Author: Nabil I. Matar
Publisher: Columbia University Press
ISBN: 0231141947
Category : History
Languages : en
Pages : 343
Book Description
and Malta. From the first non-European description of Queen Elizabeth I to early accounts of Florence and Pisa in Arabic, from Tunisian descriptions of the Morisco expulsion in 1609 to the letters of a Moroccan Armenian ambassador in London, the translations of the book's second half draw on the popular and elite sources that were available to Arabs in the early modern period." "Matar notes that the Arabs of the Maghrib and the Mashriq were eager to engage Christendom, despite wars and rivalries, and hoped to establish routes of trade and alliances through treaties and royal marriages. However, the rise of an intolerant and exclusionary Christianity and the explosion of European military technology brought these advances to an end. In conclusion, Matar details the decline of Arab-Islamic power and the rise of Britain and France." --Book Jacket.
Europe Through Arab Eyes, 1578-1727
Author: Nabil I. Matar
Publisher: Columbia University Press
ISBN: 0231141947
Category : History
Languages : en
Pages : 343
Book Description
and Malta. From the first non-European description of Queen Elizabeth I to early accounts of Florence and Pisa in Arabic, from Tunisian descriptions of the Morisco expulsion in 1609 to the letters of a Moroccan Armenian ambassador in London, the translations of the book's second half draw on the popular and elite sources that were available to Arabs in the early modern period." "Matar notes that the Arabs of the Maghrib and the Mashriq were eager to engage Christendom, despite wars and rivalries, and hoped to establish routes of trade and alliances through treaties and royal marriages. However, the rise of an intolerant and exclusionary Christianity and the explosion of European military technology brought these advances to an end. In conclusion, Matar details the decline of Arab-Islamic power and the rise of Britain and France." --Book Jacket.
Publisher: Columbia University Press
ISBN: 0231141947
Category : History
Languages : en
Pages : 343
Book Description
and Malta. From the first non-European description of Queen Elizabeth I to early accounts of Florence and Pisa in Arabic, from Tunisian descriptions of the Morisco expulsion in 1609 to the letters of a Moroccan Armenian ambassador in London, the translations of the book's second half draw on the popular and elite sources that were available to Arabs in the early modern period." "Matar notes that the Arabs of the Maghrib and the Mashriq were eager to engage Christendom, despite wars and rivalries, and hoped to establish routes of trade and alliances through treaties and royal marriages. However, the rise of an intolerant and exclusionary Christianity and the explosion of European military technology brought these advances to an end. In conclusion, Matar details the decline of Arab-Islamic power and the rise of Britain and France." --Book Jacket.
Mediterranean Captivity Through Arab Eyes, 1517-1798
Author: Nabil I. Matar
Publisher: Islamic History and Civilizati
ISBN: 9789004440241
Category : History
Languages : en
Pages : 293
Book Description
Introduction: Mediterranean Captivities -- Qiṣaṣ al-Asrā, or Stories of the Captives -- Letters -- Divine Intervention: Christian and Islamic -- Conversion and Resistance -- Ransom and Return -- Captivity of Books -- Epilogue: Esclaves turcs in Sculpture -- Postscript: How Should the Sculptures Be Treated?
Publisher: Islamic History and Civilizati
ISBN: 9789004440241
Category : History
Languages : en
Pages : 293
Book Description
Introduction: Mediterranean Captivities -- Qiṣaṣ al-Asrā, or Stories of the Captives -- Letters -- Divine Intervention: Christian and Islamic -- Conversion and Resistance -- Ransom and Return -- Captivity of Books -- Epilogue: Esclaves turcs in Sculpture -- Postscript: How Should the Sculptures Be Treated?
Mapping the Ottomans
Author: Palmira Brummett
Publisher: Cambridge University Press
ISBN: 1107090776
Category : History
Languages : en
Pages : 385
Book Description
This book examines how Ottomans were mapped in the narrative and visual imagination of early modern Europe's Christian kingdoms.
Publisher: Cambridge University Press
ISBN: 1107090776
Category : History
Languages : en
Pages : 385
Book Description
This book examines how Ottomans were mapped in the narrative and visual imagination of early modern Europe's Christian kingdoms.
Islam in Britain, 1558-1685
Author: Nabil I. Matar
Publisher: Cambridge University Press
ISBN: 0521622336
Category : History
Languages : en
Pages : 240
Book Description
Examines the impact of Islam on Britain from the accession of Elizabeth to the death of Charles II.
Publisher: Cambridge University Press
ISBN: 0521622336
Category : History
Languages : en
Pages : 240
Book Description
Examines the impact of Islam on Britain from the accession of Elizabeth to the death of Charles II.
Islam, Authoritarianism, and Underdevelopment
Author: Ahmet T. Kuru
Publisher: Cambridge University Press
ISBN: 1108419097
Category : History
Languages : en
Pages : 323
Book Description
Analyzes Muslim countries' contemporary problems, particularly violence, authoritarianism, and underdevelopment, comparing their historical levels of development with Western Europe.
Publisher: Cambridge University Press
ISBN: 1108419097
Category : History
Languages : en
Pages : 323
Book Description
Analyzes Muslim countries' contemporary problems, particularly violence, authoritarianism, and underdevelopment, comparing their historical levels of development with Western Europe.
