Author: John Gillespie
Publisher: Courier Corporation
ISBN: 9780486234472
Category : Music
Languages : en
Pages : 374
Book Description
Difficult-to-find études, toccatas, polkas, impromptus, waltzes, etc., by Albéniz, Bizet, Chabrier, Fauré, Smetana, Richard Strauss, Wagner, and 16 other composers. 62 pieces.
Nineteenth-century European piano music
Author: John Gillespie
Publisher: Courier Corporation
ISBN: 9780486234472
Category : Music
Languages : en
Pages : 374
Book Description
Difficult-to-find études, toccatas, polkas, impromptus, waltzes, etc., by Albéniz, Bizet, Chabrier, Fauré, Smetana, Richard Strauss, Wagner, and 16 other composers. 62 pieces.
Publisher: Courier Corporation
ISBN: 9780486234472
Category : Music
Languages : en
Pages : 374
Book Description
Difficult-to-find études, toccatas, polkas, impromptus, waltzes, etc., by Albéniz, Bizet, Chabrier, Fauré, Smetana, Richard Strauss, Wagner, and 16 other composers. 62 pieces.
Edward MacDowell’s European Piano Music
Author: Paul Bertagnolli
Publisher: Taylor & Francis
ISBN: 1040104762
Category : Music
Languages : en
Pages : 487
Book Description
Edward MacDowell’s European Piano Music is a critical study of the piano music that MacDowell composed during his European sojourn (1876–1888), steeped in reception history and with a special emphasis of programmaticism. The book expands current knowledge of MacDowell’s childhood in four of the chapters based on his previously uninvestigated sheet music collection, thereby achieving a better balance among the stages of MacDowell’s life than is evident in most books of the life-and-works variety. Prolific contemporaneous music criticism, meticulously preserved in MacDowell’s scrapbooks, is likewise undervalued in the MacDowell literature, but it furnishes penetrating observations about the expressive and programmatic content of numerous compositions, especially as it was revealed to critics when MacDowell performed his own works. Lastly, the book offers explanations for why MacDowell immersed himself in European culture for decades and then, at a crucial juncture in his career, embraced diverse American heritages and worked toward a conception of a pluralistic music that was American “in a creative sense.” The book’s content and methodology would appeal most directly to specialists within the broad fields of musicology and music theory, particularly within American art music and its composers; nineteenth-century music; program music; reception history; and piano literature.
Publisher: Taylor & Francis
ISBN: 1040104762
Category : Music
Languages : en
Pages : 487
Book Description
Edward MacDowell’s European Piano Music is a critical study of the piano music that MacDowell composed during his European sojourn (1876–1888), steeped in reception history and with a special emphasis of programmaticism. The book expands current knowledge of MacDowell’s childhood in four of the chapters based on his previously uninvestigated sheet music collection, thereby achieving a better balance among the stages of MacDowell’s life than is evident in most books of the life-and-works variety. Prolific contemporaneous music criticism, meticulously preserved in MacDowell’s scrapbooks, is likewise undervalued in the MacDowell literature, but it furnishes penetrating observations about the expressive and programmatic content of numerous compositions, especially as it was revealed to critics when MacDowell performed his own works. Lastly, the book offers explanations for why MacDowell immersed himself in European culture for decades and then, at a crucial juncture in his career, embraced diverse American heritages and worked toward a conception of a pluralistic music that was American “in a creative sense.” The book’s content and methodology would appeal most directly to specialists within the broad fields of musicology and music theory, particularly within American art music and its composers; nineteenth-century music; program music; reception history; and piano literature.
