed: Elaine May, Meryl Streep, Stephen Sondheim, Robert Redford, Glenn Close, Tom Hanks, Candice Bergen, Emma Thompson, Annette Bening, Natalie Portman, Julia Roberts, Lorne Michaels, and Gloria Steinem. Mark Harris gives an intimate and evenhanded accounting of success and failure alike; the portrait is not always flattering, but its ultimate impact is to present the full story of one of the most richly interesting, complicated, and consequential figures the worlds of theater and motion pictures have ever seen. It is a triumph of the biographer's art.
Publisher: Penguin
ISBN: 0399562265
Category : Biography & Autobiography
Languages : en
Pages : 689
Book Description
One of The Hollywood Reporter’s 100 Greatest Film Books of All Time • A National Book Critics Circle finalist • One of People's top 10 books of 2021 • An instant New York Times bestseller • Named a best book of the year by NPR and Time A magnificent biography of one of the most protean creative forces in American entertainment history, a life of dazzling highs and vertiginous plunges—some of the worst largely unknown until now—by the acclaimed author of Pictures at a Revolution and Five Came Back Mike Nichols burst onto the scene as a wunderkind: while still in his twenties, he was half of a hit improv duo with Elaine May that was the talk of the country. Next he directed four consecutive hit plays, won back-to-back Tonys, ushered in a new era of Hollywood moviemaking with Who's Afraid of Virginia Woolf?, and followed it with The Graduate, which won him an Oscar and became the third-highest-grossing movie ever. At thirty-five, he lived in a three-story Central Park West penthouse, drove a Rolls-Royce, collected Arabian horses, and counted Jacqueline Kennedy, Elizabeth Taylor, Leonard Bernstein, and Richard Avedon as friends. Where he arrived is even more astonishing given where he had begun: born Igor Peschkowsky to a Jewish couple in Berlin in 1931, he was sent along with his younger brother to America on a ship in 1939. The young immigrant boy caught very few breaks. He was bullied and ostracized--an allergic reaction had rendered him permanently hairless--and his father died when he was just twelve, leaving his mother alone and overwhelmed. The gulf between these two sets of facts explains a great deal about Nichols's transformation from lonely outsider to the center of more than one cultural universe--the acute powers of observation that first made him famous; the nourishment he drew from his creative partnerships, most enduringly with May; his unquenchable drive; his hunger for security and status; and the depressions and self-medications that brought him to terrible lows. It would take decades for him to come to grips with his demons. In an incomparable portrait that follows Nichols from Berlin to New York to Chicago to Hollywood, Mark Harris explores, with brilliantly vivid detail and insight, the life, work, struggle, and passion of an artist and man in constant motion. Among the 250 people Harris interviewed: Elaine May, Meryl Streep, Stephen Sondheim, Robert Redford, Glenn Close, Tom Hanks, Candice Bergen, Emma Thompson, Annette Bening, Natalie Portman, Julia Roberts, Lorne Michaels, and Gloria Steinem. Mark Harris gives an intimate and evenhanded accounting of success and failure alike; the portrait is not always flattering, but its ultimate impact is to present the full story of one of the most richly interesting, complicated, and consequential figures the worlds of theater and motion pictures have ever seen. It is a triumph of the biographer's art.
Love
Author: Alexander Zeldin
Publisher: Bloomsbury Publishing
ISBN: 1350041440
Category : Drama
Languages : en
Pages : 82
Book Description
But you can't do this to us - my partner is about to have a baby and we need to eat and pay rent - and we need to eat - how is this legal! In the run-up to Christmas, three families are placed into cramped temporary accommodation. A middle-aged man and his elderly mum, a young family with a baby on the way, a newly arrived woman from Sudan. Strangers. Forced together. No space is personal. In this play by Alexander Zeldin, written through a devising process, the audience are invited to bear witness to an intimate story of family love for our times. Love received its world premiere at the National Theatre, London, in the Dorfman Theatre, on 13 December 2016 and opened at Birmingham Rep on 26 January 2017.