Black Morocco
Author: Chouki El Hamel
Publisher: Cambridge University Press
ISBN: 1139620045
Category : History
Languages : en
Pages : 534
Book Description
Black Morocco: A History of Slavery, Race, and Islam chronicles the experiences, identity and achievements of enslaved black people in Morocco from the sixteenth century to the beginning of the twentieth century. Chouki El Hamel argues that we cannot rely solely on Islamic ideology as the key to explain social relations and particularly the history of black slavery in the Muslim world, for this viewpoint yields an inaccurate historical record of the people, institutions and social practices of slavery in Northwest Africa. El Hamel focuses on black Moroccans' collective experience beginning with their enslavement to serve as the loyal army of the Sultan Isma'il. By the time the Sultan died in 1727, they had become a political force, making and unmaking rulers well into the nineteenth century. The emphasis on the political history of the black army is augmented by a close examination of the continuity of black Moroccan identity through the musical and cultural practices of the Gnawa.
Publisher: Cambridge University Press
ISBN: 1139620045
Category : History
Languages : en
Pages : 534
Book Description
Black Morocco: A History of Slavery, Race, and Islam chronicles the experiences, identity and achievements of enslaved black people in Morocco from the sixteenth century to the beginning of the twentieth century. Chouki El Hamel argues that we cannot rely solely on Islamic ideology as the key to explain social relations and particularly the history of black slavery in the Muslim world, for this viewpoint yields an inaccurate historical record of the people, institutions and social practices of slavery in Northwest Africa. El Hamel focuses on black Moroccans' collective experience beginning with their enslavement to serve as the loyal army of the Sultan Isma'il. By the time the Sultan died in 1727, they had become a political force, making and unmaking rulers well into the nineteenth century. The emphasis on the political history of the black army is augmented by a close examination of the continuity of black Moroccan identity through the musical and cultural practices of the Gnawa.
Europe Observed
Author: Kumkum Chatterjee
Publisher: Associated University Presse
ISBN: 9780838756942
Category : History
Languages : en
Pages : 300
Book Description
This interdisciplinary work engages with the issue of how Europe and Europeans were perceived by observers from various parts of the world during the early modern period.
Publisher: Associated University Presse
ISBN: 9780838756942
Category : History
Languages : en
Pages : 300
Book Description
This interdisciplinary work engages with the issue of how Europe and Europeans were perceived by observers from various parts of the world during the early modern period.
Luxury Arts of the Renaissance
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
The [European] Other in Medieval Arabic Literature and Culture
Author: N. Hermes
Publisher: Springer
ISBN: 1137081651
Category : Literary Criticism
Languages : en
Pages : 421
Book Description
Contrary to the monolithic impression left by postcolonial theories of Orientalism, the book makes the case that Orientals did not exist solely to be gazed at. Hermes shows that there was no shortage of medieval Muslims who cast curious eyes towards the European Other and that more than a handful of them were interested in Europe.
Publisher: Springer
ISBN: 1137081651
Category : Literary Criticism
Languages : en
Pages : 421
Book Description
Contrary to the monolithic impression left by postcolonial theories of Orientalism, the book makes the case that Orientals did not exist solely to be gazed at. Hermes shows that there was no shortage of medieval Muslims who cast curious eyes towards the European Other and that more than a handful of them were interested in Europe.
Hafsids and Habsburgs in the Early Modern Mediterranean
Author: Cristelle L. Baskins
Publisher: Springer Nature
ISBN: 3031050797
Category : History
Languages : en
Pages : 330
Book Description
This book explores an anonymous sixteenth-century portrait of Muley al-Hassan, the Hafsid king of Tunis (ca. 1528–1550), that bears witness to relations between North Africa, the Habsburgs, and the Ottomans. While Muley al-Hassan appears frequently in the vast literature on Charles V Habsburg, he is overshadowed by the emperor. Here he emerges as a protagonist, a figure whose shifting reputation can be traced well into the seventeenth century. Images of the King of Tunis circulated in broadsheets, ephemeral images made for triumphal entries, manuscripts, tapestry designs, engravings, and books. The ceaseless production of Tunisian imagery allowed Europeans to face their North African counterparts through scenes of battle but also through imaginary encounters and festive cross-dressing. This book shows how portraits of Hafsid rulers challenge assumptions about the absolute divide between Christian and Muslim, sovereign and subject, the familiar and the foreign, and they put a face on the entangled histories of the early modern Mediterranean.
Publisher: Springer Nature
ISBN: 3031050797
Category : History
Languages : en
Pages : 330
Book Description
This book explores an anonymous sixteenth-century portrait of Muley al-Hassan, the Hafsid king of Tunis (ca. 1528–1550), that bears witness to relations between North Africa, the Habsburgs, and the Ottomans. While Muley al-Hassan appears frequently in the vast literature on Charles V Habsburg, he is overshadowed by the emperor. Here he emerges as a protagonist, a figure whose shifting reputation can be traced well into the seventeenth century. Images of the King of Tunis circulated in broadsheets, ephemeral images made for triumphal entries, manuscripts, tapestry designs, engravings, and books. The ceaseless production of Tunisian imagery allowed Europeans to face their North African counterparts through scenes of battle but also through imaginary encounters and festive cross-dressing. This book shows how portraits of Hafsid rulers challenge assumptions about the absolute divide between Christian and Muslim, sovereign and subject, the familiar and the foreign, and they put a face on the entangled histories of the early modern Mediterranean.