Europäische Klavierschule
Author: Fritz Emonts
Publisher:
ISBN: 9783795724238
Category : Music
Languages : de
Pages : 0
Book Description
(Piano Collection). Following the very successful piano method published in two volumes between 1958 and 1962, the three-volume "European Piano Method" represents a new textbook which takes into account the development of modern piano pedagogy. 7 Winning Features of the Emonts Method: 1 Songs from many European countries 2 Pupils begin to play without music notation 3 Improvisation and playing on the black keys 4 Development of listening skills and aural awareness 5 Simple and logical learning structure 6 Lots of duets 7 Attractive full-colour illustrations Volume 2 While the first volume of "The European Piano Method" introduces the basic principles of playing the piano, Volume 2 is concerned with extending technical and musical training. The course begins with the theme of 'Phrasing and Articulation'. This is followed by a series of pieces arranged systematically to give practice of playing in different keys (3 sharps to 3 flats) and so to improve reading skills and increase familiarity with the keyboard. Together with major and minor scales, the corresponding cadences are introduced which can be varied in many different playing styles. Parallel to this there is granded practice material for playing scales and to develop 'Velocity and Even Playing'. In this way students gradually reach a technical standart that allows 'artistic' work on expression and musical interpretation to begin. This development of musicianship starts with the use of pedal and an introduction to cantabile, which will be taken further in Volume 3. Again, playing by ear, inventing accompaniements, experimenting with timbres and chords, and composing little pieces should constantly supplement lessons. In the appendix of Volume 2, the author offers some idea, though he has consciously left much to the individual approach of the teacher.
Publisher:
ISBN: 9783795724238
Category : Music
Languages : de
Pages : 0
Book Description
(Piano Collection). Following the very successful piano method published in two volumes between 1958 and 1962, the three-volume "European Piano Method" represents a new textbook which takes into account the development of modern piano pedagogy. 7 Winning Features of the Emonts Method: 1 Songs from many European countries 2 Pupils begin to play without music notation 3 Improvisation and playing on the black keys 4 Development of listening skills and aural awareness 5 Simple and logical learning structure 6 Lots of duets 7 Attractive full-colour illustrations Volume 2 While the first volume of "The European Piano Method" introduces the basic principles of playing the piano, Volume 2 is concerned with extending technical and musical training. The course begins with the theme of 'Phrasing and Articulation'. This is followed by a series of pieces arranged systematically to give practice of playing in different keys (3 sharps to 3 flats) and so to improve reading skills and increase familiarity with the keyboard. Together with major and minor scales, the corresponding cadences are introduced which can be varied in many different playing styles. Parallel to this there is granded practice material for playing scales and to develop 'Velocity and Even Playing'. In this way students gradually reach a technical standart that allows 'artistic' work on expression and musical interpretation to begin. This development of musicianship starts with the use of pedal and an introduction to cantabile, which will be taken further in Volume 3. Again, playing by ear, inventing accompaniements, experimenting with timbres and chords, and composing little pieces should constantly supplement lessons. In the appendix of Volume 2, the author offers some idea, though he has consciously left much to the individual approach of the teacher.
Ecole de Musique en Europe
Author: European Union of Music Schools
Publisher:
ISBN:
Category : Conservatories of music
Languages : en
Pages : 268
Book Description
Publisher:
ISBN:
Category : Conservatories of music
Languages : en
Pages : 268
Book Description
European Music Catalogue
Author:
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 668
Book Description
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 668
Book Description
The European Piano Method - Volume 1
Author: Fritz Emonts
Publisher: Schott
ISBN: 9783795753245
Category : Juvenile Nonfiction
Languages : en
Pages : 0
Book Description
(Schott). Here, the printed music is intended primarily for the teacher who will play through the exercises. The pupil plays from memory rather than from the book.
Publisher: Schott
ISBN: 9783795753245
Category : Juvenile Nonfiction
Languages : en
Pages : 0
Book Description
(Schott). Here, the printed music is intended primarily for the teacher who will play through the exercises. The pupil plays from memory rather than from the book.
The black crook waltzes
Notes
Author: Music Library Association
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 536
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 536
Book Description
Nationalism and Private Law in Europe
Author: Guido Comparato
Publisher: Bloomsbury Publishing
ISBN: 1782253866
Category : Law
Languages : en
Pages : 334
Book Description
While the internationalisation of society has stimulated the emergence of common legal frameworks to coordinate transnational social relations, private law itself is firmly rooted in national law. European integration processes have altered this state of affairs to a limited degree with a few, albeit groundbreaking, interventions that have tended to engender resistance from various actors within European nation-states. Against that background, this book takes as its point of departure the need to understand the process of legal denationalisation within broader political frameworks. In particular it seeks to make sense of opposition to Europeanisation at this point in the evolution of European law when, despite growing nationalist attitudes, great efforts have been made to produce comprehensive legal instruments to synthesise general contract law - an area that has traditionally been solely within the ambit of nation-states. Combining insights from the disciplines of law, history and political science, the book investigates the conceptual and cultural associations between law and the nation-state, examines the impact of nationalist ideas in modern legal thought and reveals the nationalist underpinnings of some of the arguments employed against and, somewhat paradoxically, even in support of legal Europeanisation. The author's research for this book has been supported by the Hague Institute for the Internationalisation of Law.