Publisher: Bloomsbury Publishing
ISBN: 1350041440
Category : Drama
Languages : en
Pages : 82
Book Description
But you can't do this to us - my partner is about to have a baby and we need to eat and pay rent - and we need to eat - how is this legal! In the run-up to Christmas, three families are placed into cramped temporary accommodation. A middle-aged man and his elderly mum, a young family with a baby on the way, a newly arrived woman from Sudan. Strangers. Forced together. No space is personal. In this play by Alexander Zeldin, written through a devising process, the audience are invited to bear witness to an intimate story of family love for our times. Love received its world premiere at the National Theatre, London, in the Dorfman Theatre, on 13 December 2016 and opened at Birmingham Rep on 26 January 2017.
Memoirs and Misinformation
Author: Jim Carrey
Publisher: Random House Canada
ISBN: 0735280606
Category : Fiction
Languages : en
Pages : 288
Book Description
NATIONAL BESTSELLER NEW YORK TIMES BESTSELLER "None of this is real and all of it is true." --Jim Carrey From movie star Jim Carrey and novelist Dana Vachon, a fearless and semi-autobiographical novel about acting, Hollywood, agents, celebrity, privilege, friendship, romance, addiction to relevance, fear of personal erasure, destruction of persona, our "one big soul," Canada, and apocalypses within and without. Meet Jim Carrey. Sure, he's an insanely successful and beloved movie star drowning in wealth and privilege--but he's also lonely. Maybe past his prime. Maybe even...getting fat? He's tried diets, gurus, and cuddlin' with his military-grade Israeli guard dogs, but nothing seems to lift the cloud of emptiness and ennui. Even the advice of his best friend, actor and dinosaur skull collector, Nicolas Cage, isn't enough to pull Carrey out of his slump. Then Jim meets Georgie: ruthless ingénue, love of his life. And thanks to auteur screenwriter Charlie Kaufman, he has a role to play in a boundary-pushing new picture that may help him uncover a whole new side to himself. Finally, his Oscar vehicle! Things are looking up. But the universe has other plans. Memoirs and Misinformation is a fearless semi-autobiographical novel, a deconstruction of persona. In it, Jim Carrey and Dana Vachon have fashioned a story about acting, Hollywood, agents, celebrity, privilege, friendship, romance, addiction to relevance, fear of personal erasure, our "one big soul," Canada, and a cataclysmic ending of the world--apocalypses within and without.
Publisher: Random House Canada
ISBN: 0735280606
Category : Fiction
Languages : en
Pages : 288
Book Description
NATIONAL BESTSELLER NEW YORK TIMES BESTSELLER "None of this is real and all of it is true." --Jim Carrey From movie star Jim Carrey and novelist Dana Vachon, a fearless and semi-autobiographical novel about acting, Hollywood, agents, celebrity, privilege, friendship, romance, addiction to relevance, fear of personal erasure, destruction of persona, our "one big soul," Canada, and apocalypses within and without. Meet Jim Carrey. Sure, he's an insanely successful and beloved movie star drowning in wealth and privilege--but he's also lonely. Maybe past his prime. Maybe even...getting fat? He's tried diets, gurus, and cuddlin' with his military-grade Israeli guard dogs, but nothing seems to lift the cloud of emptiness and ennui. Even the advice of his best friend, actor and dinosaur skull collector, Nicolas Cage, isn't enough to pull Carrey out of his slump. Then Jim meets Georgie: ruthless ingénue, love of his life. And thanks to auteur screenwriter Charlie Kaufman, he has a role to play in a boundary-pushing new picture that may help him uncover a whole new side to himself. Finally, his Oscar vehicle! Things are looking up. But the universe has other plans. Memoirs and Misinformation is a fearless semi-autobiographical novel, a deconstruction of persona. In it, Jim Carrey and Dana Vachon have fashioned a story about acting, Hollywood, agents, celebrity, privilege, friendship, romance, addiction to relevance, fear of personal erasure, our "one big soul," Canada, and a cataclysmic ending of the world--apocalypses within and without.
