Author: Matthew Wright
Publisher: OUP Oxford
ISBN: 0191534455
Category : Literary Criticism
Languages : en
Pages : 442
Book Description
This is the first major critical study of three late plays of Euripides: Helen, Andromeda and Iphigenia among the Taurians. Matthew Wright offers a sustained reading of the plays, arguing that they are a thematically connected trilogy. He re-examines central themes such as myth, geography, cultural identity, philosophy, religion, and (crucially) genre. These are not separate topics, but are seen as being joined together to form an intricate nexus of ideas. The book has implications for our view of Euripides and the tragic genre as a whole.
Euripides' Escape-Tragedies
Author: Matthew Wright
Publisher: OUP Oxford
ISBN: 0191534455
Category : Literary Criticism
Languages : en
Pages : 442
Book Description
This is the first major critical study of three late plays of Euripides: Helen, Andromeda and Iphigenia among the Taurians. Matthew Wright offers a sustained reading of the plays, arguing that they are a thematically connected trilogy. He re-examines central themes such as myth, geography, cultural identity, philosophy, religion, and (crucially) genre. These are not separate topics, but are seen as being joined together to form an intricate nexus of ideas. The book has implications for our view of Euripides and the tragic genre as a whole.
Publisher: OUP Oxford
ISBN: 0191534455
Category : Literary Criticism
Languages : en
Pages : 442
Book Description
This is the first major critical study of three late plays of Euripides: Helen, Andromeda and Iphigenia among the Taurians. Matthew Wright offers a sustained reading of the plays, arguing that they are a thematically connected trilogy. He re-examines central themes such as myth, geography, cultural identity, philosophy, religion, and (crucially) genre. These are not separate topics, but are seen as being joined together to form an intricate nexus of ideas. The book has implications for our view of Euripides and the tragic genre as a whole.
Euripides' Escape-Tragedies
Author: Matthew Wright
Publisher: Oxford University Press, USA
ISBN: 0199274517
Category : Drama
Languages : en
Pages : 442
Book Description
Table of contents
Publisher: Oxford University Press, USA
ISBN: 0199274517
Category : Drama
Languages : en
Pages : 442
Book Description
Table of contents
Euripides' Escape-tragedies
Author: Matthew Ephraim Wright
Publisher:
ISBN:
Category :
Languages : en
Pages : 433
Book Description
"This book is the first major critical study of three late (and much-maligned) plays of Euripides. It offers a fresh reading of the plays, which has important implications for the way in which we read not only Euripidean tragedy but also tragedy in general. It deliberately reacts against the unexamined preconceptions on which much existing criticism is based. It also argues at length that the escape-tragedies were produced as a thematically connected trilogy in 412 B.C." "The 'escape-tragedies' (Helen, Iphigenia among the Taurians, and the fragmentary Andromeda) have for a long time been neglected or misunderstood. Critics have tended to find them puzzling, unsatisfactory, or even 'un-tragic'. Matthew Wright re-evaluates the escape tragedies and argues that they are to be taken seriously as a major dramatic and intellectual achievement. In particular, he explores exactly what it means to say that a play is, or is not, 'tragic', and assesses the way in which genre affects our understanding of the plays."--Résumé de l'éditeur.
Publisher:
ISBN:
Category :
Languages : en
Pages : 433
Book Description
"This book is the first major critical study of three late (and much-maligned) plays of Euripides. It offers a fresh reading of the plays, which has important implications for the way in which we read not only Euripidean tragedy but also tragedy in general. It deliberately reacts against the unexamined preconceptions on which much existing criticism is based. It also argues at length that the escape-tragedies were produced as a thematically connected trilogy in 412 B.C." "The 'escape-tragedies' (Helen, Iphigenia among the Taurians, and the fragmentary Andromeda) have for a long time been neglected or misunderstood. Critics have tended to find them puzzling, unsatisfactory, or even 'un-tragic'. Matthew Wright re-evaluates the escape tragedies and argues that they are to be taken seriously as a major dramatic and intellectual achievement. In particular, he explores exactly what it means to say that a play is, or is not, 'tragic', and assesses the way in which genre affects our understanding of the plays."--Résumé de l'éditeur.