Publisher: Bloomsbury Publishing
ISBN: 1782253866
Category : Law
Languages : en
Pages : 334
Book Description
While the internationalisation of society has stimulated the emergence of common legal frameworks to coordinate transnational social relations, private law itself is firmly rooted in national law. European integration processes have altered this state of affairs to a limited degree with a few, albeit groundbreaking, interventions that have tended to engender resistance from various actors within European nation-states. Against that background, this book takes as its point of departure the need to understand the process of legal denationalisation within broader political frameworks. In particular it seeks to make sense of opposition to Europeanisation at this point in the evolution of European law when, despite growing nationalist attitudes, great efforts have been made to produce comprehensive legal instruments to synthesise general contract law - an area that has traditionally been solely within the ambit of nation-states. Combining insights from the disciplines of law, history and political science, the book investigates the conceptual and cultural associations between law and the nation-state, examines the impact of nationalist ideas in modern legal thought and reveals the nationalist underpinnings of some of the arguments employed against and, somewhat paradoxically, even in support of legal Europeanisation. The author's research for this book has been supported by the Hague Institute for the Internationalisation of Law.
What Makes Music European
Author: Marcello Sorce Keller
Publisher: Scarecrow Press
ISBN: 0810876736
Category : Music
Languages : en
Pages : 333
Book Description
We seldom consider how much we mistakenly presume in hewing to definitions of music that differ dramatically from the standpoint of other cultures. In What Makes Music European, Marcello Sorce Keller examines the limitations of accepted wisdom about the concept of music in Euro-Western culture. His investigations of the conclusions reached by music researchers of the past several decades considerably upsets the concepts relied upon by the concert-going public. Sorce Keller insightfully asks: Who makes the music? Should music be original, and how much can it be? Why do people identify with songs, pieces, styles, and repertoire? Why is music so ideological? Why do we misunderstand the music of different times and places, and why do we enjoy doing so? He also explores the juxtaposition of economy, society, and music making, as well as the concept of "illegal harmonies." In What Makes Music European, Sorce Keller addresses the little-discussed matters that are essential to an understanding of how music intersects with the life of so many people. Readers are offered an approach for thinking about music that depends as much on its history as on the concepts and attitudes of the social sciences. What Makes Music European concisely demonstrates, to those familiar with Western music, how peculiar Euro-Western concepts of music appear from a cross-cultural perspective. At the same time, it encourages ethnomusicologists to apply their knowledge to Western music and explain to its public how much of what listeners take for granted is, at the very least, highly debatable.
Publisher: Scarecrow Press
ISBN: 0810876736
Category : Music
Languages : en
Pages : 333
Book Description
We seldom consider how much we mistakenly presume in hewing to definitions of music that differ dramatically from the standpoint of other cultures. In What Makes Music European, Marcello Sorce Keller examines the limitations of accepted wisdom about the concept of music in Euro-Western culture. His investigations of the conclusions reached by music researchers of the past several decades considerably upsets the concepts relied upon by the concert-going public. Sorce Keller insightfully asks: Who makes the music? Should music be original, and how much can it be? Why do people identify with songs, pieces, styles, and repertoire? Why is music so ideological? Why do we misunderstand the music of different times and places, and why do we enjoy doing so? He also explores the juxtaposition of economy, society, and music making, as well as the concept of "illegal harmonies." In What Makes Music European, Sorce Keller addresses the little-discussed matters that are essential to an understanding of how music intersects with the life of so many people. Readers are offered an approach for thinking about music that depends as much on its history as on the concepts and attitudes of the social sciences. What Makes Music European concisely demonstrates, to those familiar with Western music, how peculiar Euro-Western concepts of music appear from a cross-cultural perspective. At the same time, it encourages ethnomusicologists to apply their knowledge to Western music and explain to its public how much of what listeners take for granted is, at the very least, highly debatable.