Burgerz
Author: Travis Alabanza
Publisher: Bloomsbury Publishing
ISBN: 1786826488
Category : Social Science
Languages : en
Pages : 47
Book Description
Hurled words. Thrown objects. Dodged burgers. A burger was thrown at Travis Alabanza on Waterloo Bridge in 2016. From this experience they have created a poetic, passionate performance piece based around the 'burger': the texture, and taste of being trans. Their experiences include verbal abuse, ostracisation and being thrown out of a Top Shop changing room. The piece also explores the black trans experience.
Publisher: Bloomsbury Publishing
ISBN: 1786826488
Category : Social Science
Languages : en
Pages : 47
Book Description
Hurled words. Thrown objects. Dodged burgers. A burger was thrown at Travis Alabanza on Waterloo Bridge in 2016. From this experience they have created a poetic, passionate performance piece based around the 'burger': the texture, and taste of being trans. Their experiences include verbal abuse, ostracisation and being thrown out of a Top Shop changing room. The piece also explores the black trans experience.
Historical Dictionary of Contemporary American Theater
Author: James Fisher
Publisher: Rowman & Littlefield
ISBN: 1538123029
Category : Performing Arts
Languages : en
Pages : 1233
Book Description
Historical Dictionary of Contemporary American Theater. Second Edition covers theatrical practice and practitioners as well as the dramatic literature of the United States of America from 1930 to the present. The 90 years covered by this volume features the triumph of Broadway as the center of American drama from 1930 to the early 1960s through a Golden Age exemplified by the plays of Eugene O’Neill, Elmer Rice, Thornton Wilder, Lillian Hellman, Tennessee Williams, Arthur Miller, William Inge, Lorraine Hansberry, and Edward Albee, among others. The impact of the previous modernist era contributed greatly to this period of prodigious creativity on American stages. This volume will continue through an exploration of the decline of Broadway as the center of U.S. theater in the 1960s and the evolution of regional theaters, as well as fringe and university theaters that spawned a second Golden Age at the millennium that produced another – and significantly more diverse – generation of significant dramatists including such figures as Sam Shepard, David Mamet, Maria Irené Fornes, Beth Henley, Terrence McNally, Tony Kushner, Paula Vogel, Lynn Nottage, Suzan-Lori Parks, Sarah Ruhl, and numerous others. The impact of the Great Depression and World War II profoundly influenced the development of the American stage, as did the conformist 1950s and the revolutionary 1960s on in to the complex times in which we currently live. Historical Dictionary of the Contemporary American Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 1.000 cross-referenced entries on plays, playwrights, directors, designers, actors, critics, producers, theaters, and terminology. This book is an excellent resource for students, researchers, and anyone wanting to know more about American theater.
Publisher: Rowman & Littlefield
ISBN: 1538123029
Category : Performing Arts
Languages : en
Pages : 1233
Book Description
Historical Dictionary of Contemporary American Theater. Second Edition covers theatrical practice and practitioners as well as the dramatic literature of the United States of America from 1930 to the present. The 90 years covered by this volume features the triumph of Broadway as the center of American drama from 1930 to the early 1960s through a Golden Age exemplified by the plays of Eugene O’Neill, Elmer Rice, Thornton Wilder, Lillian Hellman, Tennessee Williams, Arthur Miller, William Inge, Lorraine Hansberry, and Edward Albee, among others. The impact of the previous modernist era contributed greatly to this period of prodigious creativity on American stages. This volume will continue through an exploration of the decline of Broadway as the center of U.S. theater in the 1960s and the evolution of regional theaters, as well as fringe and university theaters that spawned a second Golden Age at the millennium that produced another – and significantly more diverse – generation of significant dramatists including such figures as Sam Shepard, David Mamet, Maria Irené Fornes, Beth Henley, Terrence McNally, Tony Kushner, Paula Vogel, Lynn Nottage, Suzan-Lori Parks, Sarah Ruhl, and numerous others. The impact of the Great Depression and World War II profoundly influenced the development of the American stage, as did the conformist 1950s and the revolutionary 1960s on in to the complex times in which we currently live. Historical Dictionary of the Contemporary American Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 1.000 cross-referenced entries on plays, playwrights, directors, designers, actors, critics, producers, theaters, and terminology. This book is an excellent resource for students, researchers, and anyone wanting to know more about American theater.