Euripides' Escape-tragedies
Author: Matthew Ephraim Wright
Publisher:
ISBN: 9781435623057
Category : Literary Criticism
Languages : en
Pages : 442
Book Description
"This is a study of three late plays of Euripides: Helen, Andromeda and Iphigenia among the Taurians. This book examines central themes such as myth, geography, cultural identity, philosophy, religion, and genre. Matthew Wright presents a new interpretation of the plays, arguing that they are a thematically connected trilogy"--Provided by publisher.
Publisher:
ISBN: 9781435623057
Category : Literary Criticism
Languages : en
Pages : 442
Book Description
"This is a study of three late plays of Euripides: Helen, Andromeda and Iphigenia among the Taurians. This book examines central themes such as myth, geography, cultural identity, philosophy, religion, and genre. Matthew Wright presents a new interpretation of the plays, arguing that they are a thematically connected trilogy"--Provided by publisher.
Pollution and Crisis in Greek Tragedy
Author: Fabian Meinel
Publisher: Cambridge University Press
ISBN: 1316240169
Category : History
Languages : en
Pages : 293
Book Description
Pollution is ubiquitous in Greek tragedy: matricidal Orestes seeks purification at Apollo's shrine in Delphi; carrion from Polyneices' unburied corpse fills the altars of Thebes; delirious Phaedra suffers from a 'pollution of the mind'. This book undertakes the first detailed analysis of the important role which pollution and its counterparts - purity and purification - play in tragedy. It argues that pollution is central in the negotiation of tragic crises, fulfilling a diverse array of functions by virtue of its qualities and associations, from making sense of adversity to configuring civic identity in the encounter of self and other. While primarily a literary study providing close readings of several key plays, the book also provides important new perspectives on pollution. It will appeal to a broad range of scholars and students not only in classics and literary studies, but also in the study of religions and anthropology.
Publisher: Cambridge University Press
ISBN: 1316240169
Category : History
Languages : en
Pages : 293
Book Description
Pollution is ubiquitous in Greek tragedy: matricidal Orestes seeks purification at Apollo's shrine in Delphi; carrion from Polyneices' unburied corpse fills the altars of Thebes; delirious Phaedra suffers from a 'pollution of the mind'. This book undertakes the first detailed analysis of the important role which pollution and its counterparts - purity and purification - play in tragedy. It argues that pollution is central in the negotiation of tragic crises, fulfilling a diverse array of functions by virtue of its qualities and associations, from making sense of adversity to configuring civic identity in the encounter of self and other. While primarily a literary study providing close readings of several key plays, the book also provides important new perspectives on pollution. It will appeal to a broad range of scholars and students not only in classics and literary studies, but also in the study of religions and anthropology.
A Commentary on Euripides' Iphigenia in Tauris
Author: Poulheria Kyriakou
Publisher: Walter de Gruyter
ISBN: 3110926601
Category : Drama
Languages : en
Pages : 517
Book Description
This work is the first major commentary on Euripides' Iphigenia in Tauris to appear in English in more than 65 years. It offers detailed analysis of a fascinating play that scholars so far had considered mainly as a source of information about Athenian cult and viewed as a romantic adventure story with happy end. Apart from including sober assessments of textual, linguistic and metrical problems, the commentary sheds new light on the play’s treatment of myth, its intricate structure, presentation of character, and place in Euripides’ work. In particular it offers fresh insights into the play’s relationship to the literary tradition, especially its treatment of the crimes of the Pelopids, and its presentation of the complex, ambiguous relationship of humans and gods as well as that of Greeks and barbarians. Unlike most other tragedies, Iphigenia in Tauris does not feature any villain and avoids concentrating on past crimes and their corrosive influence on the characters’ present. The Taurians are not portrayed simply as savage and slow barbarians and Iphigenia, the most intelligent character, fails to transcend her limitations. Religion and cult in both myth and contemporary Athens are a mixture of traditional and invented elements and the play as a whole turns out to be an intriguing and unique experiment in Euripides’ career.
Publisher: Walter de Gruyter
ISBN: 3110926601
Category : Drama
Languages : en
Pages : 517
Book Description
This work is the first major commentary on Euripides' Iphigenia in Tauris to appear in English in more than 65 years. It offers detailed analysis of a fascinating play that scholars so far had considered mainly as a source of information about Athenian cult and viewed as a romantic adventure story with happy end. Apart from including sober assessments of textual, linguistic and metrical problems, the commentary sheds new light on the play’s treatment of myth, its intricate structure, presentation of character, and place in Euripides’ work. In particular it offers fresh insights into the play’s relationship to the literary tradition, especially its treatment of the crimes of the Pelopids, and its presentation of the complex, ambiguous relationship of humans and gods as well as that of Greeks and barbarians. Unlike most other tragedies, Iphigenia in Tauris does not feature any villain and avoids concentrating on past crimes and their corrosive influence on the characters’ present. The Taurians are not portrayed simply as savage and slow barbarians and Iphigenia, the most intelligent character, fails to transcend her limitations. Religion and cult in both myth and contemporary Athens are a mixture of traditional and invented elements and the play as a whole turns out to be an intriguing and unique experiment in Euripides’ career.
Adventures with Iphigenia in Tauris
Author: Edith Hall
Publisher: Oxford University Press (UK)
ISBN: 0195392892
Category : Drama
Languages : en
Pages : 416
Book Description
This book presents a cultural history of the Greek tragedy and its influence on subsequent Greek and Roman art and literature.
Publisher: Oxford University Press (UK)
ISBN: 0195392892
Category : Drama
Languages : en
Pages : 416
Book Description
This book presents a cultural history of the Greek tragedy and its influence on subsequent Greek and Roman art and literature.
A Commentary on Euripides' Iphigenia in Tauris
Author: Poulheria Kyriakou
Publisher: Walter de Gruyter
ISBN: 9783110190991
Category : Drama
Languages : en
Pages : 524
Book Description
This work is the first major commentary on Euripides' Iphigenia in Tauris to appear in English in more than 65 years. It offers detailed analysis of a fascinating play that scholars so far had considered mainly as a source of information about Athenian cult and viewed as a romantic adventure story with happy end. Apart from including sober assessments of textual, linguistic and metrical problems, the commentary sheds new light on the play's treatment of myth, its intricate structure, presentation of character, and place in Euripides' work. In particular it offers fresh insights into the play's relationship to the literary tradition, especially its treatment of the crimes of the Pelopids, and its presentation of the complex, ambiguous relationship of humans and gods as well as that of Greeks and barbarians. Unlike most other tragedies, Iphigenia in Tauris does not feature any villain and avoids concentrating on past crimes and their corrosive influence on the characters' present. The Taurians are not portrayed simply as savage and slow barbarians and Iphigenia, the most intelligent character, fails to transcend her limitations. Religion and cult in both myth and contemporary Athens are a mixture of traditional and invented elements and the play as a whole turns out to be an intriguing and unique experiment in Euripides' career.
Publisher: Walter de Gruyter
ISBN: 9783110190991
Category : Drama
Languages : en
Pages : 524
Book Description
This work is the first major commentary on Euripides' Iphigenia in Tauris to appear in English in more than 65 years. It offers detailed analysis of a fascinating play that scholars so far had considered mainly as a source of information about Athenian cult and viewed as a romantic adventure story with happy end. Apart from including sober assessments of textual, linguistic and metrical problems, the commentary sheds new light on the play's treatment of myth, its intricate structure, presentation of character, and place in Euripides' work. In particular it offers fresh insights into the play's relationship to the literary tradition, especially its treatment of the crimes of the Pelopids, and its presentation of the complex, ambiguous relationship of humans and gods as well as that of Greeks and barbarians. Unlike most other tragedies, Iphigenia in Tauris does not feature any villain and avoids concentrating on past crimes and their corrosive influence on the characters' present. The Taurians are not portrayed simply as savage and slow barbarians and Iphigenia, the most intelligent character, fails to transcend her limitations. Religion and cult in both myth and contemporary Athens are a mixture of traditional and invented elements and the play as a whole turns out to be an intriguing and unique experiment in Euripides' career.
The Lessons of Tragedy
Author: Hal Brands
Publisher: Yale University Press
ISBN: 0300244924
Category : Political Science
Languages : en
Pages : 183
Book Description
A “brilliant” examination of American complacency and how it puts the nation’s—and the world’s—security at risk (The Wall Street Journal). The ancient Greeks hard-wired a tragic sensibility into their culture. By looking disaster squarely in the face, by understanding just how badly things could spiral out of control, they sought to create a communal sense of responsibility and courage—to spur citizens and their leaders to take the difficult actions necessary to avert such a fate. Today, after more than seventy years of great-power peace and a quarter-century of unrivaled global leadership, Americans have lost their sense of tragedy. They have forgotten that the descent into violence and war has been all too common throughout human history. This amnesia has become most pronounced just as Americans and the global order they created are coming under graver threat than at any time in decades. In a forceful argument that brims with historical sensibility and policy insights, two distinguished historians argue that a tragic sensibility is necessary if America and its allies are to address the dangers that menace the international order today. Tragedy may be commonplace, Brands and Edel argue, but it is not inevitable—so long as we regain an appreciation of the world’s tragic nature before it is too late. “Literate and lucid—sure to interest to readers of Fukuyama, Huntington, and similar authors as well as students of modern realpolitik.” —Kirkus Reviews
Publisher: Yale University Press
ISBN: 0300244924
Category : Political Science
Languages : en
Pages : 183
Book Description
A “brilliant” examination of American complacency and how it puts the nation’s—and the world’s—security at risk (The Wall Street Journal). The ancient Greeks hard-wired a tragic sensibility into their culture. By looking disaster squarely in the face, by understanding just how badly things could spiral out of control, they sought to create a communal sense of responsibility and courage—to spur citizens and their leaders to take the difficult actions necessary to avert such a fate. Today, after more than seventy years of great-power peace and a quarter-century of unrivaled global leadership, Americans have lost their sense of tragedy. They have forgotten that the descent into violence and war has been all too common throughout human history. This amnesia has become most pronounced just as Americans and the global order they created are coming under graver threat than at any time in decades. In a forceful argument that brims with historical sensibility and policy insights, two distinguished historians argue that a tragic sensibility is necessary if America and its allies are to address the dangers that menace the international order today. Tragedy may be commonplace, Brands and Edel argue, but it is not inevitable—so long as we regain an appreciation of the world’s tragic nature before it is too late. “Literate and lucid—sure to interest to readers of Fukuyama, Huntington, and similar authors as well as students of modern realpolitik.” —Kirkus Reviews
Tragedy on the Comic Stage
Author: Matthew C. Farmer
Publisher: Oxford University Press
ISBN: 0190492074
Category : Drama
Languages : en
Pages : 289
Book Description
Aristophanes' engagement with tragedy is one of the most striking features of his comedies. Tragedy on the Comic Stage contextualizes this engagement with tragedy within Greek comedy as a genre by examining paratragedy in the fragments of Aristophanes' contemporaries and successors in the fifth and fourth centuries.
Publisher: Oxford University Press
ISBN: 0190492074
Category : Drama
Languages : en
Pages : 289
Book Description
Aristophanes' engagement with tragedy is one of the most striking features of his comedies. Tragedy on the Comic Stage contextualizes this engagement with tragedy within Greek comedy as a genre by examining paratragedy in the fragments of Aristophanes' contemporaries and successors in the fifth and fourth centuries.