Author: EuripidesPublisher:
ISBN:
Category :
Languages : en
Pages : 186
Book Description
Euripidou Mēdeia. The Medea of Euripides, with intr. and explanatory notes by J.H. Hogan
Author: EuripidesEuripidou Mēdeia
Author: EuripidesEuripidou Mēdeia. The Medea of Euripides, ed. by A.W. Verall. (Sch.-ed.).
Author: EuripidesEuripidou Mēdeia [romanized form]
![Euripidou Mēdeia [romanized form] PDF](https://books.google.com/books/content/images/frontcover/nn0CAAAAQAAJ?fife=w80-h100)
Author: EuripidesPublisher:
ISBN:
Category : Greek drama (Tragedy).
Languages : en
Pages : 216
Book Description
Euripidou Bakchai
Author: EuripidesPublisher:
ISBN:
Category : Bacchantes
Languages : en
Pages : 254
Book Description
Euripidou Alkēstis
Author: EuripidesPublisher:
ISBN:
Category : Alcestis (Greek mythology)
Languages : en
Pages : 264
Book Description
Euripidou Ion
Author: EuripidesPublisher:
ISBN:
Category : Apollo (Greek deity)
Languages : en
Pages : 208
Book Description
Nineteenth Century Short Title Catalogue
Author: Avero Publications LimitedPublisher:
ISBN: 9780907977315
Category : Reference
Languages : en
Pages : 632
Book Description
Euripidou Hippolytos
Author: EuripidesGreek Tragic Women on Shakespearean Stages
Author: Tanya PollardPublisher: Oxford University Press
ISBN: 0192511610
Category : Literary Criticism
Languages : en
Pages : 342
Book Description
Greek Tragic Women on Shakespearean Stages argues that ancient Greek plays exerted a powerful and uncharted influence on early modern England's dramatic landscape. Drawing on original research to challenge longstanding assumptions about Greek texts' invisibility, the book shows not only that the plays were more prominent than we have believed, but that early modern readers and audiences responded powerfully to specific plays and themes. The Greek plays most popular in the period were not male-centered dramas such as Sophocles' Oedipus, but tragedies by Euripides that focused on raging bereaved mothers and sacrificial virgin daughters, especially Hecuba and Iphigenia. Because tragedy was firmly linked with its Greek origin in the period's writings, these iconic female figures acquired a privileged status as synecdoches for the tragic theater and its ability to conjure sympathetic emotions in audiences. When Hamlet reflects on the moving power of tragic performance, he turns to the most prominent of these figures: 'What's Hecuba to him, or he to Hecuba/ That he should weep for her?' Through readings of plays by Shakespeare and his contemporary dramatists, this book argues that newly visible Greek plays, identified with the origins of theatrical performance and represented by passionate female figures, challenged early modern writers to reimagine the affective possibilities of tragedy, comedy, and the emerging genre of tragicomedy.