Evelyn Dunbar: A Life in Painting PDF Download

Author: Christopher Campbell-Howes
Publisher:
ISBN: 9781526205841
Category :
Languages : en
Pages : 446

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Author: Sacha Llewellyn
Publisher: Liss Llewellyn Fine Art
ISBN: 9781869827939
Category : Mural painting and decoration
Languages : en
Pages : 0

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This catalogue is published on the occasion of the exhibition at Pallant House Gallery, Chichester, West Sussex, 3 October 2015-14 February 2016.

Author:
Publisher:
ISBN: 9781910263044
Category :
Languages : en
Pages :

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Author: Gill Clarke
Publisher: Sansom Company Limited
ISBN: 9781906593803
Category : Artists
Languages : en
Pages : 0

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This is the first book on the life and career of the distinguished British artist and teacher Randolph Schwabe (1885-1948) who was Professor and Principal of the Slade School either side of the Second World War. Schwabe was known as 'a scholarly artist' and meticulous draughtsman who influenced a generation of students, yet to date little has been written about his significant contribution to the practice and spirit of twentieth-century British art. Schwabe exhibited widely and was a close friend of Charles Rennie Mackintosh and Margaret Macdonald, and also of Francis Unwin, Albert Rutherston, Muirhead Bone and others from the artistic and literary worlds. Unprecedented access to family documents together with reminiscences from his former students provide a vivid and rich record.

Author: Sacha Llewellyn
Publisher:
ISBN: 9780993088483
Category : Art, British
Languages : en
Pages : 200

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This exhibition catalogue highlights the work of a cross-section of women artists, active during the first half of the 20th century, whose work deserves more critical acclaim. Ever since Linda Nochlin asked in 1971, 'Why have there been no great women artists?', art history has been probing the female gaze. Through scholarship and exhibitions, readings have been put in place to counter prevailing assumptions that artistic creativity is primarily a masculine affair. Fifty Works by Fifty British Women functions as a corrective to the exclusion of women from the 'master' narratives of art. It introduces fifty artworks by known and lesser-known women - outstanding works that speak out. Fifty commentaries by fifty different writers bring out each artwork's unique story - sometimes from an objective art historical perspective and sometimes from an entirely personal point of view - thereby creating a rich and colourful diorama. This exhibition does not, however, attempt to present a survey or to address all the arguments around the history of women and art. Anthologies are of necessity incomplete, and many remarkable imaginations are not here represented. Women artists have been set apart from male artists not only to their own disadvantage but also to the detriment of British art. While there were some improvements for women to access an artistic career in the twentieth century in terms of patronage, economics and critical attention - all the things that confer professional status - women had the least of everything. By showcasing just a few of the remarkable works produced, this exhibition draws attention to the fact that a vision of British twentieth century art closer to a 50/50 balance would not only provide a truer account, but also a more vivid and meaningful narrative. 126 illustrations, 43 b/w

Author: Alicia Foster
Publisher: Penguin UK
ISBN: 0241962781
Category : Fiction
Languages : en
Pages : 273

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Warpaint by Alicia Foster is a compelling tale of truth and lies, tragedy and black comedy, loosely based on the lives of four painters of the time. England, 1942: a dark world of conflict, hardship and subterfuge where information is a matter of life and death and art has become a weapon. In a gothic villa deep in the woods near Bletchley Park, the 'Black' propaganda team use intelligence to make propaganda designed to demoralise the enemy. For Vivienne Thayer, employed as an artist at the villa, the war has worked out well so far, she has an indulgent husband and a new lover. And while the government quibbles over what cannot be shown officially, at the villa there are no such restrictions - but where does the subterfuge end? Meanwhile, on the Home Front, three women painters - Laura Knight, Faith Farr and Cecily Browne - have been tasked by the War Artist's Advisory Committee with recording wartime life, brightening the existence of a public starved of culture, and summoning up the bulldog spirit in their art. Together they must battle with the men in power, including Churchill himself, to control the stories that can be told. As the course of the war turns and the lives of both groups collide, each woman must ask herself what can be revealed and what must be concealed, even from those closest to them. Alicia Foster grew up in Yorkshire and lives in Kent. She has a PhD in Art History and when she's not writing herself, she teaches art students. Warpaint is her first novel.

Author: Peyton Skipwith
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848221840
Category : Graphic arts
Languages : en
Pages : 0

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This book reveals the wonderful world of painter and illustrator Edward Bawden. Some pages are beautiful, some instructive and some baffling, but together they give us an insight into the mind of one of the 20 century's most reclusive and English of artists.

Author: Christopher Neve
Publisher: Thames & Hudson
ISBN: 0500775508
Category : Art
Languages : en
Pages : 207

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Christopher Neves classic book is a journey into the imagination through the English landscape. How is it that artists, by thinking in paint, have come to regard the landscape as representing states of mind? Painting, says Neve, is a process of finding out, and landscape can be its thesis. What he is writing is not precisely art history: it is about pictures, about landscape and about thought. Over the years, he was able to have discussions with many of the thirty or so artists he focuses on, the inspiration for the book having come from his talks with Ben Nicholson; and he has immersed himself in their work, their countryside, their ideas. Because he is a painter himself, and an expert on 20th-century art, Neve is well equipped for such a journey. Few writers have conveyed more vividly the mixture of motives, emotions, unconscious forces and contradictions which culminate in the creative act of painting. Each of the thirteen chapters has a theme and explores its significance for one or more of the artists. The problem of time, for instance, is considered in relation to Paul Nash, God in relation to David Jones, music to Ivon Hitchens, hysteria to Edward Burra, abstraction to Ben Nicholson, the spirit in the mass to David Bomberg. There are also chapters about painters ideas on specific types of country: about Eric Ravilious and the chalk landscape, Joan Eardley and the sea, and Cedric Morris and the garden.

Author: Lisa Slominski
Publisher:
ISBN: 9780300260229
Category : Art
Languages : en
Pages : 400

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A global history of self-taught artists advocating for a nuanced understanding of modern and contemporary art often challenged by the establishment When the art world has paid attention to makers from outside the cultural establishment, including so-called outsider and self-taught artists, it has generally been within limiting categories. Yet these artists, including many women, people with disabilities, and people of color, have had a transformative influence on the history of modern art. Responding to growing interest in these artists, this book offers a nuanced history of their work and how it has been understood from the early twentieth century to the present day. Nonconformers includes work by well-known figures such as Henry Darger, Hilma af Klint, and Bill Traylor alongside many other artists who deserve widespread recognition. After reviewing how self-taught artists factored into key movements of twentieth-century art, the book shifts to highlighting the voices of contemporary practitioners through new interviews with artists William Scott, Mamadou Cissé, and George Widener. An international group of contributors addresses topics such as the development of the Black Folk Art movement in America and l'Art Brut in France, the creative process of self-taught artists working outside of traditional studios, and the themes of figuration, landscape, and abstraction. Global in scope and with chronological breadth, this alternative narrative is an essential introduction to the genre long known as "Outsider Art."

Author: Lynne Blackman
Publisher: Univ of South Carolina Press
ISBN: 1611179556
Category : Art
Languages : en
Pages : 432

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Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn